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新山聡美(薬師まつり・藤原行列)

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Anything Goes Casual Posting Festival!

#Olgun kadın #kimono #Gülümseme #birden fazla kız #junihitoe #Sound! Euphonium #Kuyruk #Satomi Niiyama #geçit töreni

Yayınlanma tarihi: Nov 5, 2026

北

北宇治高校仙台分校

Görülecek Daha Fazla Şey

copyright: hibike!_euphonium """character: Niiyama Satomi (Hibike! Euphonium)., brown hair, bluish violet eyes, lavender eyes, cool-toned purple eyes, adult lady, 33 years old, medium breasts, anime-style, official style, anime keyvisual, a natural and realistic documentary festival photograph looking like a live-action photo depicting the Fujiwara clan Yakushi pilgrimage procession of the traditional event "Yakushi Matsuri" held in the Tsukidate district of Kurihara City, Miyagi Prefecture, on a clear autumn day in early November. A gorgeous historical parade recreating a Heian period historical picture scroll slowly advances down the street of a contemporary local shopping district. At the center of the procession is a luxurious goshoguruma carrying Princess Shizuhata, a Heian period noble princess, surrounded by samurai warriors, court ladies, and attendants. Inside the goshoguruma, the elegant woman specified by the character LoRA sits wearing noble princess attire. An immersive festival documentary photo where the splendor of historical costumes and traditional rituals naturally merges with the everyday townscape of a modern shopping street. [Most Important: Goshoguruma Structure and Placement] From the center to the right of the frame is the luxurious goshoguruma carrying Princess Shizuhata. The goshoguruma is a traditional large vehicle recreating an ox cart ridden by Heian period nobility, featuring a black lacquer box-shaped body and massive wheels. It is a historical ox cart built from assembled wood, not a modern car or horse carriage. The body is lacquered in black or very dark brown, with gold and red decorations on the exterior. The sides feature lattice windows and decorative frames, and black wooden pillars and thick frames are visible along the outer perimeter of the carriage. At the top is a black framework supporting the roof, with lattice pattern decorations and gold fittings inside the ceiling. The interior of the carriage is gorgeously decorated primarily in gold and ochre, with red or vermilion cushions laid out. The inner walls have textiles and patterns based in red and gold, creating a luxurious atmosphere befitting a Heian noble's conveyance. The front of the goshoguruma is wide open, with a structure allowing Princess Shizuhata sitting inside to be clearly seen from the outside. The front opening is surrounded by thick black wooden frames, with a lattice roof projecting above. Red and white decorative tassels hang from the left and right of the opening, adorned with red cloth and delicate patterns. The opening must not be blocked by thick walls or opaque doors, ensuring the woman's face, upper body, sleeves, and knees inside are sufficiently visible. Especially in front of the princess's face, do not place decorations or hanging blinds, keeping her entire face clearly visible. At the bottom of the goshoguruma are large wooden wheels, with black or dark brown rims and spokes painted in red or vermilion. The wheels have circular outer rims and multiple radial wooden spokes, retaining the traditional appearance of an old ox cart. The wheels are firmly attached to the lower part of the body and touch the ground. Around the vehicle body, thick decorative ropes alternating red and white are stretched, providing festive ritual ornamentation. As a large decorative float actually pulled in a festival procession, the goshoguruma naturally maintains the relative positions of the body, roof, opening, wheels, and decorative ropes. The woman maintains the design of the person specified by the character LoRA. A woman in her early 30s, married, with long hair and a neat, elegant atmosphere. Depict this woman playing the role of Princess Shizuhata, the central figure of the Yakushi Matsuri. Maintain her facial features and basic design from the LoRA while dressing her in attire befitting a Heian period noble princess. Rather than modern Western clothes or regular kimono, she wears a gorgeous, formal layered twelve-layered ceremonial kimono (junihitoe) style attire worn by noblewomen of the Heian aristocracy. Her costume is a gorgeous Heian period attire combining pale wisteria purple, soft pink, vermilion, marigold yellow, and young grass green. Outermost, she wears a luxurious karaginu-style jacket in pale wisteria purple or soft pink. Delicate floral patterns, arabesques, and traditional botanical motifs are woven into the fabric, showing the glossy texture of high-quality silk. The sleeves are large, long, and gracefully flared, with red and gold trim along the edges. Beneath this, multiple layers of garments in vermilion, deep orange, young grass green, and pale yellow are worn, revealing layered fabrics of different colors at the neckline, cuffs, and hem. The stacking of many robes creates an elegant and luxurious color gradation characteristic of a Heian noble princess. The hem of the costume is long, with gorgeous fabric dominated by red and vermilion