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Delmonda

3Takip Edilenler28Takipçi595Alınan Beğeniler
EserlerKoleksiyonlar
AI artwork
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2girls, from below, wide shot, low angle, dutch angle, high school girls, idol-like costume, pink and white outfit, blue and white outfit, ball-shaped puffed sleeve cuffs, tight waist, above-knee skirt, wide horizontally elongated dome skirt, hemispherical skirt, semicircular drapes on skirt sides, bare wrists, empty skirt interior, no petticoat, no pannier, hollow skirt, dancing, mid-twirl, library interior, bookshelves, bystanders, angry bystanders, irritated expressions, pointing, gesturing to leave, ignored, motion lines, open mouth, grin, blush, dutch angle, dynamic pose, looking at each other, swept hair, skirt flare, glossy rendering, soft lighting, warm highlights, controlled color harmony, intimate, sensual The camera sits low, looking up from just above the library carpet, tilted a few degrees off level, so the two girls tower in the middle of the frame with the shelves rising behind them. Center of a large public library: tall wooden shelves packed with spines run away in receding rows, a reading table and stacked books sit to the left, and the floor is flat carpet with a wide open aisle through the middle. In the middle of that aisle, the two high school girls dance — the right girl in a pink-and-white outfit, the left girl in a blue-and-white outfit, both in the same idol-like cut: sleeve cuffs puffed into small tight balls around puffed shoulders, wrists completely bare with nothing at them, waists drawn in snug, and above-knee skirts flaring out into a wide horizontally elongated fluffy dome, each a smooth hemisphere held stiff and round by fabric alone, with a simple left and right semicircular drape laid flat over the top of each skirt. Both skirts are untouched by hands. The left girl in blue and white is caught mid-twirl: weight on her right leg, left leg crossing behind, hips swung, arms flung wide, her blue skirt pulled round by the spin so its near edge lifts and the inside of the dome shows as a clean empty hollow under the fabric, no hoop, no panier, no petticoat, just a dark little cavity above her thighs. Her chin lifts toward the right girl, eyes bright and narrowed in a laughing grin. The right girl in pink and white answers with a step toward her, weight dropping onto her left foot, one shoulder dipped, both arms raised, white-pink dome swinging out at the hem, its inside also visibly hollow when the edge tips. She looks straight across at her partner, grinning back, hair swinging. Between them the air seems to move; their skirts bounce with it. Behind and around them, ordinary library users react: one woman stands at a table with her chair pushed back, brow furrowed, mouth open, one hand slapping the tabletop; a man at the end of a shelf points an accusing arm toward the dancers, jaw tight; a small group further back stares, some frowning, one half-standing to leave. Their eyes all go to the two girls. The girls do not look at any of them, all their attention on each other and on the dance. Books and papers near the aisle are knocked askew, one book fallen open on the carpet. Light comes from tall windows high left, cool daylight falling in long bars across the shelves, lighting the tops of the girls' puffed sleeves and the upper curve of their domes while the undersides of the skirts and the gaps between the shelves fall into softer shadow. The palette is kept tight: pink and white on the right girl, blue and white on the left, muted wood and beige carpet beneath, all rendered glossy with blended skin, warm highlights on cheeks and shoulders, soft edges, restrained color harmony. Joyous, quietly chaotic.
