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Hitori Gotoh, Ryo Yamada
Arte de IA de SD_syndrome no PixAI. Tags: Nijika Ijichi, Kikuri Hiroi, Seika Ijichi, PA-san. Criado com Tsubaki.3.
Patreon litlink https://www.patreon.com/SDsyndrome https://lit.link/SDsyndrome LINEスタンプ https://store.line.me/stickershop/author/6189362/ja BOOTH https://syndrome3.booth.pm/ Pixai招待コード https://pixai.art/referral?refCode=DRS7FPPC&utm_source=referral
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- Entrada de Instrução Original
- gotoh hitori, naked Bandage, loose socks, kita ikuyo, naked Bandage, loose socks, loose socks, ijichi nijika, naked Bandage, loose socks, yamada ryo, naked Bandage, loose socks, ijichi seika, naked Bandage, loose socks, pa-san, naked Bandage, loose socks, hiroi kikuri, naked Bandage, loose socks, halloween background,
- Modo
- ultra
- Estilo
- Pôster Neon
- Tamanho
- 1600 x 1248
- Método de Amostragem
- Euler
- Negativo
- lowres, worst quality, low quality, bad anatomy, bad hands, text, error, missing fingers, jpeg artifacts, signature, watermark
Estilo: Pôster Neon
Assistente de Prompt
Modelo & LoRA usado
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character: komiya_kaho, morino_rinze, sonoda_chiyoko, saijo_juri, arisugawa_natsuha, copyright: idolmaster
five girls, mummy bandages, full body wrap, kneeling, seiza, halloween street, full body, wide shot, from below, dutch angle, from side, group composition, staggered arrangement, long hair, twintails, double bun, red eyes, brown eyes, ahoge, hair between eyes, orange hair, blonde hair, short hair, purple eyes, black hair, blue eyes, hair ornament, looking at another, head tilt, :d, one eye closed, raised eyebrow, pout, puffy cheeks, bandage slipping, loose bandage end, cobblestone street, jack-o'-lanterns, carved pumpkins, string lights, paper bats, bare autumn trees, night, warm lantern light, cast shadows, teal and amber palette
The camera sits low near the pavement and tilted a few degrees off level, looking up the length of a narrow cobbled Halloween street, so the five kneeling figures rise in foreshortened perspective and the carved pumpkins on either side loom at eye height. They are arranged in a loose staggered crescent facing the lens: at the left edge of the frame a black-haired girl with a short blue-black bob and a small bow at the side of her head kneels upright in seiza, knees together on the stones, hands folded one over the other in her lap, head tipped slightly toward the girl beside her, lips pressed in a small uncertain line; a loose bandage end trails from her shoulder down onto the cobbles. Beside her, forward of the others, a girl with long brown hair in two high buns with hanging twintails kneels with her weight rocked onto one hip, knees angled to the side in a less formal kneel, one hand planted flat on the street to steady herself and the other raised in a cheerful peace sign, a wide open-mouthed grin and one eye squeezed shut. At the center a girl with long red hair and a single ahoge springing up leans far forward out of her kneel, hips still low but torso thrust toward the camera with both palms braced on the pavement in front of her knees, chin up, tongue peeking from the corner of a grin, the loose tail of her bandage swinging forward. To her right a blonde girl with a short ash-blonde bob is absorbed in her own body, twisting her torso to peer back over her shoulder at a bandage that has started to unwind from her forearm, one hand catching the trailing strip, mouth a small annoyed pout with brows drawn. At the right edge a long orange-haired girl kneels in a tall seiza with her knees slightly apart, spine upright, chin lowered so she looks out from under her bangs with a sideways glance and a lopsided smirk, one eyebrow arched, a bandage loop slipped down off her shoulder onto her upper arm. Every one of them is wrapped head to toe in dirty off-white cloth bandages, overlapping spiral turns down the limbs, layer bands flattening the torsos, strips wound up the neck under the jaw, a spiral wrapped over the brow and down across one cheek of each girl leaving the eyes, the mouth and a narrow strip of facial skin exposed, and small edges of their hair --- the black bob, the brown buns, the long red strands, the short blonde locks, the orange mane --- pushing out at the crown and where the bandage ends. The bandages are grubby, with grey rubbed patches on the knees, elbows and hip where they press the stones, and their individual bandage ends hang and curl at the ankles, wrists and shoulders.
