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AI art "鏡音レンと弱音ハクのステージ"
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鏡音レンと弱音ハクのステージ

『VOCALOID』の鏡音レンくんと弱音ハクさんのツーショットイラストです。ステージ上でマイクを前にしている二人の姿がとても魅力的で、つい見入ってしまいました。応援してくれると嬉しいです！いいねとフォロー、コメントもお待ちしています。これからも投稿していくのでよろしくね！

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forge empress

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character: yowane_haku, kagamine_len 2girls, 1boy, kagamine len, yowane haku, apology venue, bowing, deep bow, apologizing, apology stage, from side, cowboy shot, dutch angle, full body, head down, eyes downcast, closed eyes, blonde short hair, blue eyes, white shirt, long sleeves, shorts, ouji fashion, grey hair, very long hair, low ponytail, ahoge, striped hair bow, headphones around neck, grey crop top shirt, bare shoulders, purple necktie, nail polish, standing on stage, hands at sides, hands pressed to thighs, microphone stand, wooden podium, red curtain backdrop, banner, speech bubble, "申し訳ございませんでした", stage lights, spotlight from above, dramatic shadow, solemn The camera sits low and off-axis in a slight dutch tilt, looking up from stage-left at a shallow angle, so the two figures are seen mostly in profile against the deep red curtain that hangs behind them. On the left, the boy with short blonde hair and blue eyes bows deeply from the waist, spine folded forward, his white long-sleeved shirt pulling taut across his shoulders and the cuffs sliding back from his wrists; both arms hang straight, palms pressed flat against the outside of his thighs just above the shorts, heels together and toes slightly apart, the weight carried on the balls of his feet. On the right, a little farther back and a half-step behind, the girl with very long grey hair bows just as deep; her hair, gathered in a low ponytail, slides forward over her shoulder and hangs down past her face, the striped bow at the nape showing, the short ahoge at her crown still springing up against gravity; her bare shoulders catch the light above the grey crop-top, the purple necktie swinging free of her chest, and her polished fingertips rest on her knees. Both faces are angled down and away from the lens, eyes closed or fixed on the stage floor, chins tucked. The stage floor is dark varnished wood, scuffed and faintly reflective, and a single microphone stand on a weighted base stands between them, tipped slightly forward as if nudged. Above and behind, a wide horizontal banner is stretched across the curtain, its fabric rippling so the lettering on it curves with the folds; there is no legible text on it, only a soft blurred band of pale glyph shapes. A hard spotlight from high above and slightly front-left cuts a bright ellipse on the boards around the two bowed figures, throwing their long doubled shadows backward onto the curtain and leaving everything beyond the ellipse — the wings, the upper curtain, the back of the stage — in near-blackness; the lamp is the only source, its beam warming the blonde hair to gold, cooling the grey hair to silver, and glinting off the varnished floor where the light rakes across it. Palette: deep crimson curtain, near-black shadow, warm tungsten white on skin, the purple of the necktie the one cool accent, blond and grey the two hair notes. A speech bubble rises from the bowed pair, its tail pointing down between them, and inside it reads "申し訳ございませんでした" in clean rounded lettering. The whole frame is held in a hushed, formal, faintly absurd solemnity.
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鏡音レンと弱音ハクが謝罪会場で謝罪をしている。
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pro
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﹝Podpowiedzi﹞
Rozmiar
1104 x 1824
Niepożądane
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
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character: yowane_haku, kagamine_len 2girls, 1boy, kagamine len, yowane haku, apology venue, bowing, deep bow, apologizing, apology stage, from side, cowboy shot, dutch angle, full body, head down, eyes downcast, closed eyes, blonde short hair, blue eyes, white shirt, long sleeves, shorts, ouji fashion, grey hair, very long hair, low ponytail, ahoge, striped hair bow, headphones around neck, grey crop top shirt, bare shoulders, purple necktie, nail polish, standing on stage, hands at sides, hands pressed to thighs, microphone stand, wooden podium, red curtain backdrop, banner, speech bubble, "申し訳ございませんでした", stage lights, spotlight from above, dramatic shadow, solemn The camera sits low and off-axis in a slight dutch tilt, looking up from stage-left at a shallow angle, so the two figures are seen mostly in profile against the deep red curtain that hangs behind them. On the left, the boy with short blonde hair and blue eyes bows deeply from the waist, spine folded forward, his white long-sleeved shirt pulling taut across his shoulders and the cuffs sliding back from his wrists; both arms hang straight, palms pressed flat against the outside of his thighs just above the shorts, heels together and toes slightly apart, the weight carried on the balls of his feet. On the right, a little farther back and a half-step behind, the girl with very long grey hair bows just as deep; her hair, gathered in a low ponytail, slides forward over her shoulder and hangs down past her face, the striped bow at the nape showing, the short ahoge at her crown still springing up against gravity; her bare shoulders catch the light above the grey crop-top, the purple necktie swinging free of her chest, and her polished fingertips rest on her knees. Both faces are angled down and away from the lens, eyes closed or fixed on the stage floor, chins tucked. The stage floor is dark varnished wood, scuffed and faintly reflective, and a single microphone stand on a weighted base stands between them, tipped slightly forward as if nudged. Above and behind, a wide horizontal banner is stretched across the curtain, its fabric rippling so the lettering on it curves with the folds; there is no legible text on it, only a soft blurred band of pale glyph shapes. A hard spotlight from high above and slightly front-left cuts a bright ellipse on the boards around the two bowed figures, throwing their long doubled shadows backward onto the curtain and leaving everything beyond the ellipse — the wings, the upper curtain, the back of the stage — in near-blackness; the lamp is the only source, its beam warming the blonde hair to gold, cooling the grey hair to silver, and glinting off the varnished floor where the light rakes across it. Palette: deep crimson curtain, near-black shadow, warm tungsten white on skin, the purple of the necktie the one cool accent, blond and grey the two hair notes. A speech bubble rises from the bowed pair, its tail pointing down between them, and inside it reads "申し訳ございませんでした" in clean rounded lettering. The whole frame is held in a hushed, formal, faintly absurd solemnity.
