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AI artwork featuring #Pokémon and #Gengar
Ücretsiz Oluştur

Gengar, Pokémon

YZ sanatı, Domenico tarafından PixAI'de. Tsubaki.3 Flash ile oluşturuldu.

#Pokémon#Gengar
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character: greninja, gengar 2girls, no humans, greninja, gengar, black hoodie, black hoodie on greninja, headless, neck stump, bare neck stump, blue skin, spiral eyes, dizzy mouth, heavy blush, fully red face, sweat, sweat drops, sweaty towel, blue towel, towel printed with face, face on fabric, ears on towel, towel flag, towel on pole, pole, flag, outstretched arms, reaching, reaching toward face, gengar grinning, gengar blushing, wide grin, open mouth, sharp teeth, purple body, spiked back, red eyes, short_hair, long_hair, hair_between_eyes, colored_sclera, red_sclera, black_eyes, bright_pupils, white_pupils, pink_eyes, from below, dutch angle, wide shot, indoor, dark room, living room, creepy, television, static on screen, tv static, glowing screen, mature artstyle, high contrast, sickly palette, messy room, horror, absurd, comedic tension, dread The shot is a low, tilted wide angle from the floor, the camera cranked a few degrees off level so the room's corners lean and the ceiling presses down at the top of the frame. In the left foreground stands Greninja's headless body: blue-skinned, lean, upright on both feet with the weight sunk into the heels and the knees slightly bent, dressed in a black hoodie whose sleeves are shoved up past the elbows. The neck ends in a clean bare stump just above the hoodie's collar, and both arms are thrown upward and inward, webbed hands splayed, fingertips straining toward the flag above and to the right, never quite touching it, the arms trembling with the reach. The hoodie's hem hangs away from the hip and the fabric bunches at the armpits from the raised arms. Above and to the right, jammed down over a broom handle wedged upright behind the couch, hangs the towel: a long blue fabric printed across its whole surface with Greninja's own face, the two ear fins fused into the cloth's upper corners and drooping with the weight. The face on the towel is fully readable — two spiral black eyes wound regular and tight around their centers, a wobbly dizzy mouth open at one corner, and a flush of red spreading to the fabric's edges and darkening into the weave. The towel sags between a nail at the pole's tip and a clothespin lower down, and it is soaked: dark wet patches blister the blue, the seam at the top edge drips, and a thin trickle runs down the pole and pools at its base on the floorboards. A single bead hangs from the ear fin's lowest point before falling. To the right of the pole, Gengar floats a hand's width off the ground, purple and round-shouldered, spiked back silhouette rimmed by the screen's light. One stubby arm is still extended toward the towel's top edge, having just clipped it into place; the other hand is clamped at the pole to steady it. Gengar's grin splits the face wide and open, sharp teeth showing, red eyes narrowed with delight, and the whole face is flushed dark with a heavy blush that runs to the ears' tips. Gengar's gaze flicks between the dangling towel and the headless body's grasping hands. Behind them a large, dark living room stretches away: a sagging couch, a low table cluttered with cans, a doorway whose far room is pure black. In the back-left corner an old CRT television is switched on and tuned to nothing but static, its blue-white flicker the only light source — it throws hard cold light across the polished floorboards, rakes the left side of Greninja's hoodie, and lights the towel from the front so the printed face reads crisp, while everything behind the couch falls into absolute blackness and the two figures cast long shadows stretching toward the camera. The palette is restrained: static's cold blue-white, the towel's deeper blue, black, Greninja's blue skin and the red of the blush — nothing else admitted. The towel's cloth shows every crease and the sweat's wet sheen; the hoodie reads as heavy matte cotton against the television's glare. Uneasy, absurd dread.
Parametreleri Göster
Orijinal Prompt
Greninja is wearing a black hoodie. Gengar,is pulling Greninja's head,trasforming and streching it into a blue towel with Greninja's face stamped on the whole towel. Than Gengar deattached the towel from Greninja's body and attached it(the towel) to a pole,making the towel a flag. The rest of Greninja's body is still normal. Greninja has a scared face(you can clearly see Greninja's spiral black eyes and dizzy mouth) and is blushing so much,his face is all red. Gengar is blushing a lot too and is grinning. Greninja's ears are part of the towel too. Greninja's hands are trying to reach Greninja's face. Greninja's body doesn't have a head anymore. The artstyle is more mature. The towel is really sweaty. The background is a big,creepy,dark liviing room. The TV is on static. You cab see clearly Greninja's face on the towel.
Mod
flash
Kalite Etiketi
İpuçları
Boyut
1104 x 1824
İstem Yardımcısı

