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AI art "場地圭介" featuring #Tokyo Revengers

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場地圭介

#Tokyo Revengers

Yayınlanma tarihi: Nov 1, 2026

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character: baji_keisuke, copyright: tokyo_revengers 1boy, solo, baji keisuke, long black hair, hair down, yellow-brown eyes, tsurime, sharp gaze, yukata, dark navy yukata with thin white pinstripes, yukata slightly open at the front, chest partially exposed, barefoot, sitting, sitting on zabuton, seiza loosened into a slouch, one knee up, leaning back on one hand, head tilt, relaxed, at ease, faint lopsided smile, half-closed eyes, looking to the side, tatami room, washitsu, shoji screens, engawa, steaming teacup, from above, three-quarter view, medium shot, warm afternoon light The camera looks down from slightly above and off to his right, so the tatami mat grid runs diagonally beneath him and the low table at the frame's edge sits smaller than it should — he is at ease enough to have slid down in the space. He sits on a zabuton on the tatami with his weight rocked back onto his left hand, palm flattened on the mat behind his hip, fingers splayed; his right knee is drawn up and his right forearm rests across it, wrist loose, hand hanging empty. The yukata's collar is pulled open at the chest — one lapel slipped down off his shoulder line, the other still riding his collarbone — exposing a wedge of bare chest and the hollow of his throat, the sash tied low and a little crooked where he shifted. The hem has fallen open over his drawn-up knee, and his bare feet are planted flat on the mat in front of him, toes relaxed, heels slightly lifted, the left foot nearer the camera. His long black hair falls loose, the ends fanned out and slightly crushed against the mat where his head is tilted, one strand lying across his open collar. His chin is tipped, and his yellow-brown eyes slide off toward the open shoji at the left of the frame, not toward the lens, with a half-lidded, unhurried lopsided smile — the look of a man listening to someone off-screen rather than posing. Behind him the shoji screens are slid a hand's width apart onto the engawa, and the afternoon sun comes in through that gap as the room's only strong light: a warm band of it crosses the tatami, catches the edge of his yukata sleeve and the rim of the teacup on the low table, and leaves the far corner of the room and the underside of the table in a soft, deep shade. Steam from the teacup lifts and bends in that band of light, drifting toward the open screen. Palette: the straw-yellow and green-grey of the tatami, the dark navy of the yukata, the paper-white shoji, and warm gold in the light band. Quiet, unhurried, effortlessly at ease.

場地圭介

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