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Notice: About Recent Slower Generation Speeds and Limited Computing Resources — Dear PixAI Community, Thank you for your continued love and support for PixAI. Recently, generation speeds on PixAI have…

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н3

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1ติดตาม12ผู้ติดตาม706ยอดไลก์
ผลงานคอลเลกชัน
AI artwork
н3
character: misaka_imouto, misaka_worst 2girls, misaka_imouto, misaka_worst, vore, internal view, stomach, gastric juices, bathing, cramped space, angry, content predator, heavily distended belly, unrealistically large belly, sitting on bench, bench, park, daytime, sunny, outdoors, tokiwadai school uniform, brown sweater vest, white short-sleeved collared shirt, grey pleated skirt, brown loafers, white elbow-length gloves, brown bob cut, short hair, brown eyes, brown hair, medium hair of victim, ahoge, hair between eyes, closed eyes, light smile, faint smile, hands resting on belly, head tilt back, sunlight, dappled shadows, tree leaves, looking down at belly, playful, smug, half-closed eyes, blush, sweat, wet skin, open mouth, clenched teeth, furrowed brow, gritted teeth, arms crossed, leaning against stomach wall, clinical mood, gentle atmosphere, dark interior, wet interior, glossy reflections, warm golden daylight Medium shot from a low three-quarter angle, camera placed at bench height and slightly to the right of the seated girl, sunlight raking across her from the upper left through the canopy above. Misaka Imouto sits on a slatted wooden park bench with her back against the backrest, hips square on the seat, both loafers planted flat on the paved path in front of her, knees apart to make room for the enormous belly that swells out from under her grey pleated skirt. The brown sweater vest is stretched taut over the rounded mass, the white short-sleeved collar lifting slightly at the neck with a slow exhale; her white elbow-length gloves rest side by side on the top curve of the belly, fingers splayed, thumbs meeting at the crest, the fabric dimpling where she presses. The belly is impossibly large, its silhouette a smooth dome rising from her lap to nearly her chin, skin visibly tight at the upper surface where the sun strikes and the veins faint at the sides. Her brown bob cut falls forward against her cheek, one strand catching the light, and her head tilts back against the backrest, eyes closed in a faint closed-lip smile, brow smooth, a single bead of sweat at her temple; a slow contented breath lifts the belly an inch and settles it. Beyond the bench a slice of municipal park: a gravel path raking across the lower third, a low hedge behind her, two tall trees overhead whose leaves dapple her uniform with hard-edged afternoon shadows, and far in the upper right, a pale strip of sky. Warm golden daylight is the only light source, its temperature high, the shadows deep and cool under the bench and in the folds of her skirt, and glistening wet highlights clinging to the outward curve of the taut skin. An inset view cuts diagonally across the belly's dome from the lower right, the boundary of it the dim inner wall of the stomach, a curved crimson-rose chamber glossy with a thin film of gastric juices that pool lower than the figure's ankles and drip in slow strands from the upper wall. Misaka Worst crouches in that cramped space, shoulders jammed against the wet wall behind her, knees drawn up, one grey-gloved hand braced on her own thigh and the other arm crossed protectively over her chest, her brown hair plastered to her forehead with sweat and the ahoge standing up in the damp. Her grey bodysuit is sodden, the white dress clinging and turned translucent at the edges, her eyes narrowed and glaring upward at the stomach wall with teeth bared in a snarl, brow deeply furrowed, a flush of heat across her cheeks. The dim interior light is a diffuse glow filtered through the belly wall from the sun outside, so the chamber is lit by a soft amber glow that leaves the deepest folds almost black and makes the juices gleam along her collarbone and the curve of her thigh. Below the surface of the liquid her boots and the lowest pleats of the dress warp slightly with refraction. The overall palette stays close to warm golds outside, deep crimson and rose inside, with the only cool accents the grey of the uniform skirt and the pale sweat sheen on both figures' skin. The contrast between the contented face on the bench and the furious one inside the dim chamber is the emotional engine of the image: quiet, unsettling tenderness.
Nov 7, 2026 9:02 PM
#อินเดกซ์ คัมภีร์คาถาต้องห้าม#มิซากะ มิโคโตะ
AI artwork
н3
character: misaka_imouto, misaka_worst 2girls, misaka_imouto, misaka_worst, vore, internal view, stomach, gastric juices, bathing, cramped space, angry, content predator, heavily distended belly, unrealistically large belly, sitting on bench, bench, park, daytime, sunny, outdoors, tokiwadai school uniform, brown sweater vest, white short-sleeved collared shirt, grey pleated skirt, brown loafers, white elbow-length gloves, brown bob cut, short hair, brown eyes, brown hair, medium hair of victim, ahoge, hair between eyes, closed eyes, light smile, faint smile, hands resting on belly, head tilt back, sunlight, dappled shadows, tree leaves, looking down at belly, playful, smug, half-closed eyes, blush, sweat, wet skin, open mouth, clenched teeth, furrowed brow, gritted teeth, arms crossed, leaning against stomach wall, clinical mood, gentle atmosphere, dark interior, wet interior, glossy reflections, warm golden daylight Medium shot from a low three-quarter angle, camera placed at bench height and slightly to the right of the seated girl, sunlight raking across her from the upper left through the canopy above. Misaka Imouto sits on a slatted wooden park bench with her back against the backrest, hips square on the seat, both loafers planted flat on the paved path in front of her, knees apart to make room for the enormous belly that swells out from under her grey pleated skirt. The brown sweater vest is stretched taut over the rounded mass, the white short-sleeved collar lifting slightly at the neck with a slow exhale; her white elbow-length gloves rest side by side on the top curve of the belly, fingers splayed, thumbs meeting at the crest, the fabric dimpling where she presses. The belly is impossibly large, its silhouette a smooth