Nov 8, 2026 11:12 PM
AI artwork
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2girls, high school girls, idol costume, two-tone outfit, pink and white outfit, blue and white outfit, ball-shaped puff sleeves, small puff sleeves, fitted waist, cinched waist, above-knee skirt, wide dome skirt, hemispherical skirt, voluminous skirt, skirt interior hollow, empty skirt interior, no petticoat, no underskirt, bare wrists, nothing on wrists, hands not touching skirt, dancing, mid-dance pose, arms outstretched, skirt flaring with motion, ignoring bystanders, smug, closed eyes, light smile, library, bookshelves, indoor, bystanders, angry, disapproval, furrowed brow, pointing, crossed arms, high school uniform, white shirt, grey trousers, from below, wide shot, dutch angle, motion lines, depth of field, glossy rendering The camera sits low at the level of the dancers' hems and tilts a few degrees off plumb, so the central library aisle rises behind them between two tall dark-wood bookshelf colonnades and the brass reading lamps recede into warm bokeh. At the center of the frame the two ordinary high school girls dance with no partner and no audience invited: the right-hand girl in the pink-and-white costume is caught mid-spin, both arms flung out sideways at shoulder height so her small ball-shaped puff sleeves stand clear of her wrists, the cuffs ballooning round her forearms and both wrists bare, empty, nothing clasped at them; her hands are open and spread, a handspan from the fabric, palms flat, never gripping the skirt. Her skirt — cut well above the knee, cinched hard at the waist — bellies outward into a wide horizontal hemisphere, and because the fabric is caught in its own outward swing the underside of the dome gapes open toward the low lens, showing the inside as one clean unbroken cavity of pale shadow: no petticoat, no pannier, no layered underskirt, nothing but hollow air beneath the fabric's inner face. The left-hand girl in blue and white mirrors her at half a beat behind, one knee lifted, weight on the ball of the other foot, chin up and eyes closed in a closed-lip smile, her own blue dome skirt flaring wide on the other side and its interior equally open, equally hollow, equally empty. Neither girl looks at the crowd. Their heads are turned inward toward each other, eyes shut or sliding past the onlookers, mouths curved in small self-contained smiles; they dance as though the aisle were a stage and the library had no rules. Behind and around them the bystanders break the composition: a student in a pressed white shirt and grey trousers stands at the left edge of the aisle with his arms crossed and his jaw set, glaring at the two of them; another leans out from between the shelves with a book still in one hand and the other hand raised, index finger stabbing toward the dancers in accusation; a third stands squarely in the middle distance, shoulders squared, already half-turned as though heading for the desk to have them thrown out. Their eyes all land on the two girls; the girls return none of it, and the nearest accuser's pointing arm is blurred a little at the fingertip from impatience. The light comes from the brass reading lamps in a row down the aisle, warm and low and from either side, grazing the glossy puffed sleeves and the taut waistbands and pooling in the hollow under each skirt as soft graded shadow; the floorboards under the dancers carry a faint doubled reflection of the hems and nothing else, and the books on the nearest shelves stand perfectly still while the two domes of fabric swing. Palette holds to three families — candy pink, cold clear blue, and the library's brown and amber — with white as the shared base of both costumes. Glossy high-finish shading, soft blended skin gradients, controlled warm highlights, smooth minimally visible brushwork. Effortlessly insolent.
Nov 8, 2026 11:12 PM
AI artwork
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2girls, two ordinary high school girls, idol-like costume, puffed ball-shaped sleeve cuffs, cinched waist, above-knee dome skirt, wide fluffy hemispherical skirt with volume, skirt not held, hands away from skirt, right girl pink and white costume, left girl blue and white costume, dancing, on stage, small live house converted from a home room, no audience, just the two of them, from below, full body, dynamic pose, wide shot, stage lighting, arm up, mid-step, open mouth, grin, looking at another, motion blur in skirt hem, The camera sits low at the front edge of the stage and looks up, so the two girls stand tall against the ceiling of a small live house carved out of an ordinary home room: the stage is a low plywood platform pushed into what was once a bedroom, a sliding paper door still set in the back wall with its paper panels intact, a bookshelf shoved against the left wall with its shelves emptied, a single household fluorescent tube still screwed to the ceiling beside two rigged stage spotlights that throw hot pink-white from the left and cool blue-white from the right. The right girl wears pink and white: a pink bodice with white trim, its waist cinched tight and snug so the fabric puckers at the seam, small round cuffs puffed like balls at her wrists, white gloves' short edge tucked under those cuffs, and a white-and-pink skirt that balloons out horizontally into a wide soft dome, hemispherical and fluffy, its hem floating well above her knees with the volume lifting and settling as she moves. She is caught mid-step on her right foot, left knee lifted and turned inward, her left arm flung up and outward with the ball cuff silhouetted against the spotlight, her right arm swung low and wide, both hands open and clearly away from the skirt, fingers spread. Her chin is tipped up and her mouth is open in a bright grin, eyes crescent with the effort, her gaze thrown sideways to her partner. The left girl wears the same cut in blue and white: blue bodice, white trim, tight cinched waist, small spherical puffed cuffs at the wrists, and a white-and-blue skirt ballooning out into the same wide fluffy hemispherical dome above her knees. She answers the step by pivoting on her left heel, right foot sliding forward, her right arm lifted with the elbow bent and the round cuff bobbing near her shoulder, her left arm swept back and low, both hands held clear of the skirt fabric. Her head is turned toward the pink girl, one brow lifted, a lopsided smirk with her tongue just at the corner of her teeth, and the two of them share the same beat, weight rocking between their support feet. The skirts lift on the downbeat: each dome rises a fraction and the hem separates from the petticoat beneath, the fabric's soft bounce lagging behind the bodies as they turn. The two spotlights cast separate hard shadows of the girls onto the plywood stage and the paper door behind them, the pink shadow crossing the blue one where their arms overlap, and the household fluorescent tube adds a faint greenish rim along their shoulders and hair. The room is otherwise empty: no chairs set out, no audience, the floor in front of the stage bare, a coil of cable taped along the boards. The palette is held to pink, blue, white and the warm neutral of old wood and paper, with the two spotlights as the only saturated sources; the corners of the room fall into shadow. Playful, glowing.
