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Eris Boreas greyrat
Arte de IA de Eris Boreas greyrat no PixAI. Criado com Tsubaki.3.
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- Entrada de Instrução Original
- akane kurokawa, kurokawa akane, long hair, bangs, blue eyes, green eyes, black hair, blue hair, multicolored hair, gradient hair,enormous breasts, anime screencap,colossal earrings,colossal engagement ring, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt,long skirt oversized dress, glitter fabric, sequins,ridicolus ornaments in dress,pink and white dress,sad,cry,tears,colossal engagement ring,colossal bracelets,1 old man,forced kiss,la mujer no lo disfruta y esta humillada
- Modo
- pro
- Tag de Qualidade
- ﹝Instruções﹞
- Tamanho
- 1104 x 1824
- Método de Amostragem
- Euler
- Negativo
- lowres, worst quality, low quality, bad anatomy, explicit
Assistente de Prompt
Modelo & LoRA usado
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character: kurokawa_akane
1girl, 1old man, 2girls? no — 1girl 1boy, long hair, bangs, multicolored hair, gradient hair, black hair fading to blue hair, blue eyes, green eyes, heterochromia-tinged blue-green eyes, enormous breasts, rococo style, bride day, wedding day, colossal earrings, colossal engagement ring, colossal bracelets, diamond collar, tiara, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, ridiculous ornaments on dress, glitter fabric, sequins, red and white dress, fur-trimmed dress, puffy skirt, huge skirt, long skirt, oversized dress, blush, sad, humiliated, not enjoying it, eyes open, hands tied behind back, forced kiss, dipped backward, tall man, old man, man larger than woman, one arm around her waist, standing, dutch angle, cowboy shot, from side,
The camera looks slightly up from her right side at a low dutch tilt, so the bride's sinking body slants across the frame from lower left to upper right and the old man's bulk fills the top corner of the shot. She is caught mid-dip: the old man's single arm is clamped around her waist, his big hand flat at the small of her back, pressing her spine into a backward arc so her chest lifts and her huge skirt crater out and spills toward the floor of the empty, candlelit cathedral nave. Her long black-to-blue gradient hair, bangs swept over her brow, swings down past her shoulder in loose coils, the blue ends dragging across the fur-trimmed neckline.
Her head tips back into his kiss, and her eyes stay wide open, fixed hard sideways and out past the viewer's shoulder; she is not looking at him, and her blue-green irises catch the candlelight as her brows pinch upward and her mouth is pressed shut under his. The blush sits low on her cheeks. His old, bald-fringed head hides her tiara's front, but the towering silver points still flare above her hair; her colossal earrings hang low, dragging her earlobes; her colossal bracelets clank on the wrists bound behind her back with white satin cord, her forearms hidden behind her own skirt.
The dress is the disaster the whole frame turns on: red and white rococo silk, sequined fabric flashing under the flames, lace frothing at every cuff and collar, ruffles stacked in tiered waterfalls, absurd bows bulging at the shoulders and hem, fur trim matted along the neckline and the high collar of the diamond choker biting her throat. The colossal engagement ring sits heavy on her bound finger behind her back. Light comes only from the tall altar candles to the right: warm gold on her cheek and his shoulder, deep shadow pooling under the huge skirt where the fabric touches the cold stone floor, a long shadow cast across the nave's worn tiles. Palette limited to blood red, cream white, candle gold and near-black shadow. Still, ornate, quietly cruel.
Eris Boreas greyrat
eb
2girls, hug from behind, kiss on the cheek, facing viewer, front view, eye level, medium full shot, black hair, very long hair, straight hair, blunt bangs, sky blue eyes, flat chest, petite, short stature, sad, crying, tears, tear tracks, open mouth, downturned mouth, pink and white dress, oversized dress, long dress, puffy skirt, hoop skirt, excessive ruffles, lace trim, too many bows, glitter fabric, sequins, gaudy ornaments, diamond collar, choker, colossal engagement ring, ugly woman, older woman, harsh facial features, embrace
In a straight-on front view at eye level, a petite young woman with an exceptionally short stature and flat chest stands facing forward, trapped in a smothering embrace. Looming directly behind her is a tall, heavy-set adult woman with harsh, unflattering facial features, coarse skin, and an exaggerated jawline. The older woman wraps two thick arms tightly around the petite figure's shoulders and chest from behind, pressing her face forward to plant a wet, firm kiss onto the petite woman's pale cheek, visibly indenting the skin of her cheek under the contact.
