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некры 30
ดูพารามิเตอร์
- พรอมต์ต้นฉบับ
- {{Ultra-high detail}}, {{{masterpiece}}}, {{{best quality}}}, {{high-quality rendering, beautiful face and eyes}}, {{highly detailed skin}}, professional lighting, physically based rendering (PBR), 4K, 8K. Park, daytime, sunny. Misaka Imouto, wearing her Tokiwadai school uniform, he wears a special green visor on his head, sits on a bench; inside her stomach is Misaka Worst, who is bathing in gastric juices. Vore (ingestion), an unrealistically large belly containing a character, a content predator, an angry victim, a victim in a cramped space, a heavily distended predator's belly. Misaka Worst is in there, full-sized, banging her hands against the walls of the womb.
- โหมด
- ultra
- แท็กคุณภาพ
- ﹝พรอมต์﹞
- ขนาด
- 1104 x 1824
- วิธีการสุ่มตัวอย่าง
- Euler
- ไม่ต้องการ
- lowres, worst quality, low quality, bad anatomy, explicit
ตัวช่วยพรอมต์
โมเดลและ LoRA ที่ใช้
รูปภาพคล้ายกัน
ดูเพิ่มเติม
н3
character: misaka_imouto, misaka_worst
2girls, vore, internal view, misaka_imouto, misaka_worst, tokawadai school uniform, brown bob cut, short brown hair, goggles on head, green visor on head, white short-sleeved collared shirt, brown v-neck sweater vest, grey pleated skirt, brown loafers, white elbow-length gloves, sitting on bench, sitting, unrealistically large belly, heavily distended belly, giant belly, belly bulge, full-body vore, contained character, silhouette inside belly, hands pressed against stomach from inside, cramped space, gastric juices, stomach acid, submerged, angry, angry eyes, gritted teeth, clenched fists, banging on walls, content expression, light smile, half-closed eyes, relaxed, park, daytime, sunny, outdoors, bench, trees, sunlight, from side, cowboy shot, looking down at own belly, looking at stomach, blush, sweat, motion lines, stomach growl, seductive_smile, explicit
The view is a side-on cowboy shot from slightly below bench height, the bench's slatted back cutting a diagonal behind the figure, sun coming from the upper left through a canopy of green leaves. On the right two-thirds of the frame, Misaka Imouto sits on the park bench with her weight settled back on her right hip, left leg crossed over the right knee, one gloved hand resting flat on the enormous dome of her belly, the other braced on the bench slat behind her hip. Her short brown bob hangs loose, a single strand across her cheek; her green visor sits pushed up on the crown of her head, casting a thin shadow over her brow. She tilts her chin down toward the belly with a soft lopsided smile, one eyelid dipped lower than the other, a faint pink blush along her cheekbones, and the light vests her white shirt with bright yellow on the left shoulder and warm shadow down the right side of the brown vest. Her skirt is tented out and fallen back around the belly's underside. The belly itself swells forward and low, the fabric of the sweater vest stretched so thin the weave shows, a pale elastic sheen where it pulls tightest, the skin beneath bulging out through a gap at the hem and pushing the shirt up.
Inside the belly, drawn as a cutaway cross-section window at the left of the frame, the fluid-filled cavity is a rounded chamber of pink and pale amber, the gastric juices up to Misaka Worst's waist, ripples and a thin foam line where her body disturbs the surface. She is full-sized and jammed into that spare space, shoulders pressed against the walls, knees drawn up, her grey bodysuit dark and wet where the juice soaks it. Her short brown hair is plastered flat against her skull, her ahoge bent sideways against the ceiling of the cavity, and her face is contorted in fury: brows dragged down and together, teeth bared in a snarl, eyes wide and glaring at the ceiling. Both fists are drawn up and driven forward into the wall of the stomach, knuckles buried in the soft indentation of the wall, the dent pressing outward against the belly's outer skin where a faint bump shows on Imouto's silhouette. The fluid sloshes up the wall at each impact, leaving a wet ring high on the pink flesh. The cutaway edge is a clean curved line separating the outer sunny park from the warm interior glow, so the outdoor background remains visible behind both figures. In the park: bright green grass, dappled leaf shadow on the bench, a path curving away with soft bokeh, and a few blurred tree trunks. Her clasp on the bench presses a small groove into the grass, and the bench's shadow under her is broken and misshapen where the belly's bulk cuts through the light. Sunlight rimlights the top of the belly and her shoulder; the interior is lit by the warm amber of the cavity itself, the only other source. Palette limited to sunlit green, warm brown, cream white, and the amber-pink of the stomach. Painterly anime rendering, crisp lineart, soft volumetric light, tender and quietly absurd.
