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AI artwork
eb
character: nunnally_vi_britannia 2girls, male focus, goblin, ugly goblin, green skin, pointed nose, pointed ears, long pointed ears, fangs, wrinkled face, warts, bald, short stature, child-sized, hunched, nunnally vi britannia, brown hair, very long hair, hair up, high ponytail, ponytail, sidelocks, curtained hair, purple eyes, open eyes, crying, tears, streaming tears, sad, trembling, closed mouth, forced kiss, kiss on lips, head turned, grimace, dark red kimono, pink and white dress, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated dress, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments, colossal earrings, colossal engagement ring, colossal bracelets, close-up, from side, profile, dutch angle, upper body, indoors, dim room, candlelight, heavy breathing, saliva trail, blush, half-closed eyes, sweat, trembling, motion lines, spoken_heart The shot is a tight close-up in dutch-tilted side profile, the frame filled by two faces pressed together. The goblin leans up from the lower-left, backward-bent at the small of his back to reach her mouth, his long green pointed nose crushed sideways against her cheek, one wart-ridged brow knitted, a fang catching his own lower lip as his mouth mashes flat over hers; his gnarled hand clamps the hinge of her jaw, thumb digging into her cheek, fingertips indenting the skin behind her ear, and his other fist bunches the dark red kimono collar at her throat, the heavy silk pulled out of its own fold. She stands above him and slightly behind the pressure of the kiss, spine arched away, chin shoved up and to the left, mouth squashed shut under his — a small hand-drawn heart floats in a bubble beside her cheek with no words. Her purple eyes are wide open and staring past him at nothing, unfocused, glittering; tears stand in both lower lids, brim over, and cut bright wet tracks down her cheeks, one drop hanging from her jawline and another already soaked dark into the kimono's shoulder. Her brown hair is gathered up in a high ponytail, the very long fall of it whipping forward over her right shoulder from the jolt, sidelocks and curtained fringe sticking wetly to her damp cheek. Colossal hoop earrings drag the earlobes down under their own weight; on her raised left hand, colossal bracelets stack and slide down her forearm, and the colossal engagement ring turns her hand heavy, its stone tipping her fingers. The kimono's dark red silk gives way at the shoulders to the pink and white overdress: puffy, huge, long skirt bellied out on wire and layers, soaked edge to edge in lace, cascading ruffles, a ridiculous bouquet of bows, glitter fabric flashing and sequins throwing back pinpricks of light, ridiculous ornaments clattering at the hem, so overdecorated the silhouette barely reads as a body. A single candle sits low and out of frame at the left, so the light comes up from the goblin's side: it burns on his green knuckles, rims her jaw in wet highlights, glints off every sequin, and drops the rest of the room into absolute dark; the shadow of his head climbs the wall behind her shoulder. Palette: dark red, pink and white, wet skin speculars, candle amber, the goblin's moss green — nothing else admitted. A drop of his saliva runs along her chin and breaks away. Nauseated dread.
Nov 9, 2026 6:43 AM
#Final Fantasy
AI artwork
eb
character: kurokawa_akane 1girl, solo, kurokawa_akane, long hair, bangs, blue eyes, green eyes, heterochromia, black hair, blue hair, multicolored hair, gradient hair, enormous breasts, rococo style, colossal earrings, colossal engagement ring, colossal bracelets, diamond collar, tiara, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated dress, puffy skirt, huge long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments on dress, red and white dress, fur dress, sad, empty eyes, shaded face, blush, bondage gag, bound arms, sitting, backless stool, facing forward, pov, looking at viewer, stiff posture, clenched fists, trembling, symmetrical composition, ornate baroque interior, dim candlelight, heavy shadow over face, dead eyes, pov, eye-level, facing the viewer — the camera is the viewer, placed close enough that the enormous puff of the skirt spreads almost to the bottom edge of the frame. One girl sits on a small backless stool, her spine straight and rigid, dark shadow falling over the upper half of her face like a visor while her lower face with the bondage gag remains lit and visible. Her hair is long and falls past the stool, a gradient from black at the crown to blue at the tips, with swept bangs shadowing the brow. Blue and green eyes gleam from under that darkness, empty and distant; a low flush of blush stains both cheeks. The gag's strap crosses her cheeks and compresses them slightly; her jaw is slack. Over the vast red and white fur-trimmed dress, lace, ruffles, bows and sequin-covered ornaments proliferate to absurd excess; the puffy skirt billows out and hides the stool beneath her. On her ears, gigantic earrings; one tremendous engagement ring and colossal bracelets on her wrists. A diamond collar and tiara catch what little light there is. Her arms are held stiffly at her sides, not quite touching the dress, fists clenched on the fabric of her skirt, knuckles pale. The lighting is dim, warm and directional from a single source high and to one side, feathering over the sequins so each catches a tiny pinpoint of light, casting a sharp shadow downward through the middle of her body. The atmosphere is quietly oppressive and sad.
Nov 7, 2026 1:10 PM
AI artwork
eb
character: miyu_edelfelt, copyright: fate/kaleid_liner_prisma_illya 1girl, solo, miyu edelfelt, black hair, medium hair, hair between eyes, brown eyes, hair ornament, hairclip, tiara, diamond collar, crying, tears, blush, ugly wedding dress, overly ornate wedding dress, tacky wedding dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt, oversized dress, glitter fabric, sequins, gigantic sleeves, ridiculous sleeves, ridiculous ornaments, pregnant, simple background, cowboy shot, from below, dutch angle, looking at viewer, trembling, clenched hands, white background A girl stands alone against a completely empty, seamless pale grey-white field, framed in a slightly tilted cowboy shot from below so the vast overdecorated dress towers up toward the lens. Her medium-length black hair falls around her face with long strands between her eyes; a small tiara sits tilted forward on the crown of her head, a patterned hairclip pins the hair above one temple, and a thin diamond collar rings her bare throat. Her brown eyes are wet and brimming, tears cutting bright tracks down both cheeks past a hot flush that runs from cheekbones to ears; her brows pinch upward at the centre and her lower lip trembles, held shut. Her shoulders slump under the weight of the gown and her hands knot together at her waist over the swollen curve of her abdomen, knuckles pale from gripping. The wedding dress is a catastrophe of excess: a gigantic puffy skirt that balloons wider than her arm span, layered in tier upon tier of stiff lace, ruffles and clustered bows, glitter fabric and sequins scattering hard specks of reflected light across its whole surface, and enormous sleeves that swallow her arms to the wrist in more lace and looping ribbon. Ornaments of every kind crowd the bodice and hem so densely the ivory base is barely visible. The fabric presses and stretches across her pregnant belly, the only place the dress is smooth. A single soft frontal studio light sits above and slightly ahead of her, catching the sequins and glitter as tiny bright points, dropping the folds of the huge skirt into cool grey shadow and leaving the background an even, undifferentiated off-white. The paper-white ground forces all colour into the figure: black hair, brown eyes, flushed skin, and a wedding-white that shades from cream to dirty grey in the folds. Quietly miserable, absurdly overdone.