Nov 8, 2026 11:12 PM
AI artwork
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2girls, two girls, standing, living room, indoors, ordinary everyday life, casual domestic moment, idol-like costume, pink and white costume, blue and white costume, ball-shaped puffed sleeve cuffs, snug fitted waist, above-knee skirt, wide dome-shaped voluminous skirt, hemispherical flared skirt, hands away from skirt, hands not touching hem, hands occupied with household objects, from side, cowboy shot, looking at object, looking down, light smile, open mouth, raised eyebrow, hair ornament none, bare earlobes, medium shot Two high-school-aged girls stand side by side in a lived-in living room, seen in a slight three-quarter side view from a camera set a little below chest height so the two dome skirts read as wide hemispheres across the frame. On the right of the frame, the girl in pink and white: the short puffed sleeve cuffs sit like two small balls at her upper arms, the bodice pinches snug at her waist and releases into an above-knee skirt that swells outward in a soft wide dome, spreading like a half-sphere with its hem floating well clear of her thighs, the fabric's volume held by its own crisp layers rather than by any hand. On the left, the girl in blue and white wears the identical cut in blue and white, the same ball cuffs, the same tight waist, the same wide hemispherical skirt spreading level and soft. Both girls are ordinary teenagers, not performers, and their posture is loose and unposed. The left girl in blue leans her weight onto her left hip, right knee slightly bent, both hands busy at a low side table: her left hand grips a filled glass, her right palm steadies a carton, her chin dipped, eyes on the pouring, a small pleased open-mouthed grin as she gets it right. The right girl in pink stands with her weight on her right foot, left ankle turned in, hugging a folded throw cushion against her chest with both forearms, her head tilted toward the other girl, one brow arched, watching the pour with a crooked half-smile, her gaze landing on the glass and the hands around it. Neither girl's fingers come anywhere near a hem; the skirts stand out on their own. Contact points are explicit: the blue girl's shoes flat on the rug, hip against the table edge, fingers wrapped around glass and carton, a thin thread of liquid running from carton lip to glass; the pink girl's shoulder brushing the doorframe behind her, cushion compressed slightly where her forearms press it. Warm afternoon light enters from a window off-frame left, striking the left side of the blue girl's face and the outer curve of her blue dome skirt, leaving soft shadow across the pink girl's right side and pooling darkly under both flared hems; the skirts cast broad soft shadow ovals onto the rug, and dust motes drift visibly only where the window shaft crosses them. The living room is medium-scale and ordinary: a low side table, a sofa arm at the frame edge, a stack of magazines, a rug with a faint seam, a houseplant, a television on standby, all slightly simplified in the background to keep the two figures dominant. Palette is built from the two costumes' pink-white and blue-white against the room's warm beige and muted wood, with the window light's pale gold as the only bright accent. The room's scale and clutter around the wide skirts give the scene its ordinary, unhurried domesticity, tender and everyday.