некры 30
н3
character: misaka_imouto, misaka_worst
2girls, vore, internal view, misaka_imouto, misaka_worst, tokawadai school uniform, brown bob cut, short brown hair, goggles on head, green visor on head, white short-sleeved collared shirt, brown v-neck sweater vest, grey pleated skirt, brown loafers, white elbow-length gloves, sitting on bench, sitting, unrealistically large belly, heavily distended belly, giant belly, belly bulge, full-body vore, contained character, silhouette inside belly, hands pressed against stomach from inside, cramped space, gastric juices, stomach acid, submerged, angry, angry eyes, gritted teeth, clenched fists, banging on walls, content expression, light smile, half-closed eyes, relaxed, park, daytime, sunny, outdoors, bench, trees, sunlight, from side, cowboy shot, looking down at own belly, looking at stomach, blush, sweat, motion lines, stomach growl, seductive_smile, explicit
The view is a side-on cowboy shot from slightly below bench height, the bench's slatted back cutting a diagonal behind the figure, sun coming from the upper left through a canopy of green leaves. On the right two-thirds of the frame, Misaka Imouto sits on the park bench with her weight settled back on her right hip, left leg crossed over the right knee, one gloved hand resting flat on the enormous dome of her belly, the other braced on the bench slat behind her hip. Her short brown bob hangs loose, a single strand across her cheek; her green visor sits pushed up on the crown of her head, casting a thin shadow over her brow. She tilts her chin down toward the belly with a soft lopsided smile, one eyelid dipped lower than the other, a faint pink blush along her cheekbones, and the light vests her white shirt with bright yellow on the left shoulder and warm shadow down the right side of the brown vest. Her skirt is tented out and fallen back around the belly's underside. The belly itself swells forward and low, the fabric of the sweater vest stretched so thin the weave shows, a pale elastic sheen where it pulls tightest, the skin beneath bulging out through a gap at the hem and pushing the shirt up.
Inside the belly, drawn as a cutaway cross-section window at the left of the frame, the fluid-filled cavity is a rounded chamber of pink and pale amber, the gastric juices up to Misaka Worst's waist, ripples and a thin foam line where her body disturbs the surface. She is full-sized and jammed into that spare space, shoulders pressed against the walls, knees drawn up, her grey bodysuit dark and wet where the juice soaks it. Her short brown hair is plastered flat against her skull, her ahoge bent sideways against the ceiling of the cavity, and her face is contorted in fury: brows dragged down and together, teeth bared in a snarl, eyes wide and glaring at the ceiling. Both fists are drawn up and driven forward into the wall of the stomach, knuckles buried in the soft indentation of the wall, the dent pressing outward against the belly's outer skin where a faint bump shows on Imouto's silhouette. The fluid sloshes up the wall at each impact, leaving a wet ring high on the pink flesh. The cutaway edge is a clean curved line separating the outer sunny park from the warm interior glow, so the outdoor background remains visible behind both figures. In the park: bright green grass, dappled leaf shadow on the bench, a path curving away with soft bokeh, and a few blurred tree trunks. Her clasp on the bench presses a small groove into the grass, and the bench's shadow under her is broken and misshapen where the belly's bulk cuts through the light. Sunlight rimlights the top of the belly and her shoulder; the interior is lit by the warm amber of the cavity itself, the only other source. Palette limited to sunlit green, warm brown, cream white, and the amber-pink of the stomach. Painterly anime rendering, crisp lineart, soft volumetric light, tender and quietly absurd.