forge empress
AI artwork
fe
character: yowane_haku, kagamine_len 2girls, 1boy, kagamine len, yowane haku, apology venue, bowing, deep bow, apologizing, apology stage, from side, cowboy shot, dutch angle, full body, head down, eyes downcast, closed eyes, blonde short hair, blue eyes, white shirt, long sleeves, shorts, ouji fashion, grey hair, very long hair, low ponytail, ahoge, striped hair bow, headphones around neck, grey crop top shirt, bare shoulders, purple necktie, nail polish, standing on stage, hands at sides, hands pressed to thighs, microphone stand, wooden podium, red curtain backdrop, banner, speech bubble, "申し訳ございませんでした", stage lights, spotlight from above, dramatic shadow, solemn The camera sits low and off-axis in a slight dutch tilt, looking up from stage-left at a shallow angle, so the two figures are seen mostly in profile against the deep red curtain that hangs behind them. On the left, the boy with short blonde hair and blue eyes bows deeply from the waist, spine folded forward, his white long-sleeved shirt pulling taut across his shoulders and the cuffs sliding back from his wrists; both arms hang straight, palms pressed flat against the outside of his thighs just above the shorts, heels together and toes slightly apart, the weight carried on the balls of his feet. On the right, a little farther back and a half-step behind, the girl with very long grey hair bows just as deep; her hair, gathered in a low ponytail, slides forward over her shoulder and hangs down past her face, the striped bow at the nape showing, the short ahoge at her crown still springing up against gravity; her bare shoulders catch the light above the grey crop-top, the purple necktie swinging free of her chest, and her polished fingertips rest on her knees. Both faces are angled down and away from the lens, eyes closed or fixed on the stage floor, chins tucked. The stage floor is dark varnished wood, scuffed and faintly reflective, and a single microphone stand on a weighted base stands between them, tipped slightly forward as if nudged. Above and behind, a wide horizontal banner is stretched across the curtain, its fabric rippling so the lettering on it curves with the folds; there is no legible text on it, only a soft blurred band of pale glyph shapes. A hard spotlight from high above and slightly front-left cuts a bright ellipse on the boards around the two bowed figures, throwing their long doubled shadows backward onto the curtain and leaving everything beyond the ellipse — the wings, the upper curtain, the back of the stage — in near-blackness; the lamp is the only source, its beam warming the blonde hair to gold, cooling the grey hair to silver, and glinting off the varnished floor where the light rakes across it. Palette: deep crimson curtain, near-black shadow, warm tungsten white on skin, the purple of the necktie the one cool accent, blond and grey the two hair notes. A speech bubble rises from the bowed pair, its tail pointing down between them, and inside it reads "申し訳ございませんでした" in clean rounded lettering. The whole frame is held in a hushed, formal, faintly absurd solemnity.
