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AI artwork featuring #Eris Boreas Greyrat and #Mushoku Tensei: Jobless Reincarnation
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Eris Boreas Greyrat, Mushoku Tensei: Jobless Reincarnation

#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation
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Shylpfiette greyrat

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character: eris_greyrat, copyright: mushoku_tensei red hair, hair up, red eyes, heart-shaped pupils, blush, displeased expression, huge breasts, visibly pregnant abdomen, puffy dress, frilled dress, pink and white dress, silver and white dress, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated dress, ridiculous ornaments on dress, glitter fabric, sequins, colossal earrings, colossal engagement ring, engagement ring, tiara, slave collar, huge long oversized puffy skirt, docile posture, arms lowered, hands resting on own belly, facing viewer, 1 monster, ugly monster, long tongue, licking belly, hug from the side, hand under belly, from below, close-up, rococo ornament, pastel palette, gold trim, silver trim, wet tongue, saliva, (seductive surroundings of luxury:1.2) The camera looks up from just below the woman's waistline, so the entire frame is hers: a tall young woman with vivid red hair swept up into an elaborate pinned updo, a small black hairband lost among it, an ahoge springing loose above the tiara, and thick brows drawn tight together. She faces the viewer squarely, chin high, and her red irises hold glazed heart-shaped pupils while her cheeks are flooded scarlet — yet the corners of her mouth are pulled down and flat, a stiff unhappy line, lashes low. Her arms hang docile, both hands laid flat and folded over her swollen pregnant belly, fingers spread against the taut fabric, and the colossal engagement ring on her left ring finger catches the light like a paperweight, a second teardrop ring stacked beside it. From her earlobes hang earrings the size of saucers, stacked hoops and dangling gems. A wide silver slave collar with a heavy ring and a short lead chain sits above her collarbone, and a jeweled tiara is wedged into the updo. Her dress is an overdecorated disaster of rococo embroidery in pink, white and silver: layered frilled tiers, lace spilling at every seam, ruffles stacked three deep, bows clustered in clumps, sequins and glitter fabric scattering the light in hard specks, ridiculous ornaments — a wrought cherub, a clock face, ribbon rosettes — pinned all over the bodice. Directly beside her, pressed shoulder into her side, stands one ugly monster: squat, hunched, mottled grey-green skin, bulging mismatched eyes and a slack grin. One of its thick arms wraps around her back in a hug from the side, and the other slides its hand beneath the underside of her pregnant belly, palm cupped and lifting, fingers denting the glittering skirt. Its long tongue, wet and glistening with saliva, is stretched out and pressed to the bare skin above the waistband of the dress, licking her belly; a string of saliva bridges the tongue and her skin and darkens the silver lace. She does not turn toward it — her head is held front, gaze locked on the viewer, only her pupils quivering — while her shoulders stay stiff under the hug. Everything is bathed in one warm light from front-above, gilding the gold trim and flashing off sequins, dropping soft shadows under the belly and behind the monster's knees; the palette is pink, white and silver with saturated gold ornament. Rendered with highly ornate decorative detail, elaborate frills, pastel tones and lavish gold and silver ornamentation, the closer weave of the skirt dissolving into a froth of lace and sparkle. Lavish, stifled.
