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AI artwork featuring #Oshi no Ko
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Oshi no Ko

#Oshi no Ko
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Fitentia Lombardy

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character: kurokawa_akane 2girls, 1girl, 1boy, kurokawa akane, long hair, bangs, hair between eyes, multicolored hair, gradient hair, black hair, blue hair, blue eyes, green eyes, heterochromia, enormous breasts, rococo style, colossal earrings, colossal earrings, colossal bracelets, colossal engagement ring, tiara, overly ornate dress, tacky dress, pink and white dress, too much lace, excessive ruffles, too many bows, overdecorated, ridiculous ornaments in dress, glitter fabric, sequins, puffy skirt, huge skirt, long skirt, oversized dress, tape gag, gagged, tied hands, wrists bound behind back, sad face, distressed, crying, tears, trembling, kidnapped, (((carry princess))), princess carry, carried, head resting on man's chest, leaning against chest, ugly man, adult male, older man, large body, from side, cowboy shot, dutch angle, dutch angle, tears rolling down cheek, looking down, looking away, motion lines, bound arms, fancy ballroom, chandelier light source, warm gold rim light, pastel palette, seductive_smile, sweat, blush, trembling, heavy_breathing The view is from below and slightly to the side, a low tilted dutch angle looking up past the man's shoulder: he dominates the right two-thirds of the frame, she is cradled across the left half. He is a heavy, slab-shouldered, older man with a broad fleshy face, thick brows, a wide downturned mouth and stubble along a sagging jaw, hairless crown and a coarse brown coat of cheap wool over a crumpled collar; he carries her **(((in a princess carry)))** — one thick forearm hooked under her knees and his other hand flat across her shoulder blades — his weight sunk into his back leg, torso leaning back to counterbalance her bulk, shoulder line tilted, and his small eyes fixed forward past the frame on the way out. Contact is exact: her bound wrists are pressed between her own lower back and his supporting forearm, the tape gag sealed across her mouth with a visible silver strip overlapping both corners, her temple and cheek flat against the upper slope of his chest, her earrings swinging heavily from both lobes, the enormous engagement ring glinting on the ring finger of her tied hand, the wide bracelets stacked at each bound wrist. Her enormous chest presses up against his coat, the corseted bodice straining. Her expression is a hard lock of misery — brows drawn up and pinched at the inner corners, eyes wet and half-lidded, lashes clumped, one tear track cutting through the blush on her cheek, jaw clenched behind the tape, no smile anywhere in the frame. Her long gradient hair, black at the crown bleeding through blue to a pale blue-pink at the ends, spills over his forearm and hangs nearly to the floor, swept bangs and a lock between her eyes; the tiara sits slightly askew where the back of her head meets his shoulder. Everything of the dress is overkill and proud of it: pink and white tiers, layered lace edged in tiny gold thread, ruffles stacked on ruffles at the hem and cuffs, a swarm of small bows stitched down the bodice and along each flounce, sequins and glitter fabric scattering pinpoints of light, absurd gilded ornaments and pastel silk flowers glued over the skirt, which is a huge puffy sphere of fabric far too big for her body and draping a full arm's length below his elbow, the oversized long skirt bunching and trailing wrinkles where it hangs. The setting is a lavish rococo hall behind them — gilded stucco scrollwork, pastel panelling, a marble floor, a chandelier above and behind the camera as the only light source, its warm gold raking across the tops of the ruffles, the pearls of the tiara and the man's shoulder, while the undersides of the skirt and their faces below the brow fall into cool lavender-grey shadow; where the chandelier's light passes through the edge of the glitter fabric it throws small hard flecks of pink light onto his coat, and each crystal droplet of the earrings carries one white highlight. Clean ornate linework, intricate gold detailing, soft pastel-on-gold palette, lavish layered fabric texture, crisp highlights on sequins and polished metal, the hall receding into dim soft focus — opulent, uneasy dread.