Nov 5, 2026 6:53 PM
#Série Fate#Miyu Edelfelt
AI artwork
eb
character: miyu_edelfelt, copyright: fate/kaleid_liner_prisma_illya 1girl, 1man, 2girls, black hair, medium hair, hair between eyes, hair ornament, hairclip, tiara, brown eyes, small breasts, crying, tears, blush, ugly wedding dress, overly ornate wedding dress, tacky wedding dress, too much lace, excessive ruffles, too many bows, overdecorated dress, puffy skirt, huge skirt, oversized dress, glitter fabric, sequins, gigantic sleeves, ridiculous ornaments on the dress, diamond collar, girl sitting on the man's lap, hug, ugly man, hugging, from side, medium shot, dutch angle, wedding venue, stained glass, looking at each other, tears streaming, sitting on knee, arm around waist, tears on his sleeve, dim candlelight. The view is a low three-quarter side angle, tilted slightly, so the camera sits just below the level of their joined bodies and reads the pose as one silhouette against a tall pale window. In the center of the frame, the girl sits on the man's lap, her small frame swallowed by the dress: the puffy skirt balloons out under her and spills over his knees, sequined fabric scattering tiny points of light, ruffles layered until they almost hide her hands. Her black hair, medium-length with strands falling between her eyes, is pinned with a hairclip, a small flower ornament, and a cheap tiara that sits a little crooked; a diamond collar glints at her throat. Her face is flushed with blush, brown eyes brimming as tears spill down both cheeks, turning to look at the man whose arm is wrapped loosely around her back. Her huge sleeve, sewn with lace and ridiculous ornaments, brushes against his shoulder, and one small hand grips the fabric at his chest. The man is drawn plainly, a broad, heavy-set figure in rumpled dark clothing, jaw slack, expression awkward and uncertain as he holds her. His thick arm rests at her waist, palm flat against the glittering fabric, and he leans his head slightly toward her while his gaze stays fixed on her face. Behind them, a dusty altar stands in front of a cracked stained-glass window, the light falling through it in a cold blue-violet grid across the floor, while a warm yellow pool of candlelight reaches only the front of the dress. The gray stone walls and the empty hall recede into shadow, and the girl's tears catch the window's glow, leaving small dark tracks down the glitter. Quiet, awkward tenderness.
Nov 5, 2026 7:12 AM
AI artwork
eb
character: prisma_illya, illyasviel_von_einzbern, copyright: fate/kaleid_liner_prisma_illya 1girl, 1goblin, 2girls-only-figure-count, solo-female, prisma illyasviel, long blonde hair, white-blonde highlights, sidelocks, bangs, hair between eyes, red eyes, small breasts, sad, crying, tears, streaming tears, tear streaks on cheeks, quivering lip, furrowed brows, colossal earrings, colossal engagement ring, colossal bracelets, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated dress, ridiculous ornaments on dress, pink and white dress, glitter fabric, sequins, puffy skirt, huge skirt, long skirt, oversized dress, glass high heels, crystal heels, running, fleeing, mid-stride, looking back over shoulder, reaching back, goblin, green skin, pointed ears, fangs, pointed nose, child-sized, lunging, grabbing at skirt, catching the girl, from above, wide shot, tilted horizon, dutch angle, night, moonlit, palace corridor, marble floor, overturned chairs, scattered ribbon, dynamic perspective. Shot from a high, tilted angle looking down over a moonlit palace corridor, the camera skewed so the marble floor slashes diagonally across the frame. In the lower-right foreground, the blonde-haired girl is caught mid-flight, sprinting away from the goblin behind her; her long skirt and crystallized ruffles billow out around her legs, and she twists her upper body to look back over her left shoulder, her red eyes wide with fear, tears streaming down her face and her lips pressed tight. Her colossal earrings swing and catch the light, the colossal bracelets rattling at her wrists, and the enormous engagement ring glints on her raised left hand as she reaches back as if to pull her skirt free. Behind her in the midground, a child-sized green goblin with pointed ears and a fanged grin lunges forward, its clawed hand snatching at the trailing lace and ruffles of her huge pink and white dress. The dress is laughably overdecorated: a mountain of lace, tier upon tier of ruffles, bows sprouting from every seam, sequins and glitter fabric flashing under the cold moonlight. A fallen chair and a torn ribbon lie on the floor between them, marking the path of the chase. The single light source is the moon through tall arched windows on the left, casting long shadows that stretch and twist across the floor in the direction of the girl's flight; the goblin's shadow races after her. Palette is dictated by the pink and white of the dress, the cool silver-blue of the moonlight, and the green of the goblin against deep shadow; the crystal heels and ring throw hard white sparkles. The physical tell: the girl's glass heels click and skid on the marble, their reflections stretched and broken beneath her. Desperate, glittering.
Nov 4, 2026 6:15 AM
#Illyasviel von Einzbern#Série Fate#Fate/kaleid liner PRISMA ILLYA
AI artwork
eb
character: nunnally_vi_britannia 1girl, 1goblin, brown hair, very long hair, long hair, sidelocks, open eyes, purple eyes, colossal earrings, colossal engagement ring, colossal bracelets, pink and white dress, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, ridiculous ornaments, glitter fabric, sequins, puffy skirt, huge skirt, long skirt, oversized dress, wedding day, sad, crying, tears, streaming tears, mini goblin, goblin sitting on shoulder, goblin grabbing chin, goblin kissing girl, girl facing front, standing, perfect anatomy, from below, cowboy shot, dutch angle, looking at viewer, open mouth, trembling lip, wet cheeks, green skin, pointed ears, fangs, small body, hugging own waist, She faces front, seen from a low angle and canted a few degrees off level, the camera just above the hem of a skirt so wide the frame cannot hold its edges. Her very long brown hair falls in two long sidelocks and a curtain of strands to below her hips, parted so both open purple eyes stay fully visible and catch the key light. The dress is pink and white in exaggerated excess: layers of lace massed at the neckline and cuffs, cascading ruffles stacked on ruffles, bows crowding every seam until their loops overlap, a stiff pointless sash and absurd ornaments fixed at hip and bodice, and fabric dusted in glitter with visible sequins each returning a tiny hard point of highlight. The skirt puffs and swells outward and downward into a huge long silhouette that flares beyond the frame. At each ear a colossal earring drags the lobe low; a colossal engagement ring pulls the left hand down with its weight; colossal bracelets sit heavy around both wrists, leaving a faint compressed crease in the skin beneath. Her right arm hangs and the ring tugs the whole shoulder lower; her left hand is loose at her waist, fingers curled. A mini goblin is perched on her right shoulder, its green-skinned thighs pressed to the fabric, its small pointed shoes dug in; its little clawed fingers grip her chin and jaw and lift her face, pointed nose and fangs pushing toward her cheek where it kisses her — while her eyes stay open, gaze sliding off to the side, lips parted, streaming tears running down both cheeks, jaw and neck, glittering where the light catches them, one tear caught on the goblin's knuckle. A faint shadow from its small legs falls across her collarbone. Soft ceremonial daylight falls from the front-left, catching the sequins, the giant earrings and the wet trails on her face; the far edges of the skirt fall into shadow. Palette held to pink, white, and the green of the goblin, with her brown hair and purple eyes the only other colors. Quiet, unbearable ceremony.
