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View detailsнекры 30
ดูพารามิเตอร์
- พรอมต์ต้นฉบับ
- Park, daytime, sunny. Shokuhou Misaki is sitting on a bench; Misaka Mikoto and Kuroko Shirai is inside her stomach, bathing in gastric juices as her clothes melt. Vore, large belly with a character inside, satisfied predator, sad victim, cramped victim, distended predator belly.
- โหมด
- pro
- แท็กคุณภาพ
- ﹝พรอมต์﹞
- ขนาด
- 1104 x 1824
- ไม่ต้องการ
- lowres, worst quality, low quality, bad anatomy, explicit
ตัวช่วยพรอมต์
โมเดลและ LoRA ที่ใช้
รูปภาพคล้ายกัน
ดูเพิ่มเติมн3
character: misaka_imouto, misaka_worst
2girls, misaka_imouto, misaka_worst, vore, internal view, stomach, gastric juices, bathing, cramped space, angry, content predator, heavily distended belly, unrealistically large belly, sitting on bench, bench, park, daytime, sunny, outdoors, tokiwadai school uniform, brown sweater vest, white short-sleeved collared shirt, grey pleated skirt, brown loafers, white elbow-length gloves, brown bob cut, short hair, brown eyes, brown hair, medium hair of victim, ahoge, hair between eyes, closed eyes, light smile, faint smile, hands resting on belly, head tilt back, sunlight, dappled shadows, tree leaves, looking down at belly, playful, smug, half-closed eyes, blush, sweat, wet skin, open mouth, clenched teeth, furrowed brow, gritted teeth, arms crossed, leaning against stomach wall, clinical mood, gentle atmosphere, dark interior, wet interior, glossy reflections, warm golden daylight
Medium shot from a low three-quarter angle, camera placed at bench height and slightly to the right of the seated girl, sunlight raking across her from the upper left through the canopy above. Misaka Imouto sits on a slatted wooden park bench with her back against the backrest, hips square on the seat, both loafers planted flat on the paved path in front of her, knees apart to make room for the enormous belly that swells out from under her grey pleated skirt. The brown sweater vest is stretched taut over the rounded mass, the white short-sleeved collar lifting slightly at the neck with a slow exhale; her white elbow-length gloves rest side by side on the top curve of the belly, fingers splayed, thumbs meeting at the crest, the fabric dimpling where she presses. The belly is impossibly large, its silhouette a smooth dome rising from her lap to nearly her chin, skin visibly tight at the upper surface where the sun strikes and the veins faint at the sides. Her brown bob cut falls forward against her cheek, one strand catching the light, and her head tilts back against the backrest, eyes closed in a faint closed-lip smile, brow smooth, a single bead of sweat at her temple; a slow contented breath lifts the belly an inch and settles it. Beyond the bench a slice of municipal park: a gravel path raking across the lower third, a low hedge behind her, two tall trees overhead whose leaves dapple her uniform with hard-edged afternoon shadows, and far in the upper right, a pale strip of sky. Warm golden daylight is the only light source, its temperature high, the shadows deep and cool under the bench and in the folds of her skirt, and glistening wet highlights clinging to the outward curve of the taut skin.
An inset view cuts diagonally across the belly's dome from the lower right, the boundary of it the dim inner wall of the stomach, a curved crimson-rose chamber glossy with a thin film of gastric juices that pool lower than the figure's ankles and drip in slow strands from the upper wall. Misaka Worst crouches in that cramped space, shoulders jammed against the wet wall behind her, knees drawn up, one grey-gloved hand braced on her own thigh and the other arm crossed protectively over her chest, her brown hair plastered to her forehead with sweat and the ahoge standing up in the damp. Her grey bodysuit is sodden, the white dress clinging and turned translucent at the edges, her eyes narrowed and glaring upward at the stomach wall with teeth bared in a snarl, brow deeply furrowed, a flush of heat across her cheeks. The dim interior light is a diffuse glow filtered through the belly wall from the sun outside, so the chamber is lit by a soft amber glow that leaves the deepest folds almost black and makes the juices gleam along her collarbone and the curve of her thigh. Below the surface of the liquid her boots and the lowest pleats of the dress warp slightly with refraction. The overall palette stays close to warm golds outside, deep crimson and rose inside, with the only cool accents the grey of the uniform skirt and the pale sweat sheen on both figures' skin. The contrast between the contented face on the bench and the furious one inside the dim chamber is the emotional engine of the image: quiet, unsettling tenderness.
