Notice: About Recent Slower Generation Speeds and Limited Computing Resources โ Dear PixAI Community, Thank you for your continued love and support for PixAI. Recently, generation speeds on PixAI haveโฆ
View details
GOG & minimaw
Contest Entry
PixAI โHalloween Oddities Clubโ Special Contest - A Night at Higan Inn#PixAI Halloween 2026
Pokaลผ parametry
- Oryginalny prompt
- ่ฌ่็ฏๅคช็ฉบๆดพๅฐ๏ผๆญๅพท้ขจๅคช็ฉบ็ซ๏ผ็ก้ๅ๏ผๅ็็๏ผๆผๆตฎ็ณๆ๏ผๅคช็ฉบๆดพๅฐ๏ผ่ฌ่็ฏ่ฃๆฎ๏ผๅคๅฅณ๏ผๅฎคๅ ง๏ผ้ญๅฅณ๏ผๅฅณๆจไนไผ๏ผๅฅณๅธ่ก้ฌผ๏ผๅฅณๆก้ญ๏ผๅฅณๆฎญๅฑ
- Tryb
- ultra
- Tag jakoลci
- ๏นPodpowiedzi๏น
- Rozmiar
- 1104 x 1824
- Metoda prรณbkowania
- Euler
- Niepoลผฤ dane
- lowres, worst quality, low quality, bad anatomy, explicit
Pomocnik podpowiedzi
Model i LoRA uลผyte
Podobne obrazy
Pokaลผ wiฤcej
gm
5girls, multiple girls, halloween space party, space party, halloween costumes, gothic space station interior, indoor, zero gravity, floating, jack-o'-lantern, floating candy, witch, mummy, vampire, demon, zombie, wide-brimmed black hat, pointed hat, black velvet cloak, pleated purple dress, holding broom, broomstick, linen bandages, bandages unwinding, floating bandages, golden eyes, high-collared crimson satin gown, black lace trim, sheer black cape, red lipstick, pale skin, black horns, tight black leather bodysuit, silver studs, spade-tipped tail, greyish-green skin, stitched cheek, tattered white lace victorian dress, from below, dutch angle, wide shot, foreshortening, floating hair, drifting hair, arms out, weightless, looking at another, open mouth, grin, ^ ^, one eye closed, blush, light smile, smug, wide-eyed, depth of field, cinematic lighting
The camera sits low near the deck plating of a gothic space station's vaulted party hall and tilts a few degrees off level, so the whole room leans and the five girls hang above the lens in loose, drifting formation. All five float free of any surface in zero gravity, feet never planted, each body tilted at its own angle with hair and fabric lifting away from the skull and shoulders as though underwater. Occupying the near foreground on the right, seen from below and foreshortened, the witch hangs almost upside-down to the room: her knees drawn up, one ankle crossed over the other, the wide black velvet brim of her hat lifted off her head by a finger's width, her gnarled broomstick floated horizontally beneath her and gripped by both hands, pleated purple skirt billowing out in a stiff bell she has to push down with one palm; she tilts her head back, chin toward the lens, and gives a lopsided smirk with one eye shut, the free hand flicking a small v sign. Above and to her left the mummy spins slowly lengthwise, her tea-stained linen bandages unspooling from one forearm and streaming away in long curling ribbons that drift toward the ceiling, both arms out and floating apart, only her golden eyes bright inside the wrapping, and she looks down past her own unwinding strip at the vampire below her with a wide-eyed stare. The vampire hangs in the middle distance at center-left, upright but leaning back as if seated in an invisible chair, sheer black cape spread behind her like a sheet of dark water, crimson satin gown swelling away from her thighs, both hands lifted and palms out catching nothing, deep red lips parted in an open-mouthed grin as she looks up toward the mummy's unraveling bandage. To the right of her, slightly further back, the demon floats in a slow forward pitch with her long spade-tipped tail curled in a lazy loop around one thigh, curved black horns lifting her fringe off her forehead, silver studs catching the light down the side of her tight leather bodysuit, one arm reaching forward and fingers spread toward a drifting candy as though about to pinch it, tongue peeking between her teeth. Furthest back and highest, near the vaulted window, the zombie drifts with both knees tucked and her tattered white lace dress fanned wide around her, the hem lifting to show the underside, her greyish-green face turned aside and stitched cheek catching the light, blowing a loose strand of hair out of her eyes with a small puffed-cheek pout. A cluster of carved jack-o'-lanterns floats in the gap between them, one near the lens at the lower left, a second drifting above the mummy, a third bumping gently against the zombie's lace hem, and scattered wrapped candies tumble through the whole depth of the frame in every orientation, some close and blurred, some small and sharp.
