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AI artwork featuring #เมคา
สร้างฟรี

เมคา

#เมคา
Avatar image of クロックロック

クロックロック

ดูเพิ่มเติม

คอมเมนต์

1 mechanical subject, no humans, giant humanoid war machine, super-heavy armor, massive torso, six legs, segmented caterpillar tracks on leg undersides, four-part tread sections front and rear, gatling cannon mounted on head, telescopic scope, radar dome, heavy armored shoulder pauldrons, both arms plated in thick armor, right forearm replaced by bucket wheel excavator, spinning bucket wheel, left arm converted to large rail cannon, six assembled missiles on back, heavy high-output boosters on leg sides, charging across wasteland, running at full speed, low angle, from below, wide shot, dutch angle, dust cloud, debris kicked up, dynamic pose, looking ahead, sunset, orange sky, silhouette, mechanical detail, panel lines, rivets, scratches, worn metal The camera looks up from ground level, tilted a few degrees off vertical, so the machine towers into a burning orange sky and its six legs straddle the frame's lower half. The colossus is caught mid-stride: the front-most left leg is planted, treads biting the cracked earth and compressing a shallow trench beneath its weight, while the other five legs are in various phases of swing, two of them lifted clear of the ground with dust pouring off their segmented track undersides. Each leg's sole shows the four-part tread sections — two forward, two rear — the metal plates flexing and clacking as the tracks rotate, gravel caught between the segments spraying out sideways. The massive torso leans forward into the charge, super-heavy armor slabs layered over the shoulders and flanks, every panel scratched and dust-caked. On the head, the gatling cannon sits above the brow, its six barrels already spun into a blur with a faint heat shimmer, while the scope juts forward and the radar dome turns steadily on its mount. Both arms are clad in thick plating: the right forearm ends in the bucket wheel excavator, its toothed wheel spinning at speed, throwing a crescent of dirt and sparks; the left arm is the long rail cannon, its barrel level and charged with a thin blue glow at the muzzle. Six large assembled missiles are racked across the back, their fins angled back in the wind of the charge. Along the outer sides of the legs, the heavy boosters flare with blue-white exhaust, heat-warping the air and blasting dust into rolling clouds that trail behind the machine. The only light is the low sun ahead and to the left, rimming the armor's edges in hot orange while the undersides fall into deep shadow; the boosters' blue exhaust adds a second, cooler light source that catches the dust. The palette is burnt orange, rust brown, and gunmetal grey against the dark earth, with electric blue only in the exhaust and the rail cannon's charge. Dust hangs in the air, grit streaks across the frame, and the whole image reads as raw, thundering momentum.
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
大型機体,超重装甲な巨大人形戦車,6本足,脚部底面は前後に4分割された巨大無限軌道,頭部に連射式のガトリングキャノン,大型の装甲が装着された両腕,右手首から先を高速回転するバケットホイールエクスカベーターに変更,左腕を大型のレールキャノンに改造,背中に組み立て式の大型ミサイルを6基搭載,頭部にスコープとレーダードームを搭載,脚部側面に重装甲化された大型高出力ブースターを装備, 荒野を爆走する巨大人形戦車,
โหมด
flash
แท็กคุณภาพ
﹝พรอมต์﹞
ขนาด
1104 x 1824
ตัวช่วยพรอมต์