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Original Prompt
Eris boreas greyrat,red hair,hair up,mushoku tensei,red eyes,huge breast,pregnant,puffy dress,frilled dress,engagement ring,pink and white dress,,colossal earrings,colossal engagement ring, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt,long skirt oversized dress, glitter fabric, sequins,ridicolus ornaments in dress,silver and white dress,slave collar,the girl have hearts in eyes,blush,The girl doesn't enjoy it,la chica esta de frente,(((la chica esta en una postura docil con los brazos bajos colocados en su vientre,tiara,1 monster,ugly monster,monster have long tongue,monster licking woman's belly,hug from beside,el monstruo pone la mano debajo del vientre de la mujer,rococo style
Mode
flash
Size
1104 x 1824
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character: eris_greyrat, copyright: mushoku_tensei eris_greyrat, 2girls?, no, 1girl, 1monster, solo focus, red_hair, hair_up, updo, ahoge, very_long_hair, red_eyes, thick_eyebrows, huge_breasts, pregnant, visibly_pregnant, puffy_frilled_dress, pink_and_white_dress, silver_and_white_dress, oversized_dress, huge_skirt, long_skirt, puffy_skirt, excessive_lace, excessive_ruffles, too_many_bows, ridiculous_ornaments, glitter, sequins, tiara, colossal_earrings, colossal_engagement_ring, slave_collar, heart-shaped_pupils, blush, reluctant, unhappy, closed_mouth, frown, furrowed_brow, docile, hands_on_own_belly, arms_at_sides, standing, facing_forward, from_below, cowboy_shot, huge_monster, ugly_monster, long_tongue, licking_belly, hug_from_behind, hand_under_belly, rococo, ornate, spoken_heart, sweat, trembling, half-closed_eyes, heavy_breathing The camera sits low and looks up, so the enormous bell of the skirt fills the lower two thirds of the frame and the tiara crests near the top edge. She stands square to the viewer, chin slightly lowered, weight sunk into her right leg while the left knee bends inward — the docile stance of someone who has stopped resisting. Both arms hang low and her hands are folded together over the swell of her belly, fingertips laced, the colossal engagement ring so heavy on her right hand that her finger dips under it; a second band circles her thumb. Her face is a study in contradiction: the pupils are large soft hearts, her cheeks and the bridge of her nose are flushed deep pink, and yet her brows are drawn together in a tight furrow, her mouth is pressed shut and pulled down at one corner, and her eyes are half-lidded and miserable — she is not enjoying it at all, and every few breaths her shoulders give a small involuntary tremble. Her red hair is swept up into a high mass fixed with a jeweled pin, an ahoge curling loose, two strands falling between her eyes, and the tiara sits tilted into it. Colossal hoop earrings draw her lobes down. At her throat a wide black slave collar with a hanging ring sits above the ruffled neckline. The dress is a rococo catastrophe: pink and white silk layered over silver and white underskirts, every seam buried under excessive lace, ruffles stacked into confectionary tiers, bows tied at the waist, the puffed sleeves, the bustle and even the tiara's base, sequins and glitter fabric catching the light in scattered pinpricks, and ridiculous ornaments — porcelain roses, ribbon rosettes, a swinging miniature cage — hung wherever a surface would bear one. So much fabric that the skirt pools and spreads at the hem, hiding her feet completely. The ugly monster presses in from her right side: a squat, mottled olive-grey creature with a heavy brow, wet small eyes and a wide slobbering mouth, its long tongue laid flat across the taut pink swell of her belly, lapping in a slow curl, saliva gleaming in the hollow of her navel and beading on the stretched fabric. One thick, clawed hand slides under the underside of her belly from beside her, cupping its weight, and the skin of her abdomen dents slightly where the fingers push. Its other arm wraps her waist and its hunched shoulder digs into her hip. Her body leans a fraction away from it while her feet stay planted, and though her heart-pupiled eyes are wide and fixed forward at nothing, her head has tipped a little toward the creature against her will. A small hand-drawn heart floats in a speech bubble beside her cheek. Rococo interior behind them: a gilded boiserie panel and a swag of dusty pink drapery, largely swallowed by shadow. One warm light source from the upper left, a window or sconce, lays a long highlight down the sequined skirt and lights the wet shine on the tongue and the gloss of her blush, while the far side of the monster falls into darkness. Pastel palette of rose pink, ivory, silver and muted gold against the creature's drab green. Ornate decorative elements, intricate gold flourishes, extravagant frills throughout — tense, unwilling, gaudy.