The station interior is built in pointed gothic arches: black iron ribs run up the walls into a vaulted ceiling, a tall lancet window opens on absolute starless black with pinpricks of distant stars, dark metal gratings and riveted conduit line the floor below, and the only warm light comes from the pumpkin lanterns themselves and from a cold blue strip of ceiling glow. The pumpkin light strikes each girl from below at a raking angle, so the witch's chin and the undersides of her brim are orange and her eye sockets sit in shadow, the vampire's pale throat glows warm while her satin goes nearly black, and the zombie's dangling lace is lit from beneath so the tatters read as separate thin sheets. Candy wrappers flare small orange and violet highlights wherever a lantern passes them, and because nothing is anchored, every loose object casts a shadow that slides across the deck plates rather than resting in place. Completely closed, airtight room; no wind, so the bandages float without fluttering and the hems hang as though suspended in still water. Palette: coal black, cold steel blue, pumpkin orange and candy violet, with the vampire's crimson as the one deep saturated note. Wide angle with real depth, near objects large and soft, far objects small and crisp, gothic decorative arches framing the empty air the girls float in, playful and eerie.
GOG & minimaw
gm
5girls, multiple girls, halloween space party, space party, halloween costumes, gothic space station interior, indoor, zero gravity, floating, jack-o'-lantern, floating candy, witch, mummy, vampire, demon, zombie, wide-brimmed black hat, pointed hat, black velvet cloak, pleated purple dress, holding broom, broomstick, linen bandages, bandages unwinding, floating bandages, golden eyes, high-collared crimson satin gown, black lace trim, sheer black cape, red lipstick, pale skin, black horns, tight black leather bodysuit, silver studs, spade-tipped tail, greyish-green skin, stitched cheek, tattered white lace victorian dress, from below, dutch angle, wide shot, foreshortening, floating hair, drifting hair, arms out, weightless, looking at another, open mouth, grin, ^ ^, one eye closed, blush, light smile, smug, wide-eyed, depth of field, cinematic lighting
The camera sits low near the deck plating of a gothic space station's vaulted party hall and tilts a few degrees off level, so the whole room leans and the five girls hang above the lens in loose, drifting formation. All five float free of any surface in zero gravity, feet never planted, each body tilted at its own angle with hair and fabric lifting away from the skull and shoulders as though underwater. Occupying the near foreground on the right, seen from below and foreshortened, the witch hangs almost upside-down to the room: her knees drawn up, one ankle crossed over the other, the wide black velvet brim of her hat lifted off her head by a finger's width, her gnarled broomstick floated horizontally beneath her and gripped by both hands, pleated purple skirt billowing out in a stiff bell she has to push down with one palm; she tilts her head back, chin toward the lens, and gives a lopsided smirk with one eye shut, the free hand flicking a small v sign. Above and to her left the mummy spins slowly lengthwise, her tea-stained linen bandages unspooling from one forearm and streaming away in long curling ribbons that drift toward the ceiling, both arms out and floating apart, only her golden eyes bright inside the wrapping, and she looks down past her own unwinding strip at the vampire below her with a wide-eyed stare. The vampire hangs in the middle distance at center-left, upright but leaning back as if seated in an invisible chair, sheer black cape spread behind her like a sheet of dark water, crimson satin gown swelling away from her thighs, both hands lifted and palms out catching nothing, deep red lips parted in an open-mouthed grin as she looks up toward the mummy's unraveling bandage. To the right of her, slightly further back, the demon floats in a slow forward pitch with her long spade-tipped tail curled in a lazy loop around one thigh, curved black horns lifting her fringe off her forehead, silver studs catching the light down the side of her tight leather bodysuit, one arm reaching forward and fingers spread toward a drifting candy as though about to pinch it, tongue peeking between her teeth. Furthest back and highest, near the vaulted window, the zombie drifts with both knees tucked and her tattered white lace dress fanned wide around her, the hem lifting to show the underside, her greyish-green face turned aside and stitched cheek catching the light, blowing a loose strand of hair out of her eyes with a small puffed-cheek pout. A cluster of carved jack-o'-lanterns floats in the gap between them, one near the lens at the lower left, a second drifting above the mummy, a third bumping gently against the zombie's lace hem, and scattered wrapped candies tumble through the whole depth of the frame in every orientation, some close and blurred, some small and sharp.