โมเดลและ LoRA ที่ใช้

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.47k

รูปภาพคล้ายกัน

ดูเพิ่มเติม
AI artwork
Avatar image of クロックロック
1 mechanical subject, no humans, giant humanoid war machine, super-heavy armor, massive torso, six legs, segmented caterpillar tracks on leg undersides, four-part tread sections front and rear, gatling cannon mounted on head, telescopic scope, radar dome, heavy armored shoulder pauldrons, both arms plated in thick armor, right forearm replaced by bucket wheel excavator, spinning bucket wheel, left arm converted to large rail cannon, six assembled missiles on back, heavy high-output boosters on leg sides, charging across wasteland, running at full speed, low angle, from below, wide shot, dutch angle, dust cloud, debris kicked up, dynamic pose, looking ahead, sunset, orange sky, silhouette, mechanical detail, panel lines, rivets, scratches, worn metal The camera looks up from ground level, tilted a few degrees off vertical, so the machine towers into a burning orange sky and its six legs straddle the frame's lower half. The colossus is caught mid-stride: the front-most left leg is planted, treads biting the cracked earth and compressing a shallow trench beneath its weight, while the other five legs are in various phases of swing, two of them lifted clear of the ground with dust pouring off their segmented track undersides. Each leg's sole shows the four-part tread sections — two forward, two rear — the metal plates flexing and clacking as the tracks rotate, gravel caught between the segments spraying out sideways. The massive torso leans forward into the charge, super-heavy armor slabs layered over the shoulders and flanks, every panel scratched and dust-caked. On the head, the gatling cannon sits above the brow, its six barrels already spun into a blur with a faint heat shimmer, while the scope juts forward and the radar dome turns steadily on its mount. Both arms are clad in thick plating: the right forearm ends in the bucket wheel excavator, its toothed wheel spinning at speed, throwing a crescent of dirt and sparks; the left arm is the long rail cannon, its barrel level and charged with a thin blue glow at the muzzle. Six large assembled missiles are racked across the back, their fins angled back in the wind of the charge. Along the outer sides of the legs, the heavy boosters flare with blue-white exhaust, heat-warping the air and blasting dust into rolling clouds that trail behind the machine. The only light is the low sun ahead and to the left, rimming the armor's edges in hot orange while the undersides fall into deep shadow; the boosters' blue exhaust adds a second, cooler light source that catches the dust. The palette is burnt orange, rust brown, and gunmetal grey against the dark earth, with electric blue only in the exhaust and the rail cannon's charge. Dust hangs in the air, grit streaks across the frame, and the whole image reads as raw, thundering momentum.
クロックロック
#เมคา
AI artwork
Avatar image of クロックロック
1 mechanical subject, no humans, giant humanoid war machine, super-heavy armor, massive torso, six legs, segmented caterpillar tracks on leg undersides, four-part tread sections front and rear, gatling cannon mounted on head, telescopic scope, radar dome, heavy armored shoulder pauldrons, both arms plated in thick armor, right forearm replaced by bucket wheel excavator, spinning bucket wheel, left arm converted to large rail cannon, six assembled missiles on back, heavy high-output boosters on leg sides, charging across wasteland, running at full speed, low angle, from below, wide shot, dutch angle, dust cloud, debris kicked up, dynamic pose, looking ahead, sunset, orange sky, silhouette, mechanical detail, panel lines, rivets, scratches, worn metal The camera looks up from ground level, tilted a few degrees off vertical, so the machine towers into a burning orange sky and its six legs straddle the frame's lower half. The colossus is caught mid-stride: the front-most left leg is planted, treads biting the cracked earth and compressing a shallow trench beneath its weight, while the other five legs are in various phases of swing, two of them lifted clear of the ground with dust pouring off their segmented track undersides. Each leg's sole shows the four-part tread sections — two forward, two rear — the metal plates flexing and clacking as the tracks rotate, gravel caught between the segments spraying out sideways. The massive torso leans forward into the charge, super-heavy armor slabs layered over the shoulders and flanks, every panel scratched and dust-caked. On the head, the gatling cannon sits above the brow, its six barrels already spun into a blur with a faint heat shimmer, while the scope juts forward and the radar dome turns steadily on its mount. Both arms are clad in thick plating: the right forearm ends in the bucket wheel excavator, its toothed wheel spinning at speed, throwing a crescent of dirt and sparks; the left arm is the long rail cannon, its barrel level and charged with a thin blue glow at the muzzle. Six large assembled missiles are racked across the back, their fins angled back in the wind of the charge. Along the outer sides of the legs, the heavy boosters flare with blue-white exhaust, heat-warping the air and blasting dust into rolling clouds that trail behind the machine. The only light is the low sun ahead and to the left, rimming the armor's edges in hot orange while the undersides fall into deep shadow; the boosters' blue exhaust adds a second, cooler light source that catches the dust. The palette is burnt orange, rust brown, and gunmetal grey against the dark earth, with electric blue only in the exhaust and the rail cannon's charge. Dust hangs in the air, grit streaks across the frame, and the whole image reads as raw, thundering momentum.
クロックロック
#หุ่นยนต์
AI artwork
Avatar image of クロックロック
