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新山聡美(薬師まつり・藤原行列)

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Anything Goes Casual Posting Festival!

#Olgun kadın #Geleneksel Japon kıyafetleri #Gülümseme #birden fazla kız #Sound! Euphonium #Kuyruk #Satomi Niiyama #geçit töreni

Yayınlanma tarihi: Nov 5, 2026

北

北宇治高校仙台分校

Görülecek Daha Fazla Şey

copyright: hibike!_euphonium character: Niiyama Satomi (Hibike! Euphonium)., brown hair, bluish violet eyes, lavender eyes, cool-toned purple eyes, middle-aged women, 33 years old, medium breasts, anime-style, anime keyvisual, a realistic and natural festival scene photograph like a real-life photo, depicting the "Fujiwara clan's Yakushi pilgrimage" procession of the traditional "Yakushi Matsuri" event held in the Tsukidate district of Kurihara City, Miyagi Prefecture, on a clear autumn day in early November. A colorful historical procession recreating Heian period picture scrolls moves slowly through a modern local shopping street. At the center of the procession is a luxurious Goshoguruma (imperial oxcart) carrying Princess Shizuhata, a Heian period princess, surrounded by warriors, ladies-in-waiting, and attendants. Inside the Goshoguruma sits an elegant woman specified by the character LoRA, dressed in princess attire. The scene is a vivid documentary-style festival photo where historical costumes and the splendor of traditional festivals naturally merge with the everyday scenery of a modern shopping street. 【Most Important: Structure and Placement of the Goshoguruma】 Positioned from the center to the right of the screen is the luxurious Goshoguruma carrying Princess Shizuhata. The Goshoguruma is a traditional large vehicle replicating the oxcarts used by Heian period nobles, featuring a black lacquer box-shaped body and large wheels. It is a historical oxcart made of assembled wood, not a modern car or carriage. The body is finished in black or very dark brown lacquer with gold and red decorations on the exterior. There are lattice windows and decorative frames on the sides, with black wooden pillars and thick frames visible around the perimeter. The top has a black frame supporting the roof, with lattice patterns and gold components on the inner ceiling. The interior is decorated lavishly in gold and ochre, with red or vermillion cushions. The interior walls feature fabrics and patterns in red and gold, creating a luxurious atmosphere fitting for Heian nobility. The front of the Goshoguruma is wide open, allowing Princess Shizuhata sitting inside to be clearly visible from the outside. The front opening is surrounded by a thick black wooden frame, with a lattice roof protruding above. Red and white decorative tassels hang on both sides of the opening, adorned with red cloth and delicate patterns. The opening is not blocked by thick walls or opaque doors, ensuring the woman's face, upper body, sleeves, and knees are fully visible. Specifically, no decorations or curtains should obstruct the princess's face, making it clearly visible. At the bottom of the Goshoguruma are large wooden wheels; the outer rims are black or dark brown, and the spokes are painted red or vermillion. The wheels have a circular outer frame and multiple radial wooden spokes, maintaining the traditional shape of an ancient oxcart. The wheels are firmly attached to the bottom of the body and touch the ground. Thick decorative ropes of alternating red and white are stretched around the vehicle for festive decoration. As a large decorative vehicle pulled in a real festival procession, the spatial relationship between the body, roof, opening, wheels, and decorative ropes is kept natural. The woman maintains the appearance specified by the character LoRA. She is a married woman in her early 30s with a neat and elegant atmosphere and long hair. She is depicted as "Princess Shizuhata," the central figure of the Yakushi Matsuri. While maintaining the facial features and basic structure from the LoRA, she wears attire fitting for a Heian period princess. Instead of modern clothes or ordinary kimono, she wears a luxurious and formal layered garment in the style of Jūnihitoe worn by noble Heian women. Her costume is a colorful Heian-period outfit combining pale wisteria, light pink, vermillion, golden yellow, and young grass green. On the outermost layer, she wears a luxurious Karaginu-style jacket in pale wisteria or light pink. The fabric features delicate floral patterns, arabesque designs, and traditional botanical motifs, showing the glossy texture of high-quality silk. The sleeves are large, long, and gracefully flowing, with red and gold decorations on the edges. Beneath this, she layers multiple robes in vermillion, deep orange, young grass green, and pale yellow, with different colored fabrics visible in layers at the neck, cuffs, and hem. These layers create the graceful and luxurious colorful strata characteristic of a Heian princess. The hem of the costume is long, with colorful red and vermillion fabrics spreading naturally from her knees to the floor of the vehicle. Her hairstyle is based on the long, glossy hanging hair (tarekami) of Heian noblewomen. The hair flows naturally from the back of the head down her back, with soft strands on both sides of her face. It is a historical hairstyle utilizing her long hair, not a modern ponytail or short hair. Small gold or red hair ornaments are modestly added; no overly luxurious crowns or large hats are used. Her facial features maintain the characteristics of the LoRA person, giving her a neat and elegant princess-like aura. Makeup is elegant and understated, not modern or flashy. The character LoRA is used for facial features and physique, while the costume, hairstyle, ornaments, posture, and expression follow these specifications. 