The station interior is built in pointed gothic arches: black iron ribs run up the walls into a vaulted ceiling, a tall lancet window opens on absolute starless black with pinpricks of distant stars, dark metal gratings and riveted conduit line the floor below, and the only warm light comes from the pumpkin lanterns themselves and from a cold blue strip of ceiling glow. The pumpkin light strikes each girl from below at a raking angle, so the witch's chin and the undersides of her brim are orange and her eye sockets sit in shadow, the vampire's pale throat glows warm while her satin goes nearly black, and the zombie's dangling lace is lit from beneath so the tatters read as separate thin sheets. Candy wrappers flare small orange and violet highlights wherever a lantern passes them, and because nothing is anchored, every loose object casts a shadow that slides across the deck plates rather than resting in place. Completely closed, airtight room; no wind, so the bandages float without fluttering and the hems hang as though suspended in still water. Palette: coal black, cold steel blue, pumpkin orange and candy violet, with the vampire's crimson as the one deep saturated note. Wide angle with real depth, near objects large and soft, far objects small and crisp, gothic decorative arches framing the empty air the girls float in, playful and eerie.
GOG & minimaw
gm
5girls, multiple girls, halloween space party, space party, halloween costumes, gothic space station interior, indoor, zero gravity, floating, jack-o'-lantern, floating candy, witch, mummy, vampire, demon, zombie, wide-brimmed black hat, pointed hat, black velvet cloak, pleated purple dress, holding broom, broomstick, linen bandages, bandages unwinding, floating bandages, golden eyes, high-collared crimson satin gown, black lace trim, sheer black cape, red lipstick, pale skin, black horns, tight black leather bodysuit, silver studs, spade-tipped tail, greyish-green skin, stitched cheek, tattered white lace victorian dress, from below, dutch angle, wide shot, foreshortening, floating hair, drifting hair, arms out, weightless, looking at another, open mouth, grin, ^ ^, one eye closed, blush, light smile, smug, wide-eyed, depth of field, cinematic lighting
The camera sits low near the deck plating of a gothic space station's vaulted party hall and tilts a few degrees off level, so the whole room leans and the five girls hang above the lens in loose, drifting formation. All five float free of any surface in zero gravity, feet never planted, each body tilted at its own angle with hair and fabric lifting away from the skull and shoulders as though underwater. Occupying the near foreground on the right, seen from below and foreshortened, the witch hangs almost upside-down to the room: her knees drawn up, one ankle crossed over the other, the wide black velvet brim of her hat lifted off her head by a finger's width, her gnarled broomstick floated horizontally beneath her and gripped by both hands, pleated purple skirt billowing out in a stiff bell she has to push down with one palm; she tilts her head back, chin toward the lens, and gives a lopsided smirk with one eye shut, the free hand flicking a small v sign. Above and to her left the mummy spins slowly lengthwise, her tea-stained linen bandages unspooling from one forearm and streaming away in long curling ribbons that drift toward the ceiling, both arms out and floating apart, only her golden eyes bright inside the wrapping, and she looks down past her own unwinding strip at the vampire below her with a wide-eyed stare. The vampire hangs in the middle distance at center-left, upright but leaning back as if seated in an invisible chair, sheer black cape spread behind her like a sheet of dark water, crimson satin gown swelling away from her thighs, both hands lifted and palms out catching