Nov 8, 2026 11:11 PM
AI artwork
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2girls, two high school girls, ordinary high school students, living room, indoor, everyday life, casual domestic scene, right girl pink and white outfit, left girl blue and white outfit, ball-shaped puffed sleeve cuffs, puffy sleeves, slim cinched waist, above-knee skirt, wide fluffy dome skirt, hemispherical skirt silhouette, huge skirt volume, petticoat fullness, idol-style costume, hands not touching skirt, skirt free of any hand grip, hands on floor/knees/own hair, sitting on rug, low table, cushions, mug, homework notebooks, early afternoon window light, from above, high angle, looking down at table, light smile, one eye closed, head tilt, leaning forward, bare legs, knee socks, loafers set aside, hardwood floor, warm afternoon sunlight Shot from above, slightly to one side, looking down into a lived-in living room: the two girls sit on a soft rug across a low wooden table, facing each other at an angle rather than squaring up to the lens, the right girl nearer the camera's right edge and the left girl nearer the left. The right girl in pink and white sits with her legs folded to one side, weight settled on her left hip, torso twisted a quarter toward the table; her ball-puffed cuffs stand out in taut little spheres at each shoulder, her waist pulled neat and narrow above a skirt that billows out sideways in a wide, fluffy horizontal dome, a full hemisphere of gathered fabric resting over her thighs and spilling onto the rug, hem clearing the knees, and both her hands are up above it entirely — one flat on the tabletop pinning a notebook page, the other raised to tuck a strand of hair behind her ear. The left girl in blue and white sits cross-legged directly across from her, spine leaning in over a mug she has just set down, her blue-and-white cuff spheres dimpling where her forearm presses the table edge, her own cinched waist and the broad soft dome of her skirt spreading symmetrically around her hips on the floor, hem well above her knees, both hands wrapped around the warm mug and nothing on the skirt at all. The right girl's gaze drops to the notebook, her mouth pulled into a small lopsided smile with one eye squinted half-shut as she reads a problem; the left girl looks straight across at her friend's face, chin lifted, waiting for the answer. The low table holds an open notebook, a pencil at an angle, a mug each, a plate with a half-eaten slice, and one cushion knocked askew, its corner dented where a knee pressed it. Behind them the plain domestic backdrop closes the room: a cream sofa with a folded blanket over one arm, a shelf of mismatched books, a potted plant with leaves catching the light, a curtained window behind camera-right. Afternoon sun comes in through that window and through a second one off-frame right, laying a warm slanted parallelogram of light across the floor and the two skirts; the pink skirt's dome receives the light broad and soft across its upper curve while shadow pools deep beneath its hem on the floorboards, and the blue dome shows a softer half-lit side with a crisp small shadow from the mug crossing it. A dust mote drifts visible in the beam above the table; the light is bright enough that the room reads as mid-afternoon rather than evening, and the shadow of the mug handle stretches long and narrow across the wood. Palette: warm honeyed wood and cream walls, the right girl's rose-pink and white, the left girl's cornflower-blue and white, wood tones kept muted so the two costumes carry all the colour. Every outfit stays clearly an idol-like costume worn by very ordinary students — same uniforms on ordinary bodies, ordinary posture, no stage, no performance. Quiet, comfortable, unhurried.
Nov 8, 2026 11:11 PM
AI artwork
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2girls, indoors, bedroom interior, ordinary everyday life, right girl, left girl, pink and white costume, blue and white costume, ball-shaped puffed cuffs, cinched waist, knee-length skirt, hemispherical fluffy dome skirt, wide voluminous skirt, hands away from skirt, arms relaxed, sitting, from above, from side, natural window light, soft domestic atmosphere, no text View from high above and slightly to one side, looking down into a small residential bedroom where two ordinary high-school girls spend an unremarkable afternoon. On the right of the frame, the girl in pink and white sits cross-legged on a low bed, a textbook open across her lap and one pencil twirling between her fingers; her weight sinks into the mattress so the blanket bunches under her knee. Her costume keeps its padding-shaped silhouette even seated: each cuff puffs out as a tight little ball at her wrist, the waist nips in sharply, and the knee-length skirt spills outward in a wide, fluffy dome that rises off the bedding like a half-sphere, its hem resting on the quilt instead of being gathered up — both hands stay in her lap, none of her fingers plucking at the fabric. She has chin-length dark brown hair tucked behind one ear, and she is looking down at her page, lips slightly parted in concentration, one brow lifted. On the left, the girl in blue and white sits on the floor with her back against the bed frame, knees drawn up under the same dome-shaped skirt that balloons symmetrically around her on the rug; the frosted-white bodice and ball cuffs read crisply against the blue. She holds a mug in both hands at her chest, blowing once at the steam, her gaze angled sideways toward her friend rather than out of frame, and the pink girl turns her head just enough to answer it. Between them the room is small and lived-in — a bookshelf of mismatched spines, a sliding-closet door ajar, a crumpled cardigan on a chair, half a bag of snacks on the desk and a pair of slippers kicked off by the door. Daylight comes from a single window high on the wall at frame left: it falls across the tops of both skirts, catching the fabric's loft on every upward-facing curve, while the undersides and the gap beneath the bed fall into soft grey shade, and the two long diagonal shadows of the window frame stretch over the floor between them. Palette is restrained — warm neutral room, white as the common thread, pink and blue doing all the brightness — with the fabric's soft fuzzy texture and the matte cotton of the school-adjacent, non-stage reality set against the undeniable idol shape of the dresses. Quiet, gentle everyday warmth.
