Nov 9, 2026

Notice: About Recent Slower Generation Speeds and Limited Computing Resources — Dear PixAI Community, Thank you for your continued love and support for PixAI. Recently, generation speeds on PixAI have…

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千災

Diterbitkan pada Nov 9, 2026

千災

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character: tsukishiro_yanagi, copyright: zenless_zone_zero 1girl, solo, tsukishiro_yanagi, pink hair, long hair, hair between eyes, sidelocks, ring hair ornament, pink eyes, glasses, lying on back, on sofa, arms spread, outstretched arms, open arms, inviting, welcoming, from above, foreshortening, work shirt, white dress shirt completely unbuttoned, shirt pulled open, bare shoulders, bare skin, large breasts, wide hips, hourglass figure, visible waistline, waist curve, black pencil skirt hiked up, black gloves, black gloves on both hands, thighs, bare legs, head tilted back, looking at viewer, half-closed eyes, heavy-lidded, lewd face, ahegao, tongue out, flushed cheeks, blush, trembling lips, happy expression, cute, open mouth, teeth, drool, sweat, messy hair, hair spread on cushion, transparent skin, luminous skin, glossy skin, soft subsurface glow, warm intimate lighting, sensual The camera looks down from above and slightly in front, at a foreshortened angle along her body: her head rests at the upper-left of the frame with her pink hair fanned out across a dark charcoal sofa cushion, one sidelock falling away over the edge, and her long body recedes down the frame toward the lower-right with her hips and raised knees closer to the lens. She lies flat on her back along the length of a deep-seated sofa, her spine arched a little so the cushion compresses under her shoulder blades and hips, one hip rolled slightly higher than the other so the waistline curve shows as a long S from ribs to the crest of her hip; both knees bent and parted, her feet out of frame at the bottom edge. Both arms are thrown wide open toward the viewer, elbows half-bent on the cushions, palms open and turned up, black-gloved fingers relaxed and slightly curled, each glove stretched taut across the knuckles; her shoulders sink back so the open white dress shirt spreads with them, buttoned nowhere, both front panels fallen away to either side of her ribs, cuffs loose at her wrists, collar slipped off one shoulder, and the black high-waisted pencil skirt shoved down and gathered around her hips, its waistband twisted low, exposing the whole bare line of her waist and belly to the low slanting light. Her chin tips back into the cushion, head turned slightly toward the lens; her pink eyes look straight up at the viewer through half-lowered lids with a wet shine, blinking slowly, brows drawn a little together; her lips part in a wide, wanting smile, tongue out, one corner pulling higher, a sheen of drool at her lip, cheeks flooded pink, a fine sweat gleam at her temples and collarbone. A single warm lamp from the upper left, low and close, strikes the left side of her throat, the round of her shoulder and the swell of her waist, laying a soft hot edge along her skin while the right side of her body and the sofa's far arm rest in deeper shadow; her luminous pale skin catches that light as if lit from just beneath the surface, edges softly glowing, and where her breastbone and hipbone press the cushion the fabric dimples and holds the dent. Palette is restricted to pale rose, warm honey lamplight, ivory white of the open shirt and deep charcoal of the sofa, with the black of her gloves and skirt anchoring the corners. Shallow depth of field keeps the near hip and gloves crisp and softens the far cushion into a blur. Intimate, shameless.

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