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GOG & minimaw
Contest Entry
PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026
Pokaż parametry
- Oryginalny prompt
- 萬聖節太空派對，歌德風太空站，無重力，南瓜燈，漂浮糖果，太空派對，萬聖節裝扮，多女，室內，魔女，女木乃伊，女吸血鬼，女惡魔，女殭屍
- Tryb
- ultra
- Tag jakości
- ﹝Podpowiedzi﹞
- Rozmiar
- 1104 x 1824
- Metoda próbkowania
- Euler
- Niepożądane
- lowres, worst quality, low quality, bad anatomy, explicit
Pomocnik podpowiedzi
Model i LoRA użyte
Podobne obrazy
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gm
5girls, multiple girls, halloween space party, space party, halloween costumes, gothic space station interior, indoor, zero gravity, floating, jack-o'-lantern, floating candy, witch, mummy, vampire, demon, zombie, wide-brimmed black hat, pointed hat, black velvet cloak, pleated purple dress, holding broom, broomstick, linen bandages, bandages unwinding, floating bandages, golden eyes, high-collared crimson satin gown, black lace trim, sheer black cape, red lipstick, pale skin, black horns, tight black leather bodysuit, silver studs, spade-tipped tail, greyish-green skin, stitched cheek, tattered white lace victorian dress, from below, dutch angle, wide shot, foreshortening, floating hair, drifting hair, arms out, weightless, looking at another, open mouth, grin, ^ ^, one eye closed, blush, light smile, smug, wide-eyed, depth of field, cinematic lighting
The camera sits low near the deck plating of a gothic space station's vaulted party hall and tilts a few degrees off level, so the whole room leans and the five girls hang above the lens in loose, drifting formation. All five float free of any surface in zero gravity, feet never planted, each body tilted at its own angle with hair and fabric lifting away from the skull and shoulders as though underwater. Occupying the near foreground on the right, seen from below and foreshortened, the witch hangs almost upside-down to the room: her knees drawn up, one ankle crossed over the other, the wide black velvet brim of her hat lifted off her head by a finger's width, her gnarled broomstick floated horizontally beneath her and gripped by both hands, pleated purple skirt billowing out in a stiff bell she has to push down with one palm; she tilts her head back, chin toward the lens, and gives a lopsided smirk with one eye shut, the free hand flicking a small v sign. Above and to her left the mummy spins slowly lengthwise, her tea-stained linen bandages unspooling from one forearm and streaming away in long curling ribbons that drift toward the ceiling, both arms out and floating apart, only her golden eyes bright inside the wrapping, and she looks down past her own unwinding strip at the vampire below her with a wide-eyed stare. The vampire hangs in the middle distance at center-left, upright but leaning back as if seated in an invisible chair, sheer black cape spread behind her like a sheet of dark water, crimson satin gown swelling away from her thighs, both hands lifted and palms out catching nothing, deep red lips parted in an open-mouthed grin as she looks up toward the mummy's unraveling bandage. To the right of her, slightly further back, the demon floats in a slow forward pitch with her long spade-tipped tail curled in a lazy loop around one thigh, curved black horns lifting her fringe off her forehead, silver studs catching the light down the side of her tight leather bodysuit, one arm reaching forward and fingers spread toward a drifting candy as though about to pinch it, tongue peeking between her teeth. Furthest back and highest, near the vaulted window, the zombie drifts with both knees tucked and her tattered white lace dress fanned wide around her, the hem lifting to show the underside, her greyish-green face turned aside and stitched cheek catching the light, blowing a loose strand of hair out of her eyes with a small puffed-cheek pout. A cluster of carved jack-o'-lanterns floats in the gap between them, one near the lens at the lower left, a second drifting above the mummy, a third bumping gently against the zombie's lace hem, and scattered wrapped candies tumble through the whole depth of the frame in every orientation, some close and blurred, some small and sharp.