dome rising from her lap to nearly her chin, skin visibly tight at the upper surface where the sun strikes and the veins faint at the sides. Her brown bob cut falls forward against her cheek, one strand catching the light, and her head tilts back against the backrest, eyes closed in a faint closed-lip smile, brow smooth, a single bead of sweat at her temple; a slow contented breath lifts the belly an inch and settles it. Beyond the bench a slice of municipal park: a gravel path raking across the lower third, a low hedge behind her, two tall trees overhead whose leaves dapple her uniform with hard-edged afternoon shadows, and far in the upper right, a pale strip of sky. Warm golden daylight is the only light source, its temperature high, the shadows deep and cool under the bench and in the folds of her skirt, and glistening wet highlights clinging to the outward curve of the taut skin. An inset view cuts diagonally across the belly's dome from the lower right, the boundary of it the dim inner wall of the stomach, a curved crimson-rose chamber glossy with a thin film of gastric juices that pool lower than the figure's ankles and drip in slow strands from the upper wall. Misaka Worst crouches in that cramped space, shoulders jammed against the wet wall behind her, knees drawn up, one grey-gloved hand braced on her own thigh and the other arm crossed protectively over her chest, her brown hair plastered to her forehead with sweat and the ahoge standing up in the damp. Her grey bodysuit is sodden, the white dress clinging and turned translucent at the edges, her eyes narrowed and glaring upward at the stomach wall with teeth bared in a snarl, brow deeply furrowed, a flush of heat across her cheeks. The dim interior light is a diffuse glow filtered through the belly wall from the sun outside, so the chamber is lit by a soft amber glow that leaves the deepest folds almost black and makes the juices gleam along her collarbone and the curve of her thigh. Below the surface of the liquid her boots and the lowest pleats of the dress warp slightly with refraction. The overall palette stays close to warm golds outside, deep crimson and rose inside, with the only cool accents the grey of the uniform skirt and the pale sweat sheen on both figures' skin. The contrast between the contented face on the bench and the furious one inside the dim chamber is the emotional engine of the image: quiet, unsettling tenderness.
Nov 7, 2026 9:02 PM
#อินเดกซ์ คัมภีร์คาถาต้องห้าม#มิซากะ มิโคโตะ#เรลกัน แฟ้มลับคดีวิทยาศาสตร์
AI artwork
н3
character: misaka_imouto, misaka_worst 2girls, vore, internal view, misaka_imouto, misaka_worst, tokawadai school uniform, brown bob cut, short brown hair, goggles on head, green visor on head, white short-sleeved collared shirt, brown v-neck sweater vest, grey pleated skirt, brown loafers, white elbow-length gloves, sitting on bench, sitting, unrealistically large belly, heavily distended belly, giant belly, belly bulge, full-body vore, contained character, silhouette inside belly, hands pressed against stomach from inside, cramped space, gastric juices, stomach acid, submerged, angry, angry eyes, gritted teeth, clenched fists, banging on walls, content expression, light smile, half-closed eyes, relaxed, park, daytime, sunny, outdoors, bench, trees, sunlight, from side, cowboy shot, looking down at own belly, looking at stomach, blush, sweat, motion lines, stomach growl, seductive_smile, explicit The view is a side-on cowboy shot from slightly below bench height, the bench's slatted back cutting a diagonal behind the figure, sun coming from the upper left through a canopy of green leaves. On the right two-thirds of the frame, Misaka Imouto sits on the park bench with her weight settled back on her right hip, left leg crossed over the right knee, one gloved hand resting flat on the enormous dome of her belly, the other braced on the bench slat behind her hip. Her short brown bob hangs loose, a single strand across her cheek; her green visor sits pushed up on the crown of her head, casting a thin shadow over her brow. She tilts her chin down toward the belly with a soft lopsided smile, one eyelid dipped lower than the other, a faint pink blush along her cheekbones, and the light vests her white shirt with bright yellow on the left shoulder and warm shadow down the right side of the brown vest. Her skirt is tented out and fallen back around the belly's underside. The belly itself swells forward and low, the fabric of the sweater vest stretched so thin the weave shows, a pale elastic sheen where it pulls tightest, the skin beneath bulging out through a gap at the hem and pushing the shirt up. Inside the belly, drawn as a cutaway cross-section window at the left of the frame, the fluid-filled cavity is a rounded chamber of pink and pale amber, the gastric juices up to Misaka Worst's waist, ripples and a thin foam line where her body disturbs the surface. She is full-sized and jammed into that spare space, shoulders pressed against the walls, knees drawn up, her grey bodysuit dark and wet where the juice soaks it. Her short brown hair is plastered flat against her skull, her ahoge bent sideways against the ceiling of the cavity, and her face is contorted in fury: brows dragged down and together, teeth bared in a snarl, eyes wide and glaring at the ceiling. Both fists are drawn up and driven forward into the wall of the stomach, knuckles buried in the soft indentation of the wall, the dent pressing outward against the belly's outer skin where a faint bump shows on Imouto's silhouette. The fluid sloshes up the wall at each impact, leaving a wet ring high on the pink flesh. The cutaway edge is a clean curved line separating the outer sunny park from the warm interior glow, so the outdoor background remains visible behind both figures. In the park: bright green grass, dappled leaf shadow on the bench, a path curving away with soft bokeh, and a few blurred tree trunks. Her clasp on the bench presses a small groove into the grass, and the bench's shadow under her is broken and misshapen where the belly's bulk cuts through the light. Sunlight rimlights the top of the belly and her shoulder; the interior is lit by the warm amber of the cavity itself, the only other source. Palette limited to sunlit green, warm brown, cream white, and the amber-pink of the stomach. Painterly anime rendering, crisp lineart, soft volumetric light, tender and quietly absurd.