The petite woman looks directly at the viewer with wide, luminous sky-blue eyes flooded with sorrow; glistening tears spill over her lower lashes and run down her cheeks in distinct shiny tracks, her brow furrowed in misery and her lips slightly parted in silent distress. Her jet-black hair hangs straight and long past her hips, framed at the forehead by neat, razor-sharp blunt bangs. She is clad in an oversized, ostentatiously tacky floor-length ballgown of vivid bubblegum pink and stark white satin, overwhelmed by excessive ornamentation. Swarms of oversized pink satin bows are pinned chaotically across the bodice and sleeves; dense, frothy tiers of white lace and endless ruffled flounces cover every surface; and sparkling sequins and glitter fabric reflect hundreds of harsh pinpoint highlights across the fabric alongside gaudy faux-jeweled trinkets dangling from the waistline. The massive, puffy skirt bellies out into a colossal, stiff dome supported by heavy hidden petticoats.
Clamped snugly around her slender neck is a rigid diamond collar choker, its pavé stones catching cold light. On her left hand, which rests limply against the frothing lace of her skirt, sits a comically colossal diamond engagement ring whose oversized cut stone spans larger than her knuckles. Overhead chandelier illumination casts sharp, unforgiving highlights across the glittery sequined fabric, glistening tear streaks, and faceted diamond surfaces, casting deep, oppressive shadows where the older woman's bulk presses against her back. Suffocating despair.
Eris Boreas greyrat
fl
character: kurokawa_akane
1girl, 1boy, kurokawa akane, long hair, bangs, swept bangs, hair between eyes, multicolored hair, gradient hair, black hair fading to blue hair, blue eyes, green eyes, heterochromia, star-shaped pupils, enormous breasts, rococo style, colossal earrings, colossal engagement ring, colossal bracelets, tiara, diamond collar, blush, sad, crying, tears, furrowed brows, red and white dress, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, ridiculous ornaments, glitter fabric, sequins, fur trim, puffy skirt, huge skirt, long skirt, oversized dress, 1 man, tall man, ugly man, kidnapping, being carried, arm support, over-shoulder carry, from below, dutch angle, cowboy shot, looking at another, reaching out, outstretched arm, clenched teeth, struggle, dim grand hall, chandelier light,
Shot from below at a tilted dutch angle: a tall, gaunt, ugly man fills the right half of the frame, and against his chest he hauls the girl off her feet in a rough over-shoulder carry, his thick forearm clamped across her back, her weight slumped forward over his shoulder so her enormous ruffled skirt hangs down behind him and her long gradient black-to-blue hair spills over his sleeve. His face, seen in three-quarter from below, is drawn long and coarse -- heavy sloping brow, big hooked nose, small deep-set eyes squinting down at her, wide crooked mouth pulled back in a grin with a couple of teeth showing -- and he is unhurried, one hand gripping her waist under the lace, the other planted flat on her shoulder blade. She is seen mostly from the waist up: her head is tipped toward the camera, cheek pressed near his collarbone, brows pinched up in the middle, blue eye and green eye both wet and shining, tears escaping sideways into her hair, a small open mouth, a hot blush smeared across both cheeks. Her hand stretches down and out toward the viewer with the colossal engagement ring heavy on it, the gigantic stone catching a spark of light, colossal bracelets rattling at her wrist, and the huge teardrop earrings swinging away from her jaw as she is turned.
The dress is a rococo disaster: red and white satin and fur, a bodice plastered in layers of lace and sequined appliqué, bows stacked on bows from the neckline to the hem, absurd porcelain-figure ornaments and a tiny candy-striped cage strung on the skirt, glitters and sequins studding every fold so the fabric throws specks of light wherever it turns. A small tiara sits crooked in her bangs, and a diamond collar glints at her throat just under the lace. Her gaze goes past the man toward the viewer, and his gaze is pinned down on her face.
