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AI artwork featuring #Akane Kurokawa
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Akane Kurokawa

#Akane Kurokawa
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character: kurokawa_akane 1girl, 1orc, male orc, 2girls, no humans, long hair, bangs, swept bangs, black hair, blue hair, multicolored hair, gradient hair, heterochromia, blue eyes, green eyes, star-shaped pupils, enormous breasts, colossal earrings, colossal engagement ring, colossal bracelets, ornate dress, tacky dress, pink and white dress, too much lace, excessive ruffles, too many bows, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments, sad, crying, tears, tears streaming down face, unhappy, arms at sides, arms down, orc holding her by the waist, hand on waist, grabbing from behind, from side, cowboy shot, profile, anime screencap, screencap, film grain, wide shot, A wide anime screencap shot in profile: a green-skinned, broad-shouldered, tusked orc stands to the right of frame, one thick arm wrapped firmly around the waist of a long-haired young woman from her left side, his hand planted flat at her side over the dress fabric, her body pulled slightly off balance toward him while her feet stay planted. She is seen in three-quarter profile, and her arms hang straight down along her sides, fingers limp and barely curling, knuckles brushing the glittering skirt. Her hair is long and falls in a smooth gradient from black at the crown through deep blue to a lighter blue at the tips, with straight bangs and a strand falling between her eyes; her eyes are mismatched — one blue, one green, both with star-shaped pupils — and they are wet, red-rimmed, and brimming, tears cutting bright tracks down her cheeks and off her chin, mouth drawn tight and downturned, jaw trembling, brows pinched upward in distress. Her enormous chest presses against the bodice of the dress, which is a ludicrous, overstuffed confection of pink and white satin: layered tiers of lace at the neckline and cuffs, cascading ruffles stacked on ruffles, knots of bows at the shoulder, the waist, and down the back, sequins and glitter fabric scattered across the skirt so the surface throws tiny hard sparks, and absurd ornamentation clustered over the bodice — beaded rosettes, dangling charms, ribbon medallions — all jammed together with no restraint. The skirt is enormous, ballooning out in a puffy mass that fills the lower half of frame, its hem pooling and crumpling against the floor. At her ears hang colossal earrings, heavy discs that drag her earlobes down; on her right hand a colossal engagement ring, its stone absurdly oversized and catching the light; around both wrists enormous bracelets, wide bands that hang loose and clatter against the dress. The orc's head is turned toward her, his expression a broad, satisfied, oblivious grin, tusks bared, while her gaze is cast down and away toward the lower left corner, unfocused, fixed on nothing, wet lashes lowered. Light comes strong and uniform from the upper left, as on a filmed set: it picks out the sequins in hard specular points, glints off the ring's stone and the giant earrings, and lays a soft shadow of the orc's arm across the front of her skirt. Background is a flat, indistinct, slightly washed-out interior wall in a cool neutral tone, out of focus, with no readable signage. Palette is dominated by the pink and white of the dress, offset by the orc's olive-green skin and the black-to-blue gradient of her hair. Her shoulders are hunched, her posture rigid and resisting without struggling, and the whole composition reads as a garish, deeply unhappy spectacle — tacky, miserable.
