Nov 9, 2026

Notice: About Recent Slower Generation Speeds and Limited Computing Resources — Dear PixAI Community, Thank you for your continued love and support for PixAI. Recently, generation speeds on PixAI have…

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千災

Diterbitkan pada Nov 9, 2026

千災

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character: ye_shunguang, copyright: zenless_zone_zero 1girl, solo, ye_shunguang, long_hair, very_long_hair, brown_hair, white_hairband, hairband, hair_ornament, hair_intakes, animal_ears, droopy_ears, red_eyes, nude_apron, naked_apron, apron_only, bare_shoulders, bare_arms, bare_legs, collarbone, huge_breasts, k_cup, extremely_large_breasts, soft_breasts, nipples, nipple_bumps_through_fabric, covered_nipples, narrow_waist, wide_hips, curvy, hourglass_figure, thick_thighs, fair_skin, porcelain_skin, translucent_skin, glowing_skin, blush, light_blush, averting_gaze, looking_away, looking_to_the_side, embarrassed, shy, standing, contrapposto, from_below, cowboy_shot, dutch_angle, interior, warm_lamp_light, single_light_source, From a low, slightly tilted angle in a narrow wooden-floored room, a single figure stands alone in the frame, one woman with very long brown hair that falls past her hips. A white hairband crosses the crown of her head, and two soft, droopy animal ears rise beside it, their tips catching the lamplight; long strands escape the band and hang in front of her shoulders and down her back, swaying a little with her weight. Her eyes are red, and they are turned away — she looks off to her right, past the frame edge, chin pulled slightly down and to the side, her lashes lowered, her lips pressed together at one corner. A faint blush spreads across both cheeks and warms the tips of her ears. She faces the camera at a three-quarter turn, hips swung to her left, weight carried on her left leg while her right knee bends and her right heel lifts slightly off the boards. Her left hand rests at the knot of a pale apron tied at her waist, fingers curled around the strap; her right hand hangs low and grazes the apron's hem at her thigh. The apron is the only garment: a thin, cream-white bib apron whose neck strap crosses behind her neck, bare shoulders and bare arms above it, the apron's fabric hanging open at her sides so her hips and the outer curve of her thighs show past its edges, bare legs below the hem. The apron's bib is pulled taut across her chest, and the pale cloth is pressed thin by the sheer volume beneath it, so the fabric molds the heavy lower curves and draws a shallow valley between them; near the front of the cloth two small tight points press the fabric up into visible bumps, each with a subtle shadow beneath it. Her waist pinches in sharply above the apron's waist ties, and the ties sit wide across her hips, the apron's skirt flaring over the swell of her hips and dropping away in a curve that leaves the outline of her silhouette plainly readable — narrow at the waist, wide at the hips, an exaggerated hourglass, notice the apron's hem hangs plumb-straight while the hip beneath it bows the cloth outward. The room is small and plain: a wooden floor with visible board seams running diagonally toward the lower right, a wall of pale plaster behind her. A single warm lamp stands out of frame to her left; it is the only light source, and it rakes across her from the left, brightening the top of her left shoulder, the ridge of her collarbone, the front of the apron's bib and one side of her cheek and hair, while her right side and the right-hand wall fall into a soft brown darkness; her cast shadow slides across the floorboards to the right, and the floorboard seams break that shadow at each raised edge. The palette holds to cream, warm brown wood, soft skin tones and the red of her eyes and the faint flush on her cheeks, nothing else admitted. Her posture reads as shrinking: shoulders drawn slightly forward, head turned aside, the hand at her waist knot tugging the strap a fraction tighter, as though she would rather be looking anywhere else. Quiet, flustered.

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