Nov 7, 2026 9:00 PM
AI artwork
н3
character: misaka_imouto, misaka_worst 2girls, vore, internal view, misaka_imouto, misaka_worst, tokawadai school uniform, brown bob cut, short brown hair, goggles on head, green visor on head, white short-sleeved collared shirt, brown v-neck sweater vest, grey pleated skirt, brown loafers, white elbow-length gloves, sitting on bench, sitting, unrealistically large belly, heavily distended belly, giant belly, belly bulge, full-body vore, contained character, silhouette inside belly, hands pressed against stomach from inside, cramped space, gastric juices, stomach acid, submerged, angry, angry eyes, gritted teeth, clenched fists, banging on walls, content expression, light smile, half-closed eyes, relaxed, park, daytime, sunny, outdoors, bench, trees, sunlight, from side, cowboy shot, looking down at own belly, looking at stomach, blush, sweat, motion lines, stomach growl, seductive_smile, explicit The view is a side-on cowboy shot from slightly below bench height, the bench's slatted back cutting a diagonal behind the figure, sun coming from the upper left through a canopy of green leaves. On the right two-thirds of the frame, Misaka Imouto sits on the park bench with her weight settled back on her right hip, left leg crossed over the right knee, one gloved hand resting flat on the enormous dome of her belly, the other braced on the bench slat behind her hip. Her short brown bob hangs loose, a single strand across her cheek; her green visor sits pushed up on the crown of her head, casting a thin shadow over her brow. She tilts her chin down toward the belly with a soft lopsided smile, one eyelid dipped lower than the other, a faint pink blush along her cheekbones, and the light vests her white shirt with bright yellow on the left shoulder and warm shadow down the right side of the brown vest. Her skirt is tented out and fallen back around the belly's underside. The belly itself swells forward and low, the fabric of the sweater vest stretched so thin the weave shows, a pale elastic sheen where it pulls tightest, the skin beneath bulging out through a gap at the hem and pushing the shirt up. Inside the belly, drawn as a cutaway cross-section window at the left of the frame, the fluid-filled cavity is a rounded chamber of pink and pale amber, the gastric juices up to Misaka Worst's waist, ripples and a thin foam line where her body disturbs the surface. She is full-sized and jammed into that spare space, shoulders pressed against the walls, knees drawn up, her grey bodysuit dark and wet where the juice soaks it. Her short brown hair is plastered flat against her skull, her ahoge bent sideways against the ceiling of the cavity, and her face is contorted in fury: brows dragged down and together, teeth bared in a snarl, eyes wide and glaring at the ceiling. Both fists are drawn up and driven forward into the wall of the stomach, knuckles buried in the soft indentation of the wall, the dent pressing outward against the belly's outer skin where a faint bump shows on Imouto's silhouette. The fluid sloshes up the wall at each impact, leaving a wet ring high on the pink flesh. The cutaway edge is a clean curved line separating the outer sunny park from the warm interior glow, so the outdoor background remains visible behind both figures. In the park: bright green grass, dappled leaf shadow on the bench, a path curving away with soft bokeh, and a few blurred tree trunks. Her clasp on the bench presses a small groove into the grass, and the bench's shadow under her is broken and misshapen where the belly's bulk cuts through the light. Sunlight rimlights the top of the belly and her shoulder; the interior is lit by the warm amber of the cavity itself, the only other source. Palette limited to sunlit green, warm brown, cream white, and the amber-pink of the stomach. Painterly anime rendering, crisp lineart, soft volumetric light, tender and quietly absurd.
Nov 7, 2026 9:00 PM
AI artwork
н3
character: misaka_imouto, misaka_worst 2girls, vore, internal view, misaka_imouto, misaka_worst, tokawadai school uniform, brown bob cut, short brown hair, goggles on head, green visor on head, white short-sleeved collared shirt, brown v-neck sweater vest, grey pleated skirt, brown loafers, white elbow-length gloves, sitting on bench, sitting, unrealistically large belly, heavily distended belly, giant belly, belly bulge, full-body vore, contained character, silhouette inside belly, hands pressed against stomach from inside, cramped space, gastric juices, stomach acid, submerged, angry, angry eyes, gritted teeth, clenched fists, banging on walls, content expression, light smile, half-closed eyes, relaxed, park, daytime, sunny, outdoors, bench, trees, sunlight, from side, cowboy shot, looking down at own belly, looking at stomach, blush, sweat, motion lines, stomach growl, seductive_smile, explicit The view is a side-on cowboy shot from slightly below bench height, the bench's slatted back cutting a diagonal behind the figure, sun coming from the upper left through a canopy of green leaves. On the right two-thirds of the frame, Misaka Imouto sits on the park bench with her weight settled back on her right hip, left leg crossed over the right knee, one gloved hand resting flat on the enormous dome of her belly, the other braced on the bench slat behind her hip. Her short brown bob hangs loose, a single strand across her cheek; her green visor sits pushed up on the crown of her head, casting a thin shadow over her brow. She tilts her chin down toward the belly with a soft lopsided smile, one eyelid dipped lower than the other, a faint pink blush along her cheekbones, and the light vests her white shirt with bright yellow on the left shoulder and warm shadow down the right side of the brown vest. Her skirt is tented out and fallen back around the belly's underside. The belly itself swells forward and low, the fabric of the sweater vest stretched so thin the weave shows, a pale elastic sheen where it pulls tightest, the skin beneath bulging out through a gap at the hem and pushing the shirt up. Inside the belly, drawn as a cutaway cross-section window at the left of the frame, the fluid-filled cavity is a rounded chamber of pink and pale amber, the gastric juices up to Misaka Worst's waist, ripples and a thin foam line where her body disturbs the surface. She is full-sized and jammed into that spare space, shoulders pressed against the walls, knees drawn up, her grey bodysuit dark and wet where the juice soaks it. Her short brown hair is plastered flat against her skull, her ahoge bent sideways against the ceiling of the cavity, and her face is contorted in fury: brows dragged down and together, teeth bared in a snarl, eyes wide and glaring at the ceiling. Both fists are drawn up and driven forward into the wall of the stomach, knuckles buried in the soft indentation of the wall, the dent pressing outward against the belly's outer skin where a faint bump shows on Imouto's silhouette. The fluid sloshes up the wall at each impact, leaving a wet ring high on the pink flesh. The cutaway edge is a clean curved line separating the outer sunny park from the warm interior glow, so the outdoor background remains visible behind both figures. In the park: bright green grass, dappled leaf shadow on the bench, a path curving away with soft bokeh, and a few blurred tree trunks. Her clasp on the bench presses a small groove into the grass, and the bench's shadow under her is broken and misshapen where the belly's bulk cuts through the light. Sunlight rimlights the top of the belly and her shoulder; the interior is lit by the warm amber of the cavity itself, the only other source. Palette limited to sunlit green, warm brown, cream white, and the amber-pink of the stomach. Painterly anime rendering, crisp lineart, soft volumetric light, tender and quietly absurd.