1 mechanical subject, no humans, giant humanoid war machine, super-heavy armor, massive torso, six legs, segmented caterpillar tracks on leg undersides, four-part tread sections front and rear, gatling cannon mounted on head, telescopic scope, radar dome, heavy armored shoulder pauldrons, both arms plated in thick armor, right forearm replaced by bucket wheel excavator, spinning bucket wheel, left arm converted to large rail cannon, six assembled missiles on back, heavy high-output boosters on leg sides, charging across wasteland, running at full speed, low angle, from below, wide shot, dutch angle, dust cloud, debris kicked up, dynamic pose, looking ahead, sunset, orange sky, silhouette, mechanical detail, panel lines, rivets, scratches, worn metal The camera looks up from ground level, tilted a few degrees off vertical, so the machine towers into a burning orange sky and its six legs straddle the frame's lower half. The colossus is caught mid-stride: the front-most left leg is planted, treads biting the cracked earth and compressing a shallow trench beneath its weight, while the other five legs are in various phases of swing, two of them lifted clear of the ground with dust pouring off their segmented track undersides. Each leg's sole shows the four-part tread sections — two forward, two rear — the metal plates flexing and clacking as the tracks rotate, gravel caught between the segments spraying out sideways. The massive torso leans forward into the charge, super-heavy armor slabs layered over the shoulders and flanks, every panel scratched and dust-caked. On the head, the gatling cannon sits above the brow, its six barrels already spun into a blur with a faint heat shimmer, while the scope juts forward and the radar dome turns steadily on its mount. Both arms are clad in thick plating: the right forearm ends in the bucket wheel excavator, its toothed wheel spinning at speed, throwing a crescent of dirt and sparks; the left arm is the long rail cannon, its barrel level and charged with a thin blue glow at the muzzle. Six large assembled missiles are racked across the back, their fins angled back in the wind of the charge. Along the outer sides of the legs, the heavy boosters flare with blue-white exhaust, heat-warping the air and blasting dust into rolling clouds that trail behind the machine. The only light is the low sun ahead and to the left, rimming the armor's edges in hot orange while the undersides fall into deep shadow; the boosters' blue exhaust adds a second, cooler light source that catches the dust. The palette is burnt orange, rust brown, and gunmetal grey against the dark earth, with electric blue only in the exhaust and the rail cannon's charge. Dust hangs in the air, grit streaks across the frame, and the whole image reads as raw, thundering momentum.
クロックロック
#เมคา
AI artwork
Avatar image of クロックロック
1 giant machine, no humans, giant humanoid tank, super-heavy armor, doll-shaped chassis, four crawler tracks split front and rear, segmented continuous tracks, curved front hull armor, large armor plates on both arms, right forearm replaced by high-speed rotating bucket wheel excavator, spinning bucket wheel, left arm converted into large rail cannon, six large modular missiles mounted on back, missile rack, scope on head, radar dome on head, large high-output boosters on leg sides, heavily armored boosters, nozzle glow, trampling through city, crushing buildings, daytime, from below, low angle, foreshortening, dutch angle, wide shot, dust cloud, rubble, debris, smoke, lens flare, blue sky, daylight, mechanical detail, no text, no humans The camera sits low at street level, tilted a few degrees off horizontal, so the machine towers up out of the frame and its head is cropped by the top edge while its tracks fill the lower third. Seen from this worm's-eye view: the four crawler tracks split front and rear, each a broad segmented band of dull steel, the front pair climbing over the crushed floor slabs of a mid-rise office block whose concrete facade buckles and spills rebar outward; fresh rubble piles in ridges at the track mouths and spills into the street. Above the tracks, the front hull curves forward like a rounded prow, its curved plate scuffed and scratched and streaked with concrete dust. Both arms hang at the machine's sides under enormous slab armor plates bolted at the shoulders. The right forearm terminates in a bucket-wheel excavator tipped forward so the wheel's toothed rim bites into a collapsed rooftop, one bucket scooping up a clod of concrete and rebar; a fine spiral of dust and grit is flung tangentially off the spinning wheel. The left forearm is a long rectangular rail cannon, twin rails running its length, the muzzle aimed low and forward across the street, a faint heat shimmer above the rails. Behind the shoulders, six large modular missiles sit upright in a rack, each cylindrical body with visible seams and fin assemblies, casting hard shadows on the machine's back. The head is a blunt armored casque with a cylindrical scope protruding forward and a shallow radar dome on top, its dish sweeping. On the outer faces of the leg assemblies, large armored boosters clamp on, their nozzles angled down and back, edges glowing a dull orange at idle. Beyond the machine, a daytime city street recedes: glass towers on both sides catching the sun, a few windows flashing where they face the light, cars stopped and crushed, a haze of dust filling the middle distance. The light comes from high and slightly behind the machine, so the armor's upper planes are bright and warm while the undersides of the tracks, the belly and the underside of the arms sit in deep shadow, and the machine's great cast shadow falls across the street directly toward the viewer, swallowing rubble and road. Palette: steel grey and gunmetal for the machine, warm concrete beige and dust ochre for the city, a cool blue sky at the top corners, orange booster glow as the only saturated accent. Dust drifts through the light, fine motes swirling. Crushing, colossal.
クロックロック

สำรวจเพิ่มเติม

ผู้ใช้แนะนำ

ที่คุณอาจชอบ

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
#Hatsune Miku: Colorful Stage!#Tsukasa Tenma
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
12#คางามิเนะ ริน#โวคาลอยด์#Lofi Dream
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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5#ผ่าพิภพไททัน#มิคาสะ อัคเคอร์แมน
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