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動画生成、200本くらい作ったんだけど。 動画生成って、First Take(最初の1本目)が いちばん出来が良いことが多くて。 でも、最初から上手く行くことはないから、 でも作り直したら、どんどん酷くなる。 《インポートして生成》と《再生成》が 原因だと思う。 正直言って、これ使わないといちいち プロンプトをコピペして、設定を入れ直しだから 非常にめんどくさいのだけれど。 再生成機能は使わないで、常に最初の一本目として、オーダーを出しています。 インポートして生成で、良い仕上がりの動画が出来たことはない気がするんですよね。 一応、参考までに書いておきます。 I’ve created around 200 videos using AI generation. In my experience, the very first attempt—the "first take"—often turns out the best. However, it rarely goes perfectly on the first try, and yet, if I attempt to remake it, the quality just keeps getting worse. I suspect the "Import and Generate" and "Regenerate" features are the culprits. To be honest, avoiding these features is quite a hassle, as it means I have to manually copy-paste the prompts and re-enter all the settings every single time. Even so, I avoid the "Regenerate" function entirely; I always submit a fresh request, treating every attempt as if it were the very first one. I don’t think I’ve ever managed to get a high-quality result using the "Import and Generate" option. Just sharing this for your reference.
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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