Nov 8, 2026 11:11 PM
AI artwork
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2girls, two high school girls, idol-style outfit, ball-shaped puffed sleeve cuffs, fitted snug waist, above-knee skirt, skirt flaring into voluminous fluffy dome hemisphere silhouette, hands away from skirt, arms away from skirt fabric, right girl pink and white outfit, left girl blue and white outfit, long light-brown wavy hair, pink ribbon hair clip, white crew socks, pink loafers, chin-length dark ash-blonde bob, white crew socks, blue loafers, indoors, inside a room, standing, from below, full body, dutch angle, looking at each other, open mouth, grin, blush, one eye closed, arm up, outstretched arm, v, head tilt, dynamic pose From a low dutch-angle full-body view inside a small bedroom, two ordinary high school girls face each other across the frame, caught mid-laugh, and the tilted horizon makes the room lean and the skirts flare like two-colored lampshades. The girl on the right wears pink and white: a pink bodice with a snug, tightly fitted waist that pinches in at the ribs, small sleeve cuffs puffed like balls at her upper arms, and an above-knee skirt of soft pink fabric with a white waistband that billows out horizontally into a fluffy dome, a hemisphere spreading wide and low around her hips. Her arms are lifted clear of it — one hand thrown up high beside her head flashing a v sign, the other arm bent out to the side, elbow away from her body — fingers spread, nothing touching or pinching the skirt fabric, which keeps its drum-taut dome on its own. She rocks her weight onto her back foot, front heel peeled up off the floorboards, chin tilted up and to her left, long light-brown waves swinging out and catching the light along one edge, the pink ribbon clip slipping slightly in her hair as she laughs, one eye squeezed shut, open mouth, tooth showing. The girl on the left wears blue and white the same way: white-trimmed blue bodice, snug waist cinched in, ball-puffed cuffs at the shoulders, above-knee blue skirt swelling out into the same wide horizontal dome with a crisp white band at the hem. She leans in toward the other girl, her own arm raised in a bent cheer with the hand open at shoulder height, plainly away from the hem; her other hand rests flat on her own collarbone. Her dark ash-blonde chin-length bob whips forward over one cheek as she turns her head, wide-eyed, mouth open mid-shout of laughter, looking straight into the other girl's face, and the other girl's eye meets hers. The room around them: pale cream wallpaper, a low wooden dresser along the back wall with a small lamp and a stack of school notebooks, a window on the far left with thin white curtains half drawn, a scatter of floorboards with a soft braided rug under their feet. Their white crew socks and pink and blue loafers are planted on that rug, the pile compressed in two shallow dents where each girl's weight lands, and one shoe leaves a light scuff of displaced fibers where the toe has just pivoted. Light comes from the window at frame left, cool daylight falling across the blue girl's face and shoulder and raking along the pink girl's skirt, so the near side of each dome glows and the far underside drops into a soft warm shadow; the lamp on the dresser is unlit and adds only a faint warm accent on the wallpaper. The palette stays to pink, blue, white and warm cream wood. Cheerful, giddy, effortlessly light.