Around them a dim grand hall, tall rococo mouldings and a marble floor falling away into shadow; a single chandelier high behind and above them is the only light source, so their faces are lit from above, the underside of her skirt and the space behind the man go black, and a huge soft shadow pools on the floor at his feet. Cool white light, warm red and gold from the dress and the gilding, deep brown shadow. Melodramatic, uneasy.
Fitentia Lombardy
fl
character: kurokawa_akane
1girl, 1boy, 2girls? no, 1girl 1boy only, kurokawa akane, long hair, bangs, hair between eyes, swept bangs, multicolored hair, gradient hair, black hair fading into blue hair, heterochromia, one blue eye, one green eye, star-shaped pupils, enormous breasts, cleavage, rococo style, overly ornate tacky dress, overdecorated, too much lace, excessive ruffles, too many bows, ridiculous ornaments on dress, red and white dress, fur-trimmed dress, glitter fabric, sequins, puffy skirt, huge skirt, long skirt, oversized dress, colossal earrings, colossal engagement ring, colossal bracelets, tiara, diamond collar, blush, sad, frowning, teary eyes, 1boy, ugly man, tall man, grabbing waist from behind, hand over mouth, kidnapping, struggling, from behind, over-shoulder composition, dutch angle, cowboy shot, seductive_smile no — distressed, heavy_breathing, trembling, motion_lines, clutched hands, ballroom interior, chandelier light,
Seen from a low dutch angle over the woman's shoulder: her back is toward the camera, her head twisted into a sharp left profile so the camera catches only that left cheek, one visible blue eye wide and wet, and the black-and-blue gradient hair spilling over her shoulder toward the viewer. Both of the tall man's arms are wrapped around her from behind — his left forearm barred across her waist, crushing the fur-trimmed red-and-white satin against her enormous chest, his right palm clamped flat over her mouth from jaw to nose, the fingers spread and denting her cheek so her lips are pressed unseen against his skin. Her hands claw up at that wrist, her colossal bracelets bunching and sliding at her forearm and her colossal engagement ring catching the light as she pulls; she lifts onto her toes, heels lifting out of the huge puffy skirt, weight tipping off balance into his grip. Her chin is craned up and away from the palm, no eye contact with him, gaze thrown toward the upper-left out of frame; his head is above and behind hers, tilted down, small eyes fixed on the top of her head, mouth slack and grim. He looms a full head and a half above her — heavy brow, crooked nose, stubbled jaw, sloping shoulders, shabby dark overcoat that ends bluntly against her glittering sequined silhouette, no lace, no ornament on him.
The dress is a burden of excess: tiered lace cascading at the neckline, fur edge at the hem and cuffs, ruffles stacked in layers so dense the skirt stands out in a puffed bell wider than her hips, bows knotted at the waist, the sleeves and the bodice until they are almost too many to count, ridiculous ornaments of paste jewels and ribbons pinned everywhere, sequins strewn across the satin and the glitter fabric scattering pinpricks of light at every fold. The puffy skirt crumples and twists where his forearm digs into her hip. The colossal earrings swing forward on their long chains, the tiara slides a fraction off level, and the diamond collar sits rigid at her throat, digging in as she strains. Fur trim blurs at the edges where the fabric is crushed.
Set in a dim ballroom: a gilded rococo interior dissolves in shadow behind them, cornices and a candelabra chandelier above the frame. A single warm chandelier light comes from high above and slightly right, laying highlights on the tiara, the diamond collar, the sequins and the man's bare forearm, and casting both their shadows hard and long onto the marble floor at the lower left. Beyond that pool the darkness is absolute. Palette: red and white dress, blue and black hair as the only cool note against warm gold and umber surroundings.
One physical tell: where his palm presses her mouth, her breath fogs and the sequins at her cheek catch a fine sweat sheen, while the loose fur strands along the hem lie flat rather than puffing — crushed, not stirred. Tense, suffocating dread.
Fitentia Lombardy
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