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Fitentia Lombardy

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Fitentia Lombardy

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character: kurokawa_akane 2girls, 1girl, 1boy, kurokawa akane, long hair, black and blue gradient hair, multicolored hair, bangs, swept bangs, hair between eyes, heterochromia, blue eye, green eye, star-shaped pupils, enormous breasts, blush, sad, sighing, standing, facing viewer, tiara, colossal earrings, colossal bracelets, colossal engagement ring, slave collar, chain, red and white dress, rococo style, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, glitter fabric, sequins, ridiculous ornaments, puffy skirt, huge skirt, long skirt, oversized dress, ugly man, tall man, evil man, kiss, mouth to mouth kiss, kissing with malice, hand on her jaw, man looming over her, dutch angle, from below, cowboy shot, half-closed eyes, tearful, trembling, forced kiss, dominant, captive, spoken_heart The camera looks up from hip height at a slight dutch tilt, so the ringed, braceleted woman stands with her weight sunk into her left hip, chin dragged upward and forward, held in place under the much taller man who leans down over her from her right; the viewer sees her chest-on full front, face tipped back, and only the man's long slab of shoulder and his jaw crossing the top of the frame. Her enormous breasts press up against the stiff boned bodice of the red and white gown, the sequinned and glitter-sheened fabric catching light along every seam of its tacky rococo profusion: lace edging spilling from the neckline in three stacked tiers, ruffles bunching in too many layers at the shoulders and cuffs, bows knotted and re-knotted at bust, waist and hem until the trim turns ridiculous, tiny gilt and glass ornaments pinned over all of it so densely the red and white barely shows. The skirt balloons past her hips into a puffed, bell-like bulk of a size no room would hold, dragging the frame edges and eating the lower third of the image. A tiara sits canted back in her long black-and-blue gradient hair, the black at the crown melting into cobalt toward the tips, bangs cut straight across her brow. Colossal hoop earrings hang nearly to her shoulders and swing; matching bracelets stack heavy around both wrists, and the engagement ring bulks off her left hand where it hangs at her side, too big and too bright. A studded slave collar circles her throat with the chain running down from it, slack, lying across the lace of her bodice. The man is ugly in a specific way -- long jaw, greasy hair swept back, thick brow, sneering mouth -- and tall enough that his lips come down onto hers from above, his hand clamped around the line of her jaw to keep her face turned up; her own hands stay slack at her sides, fingers not quite closing. Her blue eye and her green eye are both open and glistening, brows pinched, a wet shine at the inner corners, her cheeks flushed deep with blush as she breathes out hard through her nose -- the sigh visible in the lift of her shoulders and the flare of her nostrils, mouth sealed under his. Saliva catches at the corner where their lips meet. Light comes from one high soft source above and forward, silvering the tiara and the ring, throwing the shadow of the man down across her bodice and deep into the folds of the huge skirt; behind them a plain dark velvet ground falls away into shadow with no other light. Palette is her red and white blown out against black and blue hair and the cold velvet. Highly ornate decorative rendering throughout -- elaborate lace, ruffles, lavish gold and pastel embellishments -- with a small hand-drawn heart in a speech bubble beside her cheek. Grim, sumptuous dread.
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Original Prompt
1 girl,akane kurokawa, kurokawa akane, long hair, bangs, blue eyes, green eyes, black hair, blue hair, multicolored hair, gradient hair,enormous breasts,rococo style,colossal earrings,colossal engagement ring, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt,long skirt oversized dress, glitter fabric, sequins,ridicolus ornaments in dress,red and white dress,sad,colossal engagement ring,colossal bracelets,tiara,blush,la mujer esta suspirando,la mujer esta de pie,la mujer esta de frente,slave collar,chain,1 man,ugly man,tall man,evil man,el hombre besa con maldad en la boca a la mujer
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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sg