nothing, deep red lips parted in an open-mouthed grin as she looks up toward the mummy's unraveling bandage. To the right of her, slightly further back, the demon floats in a slow forward pitch with her long spade-tipped tail curled in a lazy loop around one thigh, curved black horns lifting her fringe off her forehead, silver studs catching the light down the side of her tight leather bodysuit, one arm reaching forward and fingers spread toward a drifting candy as though about to pinch it, tongue peeking between her teeth. Furthest back and highest, near the vaulted window, the zombie drifts with both knees tucked and her tattered white lace dress fanned wide around her, the hem lifting to show the underside, her greyish-green face turned aside and stitched cheek catching the light, blowing a loose strand of hair out of her eyes with a small puffed-cheek pout. A cluster of carved jack-o'-lanterns floats in the gap between them, one near the lens at the lower left, a second drifting above the mummy, a third bumping gently against the zombie's lace hem, and scattered wrapped candies tumble through the whole depth of the frame in every orientation, some close and blurred, some small and sharp.
The station interior is built in pointed gothic arches: black iron ribs run up the walls into a vaulted ceiling, a tall lancet window opens on absolute starless black with pinpricks of distant stars, dark metal gratings and riveted conduit line the floor below, and the only warm light comes from the pumpkin lanterns themselves and from a cold blue strip of ceiling glow. The pumpkin light strikes each girl from below at a raking angle, so the witch's chin and the undersides of her brim are orange and her eye sockets sit in shadow, the vampire's pale throat glows warm while her satin goes nearly black, and the zombie's dangling lace is lit from beneath so the tatters read as separate thin sheets. Candy wrappers flare small orange and violet highlights wherever a lantern passes them, and because nothing is anchored, every loose object casts a shadow that slides across the deck plates rather than resting in place. Completely closed, airtight room; no wind, so the bandages float without fluttering and the hems hang as though suspended in still water. Palette: coal black, cold steel blue, pumpkin orange and candy violet, with the vampire's crimson as the one deep saturated note. Wide angle with real depth, near objects large and soft, far objects small and crisp, gothic decorative arches framing the empty air the girls float in, playful and eerie.
GOG & minimaw
gm
5girls, witch, mummy, vampire, demon, zombie, halloween costume, gothic space station interior, zero gravity, floating, jack-o'-lantern, floating candy, space party, halloween party, indoors, long hair, looking at viewer, wide shot, from below, dutch angle, foreshortening, dynamic pose, arms up, outstretched arm, jumping, floating hair, floating clothes, bodysuit, thighhighs, boots, top hat, horns, tail, bandages, stitches, pale skin, grin, open mouth, :d, one eye closed, wink, smug, blush, depth of field, volumetric light, purple and orange palette, rim light
The camera looks steeply UP through the drifting party from a low corner of the module, tilted a few degrees off level so the station's frames rake diagonally across the frame -- every figure hangs above the lens line, and the vault of the gothic module opens away into black. Five girls float loose in the weightless air of a cathedral-vaulted space-station hall: black iron ribs arc overhead like a reliquary ceiling, riveted dark metal panels between them, two tall lancet viewports at the back filled with starfield and a swollen Halloween-orange nebula, and a broken gravity ring's warning strip pulsing slow violet along the deck handrails, all of it weightless with them -- nothing hangs, nothing settles.