The street is a narrow cobbled lane of dark blue-grey stones running back through the frame between half-timbered facades in shadow. Warm amber light comes from iron lanterns hung on the walls and from the rows of carved pumpkins lining the footpath and stacked on doorsteps, their faces cut in crooked triangles and sickles, each glowing a deep orange on the inside; the lanterns are the only light source and beyond their pools the lane falls away into absolute dark between the buildings. Because the light sits low and to the sides, each girl throws a long hard shadow up the cobbles behind her, and the girls' own faces are lit from below by the pumpkin glow, picking out the coiled ridges of the bandages on their jaws and the moist shine of their eyes. Above, strings of small bulbs cross the lane, and flat black paper bats and ragged cloth ghosts hang from the wires, still; bare autumn branches lean over the rooftops, and scattered dry leaves have collected in the seams between the stones and one leaf is stuck against a girl's bandaged knee. The palette holds to a teal-leaden night in the walls, the slate stones and the shadows, against amber and pumpkin orange in every light source, warm cream in the bandage cloth. Low, tilted, and lit from beneath, the picture reads playful and faintly spooky.
橫山育人
character: stelle_(honkai:_star_rail), sparkle_(honkai:_star_rail), sparxie_(honkai:_star_rail), march_7th_(honkai:_star_rail), evernight_(honkai:_star_rail), copyright: honkai:_star_rail
5 girls, multiple girls, group, stelle \(honkai: star rail\), sparkle \(honkai: star rail\), sparxie \(honkai: star rail\), march 7th \(honkai: star rail\), evernight \(honkai: star rail\), grey hair, long hair, hair between eyes, yellow eyes, twintails, brown hair fading to white, pink eyes, facial mark, white hair, braid, purple eyes, pink hair, medium hair, two-tone eyes, blue eyes, hair ornament, single earring, very long hair, hair flower, hairclip, red eyes, naked bandage, bandages covering body, white bandage wraps, loose socks, white loose socks bunched at the ankles, halloween background, jack-o'-lantern, carved pumpkins, bats, candy, spider web, from below, wide shot, dutch angle, standing, leaning forward, head tilt, arms up, outstretched arm, pointing at viewer, v, one eye closed, grin, :d, open mouth, smug, light smile, wide-eyed, looking at viewer, looking at another, motion lines, confetti, halftone dots, graffiti marks, high contrast, bold outlines, neon palette, orange, magenta, acid green, purple, deep black
The camera sits low and canted a few degrees off level, looking up at five figures arranged in a ragged diagonal across the frame — every head and every pair of eyes ringed with white bandage, every torso and hip wrapped in overlapping strips of white, off-white and pale grey bandage bound in a mummy-style harness that crosses the collarbone, winds under the bust and loops diagonally over one hip, with the loose ends trailing and fluttering in the paper night. Five pairs of white loose socks, all bunched and slouched at the ankles with the heels exposed and the cuffs sagging into fat folds above the calves. On the left, the grey-haired girl with long hair hanging between her eyes stands tallest, weight dumped onto her right hip, one bare arm thrown up and out with her fingers flicked into a lazy salute, her yellow eyes cut sideways at the viewer with one brow arched, bandage tails swinging across her thigh; the bandage over her right shoulder has begun to slip and she has not fixed it. Beside her, one knee cocked, the brown-and-white twintailed girl leans in far enough that her braid swings forward past her ear, one eye screwed shut, tongue at the corner of her grin, a striped mini-top-hat pinned at an angle among the white wraps of her hair and a facial mark visible on her cheek. The white-haired girl with purple eyes stands slightly behind the pair of them, arms flung up overhead with both hands splayed, chin tipped back and laughing wide open so both sets of lashes squeeze shut, one sock already half fallen off her heel. On the right, the pink-haired girl with two-tone blue-pink eyes crouches low at the hip of the last, her single earring catching the glow, head tipped toward the viewer as she points one finger straight down the lens, the loose bandage over her forearm unspooling to the floor. Crouched beside her and lowest of all, the very-long-haired girl with red eyes and a hair flower rests one palm flat on the floor, chin propped against her other hand, staring up and to the left at the pointing girl with a faint closed-mouth smile and lowered lids.