Eris Boreas greyrat
#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation
AI artwork
bb
character: eris_greyrat, copyright: mushoku_tensei 2girls, 1girl, 1monster, eris boreas greyrat, red hair, long hair, very long red hair, ahoge, black hairband, hair between eyes, thick eyebrows, red eyes, heart-shaped pupils, blush, huge breasts, visibly pregnant, pregnant belly, distended round belly, puffy dress, frilled dress, pink and white dress, silver and white dress, overly ornate dress, tacky dress, overdecorated dress, too much lace, excessive ruffles, too many bows, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous dress ornaments, colossal earrings, colossal engagement ring, slave collar, tiara, displeased, unhappy, gritted teeth, furrowed brow, nervous sweat, docile posture, arms down, hands on own belly, front view, facing viewer, standing, one ugly monster, monster with long tongue, monster licking belly, monster hand under belly, hug from beside, monster hug, rococo style, Front view, straight on: the red-haired woman stands facing the viewer at full figure, the colossal skirt spreading wide across the lower frame and spilling past both edges, while a squat ugly monster presses against her from her right side, one arm wrapped behind her back and its long tongue laid flat across the underside of her round pregnant belly. Her arms hang low and docile, both hands resting on the top of the belly with fingers loosely curled, the enormous gem of the colossal engagement ring turned to face the camera on her left hand and catching the light like a drop of pink glass. Her head is tipped a fraction down, thick brows drawn together, mouth pulled tight at one corner, a fine sheen of sweat at her temple, and her red eyes carry bright heart-shaped highlights that sit inside her pupils while the rest of her face plainly wishes to be elsewhere -- the blush is cosmetic heat, not consent. The tiara sits in her red hair, an ahoge sprung loose above it, and enormous dangling earrings pull at both lobes. The slave collar rings her neck in plain metal beneath the lace. The monster is heavy and wrong: mottled olive hide, a hunched rounded back, asymmetric bulging eyes set at different heights, a wide lipless mouth, short thick legs. It leans its whole weight into her hip, its other hand slid flat under the swell of her belly and lifting it slightly, the palm spread and the belly's skin compressed under the press. Its tongue is wet, textured and improbably long, moving in a slow upward drag across the taut belly, saliva sheening the skin where it lifts away. The dress is rococo excess piled until it should not stand: pink and silver-white satin, glitter fabric and sequins catching pinpoints of light, tier upon tier of ruffles and lace and bow upon bow marching down the front of the bodice and around the skirt, gilt-coloured scrolling ornaments and paste-jewel clusters scattered with no restraint. The huge skirt pools outward in stiff, improbable flounces, hem lost beyond the frame edges. Behind her, a shallow rococo interior: a muted pastel wall with one gilt-framed panel and one ornate carved console at the edge, never competing with her. Soft even frontal daylight from above and slightly left, filling the lace and setting the sequins glittering, with the monster's shadow falling across the lower skirt; the skin of the belly holds a wet highlight where the tongue has passed and the fabric sheen is duller where it sits in shadow. Pastel gold-and-sugar palette, everything over-appointed and oppressive. Grotesque and gilded.
Brago bloodfallen
#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation
AI artwork
bb
character: eris_greyrat, copyright: mushoku_tensei 2girls, 1girl, 1monster, eris greyrat, red hair, long hair, very long hair, ahoge, black hairband, red eyes, thick eyebrows, huge breasts, pregnant, visibly pregnant belly, puffy dress, frilled dress, red and white dress, silver and white dress, overly ornate dress, tacky dress, excessive lace, excessive ruffles, many bows, overdecorated, ridiculous dress ornaments, glitter fabric, sequins, puffy skirt, huge skirt, long skirt, oversized dress, colossal earrings, colossal engagement ring, tiara, slave collar, hearts in eyes, heart-shaped pupils, blush, reluctant expression, unhappy, clenched teeth, furrowed brow, front view, facing viewer, docile posture, arms down, hands on own belly, hug from behind, monster, ugly monster, long tongue, tongue out, licking cheek, hand on belly, monster hand on pregnant belly, rococo style, from front, cowboy shot, heavy_breathing, sweat, trembling, spoken_heart She stands square to the camera in a full front view, a red-haired young woman whose very long hair spills over her shoulders with one ahoge curling up and a black hairband holding the mass back; her red eyes are transformed into two glossy heart-shaped pupils that pulse pink at their cores, and the blush across her nose and cheeks is deep and feverish. Her mouth is pulled into a small, strained line, the lower lip caught between her teeth, brows knitted — the face of someone enduring a thing she does not want, and the hearts in her eyes sit there like an ornament she cannot remove. Her arms hang low and docile, both hands folded and resting flat on the swell of her visibly pregnant belly under the dress, fingers splayed and still. The dress is an oversize confection of red and white and silver-white satin, puffed at the shoulders, huge and long so its skirt balloons out at her sides and pools where it meets the