The station interior is built in pointed gothic arches: black iron ribs run up the walls into a vaulted ceiling, a tall lancet window opens on absolute starless black with pinpricks of distant stars, dark metal gratings and riveted conduit line the floor below, and the only warm light comes from the pumpkin lanterns themselves and from a cold blue strip of ceiling glow. The pumpkin light strikes each girl from below at a raking angle, so the witch's chin and the undersides of her brim are orange and her eye sockets sit in shadow, the vampire's pale throat glows warm while her satin goes nearly black, and the zombie's dangling lace is lit from beneath so the tatters read as separate thin sheets. Candy wrappers flare small orange and violet highlights wherever a lantern passes them, and because nothing is anchored, every loose object casts a shadow that slides across the deck plates rather than resting in place. Completely closed, airtight room; no wind, so the bandages float without fluttering and the hems hang as though suspended in still water. Palette: coal black, cold steel blue, pumpkin orange and candy violet, with the vampire's crimson as the one deep saturated note. Wide angle with real depth, near objects large and soft, far objects small and crisp, gothic decorative arches framing the empty air the girls float in, playful and eerie.
GOG & minimaw
gm
5girls, multiple girls, halloween space party, space party, halloween costumes, gothic space station interior, indoor, zero gravity, floating, jack-o'-lantern, floating candy, witch, mummy, vampire, demon, zombie, wide-brimmed black hat, pointed hat, black velvet cloak, pleated purple dress, holding broom, broomstick, linen bandages, bandages unwinding, floating bandages, golden eyes, high-collared crimson satin gown, black lace trim, sheer black cape, red lipstick, pale skin, black horns, tight black leather bodysuit, silver studs, spade-tipped tail, greyish-green skin, stitched cheek, tattered white lace victorian dress, from below, dutch angle, wide shot, foreshortening, floating hair, drifting hair, arms out, weightless, looking at another, open mouth, grin, ^ ^, one eye closed, blush, light smile, smug, wide-eyed, depth of field, cinematic lighting
The camera sits low near the deck plating of a gothic space station's vaulted party hall and tilts a few degrees off level, so the whole room leans and the five girls hang above the lens in loose, drifting formation. All five float free of any surface in zero gravity, feet never planted, each body tilted at its own angle with hair and fabric lifting away from the skull and shoulders as though underwater. Occupying the near foreground on the right, seen from below and foreshortened, the witch hangs almost upside-down to the room: her knees drawn up, one ankle crossed over the other, the wide black velvet brim of her hat lifted off her head by a finger's width, her gnarled broomstick floated horizontally beneath her and gripped by both hands, pleated purple skirt billowing out in a stiff bell she has to push down with one palm; she tilts her head back, chin toward the lens, and gives a lopsided smirk with one eye shut, the free hand flicking a small v sign. Above and to her left the mummy spins slowly lengthwise, her tea-stained linen bandages unspooling from one forearm and streaming away in long curling ribbons that drift toward the ceiling, both arms out and floating apart, only her golden eyes bright inside the wrapping, and she looks down past her own unwinding strip at the vampire below her with a wide-eyed stare. The vampire hangs in the middle distance at center-left, upright but leaning back as if seated in an invisible chair, sheer black cape spread behind her like a sheet of dark water, crimson satin gown swelling away from her thighs, both hands lifted and palms out catching nothing, deep red lips parted in an open-mouthed grin as she looks up toward the mummy's unraveling bandage. To the right of her, slightly further back, the demon floats in a slow forward pitch with her long spade-tipped tail curled in a lazy loop around one thigh, curved black horns lifting her fringe off her forehead, silver studs catching the light down the side of her tight leather bodysuit, one arm reaching forward and fingers spread toward a drifting candy as though about to pinch it, tongue peeking between her teeth. Furthest back and highest, near the vaulted window, the zombie drifts with both knees tucked and her tattered white lace dress fanned wide around her, the hem lifting to show the underside, her greyish-green face turned aside and stitched cheek catching the light, blowing a loose strand of hair out of her eyes with a small puffed-cheek pout. A cluster of carved jack-o'-lanterns floats in the gap between them, one near the lens at the lower left, a second drifting above the mummy, a third bumping gently against the zombie's lace hem, and scattered wrapped candies tumble through the whole depth of the frame in every orientation, some close and blurred, some small and sharp.