Nov 8, 2026 11:11 PM
AI artwork
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1girl, solo, white hair, long hair, hair down, straight hair, white eyes, pale skin, near-white skin, all-white outfit, white dress, puffed sleeves, ball-shaped sleeve cuffs, sphere sleeves, cinched waist, narrow waist, white skirt, knee-length skirt, very flared skirt, bell-shaped skirt, hemisphere skirt silhouette, white peplum, side drapes, loose drapery, ruffled drape, standing, standing on one leg, tiptoes, spinning, arms up, outstretched arms, head tilt, closed mouth, light smile, looking to the side, full body, from below, dutch angle, low angle, white background, seamless white ground, monochrome, high key, soft studio light, clean lineart, cel shading, pastel palette The camera sits low and close to the floor, tilted a few degrees off level, looking up at a single ordinary high school girl caught mid-spin on the ball of her left foot: her right leg is lifted and bent behind her, toes pointed, the white skirt fanning wide around her hips like the top half of a dome, its hem just above her knees and its bell silhouette swinging outward with the turn. Her arms are flung up and out to either side, the small round ball-shaped sleeve cuffs sitting high at her shoulders as spherical white puffs, the fabric of each cuff a soft closed curve; her bare arms and hands are open and pale, fingers relaxed. Her waist is drawn in tight and narrow where the bodice meets the skirt, then the loose draped peplum flounces hang on both sides of the skirt, reaching to just above the hem, the drapery swinging a beat behind the skirt on the turn as fabric does. Her long white hair is worn fully down, falling straight past her shoulders and lifting outward at the ends from the spin; her face is turned in profile away from the lens, a faint closed-lipped smile, eyes narrowed gently and looking to the side, lashes pale. Every surface is white: the white hair dropping and lifting, the white eyes turned sideways, the near-white skin, and the all-white outfit from ball cuffs to cinched waist to hemisphere skirt to side drapes, all of it distinguished only by the cool shadow tone and the deeper folds in the drapery. The figure stands on a seamless white studio sweep, an empty off-white field with no horizon, no props and no pattern anywhere; a soft key light comes from the upper left and wraps the lit faces of the round cuffs and the tops of the skirt folds, while the undersides of the skirt bell, the shadowed spills of the peplum, and the far side of her lifted leg fall into a faint cool grey, and a soft shadow pools under her supporting foot. Only the faint grey shadow inside the folds of the moving drapery marks the spin's passing air. Quiet, weightless.
Nov 8, 2026 10:51 PM
AI artwork
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Two characters, Shiroko and Serika from Blue Archive, are depicted in a high-angle wide shot overlooking a dense urban cityscape consistent with image2. Shiroko has short white hair, wolf-like ears, and a blue scarf around her neck. Serika has short red hair and cat-like ears. Both characters are wearing their signature school uniforms with blue jackets and pleated skirts, and they are rendered with noticeably plump, curvaceous figures. They are standing together on a high rooftop or balcony, looking out over the sprawling city of grey and white buildings under a cloudy, overcast sky. The style is changed to a clean, modern anime render with soft lighting and high detail. overlay text: none. [TAG TRAILER] copyright: blue_archive
Nov 8, 2026 2:05 PM
AI artwork
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character: serika_(blue_archive), shiroko_(blue_archive), copyright: blue_archive ((nonsense syllables:100.0), Blue Archive Shiroko, ((nonsense syllables:100.0)), Serika. (nonsense syllables, nonsense syllables (nonsense syllables (muojja nonsense syllables ng 0929), nonsense syllables. nonsense syllables plump nonsense syllables. plump nonsense syllables nonsense syllables eyes. nonsense syllables so much that it overflows.. 2 people nonsense syllables. nonsense syllables look like nonsense syllables Riha. nonsense syllables nonsense syllables. nonsense syllables (nonsense syllables visible. nonsense syllables nonsense syllables nonsense syllables. (worst quality:10.0), (mostly bad quality:100.0), fast)
Nov 8, 2026 2:03 PM
AI artwork
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character: serika_(blue_archive), shiroko_(blue_archive), lucuha, copyright: blue_archive (nonsense characters), Blue Archive Shiroko, (nonsense characters) Serika. (nonsense characters) (muojja (nonsense characters) ng 0929), (nonsense characters). (nonsense characters) plump (nonsense characters). Plump (nonsense characters) eyes. (nonsense characters) spilling out (nonsense characters). 2 people (nonsense characters). (nonsense characters) looking like (nonsense characters) Riu. (nonsense characters). (nonsense characters) (nonsense characters) can be seen. (nonsense characters) (nonsense characters) (nonsense characters),(worst quality:3.0) ,(mostly bad quality:5.0),fast
Nov 8, 2026 2:03 PM
AI artwork
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character: shiroko_(blue_archive), serika_(blue_archive), lucuha, copyright: blue_archive (random noise) (random noise) Blue Archive's Shiroko, (random noise) and Serika. (random noise) (muojja (random noise) 0929), (random noise). (random noise) plump (random noise). plump (random noise) eyes. (random noise) so much that it spills out (random noise). Two people (random noise). (random noise) looking like (random noise) Riu. (random noise) (random noise). (random noise) can be seen. (random noise) (random noise).