некры 30
н3
character: misaka_imouto, misaka_worst
2girls, vore, internal view, misaka_imouto, misaka_worst, tokawadai school uniform, brown bob cut, short brown hair, goggles on head, green visor on head, white short-sleeved collared shirt, brown v-neck sweater vest, grey pleated skirt, brown loafers, white elbow-length gloves, sitting on bench, sitting, unrealistically large belly, heavily distended belly, giant belly, belly bulge, full-body vore, contained character, silhouette inside belly, hands pressed against stomach from inside, cramped space, gastric juices, stomach acid, submerged, angry, angry eyes, gritted teeth, clenched fists, banging on walls, content expression, light smile, half-closed eyes, relaxed, park, daytime, sunny, outdoors, bench, trees, sunlight, from side, cowboy shot, looking down at own belly, looking at stomach, blush, sweat, motion lines, stomach growl, seductive_smile, explicit
The view is a side-on cowboy shot from slightly below bench height, the bench's slatted back cutting a diagonal behind the figure, sun coming from the upper left through a canopy of green leaves. On the right two-thirds of the frame, Misaka Imouto sits on the park bench with her weight settled back on her right hip, left leg crossed over the right knee, one gloved hand resting flat on the enormous dome of her belly, the other braced on the bench slat behind her hip. Her short brown bob hangs loose, a single strand across her cheek; her green visor sits pushed up on the crown of her head, casting a thin shadow over her brow. She tilts her chin down toward the belly with a soft lopsided smile, one eyelid dipped lower than the other, a faint pink blush along her cheekbones, and the light vests her white shirt with bright yellow on the left shoulder and warm shadow down the right side of the brown vest. Her skirt is tented out and fallen back around the belly's underside. The belly itself swells forward and low, the fabric of the sweater vest stretched so thin the weave shows, a pale elastic sheen where it pulls tightest, the skin beneath bulging out through a gap at the hem and pushing the shirt up.
Inside the belly, drawn as a cutaway cross-section window at the left of the frame, the fluid-filled cavity is a rounded chamber of pink and pale amber, the gastric juices up to Misaka Worst's waist, ripples and a thin foam line where her body disturbs the surface. She is full-sized and jammed into that spare space, shoulders pressed against the walls, knees drawn up, her grey bodysuit dark and wet where the juice soaks it. Her short brown hair is plastered flat against her skull, her ahoge bent sideways against the ceiling of the cavity, and her face is contorted in fury: brows dragged down and together, teeth bared in a snarl, eyes wide and glaring at the ceiling. Both fists are drawn up and driven forward into the wall of the stomach, knuckles buried in the soft indentation of the wall, the dent pressing outward against the belly's outer skin where a faint bump shows on Imouto's silhouette. The fluid sloshes up the wall at each impact, leaving a wet ring high on the pink flesh. The cutaway edge is a clean curved line separating the outer sunny park from the warm interior glow, so the outdoor background remains visible behind both figures. In the park: bright green grass, dappled leaf shadow on the bench, a path curving away with soft bokeh, and a few blurred tree trunks. Her clasp on the bench presses a small groove into the grass, and the bench's shadow under her is broken and misshapen where the belly's bulk cuts through the light. Sunlight rimlights the top of the belly and her shoulder; the interior is lit by the warm amber of the cavity itself, the only other source. Palette limited to sunlit green, warm brown, cream white, and the amber-pink of the stomach. Painterly anime rendering, crisp lineart, soft volumetric light, tender and quietly absurd.