Kullanılan Model ve LoRA

Benzer Görseller

Daha fazla göster
AI artwork
d
character: greninja, gengar 2girls, no humans, greninja, gengar, black hoodie, black hoodie on greninja, headless, neck stump, bare neck stump, blue skin, spiral eyes, dizzy mouth, heavy blush, fully red face, sweat, sweat drops, sweaty towel, blue towel, towel printed with face, face on fabric, ears on towel, towel flag, towel on pole, pole, flag, outstretched arms, reaching, reaching toward face, gengar grinning, gengar blushing, wide grin, open mouth, sharp teeth, purple body, spiked back, red eyes, short_hair, long_hair, hair_between_eyes, colored_sclera, red_sclera, black_eyes, bright_pupils, white_pupils, pink_eyes, from below, dutch angle, wide shot, indoor, dark room, living room, creepy, television, static on screen, tv static, glowing screen, mature artstyle, high contrast, sickly palette, messy room, horror, absurd, comedic tension, dread The shot is a low, tilted wide angle from the floor, the camera cranked a few degrees off level so the room's corners lean and the ceiling presses down at the top of the frame. In the left foreground stands Greninja's headless body: blue-skinned, lean, upright on both feet with the weight sunk into the heels and the knees slightly bent, dressed in a black hoodie whose sleeves are shoved up past the elbows. The neck ends in a clean bare stump just above the hoodie's collar, and both arms are thrown upward and inward, webbed hands splayed, fingertips straining toward the flag above and to the right, never quite touching it, the arms trembling with the reach. The hoodie's hem hangs away from the hip and the fabric bunches at the armpits from the raised arms. Above and to the right, jammed down over a broom handle wedged upright behind the couch, hangs the towel: a long blue fabric printed across its whole surface with Greninja's own face, the two ear fins fused into the cloth's upper corners and drooping with the weight. The face on the towel is fully readable — two spiral black eyes wound regular and tight around their centers, a wobbly dizzy mouth open at one corner, and a flush of red spreading to the fabric's edges and darkening into the weave. The towel sags between a nail at the pole's tip and a clothespin lower down, and it is soaked: dark wet patches blister the blue, the seam at the top edge drips, and a thin trickle runs down the pole and pools at its base on the floorboards. A single bead hangs from the ear fin's lowest point before falling. To the right of the pole, Gengar floats a hand's width off the ground, purple and round-shouldered, spiked back silhouette rimmed by the screen's light. One stubby arm is still extended toward the towel's top edge, having just clipped it into place; the other hand is clamped at the pole to steady it. Gengar's grin splits the face wide and open, sharp teeth showing, red eyes narrowed with delight, and the whole face is flushed dark with a heavy blush that runs to the ears' tips. Gengar's gaze flicks between the dangling towel and the headless body's grasping hands. Behind them a large, dark living room stretches away: a sagging couch, a low table cluttered with cans, a doorway whose far room is pure black. In the back-left corner an old CRT television is switched on and tuned to nothing but static, its blue-white flicker the only light source — it throws hard cold light across the polished floorboards, rakes the left side of Greninja's hoodie, and lights the towel from the front so the printed face reads crisp, while everything behind the couch falls into absolute blackness and the two figures cast long shadows stretching toward the camera. The palette is restrained: static's cold blue-white, the towel's deeper blue, black, Greninja's blue skin and the red of the blush — nothing else admitted. The towel's cloth shows every crease and the sweat's wet sheen; the hoodie reads as heavy matte cotton against the television's glare. Uneasy, absurd dread.
Domenico
AI artwork
d
character: greninja, gengar 2girls, no humans, greninja, gengar, black hoodie, black hoodie on greninja, headless, neck stump, bare neck stump, blue skin, spiral eyes, dizzy mouth, heavy blush, fully red face, sweat, sweat drops, sweaty towel, blue towel, towel printed with face, face on fabric, ears on towel, towel flag, towel on pole, pole, flag, outstretched arms, reaching, reaching toward face, gengar grinning, gengar blushing, wide grin, open mouth, sharp teeth, purple body, spiked back, red eyes, short_hair, long_hair, hair_between_eyes, colored_sclera, red_sclera, black_eyes, bright_pupils, white_pupils, pink_eyes, from below, dutch angle, wide shot, indoor, dark room, living room, creepy, television, static on