Behind and around them, a Halloween set built in flat graphic layers: fat orange jack-o'-lanterns with carved triangle eyes grinning from a low ledge on the left, their candlelight spilling up as warm orange rims on every chin, collarbone and knee; paper bats suspended on strings at staggered heights so they overlap the girls' hair; a sagging purple-and-magenta spider web stretched across the top-right corner; candy corn and wrapped sweets scattered and refracting where they catch the pumpkin light. The pumpkins' light is the only warm source, low and from the floor, so it underlights them and throws long jagged shadows up the backdrop; everything above and behind is the deep black of the night, broken by acid-green and magenta neon silhouettes of tombstones rendered as flat halftone plates rather than detail. Colour discipline: orange, magenta, acid green and purple on flat black, with the bandage whites and sock whites as the only pale values, so the five figures read as a single bright chain against the dark. Halftone dot fields fill the backdrops, graffiti scribbles and a spray-can streak cut across the empty right margin, thick black outlines hold every silhouette, and flat cel shadows sit hard under every chin, under every bandage overlap and where the socks bunch. The trailing bandage ends lift and twist toward the pumpkin heat, all of them angled the same way. Raucous, effortless.
SD_syndrome
character: ijichi_seika, pa-san, hiroi_kikuri, yamada_ryo, ijichi_nijika, kita_ikuyo, gotoh_hitori
7 characters, multiple girls, halloween costume, white background, full body, group shot, wide shot, staggered lineup, from slightly below, cat costume, witch costume, pumpkin costume, vampire costume, devil costume, skeleton costume, mummy costume, varied expressions, looking at another, looking at viewer, open mouth, grin, nervous smile, deadpan, smug, head tilt, arms up, hand on hip, cape lift, hand near face, leaning forward. Against a seamless pure white backdrop, seven figures are arranged in a shallow staggered arc, all visible from head to toe from a slightly low viewpoint, with no scenery and no lettering. Gotoh Hitori, with her long pink hair, blue eyes and cube hair ornament, wears a black cat Halloween costume: a snug black long-sleeved top, black leggings, a cat-ear headband set back so the ornament remains visible, and a black cat tail curling behind one ankle; she shrinks into a half-turn, one hand pulling at her opposite sleeve near her chin, a small nervous smile on her face and her eyes sliding toward Kita. Kita Ikuyo, red-haired with green eyes and a bow in her long hair, is dressed as a witch in a short green dress with black trim and a small pointed hat worn over her hair; she plants her weight on one foot, fingers on the hat brim, and beams at Hitori with an encouraging grin. Ijichi Nijika, blonde side ponytail and ahoge, red eyes, wears a pumpkin Halloween costume: a puffy orange dress with a green leaf collar and a tiny orange stem headband; she throws both arms up in a cheer, one knee bent, and looks toward the viewer with a wide open-mouthed grin. Yamada Ryo, short blue hair, yellow eyes and a mole beneath one eye, wears a vampire costume: a white shirt, black trousers and a high-collared black cape; she lifts one corner of the cape with her fingertips and cuts a sideways glance at Nijika, her expression deadpan. Ijichi Seika, with her very long straight blonde hair, red eyes and detached ahoge, wears a devil Halloween costume: a red bodice, black trousers and a pair of small curved horns rising from a headband; she cocks one hip, rests a hand on it, and points a lazy finger toward Pa-san while giving a smug half-smile. Pa-san, black hime-cut hair with purple inner layers and aqua eyes, wears a skeleton costume: a black fitted suit printed with white rib bones, the white markings following the line of her torso and limbs; she holds one hand up beside her cheek in a clawed wave, leaning her head into it with a cool sidelong look toward Kikuri. Hiroi Kikuri, purple hair in a single long braid over one shoulder and purple eyes, is wrapped in a mummy costume: strips of off-white bandage over a simple green dress, one forearm half-bound, the braid hanging free; she leans slightly forward with a sleepy, lopsided grin, one wrapped hand lifted in a lazy offer toward the viewer. The mood is playfully spooky and warm.
