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すとっう
Parametreleri Göster
- Orijinal Prompt
- 袖口は球のように球のように膨らみ、腰はきゅっとした感じで、膝より上の丈のスカートはなるべくふんわりとボリューム感があるように横長にふんわりドーム状に膨らんで半球のように広がったアイドルみたいな衣装のごく普通の高校生。スカートは摘んでいない。
- Mod
- pro
- Kalite Etiketi
- İpuçları
- Boyut
- 1104 x 1824
- Negatif
- lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
İstem Yardımcısı
Kullanılan Model ve LoRA
Benzer Görseller
Daha fazla göster
d
1girl, solo, idol costume, puffed sleeves, ball-shaped sleeves, fitted waist, cinched waist, knee-length skirt, fluffy skirt, voluminous skirt, flared skirt, wide skirt, hands away from skirt, arms at sides, skirt hanging naturally, from below, full body, standing, weight on one leg, head tilt, looking to the side, light smile, ordinary high school student, long hair, brown hair, blunt bangs, brown eyes, white blouse, ribbon at collar, petticoat layers, mary janes, white socks
The camera sits low and looks up at her, a full-body vertical frame with her shoes near the bottom edge and a strip of empty air above her head. She is a single ordinary high school girl, slim and small-waisted, standing on a plain dark stage floor that gives her nothing to lean on. Her weight rests on her left leg, the right knee slightly bent and the right toe turned inward; her hips therefore tilt a few degrees and the cinched waist sits just off the vertical, which is what makes the waistline read as pulled tight rather than drawn flat. Both arms hang clear of her body, a hand's width of air between each elbow and her ribs, forearms relaxed and slightly forward, hands open with the palms turned in toward her thighs — nothing touches the skirt, no finger pinches fabric, no arm brushes the hem, and the skirt hangs from the waistband entirely on its own. Each sleeve puffs into a full sphere at the shoulder, its fabric blown round and taut at the crown and gathered into a narrow band just above the elbow, the two spheres breaking the silhouette wide at the top. Below the snug waistband the skirt drops and then swells outward, a knee-length bell with real loft to it: layered fluffy fabric holds the volume out away from her legs all the way around, the hem floating a good hand's width clear of her thighs at the sides, the pleat-and-ruffle edges catching a soft ripple so the underside of the hem sits in shadow. Underneath, a pale petticoat edge shows as a thin fluffy line just inside the hem. Her head tilts toward her right shoulder, chin slightly down, and her eyes slide off to the left of frame, past the lens, with a faint closed-lip smile and one brow a touch higher than the other. Her long brown hair is caught in the same motion as her posture, a few strands swinging out to the left where her head turned, bangs parted over her forehead.
The light comes from one high source in front and slightly left, cool white, striking the crowns of both sleeve spheres and the tops of her shoulders and running down the front of the blouse; it grazes the outward bulge of the skirt and dies under the hem, so the shadow pools there and on the floor directly beneath her, a soft compact pool with the shape of the flared skirt in it. Beyond that pool the darkness is complete — a seamless deep-charcoal void with no walls, no horizon and no props. The palette is held to three: the white and pale cream of blouse, sleeves and petticoat; a deep navy in the skirt and the ribbon; and her warm brown hair and eyes as the only other colour, all of it against the charcoal ground. Crisp cel-shaded edges, clean colour fills, no grain. Quiet, poised, a little dreamy.
Delmonda
d
ストック
Delmonda
シルク・ス・ウィート
d
1girl, solo, high school girl, long hair, hair down, white hair, white eyes, pale skin, near-white skin, all-white outfit, white color scheme, puffed round ball sleeves at shoulders, bare arms below the sleeves, cinched waist, narrow waist, above-knee skirt, very fluffy skirt, hemispherical flared skirt, peplum drapes, semicircular drooping drapes at both sides of skirt, drapes reaching just above hem, walking, mid-stride, from below, low angle, three-quarter view, looking ahead, dutch angle, street, town, city street, daytime, full body, cowboy shot, gentle breeze, hair blown back, cloth lift, light smile, closed mouth, calm
The camera sits low and close to the pavement, tilted slightly off level, so the girl is seen from below in a three-quarter view as she walks toward the left of the frame, crossing the near edge of a quiet city pavement. She is one ordinary high school girl, caught mid-step: her left foot planted flat on the paving slabs, her right leg swinging forward with the knee still bent and the toe not yet touching down, her weight rolling through the left hip. Both arms swing loose at her sides below their short sleeves, hands relaxed with fingers slightly curled, and the ball-shaped white sleeve caps sit round and compact at the top of each shoulder, clear of the knobs of bone, the bare pale forearms tapering out of them.
Her white hair is let down and hangs past her shoulder blades, lifted and swept back to the right as the walk carries her forward. Her near-white skin and her white eyes catch the daylight without contrast-lighting tricks: the eyes are pale, faintly luminous discs with only the pupil suggested, her gaze directed ahead and slightly down along the street rather than at the lens. A faint closed-lip smile, the corner of her mouth barely lifted, an everyday expression of someone simply on her way somewhere.
Her waist is drawn in tightly, the white garment narrowing hard above the hips. Below it the skirt above the knee is enormously puffy, flaring out like the top half of a hemisphere, its underside catching a soft shadow from her own body. On each side of the skirt a semicircular drape droops from the hip line in a loose, sagging half-moon, its lowest point a little above the skirt hem, hanging heavy and soft like a peplum while the hem itself bellies outward. Everything she wears is white and only white, with the outfit's textures -- matte cloth, the crisper sleeve caps, the softer skirt folds -- carrying the variety instead of color.
Around her, an ordinary town street in ordinary daylight: pale gray paving stones with visible joints running away in perspective, low shopfronts and a streetlamp rendered simple and slightly soft in the low-angle background, the negative space of sky and facades opening above her head. Daylight comes from over her right shoulder, washing the front of her white outfit and dropping a short, soft shadow at the hem of the skirt directly below her hips; the undersides of the puffed skirt and of the hanging drapes stay in gentle shade, and the paving pale and slightly cool. Textured inconspicuous: nothing else in the palette but white, near-white, pale gray and the warm neutral of stone. As she lifts her right foot, her toes leave the ground and the skirt's hover, along with the kicked-up air, pushes a single dry leaf scuttering off at ankle height, and her hem lifts and settles with each step. Quiet, everyday mood.
Delmonda
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