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AI artwork featuring #zetaCollab
สร้างฟรี

planarians

Contest Entry
PixAI × zeta Original Character Creation Contest 2026 #zetaCollab
ดูเพิ่มเติม

คอมเมนต์

2girls, no humans, full plate armor, gold trim, gold-edged pauldrons, full-face helmet, visor down, red hakama, longsword, jodan stance, sword raised overhead, both hands on hilt, large male, shirtless male, bare muscular torso, blond hair, long-handled axe, two-handed grip, poleaxe, facing each other, confrontation, standoff, from side, profile, dutch angle, wide shot, forest, coniferous forest, dark coniferous forest, pine trees, fog, dim lighting, low light, god rays, dust motes, depth of field, cinematic composition, dynamic pose, tension, muted palette The camera sits low and off-axis in a Dutch-tilted side profile, both fighters held in the same frame across a narrow clearing in a dim coniferous forest. On the left, the armored figure is turned three-quarters away from the lens: a medieval European full-face helmet with its visor shut and a single breath-slit throws a thin dark line across the plate, and the gold trim runs a bright edge along every bevel of the pauldrons, rerebraces, vambraces and breastplate. Both gauntleted hands wrap the longsword's grip high above the helmet in a raised overhead jodan stance, the blade vertical and tipped slightly back over the crown, the crossguard just clearing the helmet's crest; the elbows are drawn in and up, the shoulder plates stacked, the weight sunk into the back hip while the front foot has already slid forward onto the pine needles. Below the breastplate the red hakama breaks the metal, its pleats flaring out behind the rear leg where the stance pulls the fabric taut and its hem dusted with forest debris, the trailing sash lifted by the movement. Facing it from the right, the large shirtless blond man is planted wide and low, torso turned to show the slab of his chest and shoulder, sweat sheening the deltoid nearest the light; both hands choke the long haft of the axe, one fist high near the head and one low at the butt, the bearded blade angled across his body so its edge points back at the armored figure's ribs. His blond hair is tied back and hangs damp at the nape, strands stuck to his neck, and his chin is tucked, eyes fixed hard on the dark visor slit opposite him. Between them the ground is bare and churned, a few cut pine needles and a snapped twig suspended where the clearing opens. Light comes in flat, cold shafts from high behind the canopy, catching the gold trim, the sword's flat and the axe head in thin blades of brightness while everything else stays in cool blue-green shadow; the trunks recede into fog in three depth layers and the far pines dissolve into murk. The smell of resin is implied in the haze, the air visibly damp, the fog thicker in the low middle ground between the two bodies. Restrained palette of cold slate blue-green, tarnished steel, warm gold edging, and the deep red of the hakama as the single warm anchor -- tense, hushed standoff.
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
上半身は金色の縁取りのなされた中世ヨーロッパ風のフルプレートアーマーを着ており、中世ヨーロッパ風のフルフェイスヘルメットをかぶっている。下半身は赤い袴を履いている。 ロングソードを上段で構えている。 長い柄の斧を両手に持った大柄な上裸の金髪の男と対峙している。 薄暗い針葉樹林の中である。
โหมด
flash
ขนาด
1280 x 768
ตัวช่วยพรอมต์