【Princess's Sitting Position and Expression】 The woman sits alone inside the Goshoguruma. She is not standing outside or beside the wheels, but is seated on the red cushion inside the front opening of the black vehicle. She sits in a composed, nearly seiza-style posture with her back gracefully straight, fitting for a princess. Her knees and feet are tucked inside the layered garments, with the luxurious hems spreading naturally over the seat and knees. Both hands are elegantly folded on her lap or softly holding a small fan. The fan is a traditional Heian-period fan in white or pale colors, sized to fit naturally in her hand. Her upper body is turned slightly diagonally from the front, and her face is gently directed toward the direction of the procession or the spectators along the road. Her expression is an elegant and gentle smile, conveying the dignity and composure of a princess. The camera captures her face from the front or diagonal front naturally, ensuring the eyes, nose, and mouth are clearly visible. Her face is not hidden by hair, sleeves, or curtains, making her expression clearly visible from inside the vehicle. The woman sits in the center of the Goshoguruma's opening, with her head, waist, and knees fully visible. She is not a distant figure with a small face, but has a commanding presence within the opening. There is a small amount of space above her head so it does not overlap with the roof or lattice. The pillars and tassels do not obstruct her face or upper body, making her costume and posture easy to read. 【Surrounding Procession and Attendants】 Around the Goshoguruma walk warriors, ladies-in-waiting, and attendants participating in the Yakushi Matsuri historical procession. The male warriors wear Heian period attire in traditional colors such as dark blue, deep green, brown, and purple. Their upper garments have woven patterns or family crest-like decorations, and they wear eboshi hats on their heads. They carry tachi swords at their waists and walk with the polite posture fitting for a festival procession. The warriors' costumes are historical garments recreating Heian nobles and samurai, not modern security guards or Western clothes. Near the Goshoguruma, several ladies-in-waiting and attendants in colorful Japanese clothing are walking. The ladies-in-waiting wear layered kimono in vermillion, orange, purple, and young grass green, with traditional hairstyles. Their long sleeves and vibrant costumes enhance the splendor of the procession. They walk to the sides or rear of the Goshoguruma, watching over the princess. The warriors and ladies-in-waiting are placed smaller as supporting characters compared to the LoRA character, and do not hide the princess's face or the interior of the car. The central figure is the single Princess Shizuhata inside the Goshoguruma; no duplicate princesses appear. At the front of the procession and ahead of the Goshoguruma are personnel holding the equipment and red-and-white ropes used to pull the ox. The ox has a calm coat of black-brown or deep brown, with decorative festive harnesses attached to its neck and body. The ox serves the role of pulling the Goshoguruma, naturally connected by ropes and equipment. The ox is of realistic size and build, moving slowly along the road. The Goshoguruma is depicted as a traditional oxcart pulled by an ox, not structured like a modern car or carriage. 【Shopping Street and Festival Background】 The procession is moving through a modern shopping street in the Tsukidate district of Kurihara City. The road is gray asphalt, lined with old-fashioned shops and houses. The buildings are mostly low-rise wooden or mortar structures, with shop signs, glass windows, and eaves visible. On the right is a dark brown wooden shop, and on the left are buildings with white or pale gray exterior walls. Several utility poles stand along the road, with power lines crossing the sky. While retaining the scenery of a modern shopping street, the procession in Heian period clothing creates a unique contrast characteristic of a historical reenactment festival. The road is wide enough for the procession, and the large wheels of the Goshoguruma touch the paved road naturally. Some people watching the festival are visible on both sides of the road, but in numbers that do not distract from the main Goshoguruma and the woman. Background spectators may wear ordinary modern clothing but should not stand out too much. A few modern cars are

新山聡美(薬師まつり・藤原行列)

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