character: kurokawa_akane 1girl, 2girls, kurokawa akane, long hair, bangs, blue eyes, green eyes, black hair, blue hair, multicolored hair, gradient hair, enormous breasts, rococo style, colossal earrings, colossal engagement ring, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments, red and white dress, sad, colossal bracelets, tiara, blush, sighing, standing, facing viewer, slave collar, chain, ((1 female monster)), ugly female monster, kissing, height difference, yuri, monster girl, from below, close-up, dutch angle, profile, leaning forward, eyes closed, parted lips, hands clasped, arm support, long sleeves, gradient background to black Low dutch angle from just under waist height, tilted so the ornate skirt spills diagonally across the frame and the two figures tower into the upper corners. On the right stands the girl: long black hair melting into blue at the ends in a smooth vertical gradient, straight bangs to the brow, and under those bangs her eyes are mismatched — the right iris blue, the left green — both downcast and half-lidded, wet at the lower rim, cheeks heavily flushed. She stands square to the viewer, weight on her left leg, right knee slack, one hand pressed flat to her collarbone just above the slave collar's riveted metal band, and she is caught mid-sigh: shoulders dropped, ribcage fallen, mouth barely open, a small breath-cloud of cold air escaping. Her enormous chest strains the dress's boned bodice, the red and white silk of the front panel pulling taut while the lace at the neckline stands away from her skin. The dress is monumentally, absurdly overbuilt: tier on tier of white lace, ruffles stacked so thick they cast their own small shadows, bows crowding every seam until the shoulders and hip line are buried, sequins and glitter fabric scattered across the red and white panels so that each one catches the single light and throws a pinprick. Her skirt is enormously wide and long, an oversized bell of red and white that buckles outward under its own weight and pools in folds at the floor; the back of it will not fully clear the ceiling of the frame. A spiked tiara sits slightly crooked on her head. Nested in each ear is a disc of a colossal earring dragging the lobe down; a colossal engagement ring weighs her left hand toward the floor and colossal bracelets stack so thick up her right forearm that the sleeve is pushed back above them. A chain drops from the ring on the slave collar and goes taut, angling left, up into the other figure's grip. On the left, leaning down into the frame from above the girl's shoulder height, is the ((1 female monster)): a hulking, ugly female monster, head bigger than the girl's whole chest, mottled grey-green skin loose over a blunt brow, one eye set high, the other low, a squat flat nose and a wide undershot jaw with a couple of crooked tusks. She is ugly and unglamorous — coarse hair knotted at the nape, thick neck, no finery — and she leans so far forward that her mouth closes on the girl's mouth in a kiss: the girl's lips parted under the pressure, the monster's jaw clamped over them, one huge hand cupping the back of the girl's skull with four fingers buried in the black-blue hair. The monster's other fist holds the chain wrapped twice around the knuckles, chain links pulled into a hard straight line between the fist and the girl's throat. The monster's high-set eye is closed, the low-set one open and angled down at the girl's face. The girl does not lean in. Her spine stays upright, her head tipped back only as far as the monster's cupping hand forces it, and her freed right hand hangs limp at her side, fingers loose. Her gaze goes nowhere — lids shut except for a sliver, the blue and the green almost gone. Light: one hard, cold source from the upper left, just off-frame, striking the sequined panels and the tiara and leaving the monster's back and the lower folds of the skirt in spoiled shadow; the sequins make small hard specular points only on the planes facing that source, and the shadow side of the skirt drops to deep maroon and black. Palette confines itself to red, white, cold silver and the monster's grey-green against a near-black gradient backdrop. Everything in frame is fabric, jewel or skin in compression — the chain is the only straight line. Quiet, gaudy misery.
Shylpfiette greyrat
AI artwork
fl
character: kurokawa_akane 1girl, solo, kurokawa akane, long hair, bangs, swept bangs, hair between eyes, multicolored hair, gradient hair, black hair, blue hair, two-tone hair, heterochromia, blue eye, green eye, star-shaped pupils, enormous breasts, rococo style dress, pink and white dress, overly ornate dress, tacky dress, overdecorated dress, too much lace, excessive ruffles, too many bows, ridiculous ornaments, glitter fabric, sequins, huge skirt, puffy skirt, long skirt, oversized dress, colossal earrings, colossal engagement ring, colossal bracelets, tiara, tape gag, tape over mouth, bound wrists, tied hands, rope around wrists, lying on divan, on back, hands on own belly, head tilt, head tilted to one side, empty eyes, blank stare, sad, expressionless, dead eyes, tears, from above, dutch angle, three-quarter view, full body, lavish rococo salon, single subject, The camera looks down from a high three-quarter angle, tilted slightly on a dutch roll, so the divan runs diagonally from the lower left corner toward the upper right and her body lies the long way across the frame, foreshortened so the huge puffed skirt fills the near foreground and her face sits small in the upper right third. She lies on her back on an antique rococo divan with a carved giltwood frame and pale rose silk upholstery, her body sunk into the cushion. Her ribcage is heavy and the enormous breasts press upward and spread under the taut bodice, straining the lacing. Her long black-and-blue gradient hair spills off the cushion behind her head, dark at the crown, thinning to translucent blue at the tips, the ends hanging down out of frame past the divan's arm. Her bangs fall across her forehead and separate in wet-looking