Show Parameters
Original Prompt
akane kurokawa, kurokawa akane, long hair, bangs, blue eyes, green eyes, black hair, blue hair, multicolored hair, gradient hair,enormous breasts, anime screencap,colossal earrings,colossal engagement ring, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt,long skirt oversized dress, glitter fabric, sequins,ridicolus ornaments in dress,pink and white dress,sad,cry,tears,colossal engagement ring,colossal bracelets,1 orc,,la mujer no lo disfruta,la mujer tiene los brazos abajo,el orco lleva a la mujer agarrada de la cintura
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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character: eris_greyrat, copyright: mushoku_tensei 2girls, 1boy, orc, female orc, monster girl, interspecies, wedding, forced marriage, eris_greyrat \(mushoku_tensei\), red hair, very long hair, long hair, ahoge, hair between eyes, black hairband, red eyes, thick eyebrows, huge breasts, pregnant, visibly pregnant belly, sad, crying, tears, streaming tears, tear streaks, scary, angry, indignant, furious glare, gritted teeth, colossal earrings, colossal hoop earrings, colossal engagement ring, colossal bracelets, tiara, overly ornate dress, tacky dress, pink and white dress, too much lace, excessive ruffles, many bows, sequins, glitter fabric, ridiculous ornaments, huge skirt, puffy skirt, long skirt, oversized dress, wedding dress, from below, dutch angle, close-up, foreshortening, height difference, size difference, arm grabbing, grabbing wrist, pulling, looking at another, looking down, looking up, crying while angry, clenched fist, wide shot, dramatic lighting From a low dutch angle that tilts the whole world a few degrees off its axis, two figures fill the frame, the enormous pink-and-white wedding dress flooding the lower half of the composition while the orc looms over it from the left. The woman with the red hair stands off-balance, her weight thrown onto her back foot as the orc's thick green hand clamps around her wrist and drags her arm forward and up, the colossal engagement ring on that hand catching the light like a small stone. Her red eyes are wide and wet, tears cutting shining tracks down her cheeks, but her thick brows are drawn down hard and her teeth are bared in a furious, indignant glare aimed straight up at the orc's face — grief and rage locked in the same expression. The orc, a hulking grey-green brute with jutting tusks and small deep-set eyes, leans in from the upper left, its other hand raised as if to present or claim her, its gaze fixed down on her face with a greedy, proprietary stare. The dress is a catastrophe of excess: a pink and white gown so overdecorated it looks absurd, layered in excessive ruffles and too much lace, studded with sequins and glitter fabric that scatter hard little points of light, sprouting bows at every seam and waist and shoulder, hung with ridiculous ornaments and baubles, and finished with a colossal tiara perched in her long red hair and colossal earrings swinging at her ears. The skirt is so huge and puffy and long that it balloons out around her pregnant belly and spills across the floor, its hem pooling and dragging. The pregnancy is visibly present, the ornate fabric stretched taut over her rounded middle beneath the lace and bows. Lighting is harsh and theatrical from a single high source to the right, throwing the orc's shadow across the dress and making the tears and the sequins glint while the orc's face falls into deep shadow. The palette is clamped to the pink and white of the gown, the raw green of the orc, and the red of her hair and eyes. The mood is cruel and garish, a nightmare wedding.
Aizeth Lomardi
#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation
AI artwork
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character: kurokawa_akane 1girl, 2girls, kurokawa akane, long hair, bangs, blue eyes, green eyes, black hair, blue hair, multicolored hair, gradient hair, enormous breasts, rococo style, colossal earrings, colossal engagement ring, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments, red and white dress, sad, colossal bracelets, tiara, blush, sighing, standing, facing viewer, slave collar, chain, ((1 female monster)), ugly female monster, kissing, height difference, yuri, monster girl, from below, close-up, dutch angle, profile, leaning forward, eyes closed, parted lips, hands clasped, arm support, long sleeves, gradient background to black Low dutch angle from just under waist height, tilted so the ornate skirt spills diagonally across the frame and the two figures tower into the upper corners. On the right stands the girl: long black hair melting into blue at the ends in a smooth vertical gradient, straight bangs to the brow, and under those bangs her eyes are mismatched — the right iris blue, the left green — both downcast and half-lidded, wet at the lower rim, cheeks heavily flushed. She stands square to the viewer, weight on her left leg, right knee slack, one hand pressed flat to her collarbone just above the slave collar's riveted metal band, and she is caught mid-sigh: shoulders dropped, ribcage fallen, mouth barely open, a small breath-cloud of cold air escaping. Her enormous chest strains the dress's boned bodice, the red and white silk of the front panel pulling taut while the lace at the neckline stands away from her skin. The dress is monumentally, absurdly overbuilt: tier on tier of white lace, ruffles stacked so thick they cast their own small shadows, bows crowding every seam until the shoulders and hip line are buried, sequins and glitter fabric scattered across the red and white panels so that each one catches the single light and