Nov 2, 2026 6:23 PM
#Nunnally vi Britannia
AI artwork
eb
character: alcina_dimitrescu, kurokawa_akane 2girls, yuri, hug from behind, carrying, one arm carry, kidnapped, standing, sighing, sad, blush, height difference, very tall female, enormous breasts, long hair, bangs, multicolored hair, gradient hair, black hair, blue hair, heterochromia, one blue eye and one green eye, rococo style, ornate dress, tacky dress, overdecorated, red and white dress, fur dress, enormous puffy skirt, long skirt, oversized dress, too much lace, excessive ruffles, too many bows, glitter, sequins, ridiculous ornaments, colossal earrings, colossal bracelets, colossal engagement ring, tiara, diamond collar, from below, dutch angle, cowboy shot, looking away, half-closed eyes, parted lips, star-shaped pupils, black hair, hair over one eye, yellow eyes, pale skin, claws, wide shot, The camera looks up from a low dutch angle, tilted a few degrees so the two figures lean across the frame, in a full-body-to-cowboy view that keeps the enormous skirt and the girl's lifted feet inside the picture. Back and to the left of frame the tall woman stands with her weight settled on her right leg, hip pushed out, spine curved forward over her captive: her left arm is locked across Akane's chest just under the collarbone, forearm pressed to the bodice, her clawed hand spread flat over Akane's right shoulder blade side, fingers curling into the lace so the fabric dimples under her grip. Her right arm scoops under Akane's knees and hoists; Akane's legs swing clear of the ground to the right, one slipper half-off and hanging from her toes, her whole body bowed backward over that forearm in a shallow arc, head tipped back against the woman's shoulder, throat exposed, weight entirely off her own feet. The woman's chin hovers just above Akane's hair, her yellow eyes half-lidded and fixed down on Akane's profile, one black lock fallen over that eye; a faint self-satisfied smile pulls one corner of her mouth, no teeth. Akane's heterochromatic eyes — the left blue, the right green — are open and lowered, looking at nothing off to the lower left of frame past the woman's sleeve, pupils star-shaped and glassy at the rim, lids heavy; her brows tilt up in the middle, her lips are parted on the exhale of a sigh, and a soft blush stains both cheeks high and warm. Her right hand grips the woman's forearm at her chest, fingertips whitening the skin, and her left hand hangs loose, forgotten, fingers curled. Both are dressed in the same suffocating rococo excess, in red and white. Akane's gown is white silk washed with crimson, boned and cinched, and it detonates outward from the waist into a skirt so vast and stiff that the petticoats hold it in a dome twice the width of her shoulders; the hem is banded in three tiers of knife-pleated lace, each tier frilled with ruffles layered on ruffles, and bows — satin bows, ribbon rosettes, double-looped bows in crimson and cream — are pinned in uncountable clusters down the front of the skirt, up the bodice, at the shoulders, at the wrists, until the dress reads as a celebration that went wrong. Sequins and glitter thread are scattered through the fabric so that every one of them catches a separate pinpoint of light; glass-bead fruits, fake pearls, tiny gilded cupids and oversized fabric roses are stitched on with no plan at all; a stole of dense white fur rings her shoulders and sheds a few loose hairs onto the lace. On her head sits a tiara crowded with paste diamonds, its points snagging in her bangs. Colossal hoop earrings, wide as her palm, swing and drag at her lobes; colossal bracelets of stacked gold rings clank and slide up her forearm; around her throat a diamond collar is a solid band of set stones. On her left ring finger, an engagement ring of absurd scale rides heavy, a stone the size of a quail's egg in a claw setting, tipping her hand down. The tall woman wears the same red-and-white register at an imperial scale: a white gown with a crimson underlayer, a towering lace collar framing her shoulders, ruffles at cuff and neckline, a white fur wrap over her arms, sleeves ending in long pale gloves, and a broad sun hat's brim shadowing her brow; her earrings and jewellery read as merely large beside Akane's absurdities because they are so far above the smaller girl in frame. Set the pair on a deep-red carpet in an empty high-ceilinged hall that fades into darkness at the edges, no furniture, nothing to distract: a single warm key light from high front-left rakes across them, sparking the sequins and the diamonds, laying a hard bright rim down the woman's forearm and the curve of Akane's sash, and casting one long doubled shadow that runs off to the lower right and out of frame; beyond the light's pool the hall is black. The palette admits red, white, black, gold, and the warm skin and hair of the two figures — the woman's black hair and yellow eyes, Akane's blue-to-black gradient length — and nothing else. Glitter glints catch only on surfaces tilted toward the key, never in shadow; the loose fur hairs drift slowly to the carpet in the still air. Melancholy, opulent.
Nov 2, 2026 6:44 AM
#Resident Evil
AI artwork
eb
character: kurokawa_akane 1girl, 1old woman, 2girls, kurokawa akane, tall gigantic old woman, height difference, size difference, enormous breasts, long hair, gradient hair, multicolored hair, black hair, blue hair, bangs, blue eyes, green eyes, heterochromia, star-shaped pupils, tiara, diamond collar, colossal earrings, colossal bracelets, colossal engagement ring, excessive jewelry, blush, sad, humiliated, teary eyes, dry eyes, eyes open, not enjoying it, forced kiss, kissing, arm around waist, tilting, hands tied behind back, bound wrists, standing, rococo style, overly ornate tacky dress, oversized dress, red and white dress, fur dress, glitter fabric, sequins, excessive lace, excessive ruffles, too many bows, ridiculous ornaments, puffy skirt, huge skirt, long skirt, bride day, masterpiece, extreme quality, perfect anatomy, dutch angle, cowboy shot, from below, kneeling, tall woman Seen from a low dutch angle in a cowboy shot, the giant old woman fills the right two-thirds of the frame while the girl occupies the left, their two bodies overlapping in the middle where the woman's left arm wraps around the girl's back and draws her in. The woman is gigantic, far taller than the girl, her face weathered and lined, her hair a steel-grey coil under no headdress, and she leans down and forward, pressing her lips to the girl's mouth in a forced kiss. Her right hand cups the back of the girl's neck beneath the hairline, tilting the girl's head back and up; her own eyes are half-closed. The girl is caught upright but bent backward at the waist by the tilt, her weight on her heels, both arms pulled behind her back with her wrists lashed together by a white ribbon looped around them, her shoulders strained back and her chest thrust forward. Her enormous breasts push against the brocade of her dress. Her eyes are wide open and fixed on nothing, her brows drawn up in the middle, her mouth caught under the other woman's. Her cheeks are flushed bright with blush, her expression is slack with misery and humiliation, and the tears at the lower lids catch the light without falling. Her long hair — a black-to-blue gradient, multicolored, with swept bangs and strands falling between her eyes — hangs back over her shoulders, some locks caught between her bound arms and her spine. The dress is a red and white rococo confection gone tastelessly far: an enormous puffy skirt ballooning out and down past the frame edge, layer upon layer of white lace frothing at every hem, ruffles stacked in tiers, satin bows in rows down the bodice and clustered at the waist and puffed sleeves, sequins and glitter fabric flashing across the red panels, and a fur stole of white fur around the shoulders and collar. Ridiculous ornaments — enamel roses, paste jewels, ribbon rosettes — are pinned over the bodice in chaotic abundance. On her head sits a small tiara; a diamond collar of clustered stones rings her throat; colossal earrings hang from both ears; a colossal engagement ring sits on her finger; colossal bracelets stack up both wrists. The old woman wears a plain dark gown, a heavy jeweled chain, and a widow's cap of black lace, her own jewellery enormous against the girl's excess. Background: a cathedral-like hall on bride day, arches and columns receding, white lilies and white ribbons banked along the aisles, a dim rose window behind the pair casting coloured shafts through the dust. The key light comes from the left window, a cold blue-white wash that catches the girl's tears, the glitter fabric, the sequins, the diamond collar and the tiara's stones; the old woman's face is half in shadow. Palette: red and white for the girl, black and wine for the woman, cool blue window light, bronze shadow. The mood is suffocating, ceremonial, sad. The single physical detail: the girl's bound wrists strain the ribbon taut, and the fabric of her sleeve bunches white where it pulls. A single tear at last slips free and hangs from her jaw, catching the window light.