The station interior is built in pointed gothic arches: black iron ribs run up the walls into a vaulted ceiling, a tall lancet window opens on absolute starless black with pinpricks of distant stars, dark metal gratings and riveted conduit line the floor below, and the only warm light comes from the pumpkin lanterns themselves and from a cold blue strip of ceiling glow. The pumpkin light strikes each girl from below at a raking angle, so the witch's chin and the undersides of her brim are orange and her eye sockets sit in shadow, the vampire's pale throat glows warm while her satin goes nearly black, and the zombie's dangling lace is lit from beneath so the tatters read as separate thin sheets. Candy wrappers flare small orange and violet highlights wherever a lantern passes them, and because nothing is anchored, every loose object casts a shadow that slides across the deck plates rather than resting in place. Completely closed, airtight room; no wind, so the bandages float without fluttering and the hems hang as though suspended in still water. Palette: coal black, cold steel blue, pumpkin orange and candy violet, with the vampire's crimson as the one deep saturated note. Wide angle with real depth, near objects large and soft, far objects small and crisp, gothic decorative arches framing the empty air the girls float in, playful and eerie.
GOG & minimaw
gm
5girls, multiple girls, halloween space party, space party, halloween costumes, gothic space station interior, indoor, zero gravity, floating, jack-o'-lantern, floating candy, witch, mummy, vampire, demon, zombie, wide-brimmed black hat, pointed hat, black velvet cloak, pleated purple dress, holding broom, broomstick, linen bandages, bandages unwinding, floating bandages, golden eyes, high-collared crimson satin gown, black lace trim, sheer black cape, red lipstick, pale skin, black horns, tight black leather bodysuit, silver studs, spade-tipped tail, greyish-green skin, stitched cheek, tattered white lace victorian dress, from below, dutch angle, wide shot, foreshortening, floating hair, drifting hair, arms out, weightless, looking at another, open mouth, grin, ^ ^, one eye closed, blush, light smile, smug, wide-eyed, depth of field, cinematic lighting
The camera sits low near the deck plating of a gothic space station's vaulted party hall and tilts a few degrees off level, so the whole room leans and the five girls hang above the lens in loose, drifting formation. All five float free of any surface in zero gravity, feet never planted, each body tilted at its own angle with hair and fabric lifting away from the skull and shoulders as though underwater. Occupying the near foreground on the right, seen from below and foreshortened, the witch hangs almost upside-down to the room: her knees drawn up, one ankle crossed over the other, the wide black velvet brim of her hat lifted off her head by a finger's width, her gnarled broomstick floated horizontally beneath her and gripped by both hands, pleated purple skirt billowing out in a stiff bell she has to push down with one palm; she tilts her head back, chin toward the lens, and gives a lopsided smirk with one eye shut, the free hand flicking a small v sign. Above and to her left the mummy spins slowly lengthwise, her tea-stained linen bandages unspooling from one forearm and streaming away in long curling ribbons that drift toward the ceiling, both arms out and floating apart, only her golden eyes bright inside the wrapping, and she looks down past her own unwinding strip at the vampire below her with a wide-eyed stare. The vampire hangs in the middle distance at center-left, upright but leaning back as if seated in an invisible chair, sheer black cape spread behind her like a sheet of dark water, crimson satin gown swelling away from her thighs, both hands lifted and palms out catching nothing, deep red lips parted in an open-mouthed grin as she looks up toward the mummy's unraveling bandage. To the right of her, slightly further back, the demon floats in a slow forward pitch with her long spade-tipped tail curled in a lazy loop around one thigh, curved black horns lifting her fringe off her forehead, silver studs catching the light down the side of her tight leather bodysuit, one arm reaching forward and fingers spread toward a drifting candy as though about to pinch it, tongue peeking between her teeth. Furthest back and highest, near the vaulted window, the zombie drifts with both knees tucked and her tattered white lace dress fanned wide around her, the hem lifting to show the underside, her greyish-green face turned aside and stitched cheek catching the light, blowing a loose strand of hair out of her eyes with a small puffed-cheek pout. A cluster of carved jack-o'-lanterns floats in the gap between them, one near the lens at the lower left, a second drifting above the mummy, a third bumping gently against the zombie's lace hem, and scattered wrapped candies tumble through the whole depth of the frame in every orientation, some close and blurred, some small and sharp.