throws a pinprick. Her skirt is enormously wide and long, an oversized bell of red and white that buckles outward under its own weight and pools in folds at the floor; the back of it will not fully clear the ceiling of the frame. A spiked tiara sits slightly crooked on her head. Nested in each ear is a disc of a colossal earring dragging the lobe down; a colossal engagement ring weighs her left hand toward the floor and colossal bracelets stack so thick up her right forearm that the sleeve is pushed back above them. A chain drops from the ring on the slave collar and goes taut, angling left, up into the other figure's grip. On the left, leaning down into the frame from above the girl's shoulder height, is the ((1 female monster)): a hulking, ugly female monster, head bigger than the girl's whole chest, mottled grey-green skin loose over a blunt brow, one eye set high, the other low, a squat flat nose and a wide undershot jaw with a couple of crooked tusks. She is ugly and unglamorous — coarse hair knotted at the nape, thick neck, no finery — and she leans so far forward that her mouth closes on the girl's mouth in a kiss: the girl's lips parted under the pressure, the monster's jaw clamped over them, one huge hand cupping the back of the girl's skull with four fingers buried in the black-blue hair. The monster's other fist holds the chain wrapped twice around the knuckles, chain links pulled into a hard straight line between the fist and the girl's throat. The monster's high-set eye is closed, the low-set one open and angled down at the girl's face. The girl does not lean in. Her spine stays upright, her head tipped back only as far as the monster's cupping hand forces it, and her freed right hand hangs limp at her side, fingers loose. Her gaze goes nowhere — lids shut except for a sliver, the blue and the green almost gone. Light: one hard, cold source from the upper left, just off-frame, striking the sequined panels and the tiara and leaving the monster's back and the lower folds of the skirt in spoiled shadow; the sequins make small hard specular points only on the planes facing that source, and the shadow side of the skirt drops to deep maroon and black. Palette confines itself to red, white, cold silver and the monster's grey-green against a near-black gradient backdrop. Everything in frame is fabric, jewel or skin in compression — the chain is the only straight line. Quiet, gaudy misery.
Shylpfiette greyrat
AI artwork
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character: eris_greyrat, copyright: mushoku_tensei 1girl, 1boy, interspecies, human female and male orc, red hair, very long red hair, long hair, ahoge, hair between eyes, black hairband, red eyes, thick eyebrows, huge breasts, pregnant, visibly pregnant belly, sad, crying, tears, streaming tears, tear streaks, trembling lower lip, looking down, looking at object, tiara, colossal earrings, huge hoop earrings, colossal bracelets, colossal engagement ring, huge gemstone ring, overly ornate dress, tacky dress, overdecorated, too much lace, excessive ruffles, too many bows, ridiculous ornaments, glitter fabric, sequins, puffy sleeves, puffy skirt, huge skirt, long skirt, oversized dress, pink and white dress, pink and white palette, forced marriage, wedding ceremony, holding hands, ring finger, not resisting, limp hands, standing, chapel, altar, from below, dutch angle, close-up on hands, wide skirt filling lower frame, dim candlelight, oppressive atmosphere The view is a low, tilted angle looking up from near the floor of a small stone chapel: in the foreground the enormous pink-and-white skirt floods the lower third of the frame in swollen puffy tiers, so wide its hem drags out of the picture on both sides, and the camera sits almost at hem level so the fabric's glitter and sequins throw small hard sparks back at the lens. Above the skirt rises the pregnant woman with long red hair, an ahoge lifting from her crown and a strand falling between her heavy brows; a tiara sits pushed slightly crooked into the red hair, and colossal hoop earrings hang from both ears, so heavy they pull the lobes down, while colossal bracelets stack from wrist to forearm and clink against each other. Her hands are clasped inside a much larger green-grey hand: on her right ring finger a colossal engagement ring rides, its stone the size of a plum, tilted by the weight so it hangs toward the floor. She does not pull away; her wrists stay slack inside his grip, her arms hanging without tension, her shoulders dropped. Her face is turned down and to the side, eyes lowered to the ring on her own finger, lids heavy and wet, tears sliding in two clean lines down her cheeks and one drop caught on her jaw, her lower lip pushed out and trembling. The dress itself is a joke of excess: lace edging every tier, ruffles stacked on ruffles, bows knotted at the waist, both sleeves and every seam, ridiculous ornaments and sequin rosettes pinned at random, puffy sleeves ballooning at the shoulders. To her left and towering above her, the orc fills the right edge of frame from below: massive green-grey shoulders, a heavy jaw and one small tusk, his thick hand wrapped entirely around both of hers, his head bent toward her, his gaze fixed on her face. Behind them a narrow altar table with two guttering candles, and the candles are the only light source — warm low light from the right strikes the woman's wet cheek, the sequins and the great ring, while the orc's back and the far wall fall into absolute darkness. Candle flames stand still; the tears on her chin catch a single highlight. Pink, white, and dark green-grey stone, nothing else admitted. Quiet dread, ceremonial and oppressive.