Oct 31, 2026 7:00 AM
AI artwork
eb
character: kurokawa_akane 2girls, 1girl, 1 old woman, tall old woman, gigantic old woman, height difference, forced kiss, kiss, lip contact, hands tied behind back, bound wrists, arms behind back, eyes open, wide-eyed, sad, humiliated, crying, blush, nose blush, tilted head, one arm around waist, leaning back, off-balance, standing, rococo, rococo dress, victorian, bride, wedding, overdecorated, overly ornate dress, tacky dress, red and white dress, fur trim, fur dress, glitter, sequins, sparkle, excessive ruffles, too much lace, too many bows, puffy skirt, huge skirt, long skirt, oversized dress, ridiculous ornaments, jeweled ornaments, colossal earrings, colossal bracelets, colossal engagement ring, huge gemstone ring, diamond collar, tiara, jeweled tiara, enormous breasts, cleavage, long hair, bangs, hair between eyes, swept bangs, multicolored hair, gradient hair, black hair, blue hair, two-tone hair, blue eyes, green eyes, heterochromia, star-shaped pupils, masterpiece, extreme quality, perfect anatomy, from side, profile, medium shot, dramatic lighting, dutch angle The camera sits at a low three-quarter side angle, the frame turned slightly off level, so the enormous old woman reads as a mountain of a figure and the small girl is dwarfed inside her grip. The old woman is a weathered, magnificent giant: deep-lined ochre skin, silver hair pinned up under a jewelled crown, hooded pale eyes looking down at the girl's mouth, her body wrapped in a heavy dark brocade that sets off the girl's garish white and red. She leans in from the left of frame, one long arm closing fully around the girl's waist, hand splayed at the small of her back, and her other hand cupped at the girl's nape; her mouth is pressed flat and firmly over the girl's parted lips in a full kiss, and her chin tilts the girl's head back so the girl's throat is a taut pale line. Akane stands caught in that embrace, heels lifting off the floor, weight pitched onto the old woman's arm, shoulders dragged back because both her wrists are bound tight together behind her spine with a silver cord knotted at the wrists. Her long black hair with its blue gradient falls back over the binding, bangs parted over her brow, and both eyes are wide open, staring past the old woman's cheek toward the ceiling: one eye blue, one eye green, pupils star-shaped and dilated, lashes trembling. A hot blush floods her cheeks and the bridge of her nose, tears welling at the lower rims, brows drawn up and pinched, mouth straining against the kiss. Her colossal hooped earrings hang heavy at her jaw, enormous bracelets clatter at both wrists behind her, and the colossal diamond engagement ring weighs down her ring finger where it is pinned at her back. A tight diamond collar circles her throat, and a tall spiked tiara sits in her hair. Her dress is a catastrophe of excess in white and red: a rococo bodice stretched over her enormous breasts, every seam crawling with too much lace, ribbon bows knotted in red at the shoulders, the waist and in a crowding row down the front, fur trim thick at the collar and cuffs, the fabric itself glitter and wet sequins throwing speckled highlights, ridiculous beaded ornaments and paste jewels stitched on at random, and a puffy, gigantic, floor-swallowing skirt whose ruffles spill out in waves, the red underlayers showing at every fold. Her bound arms push her chest forward, so the bodice strain lines pull white. The room is a baroque bridal hall: a tall window at frame right throws cool daylight across the old woman's back and the girl's face, glazing the sequins into hard points of light and leaving the far end of the hall in deep shadow; a chandelier off-frame above adds a faint warm rim along the old woman's silver hair. On the polished floor the girl's hem pools and her lifted heels leave two small gaps of shadow. Everything else in the hall is dark and out of focus. Humiliated, ceremonial.
Oct 31, 2026 6:57 AM
AI artwork
eb
character: kurokawa_akane 1girl, 1boy, 2girls, 1old man, tall man, giant old man, height difference, enormous size difference, size difference, forced kiss, kiss, hand on another's chin, arm around waist, leaning back, tilting head back, hands tied behind back, bound wrists, rope around wrists, eyes open, wide-eyed, sad, humiliated, blush, crying, tears, long hair, bangs, black hair, blue hair, multicolored hair, gradient hair, blue eyes, green eyes, enormous breasts, huge breasts, rococo style, ornate dress, tacky dress, red and white dress, fur trim, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments, colossal earrings, colossal bracelets, colossal engagement ring, diamond collar, tiara, bride day, bride, wedding, dutch angle, from below, close-up, cowboy shot, dramatic lighting, gothic cathedral interior, stained glass, candlelight, gold and crimson palette, masterpiece, extreme quality From a low dutch angle in a cavernous cathedral nave, the camera tilts up so that the old man's mass dominates the right of the frame and the bride is crushed into the lower-left third. He is a true giant beside her — shoulders as wide as a door, a bald, mottled scalp fringed with iron-grey hair, deep creased jowls, a heavy brow, one thick arm wrapped fully around her waist and lifting her weight off her heels, the other hand clamped under her jaw and tipping her face up into the kiss. His mouth presses over hers; his eyes are shut. She is standing but her balance is gone — heels lifted, back arched, pinned against his chest. Her hands are bound behind her back with a red cord, wrists crossed and knotted, the binding visible past her hip. Her eyes are wide open and fixed on nothing past his cheek, lids trembling, brows drawn; two tear tracks cut through the blush on her cheeks, and her lips are crushed flat under his. Her long black-to-blue gradient hair, bangs across her forehead, spills back over his forearm. The dress is rococo excess: red and white glitter fabric crusted with sequins, tiers of lace at the collar and cuffs, bows piled at the bodice, ridges of ruffles down the skirt, fur trim at the shoulders, and ornaments so dense they seem to grow from the fabric. The skirt is so puffy and huge it spreads to the floor, hiding her feet. A tiara sits crooked on her head, enormous earrings drag her earlobes, bracelets stack up both arms, and a colossal engagement ring glints on her bound hand. A diamond collar circles her throat. Light comes only from tall candles and a rose window above, throwing red and gold across his back and leaving her face pale in shadow. Dust motes hang in the shafts. Palette of blood red, cream white, gold, and the cool blue of her hair. Gothic and oppressive, quiet dread.