At the upper left the witch tumbles upside-down relative to the room, black velvet pointed hat clamped on with its purple ribbon streaming straight out, flared sleeves and short black skirt billowing as she grips her carved wooden broomstick two-handed across her body with both knees hooked over it like a hobby horse; her boots point at the ceiling, her hair fans out in a dark halo, and she fires a crooked open-mouthed grin and one hard wink down toward the vampire while her free heel kicks loose. To her right the mummy hangs nearly horizontal, unwinding: aged cream linen bandages trail off her forearms and one calf in long slow spirals that curl through the air, her wrap-bound body tilted head-down, and only her eyes show through the wraps -- narrowed, half-lidded, aimed sidelong at the demon's tail with a suspicious stare. Below her the demon is the nearest body to the lens and the most foreshortened, driving up from the bottom of the frame with one studded black-gloved hand thrust toward the viewer, fingers splayed and pointing; red curved horns rise from her forehead, her spade-tipped tail whips behind her like a counterweight, and she twists at the waist in the tight studded black leather bodysuit to look back over her shoulder at the mummy, chin lifted, a smug half-smile pulling one corner of her mouth while her eyes crease with laughter.
On the right the vampire keeps a deliberate, regal stillness against the tumble around her, hovering upright with only her skirt and the lace of her high collar drifting; she wears a red and black Victorian high-collared gown with a lace bodice, long black gloves, and a small black top hat pinned at an angle, and she tilts her chin down at the demon with a cool narrow-eyed stare while one gloved finger taps slowly against her collarbone. The zombie spills in from the far right edge, mid-somersault, pale grey skin catching the rim light, tattered dirt-stained light-blue vintage dress flaring and one mismatched sock stripped half-off her kicking foot, the stitches across her cheek drawn tight by a wide delighted laugh as she looks back at the witch's broomstick with both arms flung wide.
Candy is everywhere in the air, and it is the scene's revealer of which way is down: wrapped caramels, striped hard candies, lollipops and sugar skulls hang motionless in loose clouds, and each one slowly turns about its own center with nothing pulling it any direction. Three carved jack-o'-lanterns float among them, lit from inside -- their cut faces throw orange light up onto the undersides of the girls' chins and onto the iron ribs above them, and where a candy drifts into a pumpkin's glow it glows amber from below and goes dull on top. Black is the ground of the palette, purple is the station's light, orange is the fire in the pumpkins and the nebula in the viewports, and red is reserved for the vampire's gown and the demon's horns; the only other light is a cold violet spill from the warning strips and the thin blue rim along each floating body, and shadows fall only where the pumpkin light is blocked by a body, casting upward.
Framing is a wide shot with a slight fisheye warp at the edges so the iron ribs bend inward, the witch and the vampire read at the top of the diagonal, and the demon's outstretched hand breaks the lens plane in the foreground; the depths between them stay readable, with distant floating candy rendered as small soft bokeh sparks and everything near sharp. Airborne, glittering, effortlessly sinister.
GOG & minimaw
Odkryj wiฤcej
Polecani uลผytkownicy
Moลผe Ci siฤ spodobaฤ
แฏโ
โก โก แฏโ
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
logos
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
ํธ๋ฅธ ๋ฌผ๊ฒฐ ์์ ์ ๋น๋ก์ด ์๋
์กฐ๊ฐ
X-Ray โข Verina
ichikiki
anime
๐๐๐๐๐๐๐๐
miku
๐๐๐๐๐๐๐๐
samsara asura
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
๐งฃ๐ ๐ช โงโห โก หโโง
(mai)
โ๏ธLoliciaโ๏ธ
weirdcore...
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
HaruYuu 02
uzukun
reunited at last
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
โหโนโก ๐ฏ๐๐ป๐ป๐ ๐ด๐ถ๐ฟ๐น โกโนหโ
โโกโ ๐๐พ๐ฝ๐ฝ๐ฎ๐ป๐ฏ๐ต๐โขสัษ.๐๐
...
Tofu
1
...
Tofu
1
โห ๊ฐแข. .แข๊ฑ ๐๐ โง
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
ใชใช
Sg75
...
Tofu
์ด๋ฆ
์ด๋ฆ
1
Komentarze