Nov 7, 2026 9:00 PM
#อินเดกซ์ คัมภีร์คาถาต้องห้าม#มิซากะ มิโคโตะ#มิซากะ โคลน
AI artwork
н3
character: misaka_imouto, misaka_worst 2girls, vore, internal view, misaka_imouto, misaka_worst, tokawadai school uniform, brown bob cut, short brown hair, goggles on head, green visor on head, white short-sleeved collared shirt, brown v-neck sweater vest, grey pleated skirt, brown loafers, white elbow-length gloves, sitting on bench, sitting, unrealistically large belly, heavily distended belly, giant belly, belly bulge, full-body vore, contained character, silhouette inside belly, hands pressed against stomach from inside, cramped space, gastric juices, stomach acid, submerged, angry, angry eyes, gritted teeth, clenched fists, banging on walls, content expression, light smile, half-closed eyes, relaxed, park, daytime, sunny, outdoors, bench, trees, sunlight, from side, cowboy shot, looking down at own belly, looking at stomach, blush, sweat, motion lines, stomach growl, seductive_smile, explicit The view is a side-on cowboy shot from slightly below bench height, the bench's slatted back cutting a diagonal behind the figure, sun coming from the upper left through a canopy of green leaves. On the right two-thirds of the frame, Misaka Imouto sits on the park bench with her weight settled back on her right hip, left leg crossed over the right knee, one gloved hand resting flat on the enormous dome of her belly, the other braced on the bench slat behind her hip. Her short brown bob hangs loose, a single strand across her cheek; her green visor sits pushed up on the crown of her head, casting a thin shadow over her brow. She tilts her chin down toward the belly with a soft lopsided smile, one eyelid dipped lower than the other, a faint pink blush along her cheekbones, and the light vests her white shirt with bright yellow on the left shoulder and warm shadow down the right side of the brown vest. Her skirt is tented out and fallen back around the belly's underside. The belly itself swells forward and low, the fabric of the sweater vest stretched so thin the weave shows, a pale elastic sheen where it pulls tightest, the skin beneath bulging out through a gap at the hem and pushing the shirt up. Inside the belly, drawn as a cutaway cross-section window at the left of the frame, the fluid-filled cavity is a rounded chamber of pink and pale amber, the gastric juices up to Misaka Worst's waist, ripples and a thin foam line where her body disturbs the surface. She is full-sized and jammed into that spare space, shoulders pressed against the walls, knees drawn up, her grey bodysuit dark and wet where the juice soaks it. Her short brown hair is plastered flat against her skull, her ahoge bent sideways against the ceiling of the cavity, and her face is contorted in fury: brows dragged down and together, teeth bared in a snarl, eyes wide and glaring at the ceiling. Both fists are drawn up and driven forward into the wall of the stomach, knuckles buried in the soft indentation of the wall, the dent pressing outward against the belly's outer skin where a faint bump shows on Imouto's silhouette. The fluid sloshes up the wall at each impact, leaving a wet ring high on the pink flesh. The cutaway edge is a clean curved line separating the outer sunny park from the warm interior glow, so the outdoor background remains visible behind both figures. In the park: bright green grass, dappled leaf shadow on the bench, a path curving away with soft bokeh, and a few blurred tree trunks. Her clasp on the bench presses a small groove into the grass, and the bench's shadow under her is broken and misshapen where the belly's bulk cuts through the light. Sunlight rimlights the top of the belly and her shoulder; the interior is lit by the warm amber of the cavity itself, the only other source. Palette limited to sunlit green, warm brown, cream white, and the amber-pink of the stomach. Painterly anime rendering, crisp lineart, soft volumetric light, tender and quietly absurd.