Fitentia Lombardy
#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation
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character: eris_greyrat, copyright: mushoku_tensei eris_greyrat, 2girls?, no, 1girl, 1monster, solo focus, red_hair, hair_up, updo, ahoge, very_long_hair, red_eyes, thick_eyebrows, huge_breasts, pregnant, visibly_pregnant, puffy_frilled_dress, pink_and_white_dress, silver_and_white_dress, oversized_dress, huge_skirt, long_skirt, puffy_skirt, excessive_lace, excessive_ruffles, too_many_bows, ridiculous_ornaments, glitter, sequins, tiara, colossal_earrings, colossal_engagement_ring, slave_collar, heart-shaped_pupils, blush, reluctant, unhappy, closed_mouth, frown, furrowed_brow, docile, hands_on_own_belly, arms_at_sides, standing, facing_forward, from_below, cowboy_shot, huge_monster, ugly_monster, long_tongue, licking_belly, hug_from_behind, hand_under_belly, rococo, ornate, spoken_heart, sweat, trembling, half-closed_eyes, heavy_breathing The camera sits low and looks up, so the enormous bell of the skirt fills the lower two thirds of the frame and the tiara crests near the top edge. She stands square to the viewer, chin slightly lowered, weight sunk into her right leg while the left knee bends inward — the docile stance of someone who has stopped resisting. Both arms hang low and her hands are folded together over the swell of her belly, fingertips laced, the colossal engagement ring so heavy on her right hand that her finger dips under it; a second band circles her thumb. Her face is a study in contradiction: the pupils are large soft hearts, her cheeks and the bridge of her nose are flushed deep pink, and yet her brows are drawn together in a tight furrow, her mouth is pressed shut and pulled down at one corner, and her eyes are half-lidded and miserable — she is not enjoying it at all, and every few breaths her shoulders give a small involuntary tremble. Her red hair is swept up into a high mass fixed with a jeweled pin, an ahoge curling loose, two strands falling between her eyes, and the tiara sits tilted into it. Colossal hoop earrings draw her lobes down. At her throat a wide black slave collar with a hanging ring sits above the ruffled neckline. The dress is a rococo catastrophe: pink and white silk layered over silver and white underskirts, every seam buried under excessive lace, ruffles stacked into confectionary tiers, bows tied at the waist, the puffed sleeves, the bustle and even the tiara's base, sequins and glitter fabric catching the light in scattered pinpricks, and ridiculous ornaments — porcelain roses, ribbon rosettes, a swinging miniature cage — hung wherever a surface would bear one. So much fabric that the skirt pools and spreads at the hem, hiding her feet completely. The ugly monster presses in from her right side: a squat, mottled olive-grey creature with a heavy brow, wet small eyes and a wide slobbering mouth, its long tongue laid flat across the taut pink swell of her belly, lapping in a slow curl, saliva gleaming in the hollow of her navel and beading on the stretched fabric. One thick, clawed hand slides under the underside of her belly from beside her, cupping its weight, and the skin of her abdomen dents slightly where the fingers push. Its other arm wraps her waist and its hunched shoulder digs into her hip. Her body leans a fraction away from it while her feet stay planted, and though her heart-pupiled eyes are wide and fixed forward at nothing, her head has tipped a little toward the creature against her will. A small hand-drawn heart floats in a speech bubble beside her cheek. Rococo interior behind them: a gilded boiserie panel and a swag of dusty pink drapery, largely swallowed by shadow. One warm light source from the upper left, a window or sconce, lays a long highlight down the sequined skirt and lights the wet shine on the tongue and the gloss of her blush, while the far side of the monster falls into darkness. Pastel palette of rose pink, ivory, silver and muted gold against the creature's drab green. Ornate decorative elements, intricate gold flourishes, extravagant frills throughout — tense, unwilling, gaudy.
Eris Boreas greyrat
#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation

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