TsubakiV3 test

Published on Aug 22, 2026

繭 Mayu

A disturbing psychological horror portrait painted as a richly textured thick impasto oil painting. The image depicts a single formal portrait of a human figure, but the face is an unnatural montage of several completely different people's faces, as though fragments of different portrait photographs have been physically cut out and pasted onto one person's face. The horror should come from the unmistakable realization that the face is made from multiple different people. Base portrait A single adult human figure is shown from the chest upward. The hair, neck, shoulders and clothing belong consistently to one person. The body and silhouette form a conventional serious portrait. The clothing is simple and dark. The background is an old, dark portrait-painting environment. At first glance, the viewer should think they are looking at an ordinary classical portrait. Then the face reveals the disturbing montage. Multiple different faces The face is assembled from several visibly different individuals. The different facial regions should clearly belong to different people. For example: the left eye and surrounding eye socket belong to one person the right eye and eyebrow belong to another person the nose and upper cheek area belong to a third person the left cheek and jaw belong to another person the mouth and lips belong to another person part of the forehead belongs to yet another person These are not merely distorted versions of the same face. They must look like genuinely different human beings. The differences should include: different ages different facial bone structures different eye shapes different eyebrow shapes different nose shapes different lip shapes slightly different skin tones different facial textures The individual faces should remain recognizable enough that the viewer instinctively understands: "Those are different people." Physical montage appearance The facial fragments should look as though they were literally cut from separate portrait photographs and attached to the painted portrait. Some boundaries are relatively clean. Other boundaries overlap awkwardly. Some fragments slightly cover neighboring fragments. The edges of the different faces should remain subtly visible. Do not completely blend everything into one coherent face. The montage should feel physically assembled rather than digitally warped. However, everything has been painted over with thick oil paint afterward, creating a disturbing attempt to make the separate faces appear to belong to one portrait. Oil painting integration The entire image is a traditional heavy impasto oil painting. Thick layers of paint partially cover the seams between the different faces. Brushstrokes cross over the boundaries. Some fragments have slightly different paint textures. Some areas appear more heavily painted than others. The painter seems to have repeatedly tried to unify the incompatible faces into one person. This creates visible tension between: separate faces underneath and one portrait painted over them. The effect should be painterly and physical, not Photoshop-like. Uncanny expression Despite the montage, the resulting face has a mostly neutral expression. Do not make the people scream. Do not turn them into monsters. Do not use gore. The face should remain recognizably human. The horror comes from seeing several different people occupying the same face. The eyes may have slightly different emotional expressions. One eye might appear calm while the other looks faintly suspicious. The mouth may suggest a completely different personality from the eyes. This creates the disturbing impression that several people are looking out from the same portrait. Lighting Classical portrait lighting. One strong light source illuminates the face from one side. Deep shadows fall across the other side. The different facial fragments subtly respond to the light differently. A cheek from one person may catch the light differently from the neighboring cheek. The eyes may have slightly inconsistent highlights. These differences should reinforce the montage without becoming surreal special effects. Background Almost completely dark. Muted brown, charcoal and black tones. A vague old portrait-gallery atmosphere. No recognizable scenery. The darkness should frame the strange face and keep the viewer's attention locked on it. Painting style Traditional thick impasto oil painting. Heavy visible brushwork. Rich layers of pigment. Substantial paint texture. Palette-knife marks. Subtle canvas texture. Deep shadows. Muted classical portrait colors. Sophisticated museum-quality painting technique. The painting should look physically painted on canvas. Avoid digital anime aesthetics. Avoid photorealistic photography. Avoid clean digital collage effects. Avoid excessive fantasy elements. Avoid gore. Final horror effect The finished image should initially resemble a serious classical portrait. Only after examining the face does the viewer realize that it is composed of multiple entirely different human faces forcibly assembled into one portrait. The unsettling question should become: "Whose face am I actually looking at?" The image should feel like a forbidden portrait that was created by combining several unrelated people into a single human identity. Quiet, uncanny, disturbing psychological horror. No additional figures. No text. No logo