Nov 7, 2026 9:00 PM
#อินเดกซ์ คัมภีร์คาถาต้องห้าม#มิซากะ มิโคโตะ#มิซากะ โคลน
AI artwork
н3
character: last_order_(toaru_majutsu_no_index), misaka_worst three-panel comic, comic, multiple views, 2girls, vore, rooftop swimming pool, misaka worst, last order, brown hair, short hair, hair between eyes, ahoge, brown eyes, white bodysuit, grey gloves, unworn mask hanging at collar, blue dress, pantyhose, hair bow, tossing, throwing, mid-air, looking up, mouth wide open, swallowing, head back, throat bulging, hands on own stomach, stomach bulge, satisfied, half-closed eyes, sweat, tight grip, from below, low angle, dutch angle, pool water, chain-link fence, city skyline, sunlight, speed lines, screentone A three-panel comic strip in reading order, top to bottom, each panel framed by a clean black border with simplified comic-style line work; the whole page is full colour. The setting is a rooftop swimming pool ringed by a chain-link fence, the pool's turquoise surface rippling and throwing a shifting caustic lattice across the pale tiled deck, a low city skyline under a clear high sun in every panel, the light raking from the upper left so the fence casts long diagonal shadow bars on the tiles. Two characters only. Panel 1, wide low-angle shot: Misaka Worst stands at the pool's edge in a white bodysuit with long sleeves, grey gloves on both hands, a mask hanging unworn at her collar, her short brown hair and ahoge lifting from the sudden motion — her knees bent, hips twisted, both gloved hands shoved forward at chest height after the throw, weight on her front foot, the back foot's heel peeled off the tile. Last Order, tiny in a blue dress and pantyhose, a bow in her short brown hair, is caught mid-air roughly three meters above and ahead of Misaka Worst's face, arms and legs flung out, her dress billowing, her mouth a wide shout. Speed lines streak off Misaka Worst's gloves and up past the small flying figure. Panel 2, dramatic low angle from deck level looking up: Misaka Worst fills the frame, chin thrown back, neck stretched, her mouth wide open and aimed straight at the sky, lips wet, eyes rolled up to track the falling figure; Last Order drops feet-first into that open mouth, her feet and legs already inside, her dress and bows crumpled against the jaws, her hands splayed at Misaka Worst's lips. Misaka Worst's throat shows the swallowed-feet bulge pressing forward under the skin, grey-gloved fingers curled against the column of her own neck. Panel 3, medium shot: Misaka Worst stands relaxed and turned three-quarters from camera, one gloved hand resting flat on her own stomach, where a clear rounded bulge presses the white bodysuit forward, fabric and the waist seam stretched over the shape of a curled small body. Her head is tilted back in a satisfied slump, one eye half-closed, lips wet with a slow breath, a sheen of sweat at her temple and collarbone. No sign of Last Order outside her. Behind her the turquoise pool, the fence's shadow bars and the bright skyline stay flat and bright. Effortlessly ominous.
Oct 29, 2026 10:08 PM
AI artwork
н3
character: last_order_(toaru_majutsu_no_index), misaka_worst three-panel comic, comic, multiple views, 2girls, vore, rooftop swimming pool, misaka worst, last order, brown hair, short hair, hair between eyes, ahoge, brown eyes, white bodysuit, grey gloves, unworn mask hanging at collar, blue dress, pantyhose, hair bow, tossing, throwing, mid-air, looking up, mouth wide open, swallowing, head back, throat bulging, hands on own stomach, stomach bulge, satisfied, half-closed eyes, sweat, tight grip, from below, low angle, dutch angle, pool water, chain-link fence, city skyline, sunlight, speed lines, screentone A three-panel comic strip in reading order, top to bottom, each panel framed by a clean black border with simplified comic-style line work; the whole page is full colour. The setting is a rooftop swimming pool ringed by a chain-link fence, the pool's turquoise surface rippling and throwing a shifting caustic lattice across the pale tiled deck, a low city skyline under a clear high sun in every panel, the light raking from the upper left so the fence casts long diagonal shadow bars on the tiles. Two characters only. Panel 1, wide low-angle shot: Misaka Worst stands at the pool's edge in a white bodysuit with long sleeves, grey gloves on both hands, a mask hanging unworn at her collar, her short brown hair and ahoge lifting from the sudden motion — her knees bent, hips twisted, both gloved hands shoved forward at chest height after the throw, weight on her front foot, the back foot's heel peeled off the tile. Last Order, tiny in a blue dress and pantyhose, a bow in her short brown hair, is caught mid-air roughly three meters above and ahead of Misaka Worst's face, arms and legs flung out, her dress billowing, her mouth a wide shout. Speed lines streak off Misaka Worst's gloves and up past the small flying figure. Panel 2, dramatic low angle from deck level looking up: Misaka Worst fills the frame, chin thrown back, neck stretched, her mouth wide open and aimed straight at the sky, lips wet, eyes rolled up to track the falling figure; Last Order drops feet-first into that open mouth, her feet and legs already inside, her dress and bows crumpled against the jaws, her hands splayed at Misaka Worst's lips. Misaka Worst's throat shows the swallowed-feet bulge pressing forward under the skin, grey-gloved fingers curled against the column of her own neck. Panel 3, medium shot: Misaka Worst stands relaxed and turned three-quarters from camera, one gloved hand resting flat on her own stomach, where a clear rounded bulge presses the white bodysuit forward, fabric and the waist seam stretched over the shape of a curled small body. Her head is tilted back in a satisfied slump, one eye half-closed, lips wet with a slow breath, a sheen of sweat at her temple and collarbone. No sign of Last Order outside her. Behind her the turquoise pool, the fence's shadow bars and the bright skyline stay flat and bright. Effortlessly ominous.