Oct 31, 2026 6:48 AM
AI artwork
eb
character: kurokawa_akane 1girl, 1old man, 2girls? no — 1girl 1boy, long hair, bangs, multicolored hair, gradient hair, black hair fading to blue hair, blue eyes, green eyes, heterochromia-tinged blue-green eyes, enormous breasts, rococo style, bride day, wedding day, colossal earrings, colossal engagement ring, colossal bracelets, diamond collar, tiara, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, ridiculous ornaments on dress, glitter fabric, sequins, red and white dress, fur-trimmed dress, puffy skirt, huge skirt, long skirt, oversized dress, blush, sad, humiliated, not enjoying it, eyes open, hands tied behind back, forced kiss, dipped backward, tall man, old man, man larger than woman, one arm around her waist, standing, dutch angle, cowboy shot, from side, The camera looks slightly up from her right side at a low dutch tilt, so the bride's sinking body slants across the frame from lower left to upper right and the old man's bulk fills the top corner of the shot. She is caught mid-dip: the old man's single arm is clamped around her waist, his big hand flat at the small of her back, pressing her spine into a backward arc so her chest lifts and her huge skirt crater out and spills toward the floor of the empty, candlelit cathedral nave. Her long black-to-blue gradient hair, bangs swept over her brow, swings down past her shoulder in loose coils, the blue ends dragging across the fur-trimmed neckline. Her head tips back into his kiss, and her eyes stay wide open, fixed hard sideways and out past the viewer's shoulder; she is not looking at him, and her blue-green irises catch the candlelight as her brows pinch upward and her mouth is pressed shut under his. The blush sits low on her cheeks. His old, bald-fringed head hides her tiara's front, but the towering silver points still flare above her hair; her colossal earrings hang low, dragging her earlobes; her colossal bracelets clank on the wrists bound behind her back with white satin cord, her forearms hidden behind her own skirt. The dress is the disaster the whole frame turns on: red and white rococo silk, sequined fabric flashing under the flames, lace frothing at every cuff and collar, ruffles stacked in tiered waterfalls, absurd bows bulging at the shoulders and hem, fur trim matted along the neckline and the high collar of the diamond choker biting her throat. The colossal engagement ring sits heavy on her bound finger behind her back. Light comes only from the tall altar candles to the right: warm gold on her cheek and his shoulder, deep shadow pooling under the huge skirt where the fabric touches the cold stone floor, a long shadow cast across the nave's worn tiles. Palette limited to blood red, cream white, candle gold and near-black shadow. Still, ornate, quietly cruel.
Oct 30, 2026 5:44 PM
AI artwork
eb
character: kurokawa_akane 1girl, 1boy, 2girls? no, 2 characters, kurokawa akane, long hair, bangs, swept bangs, hair between eyes, multicolored hair, gradient hair, black hair fading to blue hair, blue eyes, green eyes, heterochromia, star-shaped pupils, enormous breasts, standing, hands tied behind back, bound wrists, sad, humiliated, blush, tears welling, not enjoying kiss, forced kiss, kissing, tall old man, old man, gigantic male, much taller than the woman, rococo style, bride day, overly ornate dress, tacky dress, red and white dress, fur dress, glitter fabric, sequins, too much lace, excessive ruffles, too many bows, ridiculous ornaments on dress, overdecorated, puffy skirt, huge skirt, long oversized skirt, tiara, diamond collar, colossal earrings, colossal bracelets, colossal engagement ring, from side, profile, cowboy shot, dutch angle, dramatic lighting, dutch angle, Seen in a slightly tilted three-quarter side view, a wedding hall rendered as a shallow stage of pale marble and cold hanging light. The girl stands at the left of frame, body canted a few degrees off vertical by the dutch tilt, weight sunk into her right leg while her left knee bends inward; her shoulders are drawn back not by poise but because both wrists are lashed together behind her, forearms pressed flat to the small of her back, the cords biting a crease into the fur at her hip. The enormous skirt balloons around her, a puffy red-and-white mass of layered lace, tiered ruffles and clustered bows that pushes her silhouette far wider than her shoulders, the hem pooling on the marble and dragging back in a long train of glitter fabric that scatters sequin sparks wherever the overhead light strikes it; a ridiculous excess of ornament — sequined rosettes, ribbon knots, small jewelled charms — clusters so densely across the bodice and skirt that they read as too many to count. Over her black hair, which runs long down her back and fades from black at the crown to blue through the lengths, a cluster of sweeps her fringe across her forehead with strands falling between her eyes; a tiara sits pressed into that fringe. Her blue eye and her green eye are both open, wet along the lower lash, fixed down and away at the floor beside her hem, refusing the mouth at her lips; her cheeks are hot with blush and her lips are compressed under the kiss, chin pulled back and down, one brow knotted. A diamond collar rings her throat, colossal hoop earrings drag her lobes, colossal bracelets stack her bound wrists, and a colossal engagement ring weighs down the finger of one tied hand. The old man leans over her from the right and from a full head and shoulders above, cropped at the chest so his size reads only as mass and the downward slope of his stoop; his grey head is tilted down to take her mouth, one big-knuckled hand cupped around the back of her skull, the other braced at her far shoulder, and his beard and cheek press against the side of her face that the camera can see. His lips cover hers; hers do not answer. Cold white light falls from high above and slightly behind the pair, so the tiara, the diamond collar and the sequins throw hard pinpoint glints while the undersides of the ruffles and the hollow between their faces stay in shadow; the marble throws a single long doubled shadow backwards to the lower left. The palette is restricted to red and white on the dress, black-to-blue in her hair, grey in his, and cold silver in the jewels. Pity and humiliation.
Oct 30, 2026 5:06 PM
#The Idolmaster Cinderella Girls
AI artwork
eb
character: kurokawa_akane 1girl, solo, kurokawa akane, long hair, bangs, swept bangs, hair between eyes, multicolored hair, black hair, blue hair, gradient hair, two-tone hair, blue eyes, green eyes, heterochromia, star-shaped pupils, enormous breasts, standing, sad, sad expression, blush, rococo style, overly ornate dress, tacky dress, red and white dress, fur trim, fur dress, too much lace, excessive ruffles, too many bows, overdecorated, ridiculous ornaments, glitter fabric, sequins, puffy skirt, huge skirt, long skirt, oversized dress, colossal earrings, colossal engagement ring, colossal bracelets, tiara, diamond collar, masterpiece, extreme quality, perfect anatomy, full body, from below, dutch angle, three-quarter view, looking at viewer, downturned mouth, trembling lower lip, tear at the eye corner, hands clasped in front of skirt, fingers twisting together, arms bent close to body, shoulders drawn in, head slightly lowered, chin tucked, hair falling forward around cheeks, elaborate rococo ballroom, marble floor, candlelit chandeliers, opulent wallpaper, warm gold ambient light The camera sits low and tilts off-axis: from below and in a dutch angle, the girl fills a three-quarter view turned slightly to her left, whole figure in frame from tiara to the hem of the enormous skirt. She stands alone on a polished marble ballroom floor, weight on her right leg with her left foot drawn a half-step behind, knees close together, body squared small against the room. Her shoulders are pulled inward, elbows near her ribs, and both hands are clasped low in front of the skirt, fingers twisting into each other and pressing until the knuckles pale against the colossal engagement ring, which rides heavy on her right hand with its stone drooping toward the floor. The puffy huge skirt balloons out from her waist in tiers of red and white lace, edge upon edge of ruffles, bows stacked on bows, and sequins and glitter fabric scattering the candlelight in bright gritty flecks; the fur trim crowds the neckline and the sleeve cuffs, bristling where the fabric is overstuffed. Her diamond collar sits snug at the throat above the fur, colossal bracelets crowd both wrists so the metal bites into the silk, colossal earrings drag her earlobes down and sway against her jaw, and the tiara sits heavy and slightly crooked in her bangs. Her long multicolored hair, black shading into blue, falls past her shoulders in front of the fur collar and behind it, bangs sweeping across her brow. Blue eye and green eye, both star-pupiled, are wet and lowered toward the viewer under a low camera, brows pinched at the inner ends, lips pressed and downturned, a trembling lower lip, one tear gathering at the corner of the green eye, and a pink blush blooming high on both cheeks through the powder; her gaze meets the viewer and asks, without speaking, not to be looked at. Light comes from the chandeliers above and behind her, so the tops of the ruffles and the tiara's stones blaze while her face falls into the shadow of her own bangs and the recesses of lace go black with depth; the cast shadow of the huge skirt spreads across the floor toward the lens. Beyond her the ballroom recedes in warm gold: a long marble hall, tall gilt-framed mirrors and a distant chandelier, all of it emptier and larger than she is. Palette of red and white and gold, black hair and the cold white of diamonds cutting through. Opulent and lonely, quiet misery.