The station interior is built in pointed gothic arches: black iron ribs run up the walls into a vaulted ceiling, a tall lancet window opens on absolute starless black with pinpricks of distant stars, dark metal gratings and riveted conduit line the floor below, and the only warm light comes from the pumpkin lanterns themselves and from a cold blue strip of ceiling glow. The pumpkin light strikes each girl from below at a raking angle, so the witch's chin and the undersides of her brim are orange and her eye sockets sit in shadow, the vampire's pale throat glows warm while her satin goes nearly black, and the zombie's dangling lace is lit from beneath so the tatters read as separate thin sheets. Candy wrappers flare small orange and violet highlights wherever a lantern passes them, and because nothing is anchored, every loose object casts a shadow that slides across the deck plates rather than resting in place. Completely closed, airtight room; no wind, so the bandages float without fluttering and the hems hang as though suspended in still water. Palette: coal black, cold steel blue, pumpkin orange and candy violet, with the vampire's crimson as the one deep saturated note. Wide angle with real depth, near objects large and soft, far objects small and crisp, gothic decorative arches framing the empty air the girls float in, playful and eerie.
GOG & minimaw
gm
multiple girls, 5girls, witch, mummy, vampire, demon, zombie, halloween costumes, halloween space party, space party, pumpkin space station, zero gravity, floating, indoors, jack-o'-lantern, floating candy, candy, wide shot, from below, dutch angle, looking at another, open mouth, grin, :d, one eye closed, arm up, outstretched arm, floating hair, hair spread out, parted lips, blush, depth of field, lens flare, backlighting, rim light, orange and violet palette, cinematic lighting, detailed background, science fiction, interior, space station, curved metal walls, porthole window, starfield, candy wrappers, confetti
Shot from below on a slight dutch tilt inside the hollowed ribbed corridor of a pumpkin-shaped space station, its curved orange metal walls bulging outward like the lobes of a gourd, seam rivets and cable conduits running along the ribs, a huge round porthole at the far end showing black space and a scatter of stars; the corridor is in zero gravity, so all five girls hang in the air at different heights and depths, none of them touching a floor, their hair and hemlines drifting upward and outward in slow weightless fan shapes, loose candy and wrapped sweets tumbling and rotating between them along with one big grinning jack-o'-lantern that floats tipped on its side near the top of frame, its cut triangular eyes and jagged mouth glowing hot orange from a candle guttering inside it. Nearest the lens, in the lower left and slightly larger than the rest, a witch girl in a pointed black felt hat with a purple ribbon hovers in a knees-drawn-up tuck, one arm flung out overhead to steady herself against a handrail bolted to the wall, her short black velvet dress with bell sleeves ballooning, striped purple stockings trailing, her chin tipped down and her eyes aimed up across the corridor at the vampire with a wide open-mouthed grin; across from her the vampire girl floats upright but curled, crimson and black satin gothic gown with a high collar and a small lace choker, pale skin catching the pumpkin's orange glow along one cheek, one hand pressed flat to the metal wall as if to push off, her gaze cutting sideways toward the demon with one eye half-lidded in a smirk. High in the upper right the demon girl hangs nearly inverted, curved black horns silhouetted against the porthole's starfield, tight black leather bodice and leggings wrinkled at the hips from the float, both knees bent and one arm hanging loose toward the candy drifting past her fingers, looking down at the zombie. Below her the zombie girl drifts in a slow backward tumble, pale grey-tinted skin, ripped light-blue vintage dress with frayed edges lifting around her thighs, one arm out and fingers spread as she reaches for a spinning candy, her mouth open in a delighted slack grin and her gaze fixed on the sweet rather than on any face. At mid-depth the mummy girl floats cross-legged in a slow rotation, weathered off-white linen bandages wound over her whole body with loose ends trailing and unwinding into the air behind her, only her eyes visible through the wraps, and those eyes are turned toward the jack-o'-lantern overhead. Every candy and the jack-o'-lantern itself is lit only from within or from the pumpkin's candle, and that candle is the single warm source: it throws orange light up onto the undersides of chins, the inside of the witch's hat brim, the mummy's linen and the vampire's collar, leaves the far corridor in deep violet shadow, and paints a soft moving rim along every drifting object with no other light but the cold blue star-glow bleeding through the porthole. Palette held to pumpkin orange, deep violet-black metal, and the costume whites and crimsons, nothing else admitted. No one touches the floor and nothing hangs downward; even the confetti and the candy wrappers float. Playful, weightless Halloween mischief.
GOG & minimaw
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ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
X-Ray • Verina
ichikiki
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
samsara asura
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
HaruYuu 02
uzukun
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
1
...
Tofu
1
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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Sg75
...
Tofu
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