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Kylee Violette (Kiy Chan)

Avatar image of Kylee Violette (Kiy Chan)

Kylee Violette (Kiy Chan)

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Komentarze

1boy, skinny, pale skin, geralt of rivia, white hair, long hair, beard, yellow eyes, slit eyes, scar on eye, leather armor, chainmail, shoulder pads, long sleeves, gloves, pants, boots, armchair, chair, full body, Couple style, orange hair, ponytail, ponytail, green eyes, half-closed eyes, lipstick, aged up,
Pokaż parametry
Tag jakości
﹝Podpowiedzi﹞, beautiful anime aesthetic, very aesthetic, high definition, amazing quality, masterpiece, best quality, very aesthetic, highres, absurdres, sensitive
Rozmiar
768 x 1280
Kroki próbkowania
28
Metoda próbkowania
Euler a
Skala CFG
5
Niepożądane
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

Model i LoRA użyte

Nagi - AI Model cover image

PixAI XL

Nagi
1.82k
Geralt of Rivia - [Illustrious] - AI Model cover image

LoRA użytkownika

Geralt of Rivia - [Illustrious]
6
Jujutsu Kaisen chair style - AI Model cover image

LoRA użytkownika

Jujutsu Kaisen chair style
3
Couple style -2 - AI Model cover image

LoRA użytkownika

Couple style -2
41

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AI artwork
Avatar image of Kylee Violette (Kiy Chan)
character: geralt_of_rivia 1girl, 1boy, hetero, orange hair, very long hair, hair past hips, green eyes, long dress, fabric dress, cream dress, large breasts, witcher geralt, white hair, long hair, yellow eyes, beard, standing behind her, kissing her neck, arms around waist, hands on her stomach, arms around his head, hands in his hair, looking at him, looking at another, from side, close-up, profile, dutch angle, eye contact, romantic atmosphere, tender, warm interior light, dusk window light, standing, back to viewer, leaning into each other A tight three-quarter close-up seen from the side at a slight low dutch tilt, the two of them filling the frame so the woman's body sits front-and-left and the man's white head leans in from behind-right. She stands with her weight settled on her back foot, torso angled a little away from the lens so her very long orange hair — thick, loose, falling past her hips — spills down over her shoulder toward the viewer, a bright ribbon against the cream fabric of the long dress that wraps her large chest and gathers in the soft folds of the skirt. Behind her, the man is drawn up close, chest against her shoulder blades, painted armor and dark glove leather at his forearms; his long white hair is pulled back so a few strands fall beside his bearded jaw, and his yellow eyes are lowered, lids half shut, as his lips press to the slope of her throat where it rises from the dress collar. Both of his arms are wrapped around her front, forearms crossing low over her stomach, the gloves overlapping her dress with a slight compression in the cloth, her stomach drawn back against his waist. Her chin is turned sharply over her shoulder toward him, green eyes fixed on his face, one brow faintly raised and her lips half open; both of her arms are lifted and wrapped behind her, hands buried in the back of his hair, the white strands threading through her fingers. His nose brushes the underside of her jaw; her chest rises on an inhale that pulls the fabric taut across it. Light comes from a window behind and left of the camera at dusk — a low, warm orange-blue key striking the edge of her cheek, the side of her throat, and the flat planes of his shoulder, while the far side of both faces sinks into soft shadow, and his cast shadow falls across her back. The palette is held to cream, burnt orange and cool grey-white. Warm, tender, unhurried.
Kylee Violette (Kiy Chan)
#Wiedźmin#Ciri
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
character: geralt_of_rivia 2girl, 1boy, geralt, white hair, long hair, beard, yellow eyes, tall, muscular male, woman, orange hair, very long hair, green eyes, long flowing fabric dress, floor-length dress, large breasts, man standing behind woman, from behind, over-shoulder composition, arms around waist, hands on stomach, kiss on neck, lips pressed to neck, head tilt, eyes half-closed, tender expression, looking at her, blush, romantic atmosphere, intimate, warm light, soft glow, close-up, upper body, profile, couple, embrace Over-shoulder composition from slightly above and behind the woman's right shoulder: the white-haired, bearded man stands directly behind