Show Parameters
Original Prompt
akane kurokawa, kurokawa akane, long hair, bangs, blue eyes, green eyes, black hair, blue hair, multicolored hair, gradient hair,enormous breasts,rococo style,colossal earrings,colossal engagement ring, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt,long skirt oversized dress, glitter fabric, sequins,ridicolus ornaments in dress,pink and white dress,sad,tape gag,manos atadas,colossal engagement ring,colossal bracelets,tiara,1 man,ugly man,(((carry princess))),kidnapped,la mujer no lo disfruta,la mujer tiene la cabeza apoyada en el pecho del hombre,rococo style
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Tsubaki.3
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character: kurokawa_akane 1girl, solo, kurokawa akane, long hair, bangs, swept bangs, hair between eyes, multicolored hair, gradient hair, black hair, blue hair, two-tone hair, heterochromia, blue eye, green eye, star-shaped pupils, enormous breasts, rococo style dress, pink and white dress, overly ornate dress, tacky dress, overdecorated dress, too much lace, excessive ruffles, too many bows, ridiculous ornaments, glitter fabric, sequins, huge skirt, puffy skirt, long skirt, oversized dress, colossal earrings, colossal engagement ring, colossal bracelets, tiara, tape gag, tape over mouth, bound wrists, tied hands, rope around wrists, lying on divan, on back, hands on own belly, head tilt, head tilted to one side, empty eyes, blank stare, sad, expressionless, dead eyes, tears, from above, dutch angle, three-quarter view, full body, lavish rococo salon, single subject, The camera looks down from a high three-quarter angle, tilted slightly on a dutch roll, so the divan runs diagonally from the lower left corner toward the upper right and her body lies the long way across the frame, foreshortened so the huge puffed skirt fills the near foreground and her face sits small in the upper right third. She lies on her back on an antique rococo divan with a carved giltwood frame and pale rose silk upholstery, her body sunk into the cushion. Her ribcage is heavy and the enormous breasts press upward and spread under the taut bodice, straining the lacing. Her long black-and-blue gradient hair spills off the cushion behind her head, dark at the crown, thinning to translucent blue at the tips, the ends hanging down out of frame past the divan's arm. Her bangs fall across her forehead and separate in wet-looking strands. Her head is tipped away to her right against the cushion, cheek pressed into the silk so her neck stretches on the opposite side. A strip of wide silver-grey tape is sealed flat over her mouth from corner to corner, the adhesive edge lifting slightly at one end, its surface catching the light in a long dull streak; her lips are compressed behind it. Her eyes are open on nothing, pupils fixed and unfocused, no glow in them, the lids heavy, the single blue iris and the single green iris both flat and matte. Her jaw slack under the tape. Both wrists are bound together in front of her, crossed at the bone and wrapped with white silk cord that bites into the skin, and her bound hands rest flat on her own belly, the knuckles touching the glittering fabric of the dress above her navel. On her left ring finger the colossal engagement ring sits like a paperweight, a faceted stone the size of a plum that drags the finger sideways with its mass. Colossal hoop earrings the width of her palm hang from both ears and dent the cushion behind her neck, where the gold rests against the silk. Colossal layered bracelets of gold and pearl stack from wrist to elbow on the bound arms and slide down toward her elbows. A tall tiara bristling with paste jewels sits crooked in her hair, pushed back by the tilt of her head. The dress is a rococo catastrophe in pink and white: a stomacher of white satin so heavily encrusted with sequins and silver glitter that it reads as a solid sheet of sparks, the whole surface flaking loose glitter onto the rose upholstery beneath her; tiers of lace at every edge, some of it ripped and curling; ruffles stacked in three rows at the neckline and again at the elbows, one ruffle crushed under her arm; oversized bows of pink moiré ribbon tied at the shoulders, at the waist and at the wrists of the sleeves, so many that two of them collide; and a skirt inflated like a bell with panniers, so vast it spills over the front edge of the divan and hangs, the hem trailing sequins down toward the parquet floor. Small ridiculous ornaments are stitched all over it, porcelain roses, paste cameos and a tiny gilded bird. The room behind her is a rococo salon out of focus, a tall window with tattered gold-leaf trim at frame left, boiserie paneling, a chandelier hanging out of frame at the top. A single shaft of cold pale daylight comes down through that window from the upper left, and it is the only light; it strikes the top of her forehead, the ridge of her nose, the tape's glossy surface and the swelling tops of her breasts, throws the eye sockets into shadow and leaves her bound hands and the near skirt in a soft grey dusk. Her cast shadow falls across the rose cushion to the lower right. Dust hangs in the beam; loose glitter sparkles only where the beam finds it. Palette confined to pink and white, gold, silver glitter, black and blue hair, and the cold white daylight. Cold, hopeless, quietly opulent.