floor; lace erupts at every hem and cuff, ruffles stack in tier after tier, bows cluster at the bodice, the waist and each puff, and sequins and glitter fabric scatter pinpoint gleams across the cloth among a clutter of ridiculous little ornaments — ribbons, ribbon rosettes, tiny enamelled charms sewn on so thickly they almost hide the fabric. A tiara of white filigree and pearls sits in her hair; colossal hoop earrings hang almost to her collarbones, swinging slightly; on her left ring finger a colossal engagement ring with a huge glittering stone sits prominent and heavy, tilting her hand. Around her throat is a plain metal slave collar, tight and unornamented — a cold, brutal band against all that lace. The monster is behind her: a hunched grey-green shapeless brute, sagging folds of skin, a wide lumpy jaw with a few crooked teeth, small dull eyes, no visible clothing; its long thick tongue is a wet purple rope laid flat along her right cheek from jaw to cheekbone, and its drool runs a slick line down her jaw to her chin. One of its big knuckled hands is pushed under the front of her belly, the palm flat beneath the swell, the fabric of the dress bunched around its wrist — its other arm locks across her chest, pinning her back against its torso. The dress's oversize bulk presses and deforms against the monster's bulk behind her, fabric stretched into creases where the two bodies meet. Camera at chest height, slightly below eye level, framed from mid-thigh up so the whole skirt fills the lower frame and the tiara clears the top edge. Light comes from one high soft source in front of her — a warm gilt key that makes the sequins flare in tiny specular starbursts and catches the wet of the tongue and the drool on her cheek; the monster behind stays in a cooler shadow so its ugliness recedes. Palette is a rococo confection: ivory, rose, powder blue and warm gilt, ornament everywhere, with the red of her hair the single saturated anchor. Ornate decorative elements crowd every surface, elaborate curls and flourishes wind through the lace and the gilt frame behind her, highly ornamental textures on silk and wallpaper alike, the whole hall around her a pastel salon of cartouches, acanthus scrolls and gilded moulding in soft focus. The glitter and the tears of saliva on her cheek share one specular highlight, so the dress and her distress catch the light the same way. Sumptuously miserable.
Brago bloodfallen
#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation
AI artwork
eb
character: eris_greyrat, copyright: mushoku_tensei 2girls, 1boy, 2+girls, male focus, eris greyrat, red hair, hair up, updo, red eyes, heart-shaped pupils, blush, huge breasts, pregnant, visibly pregnant belly, puffy dress, frilled dress, pink and white dress, silver and white dress, mixed-color dress, overly ornate dress, tacky dress, excessive lace, intricate gold-trimmed lace, excessive ruffles, too many bows, overdecorated dress, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments on dress, tiara, colossal earrings, colossal engagement ring, slave collar, metal collar, docile posture, hands on own belly, facing forward, standing, ugly man, older man, balding, crooked nose, side hug, hug from beside, hand on belly, hand under belly, rococo style, ornate rococo interior, gold and pastel opulent aesthetic, seductive smile? no, displeased, forced smile, uneasy blush, sweat on temple, stiff shoulders, looking to the side, eye contact avoided, heart-shaped speech bubble, spoken heart Straight-on frontal medium-wide shot at slightly above belly height. Eris Boreas Greyrat stands square to the camera, weight sunk onto her right hip, shoulders pulled in small and stiff. Her red hair is gathered up and away from her neck, frizzing into loose strands that tremble against her temples; her red eyes are wide and glazed, each pupil swollen into a glossy heart shape that throws a hard sparkle back at the lens, though the corners of her mouth are pulled down and her jaw is tight. The bodice strains hugely over her breasts; a heavy, very visibly pregnant belly pushes the fabric into a taut dome. Both arms stay low and tucked, curving forward to rest her clasped hands over the front of her belly. Her dress is a rococo confection of pink, white and silver, overdecorated to the point of parody — gold-trimmed lace layered in ruffles on ruffles, satin bows stacked at every seam, glitter fabric and sequins flaring sparks where the light hits, ridiculous ornaments and lace fans and coiled ribbon roses crowded all over the skirts. A puffed skirt, hugely wide and long, pools satin over the floor. A slim tiara sits in the piled hair; enormous earrings hang like chandeliers and swing slightly as she stands; a monstrous many-faceted engagement ring is a massive point of light on her clasped hand; a slave collar, narrow and worked with lace, circles her throat. Beside her, an ugly man — pale, balding, jowled, broken nose — presses into her left side, one shoulder wedging against hers, his arm curving about her, his thick-fingered hand laid flat beneath her belly, cupping its underside. He leans in and looks at her; she tilts her face just past his shoulder and looks toward the corner of the frame. The room is rococo — a gilded overdoor, a mirrored panel catching the dress, and a warm honey light from a high window, with shadow gathering beneath the skirt. High, opulent, uneasy.
Eris Boreas greyrat
#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation

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