Nov 8, 2026 2:03 PM
AI artwork
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1girl, solo, idol costume, puffy sleeves, balloon sleeves, spherical sleeve volume, cinched waist, fitted waist, above-knee skirt, short skirt, wide voluminous skirt, dome-shaped skirt, fluffy skirt, skirt spreading sideways, hands away from skirt, hands at sides, not touching skirt, standing on one leg, tiptoes, arms up, outstretched arm, waving, head tilt, full body, from below, dutch angle, looking down at viewer, grin, one eye closed, open mouth, blush, :d Seen from a low, slightly tilted dutch angle, a single ordinary high-school girl in an over-the-top stage costume occupies the whole frame from her raised fingertips to the toes of the foot she is balancing on; the camera sits near knee height and looks up, so her skirt billows across the upper half of the picture and the pale empty sky fills the rest. She balances on her right foot, left knee lifted and left ankle crossed loosely behind it, toes just clearing the ground; her right arm is flung up and out to the side in mid-wave with the fingers spread, her left arm hangs free with the hand open in the air a full hand's width clear of the skirt, nothing gripping or lifting the hem, the fabric hanging entirely under its own weight. Both cuffs are spheres of stiff fabric, blown round and taut, seam lines running over the ball of each one, the cuff opening cinched tight at the wrist so the sphere sits like a bubble above her hands. The waistband clamps narrow and close under her ribs, and the skirt bursts out from it: above the knee in length, gathered into deep soft folds that push the silhouette wide to either side, the widest part held at mid-thigh height and the lower edge curving back inward in a soft dome, each fold lit on top and shadowed beneath. She tips her chin down toward the lens with a lopsided grin, one eye squeezed shut in a wink, brows lifted, and a faint blush sits high on both cheeks; a strand of hair swings out across her lifted knee where the motion has caught it, and the skirt's outer folds drift sideways a beat behind her. One light source, high and slightly to camera-left, throws a bright rim on the tops of both sleeve spheres, the crown of the skirt and her raised forearm, drops crisp shadow under the skirt's domed edge and inside each fold, and leaves a soft-edged cast shadow pooling on the ground by her standing foot; beyond that the backdrop stays an unbroken, seamless pale field with no horizon line or props. Palette of clean white, soft warm pink and a single deeper rose in the shadows, high-key and airy. Sunlight falls only on upward-facing fabric, so the underside of the skirt stays dark while its top glows. Bright, buoyant, effortlessly idol-like.