her, his chest pressed flat to her back, chin lowered so his lips are sealed against the left side of her neck just under the jaw; his head tips down and toward the camera side, yellow eyes open and angled down along her cheek. Both his arms come forward under hers and cross low over her stomach, gloved forearms clamped flat against the dress fabric, one broad hand splayed wide over the far hip and the other hooked into the fabric at her near side so the cloth pulls taut into shallow folds between his fingers. She stands a half-step ahead of him, weight settled onto her left leg with the right knee eased forward, shoulders drawn back into his chest; her very long orange hair spills over her near shoulder and down across his forearm, a few strands caught between her neck and his mouth. Her face is turned in three-quarter profile toward the frame edge, chin lifted, eyelids low and green irises only half visible past her lashes, a faint closed-lip smile pulling one corner of her mouth, the edge of a blush high on her cheekbone. The long cream fabric dress covers her to the floor, bodice drawn tight across her large chest with the neckline dipping as his chin presses behind her jaw, sleeve fabric sleeve soft and creased at the elbow where her arm is trapped down inside his grip. Light comes from a single warm low lamp at frame-left, its pool landing on her cheekbone, the curve of her throat, the bridge of his nose and the ridges of his knuckles, while the right side of both faces falls into one continuous soft shadow that they share as they stand pressed together; no second source, the room's darkness absolute beyond a narrow falloff. Palette restricted to warm amber lamp light, cream of the dress, the copper-orange of her hair and the silver-white of his. A single revealer of the pressure between them: the dress fabric puckers into radiating wrinkles from his fingertips and the collar of her bodice bows outward where his chest presses against her back. Intimate, tender.
Kylee Violette (Kiy Chan)
#Wiedźmin
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
character: geralt_of_rivia 2girls, aged woman, orange hair, single hair bun, green eyes, large breasts, curvy, wide hips, narrow waist, slim body, long fabric dress, cream dress, bare shoulders, witcher, geralt of rivia, white hair, long hair, beard, yellow eyes, armor, gloves, standing, embracing from behind, kiss on neck, neck kiss, eyes closed, from side, profile, cowboy shot, warm interior light, looking at another, relaxed expression, intimate, orange hair in single hair bun, green eyes, aged woman, long fabric dress, large breasts, curvy body with a bit of slimness, two subjects, neck kiss from behind, arms wrapped around her waist Seen in profile from the side, the frame holds two figures: in front, an aged woman stands with her weight settled on her back leg, her chin lifted and her head tilted slightly away from the lens so her throat opens in a clean line; her orange hair is gathered into a single bun at the back of her head, the loose strands at her temple catching the light, and her green eyes are dropped half closed, aimed at nothing in the middle distance. Her figure reads full through the bust and hips with a narrow waist, a touch of wiry slimness in the arms and shoulders, and she wears a long cream fabric dress of soft cotton, the bodice fitted to her large chest and the skirt falling in loose folds past her hips to the floor, the fabric bunching where her hips sway and a few creases drawn taut across the small of her back. Behind her, taller and broader, a white-haired man with a short beard and yellow eyes presses close along her back; his gloved hands come around her waist and rest flat on the fabric at her stomach, his armored chest against her shoulder blades, and his face is buried at the crook of her neck, lips pressed to the skin below her ear, his jaw shifted as he kisses, one strand of his long white hair fallen forward over her shoulder. Her own hand lifts to brush the back of his neck, fingers curling into the hair there. The light comes from a single lamp low and to the left, warm and amber, laying a bright edge down her throat and his cheek and leaving the far side of both bodies in deep shadow. The background is a dark, softly out-of-focus room of wooden walls and shadowed fabric, emptied of clutter. Quiet, tender.
Kylee Violette (Kiy Chan)
#Wiedźmin#Ciri#Wiedźmin 3: Dziki Gon

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