некры 30
н3
character: misaka_imouto, misaka_worst
2girls, misaka_imouto, misaka_worst, vore, internal view, stomach, gastric juices, bathing, cramped space, angry, content predator, heavily distended belly, unrealistically large belly, sitting on bench, bench, park, daytime, sunny, outdoors, tokiwadai school uniform, brown sweater vest, white short-sleeved collared shirt, grey pleated skirt, brown loafers, white elbow-length gloves, brown bob cut, short hair, brown eyes, brown hair, medium hair of victim, ahoge, hair between eyes, closed eyes, light smile, faint smile, hands resting on belly, head tilt back, sunlight, dappled shadows, tree leaves, looking down at belly, playful, smug, half-closed eyes, blush, sweat, wet skin, open mouth, clenched teeth, furrowed brow, gritted teeth, arms crossed, leaning against stomach wall, clinical mood, gentle atmosphere, dark interior, wet interior, glossy reflections, warm golden daylight
Medium shot from a low three-quarter angle, camera placed at bench height and slightly to the right of the seated girl, sunlight raking across her from the upper left through the canopy above. Misaka Imouto sits on a slatted wooden park bench with her back against the backrest, hips square on the seat, both loafers planted flat on the paved path in front of her, knees apart to make room for the enormous belly that swells out from under her grey pleated skirt. The brown sweater vest is stretched taut over the rounded mass, the white short-sleeved collar lifting slightly at the neck with a slow exhale; her white elbow-length gloves rest side by side on the top curve of the belly, fingers splayed, thumbs meeting at the crest, the fabric dimpling where she presses. The belly is impossibly large, its silhouette a smooth dome rising from her lap to nearly her chin, skin visibly tight at the upper surface where the sun strikes and the veins faint at the sides. Her brown bob cut falls forward against her cheek, one strand catching the light, and her head tilts back against the backrest, eyes closed in a faint closed-lip smile, brow smooth, a single bead of sweat at her temple; a slow contented breath lifts the belly an inch and settles it. Beyond the bench a slice of municipal park: a gravel path raking across the lower third, a low hedge behind her, two tall trees overhead whose leaves dapple her uniform with hard-edged afternoon shadows, and far in the upper right, a pale strip of sky. Warm golden daylight is the only light source, its temperature high, the shadows deep and cool under the bench and in the folds of her skirt, and glistening wet highlights clinging to the outward curve of the taut skin.
An inset view cuts diagonally across the belly's dome from the lower right, the boundary of it the dim inner wall of the stomach, a curved crimson-rose chamber glossy with a thin film of gastric juices that pool lower than the figure's ankles and drip in slow strands from the upper wall. Misaka Worst crouches in that cramped space, shoulders jammed against the wet wall behind her, knees drawn up, one grey-gloved hand braced on her own thigh and the other arm crossed protectively over her chest, her brown hair plastered to her forehead with sweat and the ahoge standing up in the damp. Her grey bodysuit is sodden, the white dress clinging and turned translucent at the edges, her eyes narrowed and glaring upward at the stomach wall with teeth bared in a snarl, brow deeply furrowed, a flush of heat across her cheeks. The dim interior light is a diffuse glow filtered through the belly wall from the sun outside, so the chamber is lit by a soft amber glow that leaves the deepest folds almost black and makes the juices gleam along her collarbone and the curve of her thigh. Below the surface of the liquid her boots and the lowest pleats of the dress warp slightly with refraction. The overall palette stays close to warm golds outside, deep crimson and rose inside, with the only cool accents the grey of the uniform skirt and the pale sweat sheen on both figures' skin. The contrast between the contented face on the bench and the furious one inside the dim chamber is the emotional engine of the image: quiet, unsettling tenderness.
некры 30
s
Warrior in green cape
sonic
c
She is a mom now
cryen
สำรวจเพิ่มเติม
ผู้ใช้แนะนำ
ที่คุณอาจชอบ
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
1
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
X-Ray • Verina
ichikiki
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
samsara asura
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
HaruYuu 02
uzukun
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
1
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
1
คอมเมนต์