Oct 30, 2026 4:53 PM
AI artwork
eb
character: kurokawa_akane 2 girls, yuri, hug from behind, back hug, kiss on cheek, cheek kiss, standing, sighing, sad, blush, tall woman, ugly woman, tall, mature female, enormous breasts, long hair, bangs, swept bangs, hair between eyes, multicolored hair, gradient hair, black hair, blue hair, blue eyes, green eyes, heterochromia, star-shaped pupils, rococo style, red and white dress, overly ornate tacky dress, overdecorated, excessive lace, excessive ruffles, excessive bows, too many bows, ridiculous ornaments, glitter fabric, sequins, puffy skirt, huge skirt, long skirt, oversized dress, fur dress, fur trim, long black coat, fur coat, colossal earrings, colossal engagement ring, colossal bracelets, tiara, diamond collar, full body, from side, dutch angle, dim ballroom, chandelier light, ((tall woman)), ((ugly woman)), (((((la chica lleva un abrigo largo negro encima del vestido))))), ((((fur coat)))) From a low three-quarter side angle that tilts slightly off level, two women stand on the scuffed parquet of a dim, cavernous ballroom. The nearer woman, taller by a head and broad-shouldered, is a gaunt, long-faced woman with a heavy jaw, a hooked nose and shadowed eyes — ((ugly woman)), unmistakably ((tall woman)), her height exaggerated by the low camera. She stands planted behind a shorter woman, her arms wrapped around her from behind: her chin rests at the shorter woman's temple, her forearms clamp across her collarbones, her hands clasped flat over her sternum. Her lips are pressed to the shorter woman's left cheek, and her shut eyes and tightened mouth press a soft dent into the flesh. She is draped in a coat of grey-brown fur, its guard hairs catching the light wherever they curve upward. The shorter woman — Akane — stands sagging under the embrace, her weight slumped onto her right hip, her shoulders curled forward inside her coat. Her hair is a long gradient that starts black at the scalp and spills into deep blue at the ends, a full set of bangs sweeping across her forehead and a strand falling between her eyes; her eyes are open only halfway, one blue, one green, with faint star-shaped pupils catching the chandelier light. Her brows tilt up at the inner ends, her blush an edged flush across nose and cheeks, her lips parted on a long exhaled breath, a small puff of air past her teeth. Her own arms hang limp at her sides, the fingers barely curled, her colossal ring dragging the hand slightly downward. She is looking at nothing in the middle distance, off past the frame's left edge, and her downturn is mirrored by the droop of the taller woman's shoulders against her. Over the dress Akane wears a coat of long black wool, its collar turned up, its hem breaking at her mid-calf and parting wide at the front: (((((la chica lleva un abrigo largo negro encima del vestido))))). Beneath and spilling out of it, the dress is red and white in loud panels, rococo in silhouette and ridiculous in degree — a puffed, enormous, floor-swallowing skirt that flares wider than her reach, its white underlayer showing where the red overskirts split. Lace stands in flat stiff tiers at the cuffs and collar, ruffles crowd every seam, ribbons are tied and retied until they read as clutter, and sequins and glitter threads throw scattered pinpricks of light wherever the fabric turns. The ensemble is finished with fur: a coat of ((((fur coat)))) worn over the wool, ticking out at the cuffs, and hem and collar edged in fur dress trim. At her throat a diamond collar lies against the skin above the coat's lapel, its stones bending with her sighing breath. Above it, a small tiara is set back behind her bangs. At the ears, colossal earrings hang in tiers almost to the jaw; at both wrists, colossal bracelets clink loosely over the cuffs; and on her right hand the colossal engagement ring rides so heavy that the finger angles off to the side. All the jewels flash with the same cold white source. Above and behind, a single chandelier provides the only light; it hangs out of frame at upper right, so its brightness rakes from the right side — the right of the taller woman's face is lit and the left is in deep shadow, the earring facets throwing tiny caustics down onto the collar, and across the floor the two merged silhouettes stretch away, soft-edged and long. The room beyond them drops into absolute darkness, and the air smells of dust and old velvet. Overloaded, quietly miserable.
Oct 30, 2026 5:53 AM
#Vida real
AI artwork
eb
character: kurokawa_akane 1girl, 1boy, old man, heterochromia, one blue eye, one green eye, long hair, bangs, black hair, blue hair, multicolored hair, gradient hair, enormous breasts, colossal earrings, colossal bracelets, colossal engagement ring, ornate dress, pink and white dress, too much lace, excessive ruffles, too many bows, ridiculous ornaments, glitter fabric, sequins, puffy skirt, huge skirt, long skirt, oversized dress, crying, tears, sad, forced kiss, closed eyes, humiliation, clenched hands, pushing at his chest, anime screencap, from side, profile, cowboy shot, A lateral anime screencap composed in profile: an old man on the left seizes a young woman's chin and presses his mouth onto hers, and she does not lean into it. She angles her head back and away from him, both hands up at his chest, fingers splayed flat against his lapel and pushing, arms bent, shoulders hunched forward, weight dropped onto her back foot with the front heel lifting off the ground. Her face is turned up and away from his mouth; her eyes are squeezed shut and her brows knit hard above them, tear tracks running from both lower lids down her cheeks and off her jaw in fat, wet beads, one caught on her chin. Her mouth is pressed flat against his and pulled down at the corners. Strands of her long hair, black through the crown and melting to blue down the ends, with bangs across her forehead, swing forward around her neck and brush her cheeks. The old man is smaller, gray-haired, balding, in a plain dark formal coat, jaw thrust forward, eyes shut, oblivious, one hand gripping her jaw and the other at her elbow. Her enormous breasts push against the tight bodice of an oversized pink and white gown that is decoration laid on with a trowel: cascades of lace at every hem and neckline edge, ruffles layered in tier on tier, bows of every size bristling from her shoulders, waist, sleeves and the seam lines, ridiculous pink and gold ornaments clustered on the bodice and along the skirt's hem. The glitter fabric and its sequins sparkle only where the light hits an upturned surface; the folds turned away from the light stay dull. The huge, puffy, long skirt billows out and drags the floor in thick folds. On her right hand, half-turned and frozen in the push against his chest, sits a colossal engagement ring with a gemstone almost larger than her knuckle; colossal bracelets circle both wrists, stacked, heavy, one slipping down her forearm as her hands press flat. The scene is a dim ballroom interior lit by a single tall window at frame right, cold blue daylight raking across the girl's face, her upraised hands and the tops of her glittering skirt, leaving the old man mostly in shadow with only a hard rim on his cheek and shoulder. The camera is close at chest height, cropped at the top of the skirt and above the old man's head so their faces and her pushing hands fill the frame. Palette is cold gray and blue against the candy pink and white of the dress. Tear-wet skin and the ring's facets are the only things that catch a hard glint. Quiet, humiliated dread.
