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tertusuk AI Art & Prompts

Explore the trending 773 tertusuk artworks

AI artwork
Avatar image of 美凪
A medium shot from a low-angle perspective depicts a battered girl with light purple hair tied in a ponytail, collapsing amidst grey rubble. Her teal eyes are half-open in a dazed expression, and a small amount of blood trickles from her mouth. Her body is covered in sweat and numerous raw scratches and wounds, her clothing tattered and worn. A spear engulfed in roaring orange flames is thrust toward her, the tip nearly touching her chest. The scene is filled with a swirling storm of purple cherry blossom petals. The atmosphere is desperate and intense, with the high contrast between the dark, gritty debris and the vivid, glowing fire and purple petals. The lighting is dramatic, casting deep shadows and highlighting the glistening sweat and blood on her skin.
美凪
AI artwork
Avatar image of _espan#0
A wide shot of three characters in a burning village, where embers and smoke fill the air. On the left, the blue-haired man from image3, with his eyes closed and right arm raised, creates a flock of dark purple eagles from a stream of blood flowing upward from his hand; these blood-eagles fly across the sky. Beside him stands a 13-year-old boy, shirtless, with a distinct eagle eye mark on one pectoral, wielding a blood-red rengi spear to slice through long-tongued creatures. Nearby, the dark-skinned man from image2, wearing the same grey oversized tech-wear hoodie and black cargo pants, fights alongside them, using a neon red rengi spear to cut through the creatures. The style of the image remains faithful to image3. overlay text: None. overlay effect: None. [No extra fingers] [no worst/ugly face] [good anatomy
_espan#0
AI artwork
Avatar image of Mizuki
character: enoshima_junko, nanami_chiaki, copyright: danganronpa_(series), danganronpa character: enoshima_junko, character: nanami_chiaki, copyright: danganronpa, 2girls, multiple girls, full body, from side, tall vertical canvas, (tango dip:1.2), dancing, dance pose, ballroom dance, dipping, back bend, backbend, arched back, girl bent backward, upside-down head, head hanging down, supported by partner's arm, arm around waist, hand at back, holding hands, fingers interlaced, raised joined hands, outstretched arm, leaning forward, leaning over partner, S-curve, crossed legs, legs crossing, mid-step, standing on heels, (thin navy rectangle frame:1.2), blue outline frame, frame behind figures, figures breaking the frame, thin diagonal line, pale blue diagonal line, line running from lower left to upper right, flat pale grey-lavender background, grey background, simple background, empty background, standing girl, tall girl, closed eyes, eyes closed, lowered head, head tilted down, soft smile, closed-lip smile, light_smile, relaxed brows, serene look, strawberry blonde hair rendered salmon-pink, peach-pink hair, long hair, wavy hair, long wavy twintails, high twintails, twintails, floating hair, hair swaying, curled ends, blunt bangs, bangs over eyes, bear hair tie, round dark hair ornament, round brown-red hair ornament, black scrunchie, dark maroon blazer, dark maroon cardigan, loose blazer, long sleeves, white cuffs, white shirt cuff, red skirt, red pleated skirt, crisp pleats, pleated miniskirt, bare thighs, long legs, black knee-high boots, lace-up boots, tall lace-up boots, chunky block heels, black heeled boots, (red boot laces:1.1), red laces, red ribbon bow at boot top, exactly two red bows, red crisscross lacing, partner girl bent back, short hair, short messy hair, spiky hair, flyaway hair, hair hanging down by gravity, hair fanning outward, hair tips flicking outward, hair hanging toward lower left, pink-orange hair, pale skin, profile, upside-down profile, chin raised, lowered lids, half-closed eyes, small pale eye, calm face, maroon jacket, brown-maroon jacket, cropped jacket, loose jacket, long sleeves, two thin pale stripes on cuffs, exactly two stripes on each cuff, ribbed cuffs, small ribbon bow at back waist, black ribbon lacing, white blouse, cream blouse, cream pleated skirt, beige pleated skirt, black thigh-highs, dark maroon thigh-high socks, long socks, pink mary janes, pale pink strap shoes, ankle straps, one arm raised, other arm hanging down, hand loosely curled, hanging hand near partner's knee, flat color, graphic style, flat shading, hard-edged shadow shapes, deep plum shadows, maroon shadows, scratchy hatch texture, crayon-like diagonal hatching on cloth, grainy texture, risograph print look, riso misregistration, navy offset edge lines, blue offset shadow outline, duotone, maroon and pink duotone, limited palette, maroon plum pink navy, muted colors, red accent, pale grey palette, flat lighting, no cast shadow, elegant, playful, A tall vertical full-body frame, two girls caught mid-dance in a tango dip, set against an empty flat pale grey-lavender ground with nothing else on it. Behind them, drawn first and passed over by both figures, run two thin guide marks. One is a navy-blue rectangle outline centered behind the pair, and the other is a thin pale-blue diagonal line that runs from the lower left up to the upper right and crosses behind the figures, visible only in the gaps. Deliberate frame breaks: the standing girl's head and twintails rise past the top edge of the rectangle, her red skirt hem and thigh swing past its right edge, and her boots and heels drop past its bottom edge. Everything else stays inside, and no floor, shadow or scenery is drawn, so both figures float on the flat ground. The standing girl is tall and leaning forward and down over her partner, torso curved in one S-line, her head tilted down so her closed eyes, a soft curved lash line on each lid, rest on her partner's face. Her brows are relaxed and she holds a serene closed-lip smile, an elegant, faintly