Oct 29, 2026 10:08 PM
AI artwork
н3
character: last_order_(toaru_majutsu_no_index), misaka_worst 3koma, comic, multiple views, 2girls, misaka_worst, last_order_(toaru_majutsu_no_index), brown_hair, short_hair, hair_between_eyes, ahoge, brown_eyes, white_bodysuit, grey_bodysuit, long_sleeves, grey_gloves, small_breasts, tall_female, short_girl, rooftop, swimming_pool, poolside, tile_deck, from_below, from_above, dutch_angle, tossing, thrown_into_air, midair, arms_up, looking_up, open_mouth, wide_open_mouth, head_tilted_back, approaching, outstretched_arm, grabbing, grabbing_by_head, tongue_out, landing_in_mouth, mouth_open_wide, head_inside_mouth, swallowing, bulging_cheeks, neck_bulge, hand_on_own_throat, satisfied_smirk, patting_own_stomach, stomach_bulge, vore, internal_view, stomach, soft_tissue_walls, swallowed, resigned_expression, half-closed_eyes, blush, saliva, sweat, motion_lines, spoken_heart, pool_water_reflection, wet_skin, sunlight, blue_sky, white_clouds, clear_day Three stacked horizontal panels on one page, sequential art layout with distinct black borders between them, comic-style framing, each panel its own shot of the same rooftop pool deck. Panel 1, wide low-angle shot from behind and slightly below. Square white-tiled rooftop deck with a turquoise pool occupying the right half of the panel, its far edge meeting a low parapet and a clean sky of hard blue and slow white clouds; the water's surface chops into bright caustic scribbles on the tile lip. On the left, a tall girl with short brown hair falling between her eyes, a sprouting ahoge, and brown eyes stands at the coping over a much smaller girl in a blue dress with short brown hair, a hair bow, an ahoge, and pantyhose. The tall girl's grey-gloved hand closes on the smaller girl's head, elbow cocked back, weight dropped onto her rear foot, torso twisted away and winding. The smaller girl is caught mid-lift, heels off the tile, arms thrown up, mouth pulled into a startled line, eyes fixed on the tall girl's face. The tall girl's eyes are on her hands, not the camera. Painted speed lines streak off the smaller girl's shoulders and skirt hem toward the top edge, and a thin drip of pool water hangs at the lip of the coping. Panel 2, same deck shot from higher and steeply below the tall girl's jawline, dutch angle tilted a few degrees. The smaller girl is a compressed airborne dot about three meters overhead, dress and hair blown straight up, limbs splayed, mouth open in a shriek rendered only as a wide black oval, faint outlined motion trails under her. Below, the tall girl stands feet apart on the wet tile with her head cranked all the way back, jaw hinged wide open, a red interior and a pink tongue visible, throat stretched, one gloved hand shading her brow to sight the falling girl. Saliva strung thin between her lips. Behind her the pool water runs almost to the panel border, reflecting sky. Panel 3, close on the tall girl's upper body from a low three-quarter angle against the tiled parapet and pool. Her jaw is clamped shut around the smaller girl's head and shoulders, cheeks stretched and bulging, throat swollen with a hard bulge at the front, one grey-gloved hand pressed flat to her own neck. The smaller girl's legs and skirt still kick above the clamped lips, her arms pinned at her sides, her own eyes wide and half-lidded in a stunned, resigned expression. Saliva slips down the tall girl's chin and her eyes are squeezed half-shut over a smug upward curl at the corner of her mouth, skin flushed at the cheeks. A hard slant of afternoon sun lays a blurred shadow of both girls across the coping. Panel 4, interior cutaway in a soft rounded frame, good-girl art register. Inside the tall girl's stomach the small girl sits curled in a ball against pink folded tissue walls, knees to chest, hair damp and flattened against her cheek, blue dress soaked to the knees, eyes half-closed and mouth a small tired line, one small hand braced against the wall. A faint greenish light rims the folds from above; the walls are wet and glisten where they cup her back. Panel 5, back on the deck, the tall girl stands at the pool edge with both grey-gloved hands folded over a distinctly rounded stomach, chin lifted, a self-satisfied closed-mouth smile, eyes half-lidded, gazing down at her own hands. Her white bodysuit pulls taut across the bulge. The small blue dress lies crumpled on the tile beside her foot. Turquoise pool light flickers up her front from below, sky and clouds sit clean at the top of the frame, and a small hand-drawn heart floats inside a tiny speech bubble beside her cheek; no other lettering anywhere in the panels. Bright summer daylight, blue-and-turquoise palette against white tile and grey bodysuit, comic line work with flat cel shading and screentone on the pool water, playful and mischievous.
Oct 29, 2026 10:03 PM
AI artwork
н3
character: shokuhou_misaki, misaka_mikoto 2girls, full body, from below, shop entrance, automatic glass doors, storefront, standing, blonde hair, very long hair, hair between eyes, star-shaped pupils, yellow eyes, triumphant smile, smug, resting hands on stomach, massive belly, swollen stomach, translucent belly, cross-section, curled up, brown hair, short hair, hair clip, brown eyes, furious, scowl, clenched teeth, tokiwadai school uniform, school uniform, sweater vest, collared shirt, pleated skirt, white elbow gloves, white thighhighs, afternoon sunlight, sharp cast shadow A full-length composition framed from a slight low angle centers on a tall blonde girl standing upon the paved terrace just outside a modern convenience store entrance. Her spine leans slightly backward at the waist to counterbalance an impossibly colossal, tautly distended belly that billows forward into an immense spherical dome. Cascades of thick honey-blonde hair pour past her shoulders, framing golden eyes with sharp star-shaped pupils and an amused, beaming smile curving her lips. She rests both white-gloved hands affectionately against the upper crest of her gargantuan midsection, her brown knit school vest and pleated skirt stretched neatly around the edges of the swelling. Through a cutaway translucent view into the cavernous interior of her stomach, a full-sized brown-haired girl is curled in a tight huddle, knees drawn tightly to her chest to fit the space. Her short brown hair and small side hair clip press against the curved interior wall as she glares outward in incandescent fury, teeth bared in an indignant snarl and fists braced angrily against the taut enclosure. In the background, the storefront’s sliding glass panels reflect the urban street and display clear white lettering that reads "自動ドア" near the sensor frame. Clear, directional afternoon sunlight strikes from the upper right, casting a massive, rounded shadow across the light-gray stone pavers directly beneath the swollen stomach, while a sharp specular sheen glints across its taut apex. Whimsically absurd.
Oct 17, 2026 7:24 PM
AI artwork
н3
character: misaka_mikoto, shokuhou_misaki 1girl falling, 1girl standing, from below, low angle, falling, looking up, open mouth, brown hair, short hair, brown eyes, brown sweater vest, white shirt, pleated skirt, long blonde hair, yellow eyes, star-shaped pupils, white elbow gloves, white thighhighs, skirt, building, rooftop, city street, depth of field, motion blur A low-angle shot looking straight up from the pavement of a city street toward the roof of a four-story building. High above, a girl with short brown hair and brown eyes is falling through the air, her body tilted slightly sideways in mid-descent; her brown sweater vest and pleated skirt flare upward, caught by the rush of wind, while her expression is one of sudden shock. In the immediate foreground, the lower half of the frame is occupied by a girl with very long blonde hair and yellow star-shaped pupils; she stands rooted to the concrete, her head tilted sharply back to gaze upward at the falling figure. Her mouth is agape in a gasp of disbelief, and her white-gloved hands are frozen mid-air near her chest. The harsh midday sun strikes the side of the building, casting a long, sharp shadow that streaks down the concrete wall toward the street. The palette is dominated by the pale grey of the urban architecture and the bright, contrasting colors of the girls' uniforms. The atmosphere is one of sudden, chaotic tension.
