Nov 9, 2026

Notice: About Recent Slower Generation Speeds and Limited Computing Resources — Dear PixAI Community, Thank you for your continued love and support for PixAI. Recently, generation speeds on PixAI have…

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Yayınlanma tarihi: Nov 1, 2026

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character: baji_keisuke, copyright: tokyo_revengers 1boy, solo, baji keisuke, black hair, long hair, loose unbound hair, yellow eyes, tsurime, sharp narrow eyes, small fang, yukata, hot spring inn yukata, indigo yukata, white pattern, front open, yukata slipped off shoulders, bare shoulders, bare chest, exposed collarbone, barefoot, bare feet, sitting, relaxed, sitting on floor, tatami, washitsu, japanese-style room, shoji, engawa, from above, from side, looking to the side, head tilted back, arm support, leaning back on one hand, crossed legs, half-closed eyes, light smile, warm light, lantern light, night, steam, yukata, barefoot, solo, 1boy Shot from above and slightly to his left, looking down into a tatami room: he sits on the floor with his weight thrown back onto his right hand, palm flat on the mat behind his hip, fingers spread and pressing the weave, while his left arm rests across his raised left knee, the loose sleeve falling open down the forearm and hanging free of the elbow. His right leg is folded under the left thigh, the left knee up and the left foot planted flat, sole showing a faint dusty print from the corridor boards; his head tips back against the shoulder, chin up, the long black hair spilling down off his neck and pooling on the tatami behind him in a loose black fan that catches the lamp. Through the gap of the yukata, opened wide and dragged down off both shoulders, the collar line sits low across the chest and the fabric lies in a crumpled white-edged fold at his upper arms, sleeves bunched at the crook of each elbow; the obi is tied loose and sits slack at the waist, the hem riding up over one bare shin so the ankle and the whole foot are uncovered on the mat. His yellow eyes are half-lidded, angled off to the right of the frame toward the open shoji and the steam drifting in from the bath, not at the viewer; the mouth is a faint closed lopsided smile with the corner of the small fang just touching the lip, one brow slightly lifted, the muscles of the jaw slack — the whole body settled and easy, no tension anywhere. The room is intimate and close: tatami fills the lower half of the frame with its weave and its dark seam lines running diagonally out of the bottom-left corner, a low lacquered tray with a small ceramic cup set down beside his planted foot, a folded spare yukata and a cushion at the frame's right edge, and shoji screens behind him with one panel slid open onto the dim engawa and the night garden beyond, where a stone lantern glows and steam from the outdoor bath curls up past the doorway. The warm paper lantern above and to his left is the key light: it strikes the top of his shoulder, the ridge of his collarbone and the crown of his hair, and leaves the hollow of his open collar, the underside of his jaw and the folds of the dropped yukata in soft warm shadow; the only other light is the low orange spill from the garden lantern, dimming the tatami behind him into darkness, so his cast shadow falls long and soft toward the bottom-right across the mat and the hair's shadow breaks into strands at its edge. The steam drifting through the doorway softens the shoji's grid and the far garden into haze, and where it crosses the lantern light it glows faint. Palette held to indigo and off-white for the yukata, the straw-gold tatami, warm amber lantern light, and the black of his hair as the deepest value in the frame, with one dull red glow in the garden lantern beyond the doorway. Detail budget goes to the face, the slack open collar and the hand spread on the mat; the room's far side stays simple and dim. Quiet, warm, at ease.

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