screen, tv static, glowing screen, mature artstyle, high contrast, sickly palette, messy room, horror, absurd, comedic tension, dread The shot is a low, tilted wide angle from the floor, the camera cranked a few degrees off level so the room's corners lean and the ceiling presses down at the top of the frame. In the left foreground stands Greninja's headless body: blue-skinned, lean, upright on both feet with the weight sunk into the heels and the knees slightly bent, dressed in a black hoodie whose sleeves are shoved up past the elbows. The neck ends in a clean bare stump just above the hoodie's collar, and both arms are thrown upward and inward, webbed hands splayed, fingertips straining toward the flag above and to the right, never quite touching it, the arms trembling with the reach. The hoodie's hem hangs away from the hip and the fabric bunches at the armpits from the raised arms. Above and to the right, jammed down over a broom handle wedged upright behind the couch, hangs the towel: a long blue fabric printed across its whole surface with Greninja's own face, the two ear fins fused into the cloth's upper corners and drooping with the weight. The face on the towel is fully readable — two spiral black eyes wound regular and tight around their centers, a wobbly dizzy mouth open at one corner, and a flush of red spreading to the fabric's edges and darkening into the weave. The towel sags between a nail at the pole's tip and a clothespin lower down, and it is soaked: dark wet patches blister the blue, the seam at the top edge drips, and a thin trickle runs down the pole and pools at its base on the floorboards. A single bead hangs from the ear fin's lowest point before falling. To the right of the pole, Gengar floats a hand's width off the ground, purple and round-shouldered, spiked back silhouette rimmed by the screen's light. One stubby arm is still extended toward the towel's top edge, having just clipped it into place; the other hand is clamped at the pole to steady it. Gengar's grin splits the face wide and open, sharp teeth showing, red eyes narrowed with delight, and the whole face is flushed dark with a heavy blush that runs to the ears' tips. Gengar's gaze flicks between the dangling towel and the headless body's grasping hands. Behind them a large, dark living room stretches away: a sagging couch, a low table cluttered with cans, a doorway whose far room is pure black. In the back-left corner an old CRT television is switched on and tuned to nothing but static, its blue-white flicker the only light source — it throws hard cold light across the polished floorboards, rakes the left side of Greninja's hoodie, and lights the towel from the front so the printed face reads crisp, while everything behind the couch falls into absolute blackness and the two figures cast long shadows stretching toward the camera. The palette is restrained: static's cold blue-white, the towel's deeper blue, black, Greninja's blue skin and the red of the blush — nothing else admitted. The towel's cloth shows every crease and the sweat's wet sheen; the hoodie reads as heavy matte cotton against the television's glare. Uneasy, absurd dread.
Domenico
AI artwork
d
character: greninja, gengar 2girls, no humans, greninja, gengar, black hoodie, black hoodie on greninja, headless, neck stump, bare neck stump, blue skin, spiral eyes, dizzy mouth, heavy blush, fully red face, sweat, sweat drops, sweaty towel, blue towel, towel printed with face, face on fabric, ears on towel, towel flag, towel on pole, pole, flag, outstretched arms, reaching, reaching toward face, gengar grinning, gengar blushing, wide grin, open mouth, sharp teeth, purple body, spiked back, red eyes, short_hair, long_hair, hair_between_eyes, colored_sclera, red_sclera, black_eyes, bright_pupils, white_pupils, pink_eyes, from below, dutch angle, wide shot, indoor, dark room, living room, creepy, television, static on screen, tv static, glowing screen, mature artstyle, high contrast, sickly palette, messy room, horror, absurd, comedic tension, dread The shot is a low, tilted wide angle from the floor, the camera cranked a few degrees off level so the room's corners lean and the ceiling presses down at the top of the frame. In the left foreground stands Greninja's headless body: blue-skinned, lean, upright on both feet with the weight sunk into the heels and the knees slightly bent, dressed in a black hoodie whose sleeves are shoved up past the elbows. The neck ends in a clean bare stump just above the hoodie's collar, and both arms are thrown upward and inward, webbed hands splayed, fingertips straining toward the flag above and to the right, never quite touching it, the arms trembling with the reach. The