Oct 17, 2026 7:23 PM
1#อินเดกซ์ คัมภีร์คาถาต้องห้าม#มิซากะ มิโคโตะ#เรลกัน แฟ้มลับคดีวิทยาศาสตร์
AI artwork
н3
character: misaka_mikoto, shokuhou_misaki 1girl falling, 1girl standing, from below, low angle, falling, looking up, open mouth, brown hair, short hair, brown eyes, brown sweater vest, white shirt, pleated skirt, long blonde hair, yellow eyes, star-shaped pupils, white elbow gloves, white thighhighs, skirt, building, rooftop, city street, depth of field, motion blur A low-angle shot looking straight up from the pavement of a city street toward the roof of a four-story building. High above, a girl with short brown hair and brown eyes is falling through the air, her body tilted slightly sideways in mid-descent; her brown sweater vest and pleated skirt flare upward, caught by the rush of wind, while her expression is one of sudden shock. In the immediate foreground, the lower half of the frame is occupied by a girl with very long blonde hair and yellow star-shaped pupils; she stands rooted to the concrete, her head tilted sharply back to gaze upward at the falling figure. Her mouth is agape in a gasp of disbelief, and her white-gloved hands are frozen mid-air near her chest. The harsh midday sun strikes the side of the building, casting a long, sharp shadow that streaks down the concrete wall toward the street. The palette is dominated by the pale grey of the urban architecture and the bright, contrasting colors of the girls' uniforms. The atmosphere is one of sudden, chaotic tension.
Oct 17, 2026 7:23 PM
AI artwork
н3
character: misaka_mikoto, shokuhou_misaki 1girl falling, 1girl standing, from below, low angle, falling, looking up, open mouth, brown hair, short hair, brown eyes, brown sweater vest, white shirt, pleated skirt, long blonde hair, yellow eyes, star-shaped pupils, white elbow gloves, white thighhighs, skirt, building, rooftop, city street, depth of field, motion blur A low-angle shot looking straight up from the pavement of a city street toward the roof of a four-story building. High above, a girl with short brown hair and brown eyes is falling through the air, her body tilted slightly sideways in mid-descent; her brown sweater vest and pleated skirt flare upward, caught by the rush of wind, while her expression is one of sudden shock. In the immediate foreground, the lower half of the frame is occupied by a girl with very long blonde hair and yellow star-shaped pupils; she stands rooted to the concrete, her head tilted sharply back to gaze upward at the falling figure. Her mouth is agape in a gasp of disbelief, and her white-gloved hands are frozen mid-air near her chest. The harsh midday sun strikes the side of the building, casting a long, sharp shadow that streaks down the concrete wall toward the street. The palette is dominated by the pale grey of the urban architecture and the bright, contrasting colors of the girls' uniforms. The atmosphere is one of sudden, chaotic tension.
Oct 17, 2026 7:22 PM
AI artwork
н3
character: misaka_mikoto, shokuhou_misaki 1girl falling, 1girl standing, from below, low angle, falling, looking up, open mouth, brown hair, short hair, brown eyes, brown sweater vest, white shirt, pleated skirt, long blonde hair, yellow eyes, star-shaped pupils, white elbow gloves, white thighhighs, skirt, building, rooftop, city street, depth of field, motion blur A low-angle shot looking straight up from the pavement of a city street toward the roof of a four-story building. High above, a girl with short brown hair and brown eyes is falling through the air, her body tilted slightly sideways in mid-descent; her brown sweater vest and pleated skirt flare upward, caught by the rush of wind, while her expression is one of sudden shock. In the immediate foreground, the lower half of the frame is occupied by a girl with very long blonde hair and yellow star-shaped pupils; she stands rooted to the concrete, her head tilted sharply back to gaze upward at the falling figure. Her mouth is agape in a gasp of disbelief, and her white-gloved hands are frozen mid-air near her chest. The harsh midday sun strikes the side of the building, casting a long, sharp shadow that streaks down the concrete wall toward the street. The palette is dominated by the pale grey of the urban architecture and the bright, contrasting colors of the girls' uniforms. The atmosphere is one of sudden, chaotic tension.
Oct 17, 2026 7:22 PM
AI artwork
н3
A wide shot of the character from image1 standing beside a stone fountain in a sun-drenched park with lush green trees and a cobblestone path. The character has short brown hair adorned with a small white flower hairclip and wears a white short-sleeved collared shirt under a beige sweater vest and a grey pleated skirt. She has a malicious grin on her face and an extremely large, rounded belly that is constricting. Her breasts are depicted as unnaturally oversized, growing larger as her stomach tightens. Inside the translucent, fleshy walls of her stomach, a naked young man with spiky black hair, Kamijou Toma, is cramped and thrashing about, partially submerged in shimmering gastric juices. The art style stays the same as the input image1.