spreading naturally from her lap across the seating surface inside the carriage. The woman's hairstyle is fundamentally long, glossy垂髪 (tarigami/sagegami, flowing unpinned hair) typical of Heian noblewomen. The hair flows straight and naturally from the back of her head down her back, with soft strands framing both sides of her face. It is not a modern ponytail or short hair, but a historical hairstyle utilizing long hair. A modest small gold or red hair ornament is subtly added to her hair; do not use overly extravagant crowns or large hats. The woman's facial features retain the characteristics of the person specified by the LoRA, giving her a neat and refined princess aura. Makeup is elegant and understated, not modern or flashy. The character LoRA is used for facial features and figure modeling, while the costume, hairstyle, hair ornaments, posture, and facial expression follow these text instructions. [Princess's Seating and Expression] The woman sits alone inside the goshoguruma. She does not stand outside the carriage or next to the wheels; she is seated on a red seat cushion set inside the front opening of the black body. She sits in a posture close to a poised, dignified seiza with her back gracefully straight, befitting a princess. Her knees and feet are tucked inside the layered garments, with the gorgeous hem of her robe spreading naturally across the seat and lap. Her hands are elegantly folded on her lap or gently holding a small folding fan. The fan is a traditional Heian period fan based in white or light colors, sized to fit naturally in her hands. Her upper body is angled slightly diagonally from the front, with her face gently turned toward the procession's direction of travel or toward the spectators along the road. Her expression is a graceful and gentle smile, conveying the dignity and composure of a princess. Her face is naturally visible from the front or three-quarters view to the camera, with eyes, nose, mouth, and facial features clearly recognizable. Do not hide her face with hair, sleeves, or hanging curtains; compose the image so the princess's expression is clearly visible from within the carriage. The woman sits in the center of the goshoguruma's opening, sufficiently showing her figure from head to waist and knees. She should not be a distant small figure where only her face is tiny, but should have a commanding presence within the front opening. Leave slight headroom above her, avoiding overlap with the roof or lattice. Ensure her face and upper body are not obstructed by the carriage pillars or decorative tassels on the sides, keeping her attire and posture easy to read. [Surrounding Procession and Attendants] Around the goshoguruma, samurai warriors, court ladies, and attendants participating in the historical Yakushi Matsuri procession walk along. The male samurai wear Heian period attire in traditional garments of dark navy, deep green, brown, and purple. Their upper robes feature textile patterns and family crest-style decorations, and they wear eboshi caps on their heads. They carry tachi swords at their waists and march with dignified posture suitable for a ceremonial procession. The samurai costumes are not modern security guard uniforms or Western clothes, but period costumes recreating Heian aristocracy and warriors. Near the goshoguruma, several court ladies and attendants in colorful Japanese garments walk alongside. The court ladies wear layered kimono in vermilion, orange, purple, and young grass green, with traditional hairstyles. Their long sleeves and vividly colored garments enhance the splendor of the parade. The court ladies walk along the sides and rear of the carriage, watching over the goshoguruma carrying the princess. The samurai and court ladies are arranged smaller as supporting roles relative to the woman LoRA character, without blocking the princess's face or the view inside the carriage. The central figure is only Princess Shizuhata inside the goshoguruma; the same princess must not appear duplicated elsewhere. At the head of the procession and in front of the goshoguruma, there are handlers holding gear to lead the ox and holding red and white ropes. The ox has a calm coat of black-brown or dark brown, with ceremonial decorative pulling harnesses fitted around its neck and torso. The ox has the role of pulling the goshoguruma and is naturally harnessed to ropes and gear connected to the front of the carriage. The ox is of realistic size and build, slowly walking down the street. Depict the goshoguruma as a traditional ox-pulled cart, avoiding modern automotive or horse carriage structures. [Shopping Street and Festival Background] The procession advances along a modern shopping street in the Tsukidate district of Kurihara City. The road is gray asphalt pavement, flanked by retro, traditional storefronts and residences. The buildings are primarily low-rise wooden or mortar structures, with visible shop signs, glass windows, and eaves. On the right is a dark brown wooden shop, and on the left are buildings with white or pale gray exterior walls. Several utility poles stand along the street, with power lines crossing the sky. Retaining the scenery of a modern shopping district while a

新山聡美(薬師まつり・藤原行列)

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