forge empress
AI artwork
fe
character: yowane_haku, kagamine_len 2girls, 1boy, kagamine len, yowane haku, apology venue, bowing, deep bow, apologizing, apology stage, from side, cowboy shot, dutch angle, full body, head down, eyes downcast, closed eyes, blonde short hair, blue eyes, white shirt, long sleeves, shorts, ouji fashion, grey hair, very long hair, low ponytail, ahoge, striped hair bow, headphones around neck, grey crop top shirt, bare shoulders, purple necktie, nail polish, standing on stage, hands at sides, hands pressed to thighs, microphone stand, wooden podium, red curtain backdrop, banner, speech bubble, "申し訳ございませんでした", stage lights, spotlight from above, dramatic shadow, solemn The camera sits low and off-axis in a slight dutch tilt, looking up from stage-left at a shallow angle, so the two figures are seen mostly in profile against the deep red curtain that hangs behind them. On the left, the boy with short blonde hair and blue eyes bows deeply from the waist, spine folded forward, his white long-sleeved shirt pulling taut across his shoulders and the cuffs sliding back from his wrists; both arms hang straight, palms pressed flat against the outside of his thighs just above the shorts, heels together and toes slightly apart, the weight carried on the balls of his feet. On the right, a little farther back and a half-step behind, the girl with very long grey hair bows just as deep; her hair, gathered in a low ponytail, slides forward over her shoulder and hangs down past her face, the striped bow at the nape showing, the short ahoge at her crown still springing up against gravity; her bare shoulders catch the light above the grey crop-top, the purple necktie swinging free of her chest, and her polished fingertips rest on her knees. Both faces are angled down and away from the lens, eyes closed or fixed on the stage floor, chins tucked. The stage floor is dark varnished wood, scuffed and faintly reflective, and a single microphone stand on a weighted base stands between them, tipped slightly forward as if nudged. Above and behind, a wide horizontal banner is stretched across the curtain, its fabric rippling so the lettering on it curves with the folds; there is no legible text on it, only a soft blurred band of pale glyph shapes. A hard spotlight from high above and slightly front-left cuts a bright ellipse on the boards around the two bowed figures, throwing their long doubled shadows backward onto the curtain and leaving everything beyond the ellipse — the wings, the upper curtain, the back of the stage — in near-blackness; the lamp is the only source, its beam warming the blonde hair to gold, cooling the grey hair to silver, and glinting off the varnished floor where the light rakes across it. Palette: deep crimson curtain, near-black shadow, warm tungsten white on skin, the purple of the necktie the one cool accent, blond and grey the two hair notes. A speech bubble rises from the bowed pair, its tail pointing down between them, and inside it reads "申し訳ございませんでした" in clean rounded lettering. The whole frame is held in a hushed, formal, faintly absurd solemnity.
forge empress
AI artwork
fe
character: yowane_haku, kagamine_len 2boys, 2girls, 4girls total, kagamine len, yowane haku, apology event venue, formal press conference, bowing, deep bow, head lowered, apologizing, seated, chair, watching, two twin-tailed boys, male twins, twin-tails, long hair, from side, wide shot, full body, dutch angle, grey hair, very long hair, ahoge, low ponytail, striped bow, blonde hair, short hair, blue eyes, white shirt, shorts, long sleeves, ouji fashion, crop top, grey shirt, headphones, purple necktie, nail polish, bare shoulders, furrowed brows, tense, awkward atmosphere, microphones on table The camera sits low and off-axis in a slight dutch tilt, a wide shot taken from the side of a press-conference hall so that the two apologizing figures stand in profile on the left of the frame and the two seated boys occupy the right. At the front, behind a long dark table, a short blonde-haired girl in a white long-sleeved shirt and shorts bows deeply from the waist, spine folded forward, both hands pressed flat against the tops of her thighs just above the knee, her short blonde hair falling forward over her downturned face so only her chin and the line of her jaw show; beside her, a girl with very long grey hair gathered in a low ponytail and a striped bow at the nape bows with her, her shoulders bare above a grey crop top with a purple necktie hanging loose and swinging forward from the motion, chunky headphones resting around her neck, her ahoge dipping with the bow, one hand at her side and the other flat on the table edge. Both face the row of microphones clustered on the table before them, and a grey curtain of backdrop stands behind. To the right, in the midground on folding chairs angled toward the table and slightly toward the lens, sit two boys side by side with long hair tied into twin-tails, one tail over each shoulder and the ends resting against their chests; the nearer boy leans forward with his elbows on his knees and his chin propped on his laced fingers, eyes fixed on the bowing pair, one brow lifted; the farther boy sits back with his legs crossed at the ankle, arms folded and head tilted, watching the two with a flat, unimpressed stare. Their chairs sit on a scuffed floor, the nearer boy's chair turned a few degrees out of line with the other's. Cold overhead fluorescent panels light the room from above and slightly behind the seated boys, laying a hard-edged shadow of the table across the floor and catching the tops of the bowed heads and the metal of the microphones while the space beneath the table sinks into shadow. Palette of institutional grey-green walls, dark navy table, muted off-white shirts and the soft blonde and grey of the two bowed heads, with the purple of the necktie the single warm accent. The microphone cables run in slack loops across the tabletop. Awkward, heavy.
forge empress

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