Oct 29, 2026 7:27 AM
AI artwork
eb
character: centorea_shianus 1girl, solo, centaur, taur, monster girl, blonde hair, very long hair, long hair, high ponytail, hair between eyes, blue eyes, empty eyes, shaded face, horse ears, animal ears, pointy ears, horse tail, tail, gigantic breasts, huge breasts, veil, slave collar, chain, chained to post, post, front view, facing viewer, standing, from below, dutch angle, cowboy shot, dim dungeon interior, torchlight, single light source, bare stone floor, heavy shadow She stands square to the camera on four heavy hooved legs, front view locked, the long pale-gold column of her ponytail falling past her waist and swinging forward over one shoulder so its tip hangs at the level of her elbow. A pale translucent veil is drawn down from the crown of her head, its gauze falling in front of her upper face so the brow and the eyes sit behind a fine pale mesh; behind it both eyes are flat, glassy, unlit blue, round and fixed, whites bloodless and highlightless, and the whole of the shaded face lies in dull grey gloom while the veil's weave catches the light in a faint bright grid. The band of a slave collar presses the pale skin of her throat, a plain heavy ring sitting just above the collarbones, and a chain of even iron links runs from the front of it taut and straight to the left, its last link looped and padlocked around a thick iron post that stands planted beside her at hip height of her human waist, upright, bolted into the stone. The composition sits at a low tilted camera looking up at her, so the horse body reads longest and broadest across the bottom of the frame and the human torso rises above it, gigantic chest filling the middle of the frame with the thin fabric drawn over it and pinched where the chain's weight drags the collar forward; the post crosses the left margin in front of her foreleg's shadow, the chain cutting a level dark line across the pale stable wall behind her. Her four legs are planted, hooves splayed on flagstones, the left fore hoof scuffed slightly forward; her hands hang at her sides, fingers of the right one half-curled and limp, one ear swiveled back toward the post while the other stands up. The horse tail hangs behind her rump and lies partly in shadow. Light comes from one guttering torch held at the right edge of the frame, warm and low, strik ing the right side of her face and chest and the right links of the chain in a bright orange line while the left half of her body, the post and the flagstones behind fall into a soft dirty darkness; the chain throws a broken shadow on the floor that steps link by link across the stone. Palette is the blonde gold of her hair, cold blue eyes, iron grey of collar and chain, sallow skin, and the flat dun ochre of the wall, nothing else admitted. A scrubbed halo of clean flagstone sits where the chain's sweeping radius has been dragged back and forth over years. Quiet dread.
Oct 28, 2026 7:33 PM
AI artwork
eb
1girl, 1monster, female monster, ugly monster, hug from behind, grabbing another's chin, kiss on cheek, facing viewer, from front, dutch angle, close-up, docile posture, arms held out in front, sad, crying, tears, tears on cheeks, streaming tears, black hair, long hair, blunt bangs, sky blue eyes, flat chest, petite, loli, short stature, colossal earrings, colossal engagement ring, ridiculous oversized ring, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous dress ornaments, pink and white dress, bridal dress, tiara, baroque style, bride day, trembling, blush, half-closed eyes, heavy ornamentation, dramatic contrast, gold accents, ornate textures, Front-on dutch-tilted close-up, the frame crowded and tipping a few degrees, the small bride centered and facing the viewer at chest height with her chin lifted by a hand from behind. She is tiny and flat-chested inside a dress that engulfs her: pink and white satin gone stiff under glitter and sequins, the puffy skirt ballooning out huge and long past where her feet would be, hem lost below frame, the bodice buried under tiers of lace, ruffles and bows clumped so thickly they read as ridges, gilt and glass ornament piled at the shoulders and waist until it looks like it might creak. Black blunt bangs cut a dead-straight fringe across her forehead, sky blue eyes brimming and spilling two shiny tear tracks down her cheeks, lips pressed and quivering, shoulders hitched up small. Her arms are held docilely straight out in front of her, wrists together, hands limp and open, fingers slack. A tiara sits tilted in the black hair; from each ear hangs an earring the size of her fist, dripping with gold and pendants, and on one thin hand a colossal engagement ring, a gaudy lump of gilt and glass that almost swallows her finger. Behind her a hunched female monster folds its bulk over her back, one long thick arm wrapped around her shoulders, the other hand clamped across the underside of her jaw, tilting her face up by the chin with its ugly fingertips denting her cheek; the monster's blunt snout pushes into her cheek in a wet kiss, its one visible eye half-lidded and gleaming, watching her sideways. The monster is lumpy and grey-mauve, sagging folds, tusk-like lower teeth, a skewed mass of hair, gold hoop and chain ornaments jammed over its shoulders that mimic the dress. Baroque staging: the two figures lock together in a diagonal, the monster's arm a heavy serpentine S against the flounced pink mass. The single light is warm and low from upper left, gilding the tiara, earrings and sequins into hot specular chips, the monster's arm throwing a hard shadow across the back of her dress, darkness falling away at the frame edges. Palette held to pink, ivory white, black and gold, with the monster's grey-mauve the only cold note. Every sequin catches its own point of light; where the tears run over her cheekbone they break up the rays into tiny fractured glints. Quiet dread, beautiful and cruel.
Oct 28, 2026 6:59 AM
AI artwork
eb
character: meroune_lorelei 2girls, 1girl, 1goblin, mermaid, monster girl, pink hair, very long hair, drill hair, hair between eyes, blue eyes, pointy ears, head fins, gills, scales, enormous breasts, wedding bikini, white bikini, pet collar, sitting on the ground, sitting, seiza, legs folded under her, goblin grabbing her shoulder, hand on shoulder, kissing cheek, cheek kiss, from side, profile, looking away, humiliated, ashamed, clenched teeth, downturned mouth, furrowed brow, tears in eyes, refusing, stiff shoulders, goblin, green skin, child-sized, pointed ears, fangs, grin, leaning in, eyes closed, looking at another, blush removed, empty cave ground, cold blue-green palette, no earrings, hair completely unadorned, both ears bare Seen from the side in a three-quarter profile from slightly below, a monster girl sits on the bare stone ground at the centre of the frame, her weight sunk back onto her folded hips and both legs tucked under her to one side, the enormous coils of her very long pink drill hair spilling around her in loose spirals that touch the floor and curl back onto themselves. The drill locks hang in tight spirals from either side of her head, hair between her eyes falling in a straight pink fringe over the bridge of a small nose. Her pointy ears stand out to either side, and behind them a pair of translucent head fins fan back, their membranes faintly veined; three short gill slits open on each side of her throat above the band of the pet collar, and fine pink-edged scales sheen along her shoulders and the outer line of her arms. She wears a wedding bikini — a small white gathered top and a matching low-cut bottom with a fragile lace trim — and nothing else; the deep swell of her chest pushes forward against the gathered fabric, which strains at the stitching. The pet collar sits close and dark against her neck. The lone goblin, a green-skinned creature the size of a child with a pointed nose, long pointed ears nearly half the width of its face and two small lower fangs, stands behind her left shoulder, half-crouched and leaning in. Its fingers dig hard into her shoulder, denting the soft flesh and wrinkling the strap of her top beside the grip, and its weight tips forward so its whole small body presses against her back. Its lips are mashed against her cheek, the cheek flattened slightly under the pressure, its eyes shut in smug pleasure. She does not enjoy it. Her head is turned away from the goblin as far as her collar allows, chin pulled back toward her shoulder, brows drawn tight and angled up in the middle, teeth clenched behind a downturned mouth. Her blue eyes are wide and glassy, wet along the lower lid and refusing to look at the goblin, staring down and off to the side past the frame edge. Her shoulders are pulled up and stiff and her hands are closed into fists, resting on the floor beside her knees, refusing contact. A single cold overhead light source, a pale shaft from a crevice in the cave roof, falls from above and slightly in front of her, striking the tops of her shoulders, the upper curve of her chest, and the goblin's brow and nose; everything below her collarbones and behind her back falls into deep shadow, and a hard cast shadow of both figures smears across the stone to the side. The palette is cold and bluish-green in the shadows, with her pink hair and the white of the bikini as the only warm notes. In the pool of water on the ground around her hips, only the upward-facing surfaces catch the light — a wet gleam runs along her scales and the rim of her shoulder, and the water's edge reflects her dimly, darker and softer than the source. Humiliated, bleak.