Fitentia Lombardy
#Akane Kurokawa
AI artwork
sg
character: kurokawa_akane 2girls, long hair, bangs, black and blue hair, multicolored hair, gradient hair, blue eyes, green eyes, heterochromia, enormous breasts, standing, facing forward, front view, sad, sighing, blush, tiara, colossal earrings, colossal engagement ring, colossal bracelets, slave collar, chain, holding chain, red and white dress, rococo style, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, ridiculous ornaments, sequins, glitter fabric, puffy skirt, huge skirt, long skirt, oversized dress, slave auction, ugly woman, second woman, full body, wide shot, from below, spotlight lighting, Full-length wide shot from a low angle, the auction block of a slave market: Akane Kurokawa stands square to the camera on a raised wooden dais, dead center, facing forward, chin dipped, lids lowered over her mismatched eyes — one iris blue, one green — and her breath leaving her parted lips in a long audible sigh that lifts the lace at her collarbone. Her hair falls long past her waist, black at the crown shading into deep blue through the length, blunt bangs cutting across her brow, the gradient most visible where the spotlight grazes the crown of her head; the tiara sits crooked in that hair, its rhinestones dulled with dust. On each earlobe a colossal hoop earring hangs almost to her collar, its enamel chipped; on her left hand, laid flat against the huge skirt, a colossal engagement ring with a paste gemstone the size of a thumb joint; bracelets stacked colossal and clanking from wrist to mid-forearm, every one of them too heavy to be real gold. Her dress is a catastrophe of rococo excess in red and white: a white satin bodice laced tight over her enormous chest, strained seams, red velvet ribbon threaded in a lattice, sprays of lace at the sleeves, layers of ruffles climbing from the waist to the bra line, bows in six sizes pinned wherever a seam gave room, rosettes of sequins, glitter fabric scattered across the skirt in drifts that catch the light in hard little points, a puffed skirt so huge and long it pools around her feet and hides them almost entirely, its hem a froth of lace and ribbon and dangling paste pearls. The slave collar is plain by contrast — a band of worn steel riveted around her throat — and the chain drops from its front ring, swaying, into the hand of the second woman at stage right. That second woman stands on the floor below the dais, her coarse body turned half toward the crowd, face broad and heavy-jawed, one crooked tooth showing, hair greasy and bound back, wearing a plain brown woolen coat and scuffed boots; she grips the chain in a fist at hip height, winding the slack once around her knuckles, and her eyes are on the crowd, not on Akane. Only Akane looks forward, at us, hopeless. The dais is lit by one caged lamp hanging above and slightly front-left of her, throwing a hard pool of warm light on her face, her collarbone, and the top of the skirt; everything below the hem of the skirt and everything behind the two women falls off into felted darkness, the auction hall a suggestion of ranked benches and a murmur of shapes behind. Her enormous shadow is cast down and to the right across the dais boards, the chain's shadow interrupting it. Dust drifts in the lamp's beam. Palette of red, white, worn brass and greasy brown, with black swallowing the rest. Airless, humiliating, tender.