Sep 21, 2026 3:54 AM
AI artwork
н3
character: shokuhou_misaki, misaka_mikoto, shirai_kuroko 1girl, 2girls, vore, stomach_vore, internal_view, belly_expansion, distended_belly, sitting_on_bench, park, sunny, daytime, blush, half-closed_eyes, sweat, seductive_smile, from_below, wide_shot A wide shot from a low angle captures a sunny park scene where a blonde girl with very long hair and star-shaped pupils sits on a wooden bench, her back arched and a smug, lopsided grin on her face. Her abdomen is massively distended, stretching her clothing tight into a large, rounded dome that rests heavily on her thighs. A translucent, x-ray-style cutaway reveals the interior of her stomach, where two smaller girls—one with short brown hair and another with long brown twintails—are cramped together in a pool of churning, translucent yellow gastric juices. The liquid reaches their waists, and their school uniforms are visibly dissolving, the fabric fraying and melting away into the fluid. The girl with short hair has a sorrowful, wide-eyed expression, while the girl with twintails is pressed tightly against the stomach wall, her cheek crushed against the fleshy lining with a look of distress. The blonde girl's hand rests contentedly on the curve of her swollen belly, her fingers pressing into the taut skin. Bright sunlight filters through overhead greenery, casting dappled shadows across the grass and the bench. Effortlessly triumphant.
Sep 20, 2026 7:08 PM
AI artwork
н3
character: shokuhou_misaki, misaka_mikoto, shirai_kuroko 1girl, 2girls, vore, stomach_vore, internal_view, belly_expansion, distended_belly, sitting_on_bench, park, sunny, daytime, blush, half-closed_eyes, sweat, seductive_smile, from_below, wide_shot A wide shot from a low angle captures a sunny park scene where a blonde girl with very long hair and star-shaped pupils sits on a wooden bench, her back arched and a smug, lopsided grin on her face. Her abdomen is massively distended, stretching her clothing tight into a large, rounded dome that rests heavily on her thighs. A translucent, x-ray-style cutaway reveals the interior of her stomach, where two smaller girls—one with short brown hair and another with long brown twintails—are cramped together in a pool of churning, translucent yellow gastric juices. The liquid reaches their waists, and their school uniforms are visibly dissolving, the fabric fraying and melting away into the fluid. The girl with short hair has a sorrowful, wide-eyed expression, while the girl with twintails is pressed tightly against the stomach wall, her cheek crushed against the fleshy lining with a look of distress. The blonde girl's hand rests contentedly on the curve of her swollen belly, her fingers pressing into the taut skin. Bright sunlight filters through overhead greenery, casting dappled shadows across the grass and the bench. Effortlessly triumphant.
Sep 20, 2026 7:08 PM
AI artwork
н3
character: shokuhou_misaki, misaka_mikoto, shirai_kuroko 1girl, 2girls, vore, stomach_vore, internal_view, belly_expansion, distended_belly, sitting_on_bench, park, sunny, daytime, blush, half-closed_eyes, sweat, seductive_smile, from_below, wide_shot A wide shot from a low angle captures a sunny park scene where a blonde girl with very long hair and star-shaped pupils sits on a wooden bench, her back arched and a smug, lopsided grin on her face. Her abdomen is massively distended, stretching her clothing tight into a large, rounded dome that rests heavily on her thighs. A translucent, x-ray-style cutaway reveals the interior of her stomach, where two smaller girls—one with short brown hair and another with long brown twintails—are cramped together in a pool of churning, translucent yellow gastric juices. The liquid reaches their waists, and their school uniforms are visibly dissolving, the fabric fraying and melting away into the fluid. The girl with short hair has a sorrowful, wide-eyed expression, while the girl with twintails is pressed tightly against the stomach wall, her cheek crushed against the fleshy lining with a look of distress. The blonde girl's hand rests contentedly on the curve of her swollen belly, her fingers pressing into the taut skin. Bright sunlight filters through overhead greenery, casting dappled shadows across the grass and the bench. Effortlessly triumphant.
Sep 20, 2026 7:08 PM
AI artwork
н3
character: shokuhou_misaki, misaka_mikoto, shirai_kuroko 1girl, 2girls, vore, stomach_vore, internal_view, belly_expansion, distended_belly, sitting_on_bench, park, sunny, daytime, blush, half-closed_eyes, sweat, seductive_smile, from_below, wide_shot A wide shot from a low angle captures a sunny park scene where a blonde girl with very long hair and star-shaped pupils sits on a wooden bench, her back arched and a smug, lopsided grin on her face. Her abdomen is massively distended, stretching her clothing tight into a large, rounded dome that rests heavily on her thighs. A translucent, x-ray-style cutaway reveals the interior of her stomach, where two smaller girls—one with short brown hair and another with long brown twintails—are cramped together in a pool of churning, translucent yellow gastric juices. The liquid reaches their waists, and their school uniforms are visibly dissolving, the fabric fraying and melting away into the fluid. The girl with short hair has a sorrowful, wide-eyed expression, while the girl with twintails is pressed tightly against the stomach wall, her cheek crushed against the fleshy lining with a look of distress. The blonde girl's hand rests contentedly on the curve of her swollen belly, her fingers pressing into the taut skin. Bright sunlight filters through overhead greenery, casting dappled shadows across the grass and the bench. Effortlessly triumphant.
Sep 20, 2026 7:08 PM
AI artwork
н3
A digital anime illustration based on image1, set on a sunny day in a park where Mikoto Misaka stands by a splashing stone fountain, trapping Accelerator inside her transparent stomach. Mikoto has chin-length brown hair adorned with small white flower clips, brown eyes, and a malicious grin. She is dressed in a short-sleeved white collared shirt, a beige V-neck sweater vest, and a grey pleated skirt. Her breasts are extremely large and heavy, bulging prominently as her body reacts to her prey. Her midsection swells into a glowing, transparent orange sphere that acts as a predator's stomach, filled with bubbling gastric juices. Cramped and completely naked inside this constricting belly, Accelerator thrashes about desperately as he is being digested. He has spiky white hair and fierce red eyes, looking furious and trapped within the tight, acidic enclosure. Mikoto rests one hand on her hip, smiling sadistically down at her struggling victim. The bright background features a sunlit paved stone path, the cascading water of the fountain, and lush green trees. The style of the image remains faithful to image1.
Sep 18, 2026 10:50 PM
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