некры 30
н3
character: misaka_imouto, misaka_worst
2girls, misaka_imouto, misaka_worst, vore, internal view, stomach, gastric juices, bathing, cramped space, angry, content predator, heavily distended belly, unrealistically large belly, sitting on bench, bench, park, daytime, sunny, outdoors, tokiwadai school uniform, brown sweater vest, white short-sleeved collared shirt, grey pleated skirt, brown loafers, white elbow-length gloves, brown bob cut, short hair, brown eyes, brown hair, medium hair of victim, ahoge, hair between eyes, closed eyes, light smile, faint smile, hands resting on belly, head tilt back, sunlight, dappled shadows, tree leaves, looking down at belly, playful, smug, half-closed eyes, blush, sweat, wet skin, open mouth, clenched teeth, furrowed brow, gritted teeth, arms crossed, leaning against stomach wall, clinical mood, gentle atmosphere, dark interior, wet interior, glossy reflections, warm golden daylight
Medium shot from a low three-quarter angle, camera placed at bench height and slightly to the right of the seated girl, sunlight raking across her from the upper left through the canopy above. Misaka Imouto sits on a slatted wooden park bench with her back against the backrest, hips square on the seat, both loafers planted flat on the paved path in front of her, knees apart to make room for the enormous belly that swells out from under her grey pleated skirt. The brown sweater vest is stretched taut over the rounded mass, the white short-sleeved collar lifting slightly at the neck with a slow exhale; her white elbow-length gloves rest side by side on the top curve of the belly, fingers splayed, thumbs meeting at the crest, the fabric dimpling where she presses. The belly is impossibly large, its silhouette a smooth dome rising from her lap to nearly her chin, skin visibly tight at the upper surface where the sun strikes and the veins faint at the sides. Her brown bob cut falls forward against her cheek, one strand catching the light, and her head tilts back against the backrest, eyes closed in a faint closed-lip smile, brow smooth, a single bead of sweat at her temple; a slow contented breath lifts the belly an inch and settles it. Beyond the bench a slice of municipal park: a gravel path raking across the lower third, a low hedge behind her, two tall trees overhead whose leaves dapple her uniform with hard-edged afternoon shadows, and far in the upper right, a pale strip of sky. Warm golden daylight is the only light source, its temperature high, the shadows deep and cool under the bench and in the folds of her skirt, and glistening wet highlights clinging to the outward curve of the taut skin.
An inset view cuts diagonally across the belly's dome from the lower right, the boundary of it the dim inner wall of the stomach, a curved crimson-rose chamber glossy with a thin film of gastric juices that pool lower than the figure's ankles and drip in slow strands from the upper wall. Misaka Worst crouches in that cramped space, shoulders jammed against the wet wall behind her, knees drawn up, one grey-gloved hand braced on her own thigh and the other arm crossed protectively over her chest, her brown hair plastered to her forehead with sweat and the ahoge standing up in the damp. Her grey bodysuit is sodden, the white dress clinging and turned translucent at the edges, her eyes narrowed and glaring upward at the stomach wall with teeth bared in a snarl, brow deeply furrowed, a flush of heat across her cheeks. The dim interior light is a diffuse glow filtered through the belly wall from the sun outside, so the chamber is lit by a soft amber glow that leaves the deepest folds almost black and makes the juices gleam along her collarbone and the curve of her thigh. Below the surface of the liquid her boots and the lowest pleats of the dress warp slightly with refraction. The overall palette stays close to warm golds outside, deep crimson and rose inside, with the only cool accents the grey of the uniform skirt and the pale sweat sheen on both figures' skin. The contrast between the contented face on the bench and the furious one inside the dim chamber is the emotional engine of the image: quiet, unsettling tenderness.
некры 30
สำรวจเพิ่มเติม
ผู้ใช้แนะนำ
ที่คุณอาจชอบ
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
1
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
X-Ray • Verina
ichikiki
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
samsara asura
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
HaruYuu 02
uzukun
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
1
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
1
คอมเมนต์