Hiển thị thông số

Prompt gốc: A disturbing psychological horror portrait painted as a richly textured thick impasto oil painting. The image depicts a single formal portrait of a human figure, but the face is an unnatural montage of several completely different people's faces, as though fragments of different portrait photographs have been physically cut out and pasted onto one person's face. The horror should come from the unmistakable realization that the face is made from multiple different people. Base portrait A single adult human figure is shown from the chest upward. The hair, neck, shoulders and clothing belong consistently to one person. The body and silhouette form a conventional serious portrait. The clothing is simple and dark. The background is an old, dark portrait-painting environment. At first glance, the viewer should think they are looking at an ordinary classical portrait. Then the face reveals the disturbing montage. Multiple different faces The face is assembled from several visibly different individuals. The different facial regions should clearly belong to different people. For example: the left eye and surrounding eye socket belong to one person the right eye and eyebrow belong to another person the nose and upper cheek area belong to a third person the left cheek and jaw belong to another person the mouth and lips belong to another person part of the forehead belongs to yet another person These are not merely distorted versions of the same face. They must look like genuinely different human beings. The differences should include: different ages different facial bone structures different eye shapes different eyebrow shapes different nose shapes different lip shapes slightly different skin tones different facial textures The individual faces should remain recognizable enough that the viewer instinctively understands: "Those are different people." Physical montage appearance The facial fragments should look as though they were literally cut from separate portrait photographs and attached to the painted portrait. Some boundaries are relatively clean. Other boundaries overlap awkwardly. Some fragments slightly cover neighboring fragments. The edges of the different faces should remain subtly visible. Do not completely blend everything into one coherent face. The montage should feel physically assembled rather than digitally warped. However, everything has been painted over with thick oil paint afterward, creating a disturbing attempt to make the separate faces appear to belong to one portrait. Oil painting integration The entire image is a traditional heavy impasto oil painting. Thick layers of paint partially cover the seams between the different faces. Brushstrokes cross over the boundaries. Some fragments have slightly different paint textures. Some areas appear more heavily painted than others. The painter seems to have repeatedly tried to unify the incompatible faces into one person. This creates visible tension between: separate faces underneath and one portrait painted over them. The effect should be painterly and physical, not Photoshop-like. Uncanny expression Despite the montage, the resulting face has a mostly neutral expression. Do not make the people scream. Do not turn them into monsters. Do not use gore. The face should remain recognizably human. The horror comes from seeing several different people occupying the same face. The eyes may have slightly different emotional expressions. One eye might appear calm while the other looks faintly suspicious. The mouth may suggest a completely different personality from the eyes. This creates the disturbing impression that several people are looking out from the same portrait. Lighting Classical portrait lighting. One strong light source illuminates the face from one side. Deep shadows fall across the other side. The different facial fragments subtly respond to the light differently. A cheek from one person may catch the light differently from the neighboring cheek. The eyes may have slightly inconsistent highlights. These differences should reinforce the montage without becoming surreal special effects. Background Almost completely dark. Muted brown, charcoal and black tones. A vague old portrait-gallery atmosphere. No recognizable scenery. The darkness should frame the strange face and keep the viewer's attention locked on it. Painting style Traditional thick impasto oil painting. Heavy visible brushwork. Rich layers of pigment. Substantial paint texture. Palette-knife marks. Subtle canvas texture. Deep shadows. Muted classical portrait colors. Sophisticated museum-quality painting technique. The painting should look physically painted on canvas. Avoid digital anime aesthetics. Avoid photorealistic photography. Avoid clean digital collage effects. Avoid excessive fantasy elements. Avoid gore. Final horror effect The finished image should initially resemble a serious classical portrait. Only after examining the face does the viewer realize that it is composed of multiple entirely different human faces forcibly assembled into one portrait. The unsettling question should become: "Whose face am I actually looking at?" The image should feel like a forbidden portrait that was created by combining several unrelated people into a single human identity. Quiet, uncanny, disturbing psychological horror. No additional figures. No text. No logo. No watermark.
Mode: ultra
Kích thước: 1536 x 2048
Loại trừ: lowres, worst quality, low quality, bad anatomy, bad hands, text, error, missing fingers, jpeg artifacts, signature, watermark

Trợ lý Lời nhắc