โมเดลและ LoRA ที่ใช้

รูปภาพคล้ายกัน

ดูเพิ่มเติม
AI artwork
p
1man, solo, mature male, old man, 60s, burly, muscular, broad shoulders, long hair, white hair with black streaks, hair tied back, ponytail, short beard, chin beard, full plate armor, upper body armor, gold trim, medieval armor, black hakama, wide-legged trousers, metal boots, sabaton, longsword, sword planted in ground, holding sword, right hand on sword hilt, gripping, standing, weight on one leg, from side, profile, cowboy shot, looking down, half-closed eyes, calm, coniferous forest, dark forest, pine trees, fog, low light, backlight, rim light, depth of field, gold accents, muted palette, quiet severity A lateral view, the camera at chest height and offset to the man's left so his whole right side reads in profile: the long white hair streaked with black gathered at the back of his skull in a tied bundle that runs down between his shoulder blades, the short beard a close-kept dark-flecked wedge along his jaw, his heavy brow and deep-set eye turned down and forward toward the sword's point. He stands with his weight sunk into his left leg, right hip dropped, left knee locked, torso canted slightly forward and shoulders squared but tilted a few degrees off the vertical so the silhouette is not symmetric; his right arm hangs loose and straight down, the fingers of his right hand closed around the longsword's grip just under the crossguard, thumb wrapped over the top, and the blade runs vertically down in front of his right boot with its point buried a palm's depth in the needle litter, a small mound of displaced duff and a scatter of brown needles heaped up around the steel. In the upper body he wears a full plate harness in the medieval European manner, cuirass, pauldrons, rerebraces and vambraces over the burly chest and thick arms, every plate edge and joint bordered with a band of gold that catches one thin line of light along the top of the pauldron and the rim of the breastplate; below the fauld the black hakama falls in stiff wide pleats over his thighs, breaking at the shin where the metal boots take over, the sabatons and greaves dark iron with dull highlights. His left hand rests at his side, fingers half-curled, doing nothing. Behind and around him the dim coniferous forest: tall straight trunks of pine and spruce receding in vertical ranks, lower branches bare and black, the ground a mat of needles and a few pale mushrooms; a cold fog hangs between the trunks in soft horizontal bands, densest at the far distance so the treeline dissolves into grey. The only real light comes from far behind him through the mist, a low pale source that rims the outer edge of the pauldron, the crown of his tied hair and the flat of the blade with a thin silver line while his front stays in shadow; the gold trim is the single warmth in an otherwise cold grey-green and near-black palette, and where the blade meets the earth the wet disturbed needles are darker than the surrounding litter. Muted, severe, quiet.
planarians
AI artwork
p
1girl, solo, full plate armor, upper body armor, medieval European armor, pauldrons, rerebraces, vambraces, gauntlets, gauntlet gripping sword hilt, full-face helmet, visored helm, closed visor, red hakama, wide red hakama, pleated hakama, mid stance, half-crouch, knees bent, longsword, two-handed grip, sword raised overhead, high guard, jodan stance, blade tip toward viewer, foreshortening, from below, low angle, dutch angle, standing on ground, both hands on hilt, looking at viewer, dim coniferous forest, conifer trunks, dark forest, mist, god rays, backlight, rim light, volumetric light, dark palette, red accent The camera sits low and close, tilted a few degrees off level, looking up: from this angle the figure dominates the lower half of the frame and the longsword's point hangs almost in the lens, a single bright spot near the image centre with the hilt and both gauntlets stacked behind it in hard foreshortening. The figure is in a half-crouch, weight sunk onto the rear leg with the front knee bent and pushed forward, hips low, torso slightly turned so the left shoulder comes forward and the right falls back; both gauntlets grip the hilt at the pommel and just under the crossguard, arms lifted above the helmet so the blade runs down the axis toward the viewer and the crossguard crosses horizontal above the visor. The helmet's closed visor and sight slit are turned straight at the camera; through the slit nothing reads but darkness. The plate armor articulates at the elbow and knee cops, its surface pitted and dull where it catches the light, and the wide red hakama flares loose from beneath the breastplate, its pleats bunching forward over the bent knees and its hem swaying and rippling back from the crouch. Behind, a forest of tall conifer trunks stands in near-silhouette, close ranks of straight verticals on both sides receding into grey vapour; a low ground mist lies between them at ankle height. The only light comes from far behind and slightly above, through the canopy gaps: it rims the helmet crown, the shoulder plates and the outer edge of the sword with a cold pale edge, and leaves the face side of the figure, the underside of the armor and the whole foreground in deep shadow, so the blade's tip is the brightest thing in the frame and everything nearer than the trunks falls away to black. Palette confined to cold black-green, slate grey, dull steel, pale mist light and the red of the hakama as the single warm note. The sword tip, closer to the lens than the figure, goes soft and slightly out of focus while the visor stays sharp behind it. Tense, watchful.
planarians

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Avatar image of anipix
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Avatar image of anipix
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