Nov 7, 2026 8:47 AM
AI artwork
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1girl, solo, idol costume, puffed sleeves, balloon sleeves, round ball-shaped sleeve cuffs, cinched waist, tight waist, above-knee skirt, very voluminous skirt, fluffy skirt, wide flared skirt, horizontally spreading skirt, free-falling skirt fabric, hands at sides, hands away from skirt, open hands, relaxed fingers, standing, weight on one leg, contrapposto, slight lean, head tilt, from below, cowboy shot, full skirt visible, soft studio light, plain pale background, looking to the side, light smile, closed mouth, blush, high school girl, long hair, brown hair, hair swaying, ribbon, sailor collar The camera sits low and looks up at her from about hip height, cowboy framing that keeps the whole wide skirt and both ball-round sleeve cuffs inside the frame. She is an ordinary high-school-age girl with long brown hair tied back by a single ribbon, a light dusting of blush across her cheeks, her eyes turned off to her left towards something outside the frame, a small closed-lip smile just forming. She stands in a loose contrapposto, weight sunk into her left leg with the right knee bent and the toe turned out, her torso leaning a touch back and her head tilted toward her raised shoulder, caught in the middle of a small settling shift rather than posed square to the lens. Her costume is the whole point. Both sleeves puff out into near-perfect spheres at the wrist, the fabric ballooning round and taut and gathering tight into a narrow cuff just above each hand, so each arm reads as a soft ball with a small wrist emerging beneath it. The bodice pulls in snug at the waist, cinched close and smooth, then breaks into a skirt that begins above the knee and blooms outward in a broad horizontal sweep, layer upon layer of light fluffy fabric belling wide to either side so its silhouette is far wider than her shoulders. Nothing pinches it: both hands hang relaxed and open at her sides, fingers loosely curled, held clear of the fabric, and the skirt falls free under its own weight, its hem rippling in a soft uneven wave where the air has moved it. The camera's low angle lets the underside of the flared hem show its depth and the shadow pooling inside the bell of the cloth. Behind her is a plain seamless pale cream sweep, completely empty, with no furniture and no horizon line. One large soft light sits high and slightly to camera-left, wrapping the tops of both balloon sleeves and the upper curve of the skirt in a gentle highlight while the folds beneath the flare and the underside of the hem sink into cool grey shadow; a faint soft shadow of the skirt falls on the floor to her right, its edge feathered by the light's size. The palette stays quiet and pastel — cream ground, soft blush pink and off-white in the costume, warm brown hair — with nothing else admitted except the muted blue of the ribbon. Crisp cel-shaded linework, flat clean colour with one soft shading step, gentle spring light.
Nov 7, 2026 8:47 AM
AI artwork
d
1girl, solo, idol costume, puffed sleeves, ball-shaped sleeves, fitted waist, cinched waist, knee-length skirt, fluffy skirt, voluminous skirt, flared skirt, wide skirt, hands away from skirt, arms at sides, skirt hanging naturally, from below, full body, standing, weight on one leg, head tilt, looking to the side, light smile, ordinary high school student, long hair, brown hair, blunt bangs, brown eyes, white blouse, ribbon at collar, petticoat layers, mary janes, white socks The camera sits low and looks up at her, a full-body vertical frame with her shoes near the bottom edge and a strip of empty air above her head. She is a single ordinary high school girl, slim and small-waisted, standing on a plain dark stage floor that gives her nothing to lean on. Her weight rests on her left leg, the right knee slightly bent and the right toe turned inward; her hips therefore tilt a few degrees and the cinched waist sits just off the vertical, which is what makes the waistline read as pulled tight rather than drawn flat. Both arms hang clear of her body, a hand's width of air between each elbow and her ribs, forearms relaxed and slightly forward, hands open with the palms turned in toward her thighs — nothing touches the skirt, no finger pinches fabric, no arm brushes the hem, and the skirt hangs from the waistband entirely on its own. Each sleeve puffs into a full sphere at the shoulder, its fabric blown round and taut at the crown and gathered into a narrow band just above the elbow, the two spheres breaking the silhouette wide at the top. Below the snug waistband the skirt drops and then swells outward, a knee-length bell with real loft to it: layered fluffy fabric holds the volume out away from her legs all the way around, the hem floating a good hand's width clear of her thighs at the sides, the pleat-and-ruffle edges catching a soft ripple so the underside of the hem sits in shadow. Underneath, a pale petticoat edge shows as a thin fluffy line just inside the hem. Her head tilts toward her right shoulder, chin slightly down, and her eyes slide off to the left of frame, past the lens, with a faint closed-lip smile and one brow a touch higher than the other. Her long brown hair is caught in the same motion as her posture, a few strands swinging out to the left where her head turned, bangs parted over her forehead. The light comes from one high source in front and slightly left, cool white, striking the crowns of both sleeve spheres and the tops of her shoulders and running down the front of the blouse; it grazes the outward bulge of the skirt and dies under the hem, so the shadow pools there and on the floor directly beneath her, a soft compact pool with the shape of the flared skirt in it. Beyond that pool the darkness is complete — a seamless deep-charcoal void with no walls, no horizon and no props. The palette is held to three: the white and pale cream of blouse, sleeves and petticoat; a deep navy in the skirt and the ribbon; and her warm brown hair and eyes as the only other colour, all of it against the charcoal ground. Crisp cel-shaded edges, clean colour fills, no grain. Quiet, poised, a little dreamy.
Nov 7, 2026 8:47 AM
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