SD_syndrome
character: komiya_kaho, morino_rinze, sonoda_chiyoko, saijo_juri, arisugawa_natsuha, copyright: idolmaster
5 girls, five subjects, full body, full-body bandage wrappings, mummy costume, bandages covering arms and legs, bandages wound across torso and hips, mummy, kneeling, all five kneeling on the ground, halloween, halloween street, night, jack-o'-lantern, carved pumpkin lanterns, string lights, cobblestone pavement, fallen leaves, fog, from below, wide shot, low angle, group shot, kneeling, long hair, red hair, blonde hair, black hair, orange hair, ahoge, hair between eyes, twintails, double bun, red eyes, purple eyes, brown eyes, bare feet, bandaged hands, bandaged head, loosened bandage ends trailing, looking at viewer, light smile, open mouth, one eye closed, head tilt, tilted heads, cinematic lighting, warm orange lantern light, cool blue night shadows
Low-angle wide shot from just above the cobblestones, the camera tilted up so the five kneeling figures rise against the night sky and the Halloween street recedes behind them in a corridor of fog. In the foreground a row of carved pumpkin lanterns sits along the curb, their jagged mouths glowing from candles inside, the warm light thrown upward onto the girls' faces and the undersides of their chins; behind them the street runs away in wet cobblestone, strung with sagging lines of small orange and purple bulbs, shopfronts dark, a paper bat garland stirring, drifts of fallen leaves gathered against the kerb. Each of the five kneels on both knees, shins flat on the stones, weight settled back on the heels, torsos upright and slightly turned so the group reads as a staggered arc rather than a line.
Every one of them is wrapped from head to foot in off-white gauze bandages: layers wound in overlapping diagonal bands around the skull, leaving only the eyes and a strip of mouth and nose exposed, down the throat and the shoulders, in tight crossing turns around the chest and waist and hips, spiralling down each thigh and calf and around the ankles, with the feet and the hands wrapped so the individual fingers are bound together as blunt padded mitts. Loose ends trail from a shoulder here and a wrist there and stir in the night air. No other garment is visible anywhere on any of them.
On the far left, a girl with long straight black hair spilling out from under the head wrapping in a dark sheet over her bandaged shoulders, a small bow knotted at the side of the gauze, red eyes above the wrap; she kneels with her hip dropped to one side, one bound hand raised and splayed in a stiff theatrical mummy gesture, chin lifted, mouth a thin amused line, gazing level at the viewer. Beside her a girl with short blonde hair poking in tufts through the bandages, purple eyes bright, one eye squeezed shut in a wink, her head tipped toward the girl on her left, one mittened hand lifted to her own cheek and the other braced flat on the cobblestones for balance. In the centre, a girl with brown hair in two low buns half unwrapped at the crown and a pair of twintails hanging free down her back, brown eyes wide and delighted, both bound hands clasped together at her chest, leaning slightly forward so her shoulders round toward the lens. To her right a girl with long vivid red hair escaping in a thick tail from the back of her head wrap, a single ahoge springing up through a gap in the gauze, red eyes narrowed with a lopsided smirk, one knee lifted a few centimetres off the ground as if she is about to rise, one arm hooked loosely over the other's bound shoulder. On the far right, a girl with long orange hair swept out through the wrapping and falling to her waist, brown eyes half-lidded and calm, kneeling upright with her bound hands folded in her lap, tilted a few degrees toward the centre, watching the others rather than the camera.
The pumpkin lanterns are the primary light source: candle glow striking each face from below and in front, warming the bandage texture so the weave and the overlapping edges cast fine shadows, while the street's string lights give a second, weaker amber rim along their shoulders and the backs of their heads, and the fog behind them goes blue-grey and cold. The bandages darken into shadow where they wrap under the chins and inside the crooks of the elbows. Wet cobblestones mirror the lantern light in broken orange streaks that stretch long beneath the knees, and one trailing bandage end lies curled on the stones, soaked dark at its tip. Palette held to off-white gauze, pumpkin orange, deep violet night and cold blue fog. Playfully eerie, warmly theatrical.
橫山育人
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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