Oct 26, 2026 6:38 AM
AI artwork
eb
character: eris_greyrat, copyright: mushoku_tensei 2girls, 1boy, 2+girls, male focus, eris greyrat, red hair, hair up, updo, red eyes, heart-shaped pupils, blush, huge breasts, pregnant, visibly pregnant belly, puffy dress, frilled dress, pink and white dress, silver and white dress, mixed-color dress, overly ornate dress, tacky dress, excessive lace, intricate gold-trimmed lace, excessive ruffles, too many bows, overdecorated dress, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments on dress, tiara, colossal earrings, colossal engagement ring, slave collar, metal collar, docile posture, hands on own belly, facing forward, standing, ugly man, older man, balding, crooked nose, side hug, hug from beside, hand on belly, hand under belly, rococo style, ornate rococo interior, gold and pastel opulent aesthetic, seductive smile? no, displeased, forced smile, uneasy blush, sweat on temple, stiff shoulders, looking to the side, eye contact avoided, heart-shaped speech bubble, spoken heart Straight-on frontal medium-wide shot at slightly above belly height. Eris Boreas Greyrat stands square to the camera, weight sunk onto her right hip, shoulders pulled in small and stiff. Her red hair is gathered up and away from her neck, frizzing into loose strands that tremble against her temples; her red eyes are wide and glazed, each pupil swollen into a glossy heart shape that throws a hard sparkle back at the lens, though the corners of her mouth are pulled down and her jaw is tight. The bodice strains hugely over her breasts; a heavy, very visibly pregnant belly pushes the fabric into a taut dome. Both arms stay low and tucked, curving forward to rest her clasped hands over the front of her belly. Her dress is a rococo confection of pink, white and silver, overdecorated to the point of parody — gold-trimmed lace layered in ruffles on ruffles, satin bows stacked at every seam, glitter fabric and sequins flaring sparks where the light hits, ridiculous ornaments and lace fans and coiled ribbon roses crowded all over the skirts. A puffed skirt, hugely wide and long, pools satin over the floor. A slim tiara sits in the piled hair; enormous earrings hang like chandeliers and swing slightly as she stands; a monstrous many-faceted engagement ring is a massive point of light on her clasped hand; a slave collar, narrow and worked with lace, circles her throat. Beside her, an ugly man — pale, balding, jowled, broken nose — presses into her left side, one shoulder wedging against hers, his arm curving about her, his thick-fingered hand laid flat beneath her belly, cupping its underside. He leans in and looks at her; she tilts her face just past his shoulder and looks toward the corner of the frame. The room is rococo — a gilded overdoor, a mirrored panel catching the dress, and a warm honey light from a high window, with shadow gathering beneath the skirt. High, opulent, uneasy.
Oct 24, 2026 8:45 AM
#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation
AI artwork
eb
character: eris_greyrat, copyright: mushoku_tensei eris_greyrat, 2girls?, no, 1girl, 1monster, solo focus, red_hair, hair_up, updo, ahoge, very_long_hair, red_eyes, thick_eyebrows, huge_breasts, pregnant, visibly_pregnant, puffy_frilled_dress, pink_and_white_dress, silver_and_white_dress, oversized_dress, huge_skirt, long_skirt, puffy_skirt, excessive_lace, excessive_ruffles, too_many_bows, ridiculous_ornaments, glitter, sequins, tiara, colossal_earrings, colossal_engagement_ring, slave_collar, heart-shaped_pupils, blush, reluctant, unhappy, closed_mouth, frown, furrowed_brow, docile, hands_on_own_belly, arms_at_sides, standing, facing_forward, from_below, cowboy_shot, huge_monster, ugly_monster, long_tongue, licking_belly, hug_from_behind, hand_under_belly, rococo, ornate, spoken_heart, sweat, trembling, half-closed_eyes, heavy_breathing The camera sits low and looks up, so the enormous bell of the skirt fills the lower two thirds of the frame and the tiara crests near the top edge. She stands square to the viewer, chin slightly lowered, weight sunk into her right leg while the left knee bends inward — the docile stance of someone who has stopped resisting. Both arms hang low and her hands are folded together over the swell of her belly, fingertips laced, the colossal engagement ring so heavy on her right hand that her finger dips under it; a second band circles her thumb. Her face is a study in contradiction: the pupils are large soft hearts, her cheeks and the bridge of her nose are flushed deep pink, and yet her brows are drawn together in a tight furrow, her mouth is pressed shut and pulled down at one corner, and her eyes are half-lidded and miserable — she is not enjoying it at all, and every few breaths her shoulders give a small involuntary tremble. Her red hair is swept up into a high mass fixed with a jeweled pin, an ahoge curling loose, two strands falling between her eyes, and the tiara sits tilted into it. Colossal hoop earrings draw her lobes down. At her throat a wide black slave collar with a hanging ring sits above the ruffled neckline. The dress is a rococo catastrophe: pink and white silk layered over silver and white underskirts, every seam buried under excessive lace, ruffles stacked into confectionary tiers, bows tied at the waist, the puffed sleeves, the bustle and even the tiara's base, sequins and glitter fabric catching the light in scattered pinpricks, and ridiculous ornaments — porcelain roses, ribbon rosettes, a swinging miniature cage — hung wherever a surface would bear one. So much fabric that the skirt pools and spreads at the hem, hiding her feet completely. The ugly monster presses in from her right side: a squat, mottled olive-grey creature with a heavy brow, wet small eyes and a wide slobbering mouth, its long tongue laid flat across the taut pink swell of her belly, lapping in a slow curl, saliva gleaming in the hollow of her navel and beading on the stretched fabric. One thick, clawed hand slides under the underside of her belly from beside her, cupping its weight, and the skin of her abdomen dents slightly where the fingers push. Its other arm wraps her waist and its hunched shoulder digs into her hip. Her body leans a fraction away from it while her feet stay planted, and though her heart-pupiled eyes are wide and fixed forward at nothing, her head has tipped a little toward the creature against her will. A small hand-drawn heart floats in a speech bubble beside her cheek. Rococo interior behind them: a gilded boiserie panel and a swag of dusty pink drapery, largely swallowed by shadow. One warm light source from the upper left, a window or sconce, lays a long highlight down the sequined skirt and lights the wet shine on the tongue and the gloss of her blush, while the far side of the monster falls into darkness. Pastel palette of rose pink, ivory, silver and muted gold against the creature's drab green. Ornate decorative elements, intricate gold flourishes, extravagant frills throughout — tense, unwilling, gaudy.
Oct 24, 2026 8:23 AM
#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation
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