hoodie's hem hangs away from the hip and the fabric bunches at the armpits from the raised arms. Above and to the right, jammed down over a broom handle wedged upright behind the couch, hangs the towel: a long blue fabric printed across its whole surface with Greninja's own face, the two ear fins fused into the cloth's upper corners and drooping with the weight. The face on the towel is fully readable — two spiral black eyes wound regular and tight around their centers, a wobbly dizzy mouth open at one corner, and a flush of red spreading to the fabric's edges and darkening into the weave. The towel sags between a nail at the pole's tip and a clothespin lower down, and it is soaked: dark wet patches blister the blue, the seam at the top edge drips, and a thin trickle runs down the pole and pools at its base on the floorboards. A single bead hangs from the ear fin's lowest point before falling. To the right of the pole, Gengar floats a hand's width off the ground, purple and round-shouldered, spiked back silhouette rimmed by the screen's light. One stubby arm is still extended toward the towel's top edge, having just clipped it into place; the other hand is clamped at the pole to steady it. Gengar's grin splits the face wide and open, sharp teeth showing, red eyes narrowed with delight, and the whole face is flushed dark with a heavy blush that runs to the ears' tips. Gengar's gaze flicks between the dangling towel and the headless body's grasping hands. Behind them a large, dark living room stretches away: a sagging couch, a low table cluttered with cans, a doorway whose far room is pure black. In the back-left corner an old CRT television is switched on and tuned to nothing but static, its blue-white flicker the only light source — it throws hard cold light across the polished floorboards, rakes the left side of Greninja's hoodie, and lights the towel from the front so the printed face reads crisp, while everything behind the couch falls into absolute blackness and the two figures cast long shadows stretching toward the camera. The palette is restrained: static's cold blue-white, the towel's deeper blue, black, Greninja's blue skin and the red of the blush — nothing else admitted. The towel's cloth shows every crease and the sweat's wet sheen; the hoodie reads as heavy matte cotton against the television's glare. Uneasy, absurd dread.
Domenico
AI artwork
d
character: greninja, gengar 2girls, no humans, pokemon (creature), greninja, gengar, black hoodie, blue skin, webbed hands, long tongue, spiral eyes, dizzy, heavy blush, full-face blush, scared expression, grin, wide grin, purple skin, short hair, red eyes, towel, blue towel, towel flag, pole, flag, sweaty towel, sweat, headless, no head, neckless, bare neck stump, hands reaching toward face, reaching, stretching, detached head, flagpole, dark living room, creepy room, interior, television, tv static, glowing screen, from below, dutch angle, wide shot, dynamic composition, dramatic lighting, mature artstyle, realistic proportions, detailed shading, cinematic lighting, 2 characters, blushing, looking at another, looking at object The camera sits low and tilted, looking up at a big, creepy, dim living room where two figures dominate the frame. On the right, Gengar — round-bodied, short-haired, bat-eared — leans sharply forward into a wide, toothy grin, a deep flush spread across his cheeks, both stubby arms thrust out, gripping the flagpole with his hands planted on it, a big yank pulled taut through his shoulders. Around the middle of the pole, the blue towel — stamped across its whole breadth with Greninja's clearly visible face, spiral black eyes and dizzy mouth, dripping with sweat that darkens its soaked folds — is knotted onto the pole and hanging flat as a flag, faintly trembling with each pull. On the left, Greninja's body stands normal down to a bare, neckless top, no head attached, still wearing the black hoodie, with long webbed hands raised and reaching toward the towel-face above and to the right, fingers spread and straining. The face on the towel is drawn tight and red all over, dizzy and terrified, and the ears are stitched into the towel's own fabric, stretched at the corners. Sweat beads run down the towel's edges and sag it heavier at the lower hem. The TV sits in the background against the far wall, screen crackling with pale static that is the room's only light source, throwing its cold white flicker across the faces, the pole and the towel's damp blue fabric, leaving the corners of the room in black shadow. Muted palette: blue towel, purple skin, black hoodie against a dark, grimy interior. Creepy, sweaty dread.
Domenico

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