playful face. Her strawberry-blonde hair, rendered peach-salmon pink in this duotone, is long and wavy and gathered into two high twintails: the left tied with a black scrunchie and the right with a round dark red-brown ornament, bangs falling across her forehead. The waves swing out to the left and downward in thick curling locks, the ends curling, as if the turn has just swung them. She wears a loose dark maroon blazer with long sleeves, white cuffs showing at the wrist, over a short red pleated skirt with crisp, regular pleats, and her bare thighs and long legs emerge below it. On her feet she wears tall black knee-high lace-up boots with chunky block heels, red crisscross laces up the front and exactly one small red ribbon bow tied at the top of each boot. Her legs cross mid-step: the near boot stands forward on the lower left with its heel planted, while the far leg is bent back behind it, its heel at the lower right, the near thigh slanting across the frame in a diagonal. Her arm stretches out toward the upper left with her fingers interlaced with her partner's raised hand, and her other arm wraps around the partner's back, the white-cuffed hand pressed flat against the partner's waist, taking her weight. The partner is bent into a deep back-bend, her upper body hanging backward and nearly horizontal toward the left, her head upside-down, chin raised and face in profile, lids lowered over a small pale eye, a calm, trusting expression. Her short messy pink-orange hair is spiky and hangs straight down from the upside-down head, the tips fanning outward and flicking toward the lower left, with a few flyaway strands. She wears a loose maroon-brown cropped jacket with long sleeves and exactly two thin pale stripes around each cuff, ribbed at the cuffs, and a small ribbon bow tied with black lacing at the back of the waist, over a cream blouse and a cream pleated skirt, whose pleats fall outward toward the right, and dark maroon thigh-high socks, with pale pink Mary Jane shoes with ankle straps. One arm reaches high toward the upper-left corner with its hand locked in the standing girl's, the sleeve pulled tight along it. The other arm falls down to the lower left with a loosely curled hand, its fingertips just above the ground near the standing girl's knee. Her legs stand planted behind the standing girl's near leg, partly hidden by the boot and thigh in front, her pale pink shoes planted between the two boots at the bottom. The occlusion order, front to back: the standing girl's boots and near leg, the standing girl's arm and jacket, the dipped girl's hanging arm and hand, her jacket and skirt, her legs and shoes, then the frame and diagonal line. The vector field is shared: both girls' hair and skirts swing along the same rotation of the turn, hair streaming to the left and down, the cream skirt and red skirt swinging out to the right. The lighting is flat and graphic, with no volumetric glow: lit skin and hair are pale salmon, and hard-edged plum and deep maroon shadow shapes sit under the jaw, in the jacket folds, beneath the skirt hems and along the inside of each thigh, with nothing casting a shadow on the ground. Rendered as a duotone riso-print illustration, flat color blocks with scratchy crayon-like diagonal hatching across the cloth, grainy texture, and navy offset edge lines slipping slightly off the colored shapes like print misregistration, flat duotone riso print with navy offset edges throughout. The palette is held to maroon, plum, salmon pink and pale grey, with navy lines. Red appears in exactly three places: the skirt, the boot laces and the two boot bows. The red skirt is the most saturated element, with the two faces the focal points. Elegant, playful,
Mizuki
#Danganronpa#Junko Enoshima#Danganronpa: Trigger Happy Havoc
AI artwork
b
character: superman 2boys, male focus, superman, short hair, black hair, sideburns, blue eyes, muscular, tall, kneeling, on one knee, gladiator, roman armor, lorica segmentata, leather pteruges, bare arms, blood on face, blood from mouth, impaled, spear through mouth, spear through neck, spear embedded in sand, mouth open, head tilted back, blood splatter, heavy bleeding, blood pool, blood on sand, looking up, wide-eyed, half-closed eyes, dying, bald, dwarf, short stature, stocky, celebrating, arms up, open mouth, shouting, grin, from below, wide shot, dutch angle, arena, colosseum, sand floor, blood, dust, crowd silhouettes, motion lines, dramatic lighting, rim light, 2boys From a low, tilted angle inside a great stone arena, the sand floor fills the lower third of the frame and the tiered seating curves up into shadow behind. In the center-left, a tall, broad-shouldered man with cropped black hair, sideburns and a heavy jaw kneels on his right knee in the sand, torso leaning back, both arms slack at his sides, fingers curled loosely against the blood-soaked ground. He wears a gladiator's harness: segmented metal bands over the chest, a wide leather belt, hanging leather strips over the thighs, his arms bare and smeared with grime and blood. A long spear shaft runs through his open mouth and out the back of his neck, the point driven deep into the sand behind him; blood sheets from his lips, runs down his chin and throat, and pools dark and glossy across the sand beneath his knee, spreading in a wide irregular stain. His blue eyes are half-lidded and turned upward. To the right, a short, barrel-chested bald dwarf stands with both fists raised, mouth wide open in a shout of triumph, head tipped back, sweat shining on his scalp and bare shoulders, a short blade in one hand. The light comes from the arena's upper rim, harsh and warm, casting long shadows toward the viewer; the sand glitters where it is wet. Muted ochre, iron grey and deep red palette, dust hanging in the air. Brutal, triumphant.
blitoluchador
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