Shylpfiette greyrat
AI artwork
eb
2girls, front view, looking at viewer, cowboy shot, hug from behind, kissing cheek, crying, tears, sad, black hair, long hair, blunt bangs, sky blue eyes, flat chest, petite, short stature, adult woman, mature female, unattractive woman, pink dress, white dress, overly ornate dress, tacky clothes, excessive ruffles, excessive lace, too many bows, puffy skirt, huge skirt, oversized dress, glitter, sequins, opulent parlor From a straight-on front view at eye level, a petite, flat-chested young woman stands centered, facing directly forward while trapped in a tight embrace from behind. Directly behind her, a taller, heavy-featured adult woman with coarse, unflattering facial lines and a broad jaw leans forward, wrapping both arms possessively around the smaller figure's upper body and pressing puckered lips firmly into the girl's left cheek, subtly indenting the pale skin. The petite girl stares straight ahead at the viewer with wide, luminous sky-blue eyes brimming with tears, visible wet tracks streaming down both cheeks to wet the collar below, her eyebrows arched in helpless distress and her mouth frozen in a tight, quivering downturn. Her long, straight black hair falls past her shoulders, fronted by neatly trimmed blunt bangs that hang just above her tear-filled eyes. She is engulfed in a garishly overdesigned, tacky pink and white dress far too large for her slight frame: an enormous, oversized bell skirt flares outwards in dizzying tiers of stiff, layered ruffles and frothing white lace, smothered by an absurd excess of satiny pink bows pinned in haphazard clusters. Shimmering glitter fabric and sewn-on sequins speckle the cloth alongside gaudy, mismatched plastic ornaments hanging along the flounces. Warm chandelier light from above strikes the glossy fabric and glints harshly off individual sequins, casting sharp highlights along the wet teardrops pooling at her chin. In the softly blurred background, deep crimson drapery and gilded wall mouldings frame the stifling, oppressive encounter. Stifling sorrow.
Eris Boreas greyrat
AI artwork
sg
character: miyu_edelfelt, copyright: fate/kaleid_liner_prisma_illya 1girl, 1man, 1monster, black hair, brown eyes, small breasts, medium hair, hair ornament, hairclip, hair between eyes, colossal earrings, colossal engagement ring, overly ornate dress, tacky dress, lace, ruffles, bows, overdecorated, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments, pink and white dress, sad, crying, tears, tiara, (((black cloak))), long cloak, closed cloak, cloak fastened, collar, chain, ugly man, mini demon, licking, slave market, baroque style, from front, facing viewer, docile posture, arms on belly, A frontal shot from the front. A girl with medium black hair and brown eyes, a few strands falling between her eyes, stands facing the viewer with a docile, defeated posture, her arms lowered and resting against her belly. She wears a tiara and (((a long, closed black cloak fastened at the neck))) that drapes over an absurdly tacky, overly ornate pink and white dress. The dress is an oversized disaster of baroque excess, featuring a huge, puffy long skirt, excessive ruffles, too many bows, and an overwhelming amount of lace, all rendered in glittery fabric and sequins with ridiculous ornaments sewn into the fabric. Colossal earrings hang from her ears, and a colossal engagement ring adorns her finger. Her expression is heartbroken, tears streaming down her cheeks as she cries. A heavy collar is clamped around her neck, connected to a metal chain. Standing beside her, an ugly man with a coarse face grips the chain firmly in his hand, pulling it slightly. Perched on the girl's shoulder is a small, winged mini demon, its long tongue licking her cheek. They stand on a wooden platform in the center of a crowded, ornate baroque slave market, surrounded by the architectural opulence of an auction house. The scene is lit by heavy, warm chandeliers that cast deep shadows and make the sequins on the dress glint harshly. Gloomy, oppressive.
Shylpfiette greyrat

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