strands. Her head is tipped away to her right against the cushion, cheek pressed into the silk so her neck stretches on the opposite side. A strip of wide silver-grey tape is sealed flat over her mouth from corner to corner, the adhesive edge lifting slightly at one end, its surface catching the light in a long dull streak; her lips are compressed behind it. Her eyes are open on nothing, pupils fixed and unfocused, no glow in them, the lids heavy, the single blue iris and the single green iris both flat and matte. Her jaw slack under the tape. Both wrists are bound together in front of her, crossed at the bone and wrapped with white silk cord that bites into the skin, and her bound hands rest flat on her own belly, the knuckles touching the glittering fabric of the dress above her navel. On her left ring finger the colossal engagement ring sits like a paperweight, a faceted stone the size of a plum that drags the finger sideways with its mass. Colossal hoop earrings the width of her palm hang from both ears and dent the cushion behind her neck, where the gold rests against the silk. Colossal layered bracelets of gold and pearl stack from wrist to elbow on the bound arms and slide down toward her elbows. A tall tiara bristling with paste jewels sits crooked in her hair, pushed back by the tilt of her head. The dress is a rococo catastrophe in pink and white: a stomacher of white satin so heavily encrusted with sequins and silver glitter that it reads as a solid sheet of sparks, the whole surface flaking loose glitter onto the rose upholstery beneath her; tiers of lace at every edge, some of it ripped and curling; ruffles stacked in three rows at the neckline and again at the elbows, one ruffle crushed under her arm; oversized bows of pink moiré ribbon tied at the shoulders, at the waist and at the wrists of the sleeves, so many that two of them collide; and a skirt inflated like a bell with panniers, so vast it spills over the front edge of the divan and hangs, the hem trailing sequins down toward the parquet floor. Small ridiculous ornaments are stitched all over it, porcelain roses, paste cameos and a tiny gilded bird. The room behind her is a rococo salon out of focus, a tall window with tattered gold-leaf trim at frame left, boiserie paneling, a chandelier hanging out of frame at the top. A single shaft of cold pale daylight comes down through that window from the upper left, and it is the only light; it strikes the top of her forehead, the ridge of her nose, the tape's glossy surface and the swelling tops of her breasts, throws the eye sockets into shadow and leaves her bound hands and the near skirt in a soft grey dusk. Her cast shadow falls across the rose cushion to the lower right. Dust hangs in the beam; loose glitter sparkles only where the beam finds it. Palette confined to pink and white, gold, silver glitter, black and blue hair, and the cold white daylight. Cold, hopeless, quietly opulent.
Fitentia Lombardy
#Akane Kurokawa
AI artwork
sg
character: kurokawa_akane 2girls, long hair, bangs, black and blue hair, multicolored hair, gradient hair, blue eyes, green eyes, heterochromia, enormous breasts, standing, facing forward, front view, sad, sighing, blush, tiara, colossal earrings, colossal engagement ring, colossal bracelets, slave collar, chain, holding chain, red and white dress, rococo style, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, ridiculous ornaments, sequins, glitter fabric, puffy skirt, huge skirt, long skirt, oversized dress, slave auction, ugly woman, second woman, full body, wide shot, from below, spotlight lighting, Full-length wide shot from a low angle, the auction block of a slave market: Akane Kurokawa stands square to the camera on a raised wooden dais, dead center, facing forward, chin dipped, lids lowered over her mismatched eyes — one iris blue, one green — and her breath leaving her parted lips in a long audible sigh that lifts the lace at her collarbone. Her hair falls long past her waist, black at the crown shading into deep blue through the length, blunt bangs cutting across her brow, the gradient most visible where the spotlight grazes the crown of her head; the tiara sits crooked in that hair, its rhinestones dulled with dust. On each earlobe a colossal hoop earring hangs almost to her collar, its enamel chipped; on her left hand, laid flat against the huge skirt, a colossal engagement ring with a paste gemstone the size of a thumb joint; bracelets stacked colossal and clanking from wrist to mid-forearm, every one of them too heavy to be real gold. Her dress is a catastrophe of rococo excess in red and white: a white satin bodice laced tight over her enormous chest, strained seams, red velvet ribbon threaded in a lattice, sprays of lace at the sleeves, layers of ruffles climbing from the waist to the bra line, bows in six sizes pinned wherever a seam gave room, rosettes of sequins, glitter fabric scattered across the skirt in drifts that catch the light in hard little points, a puffed skirt so huge and long it pools around her feet and hides them almost entirely, its hem a froth of lace and ribbon and dangling paste pearls. The slave collar is plain by contrast — a band of worn steel riveted around her throat — and the chain drops from its front ring, swaying, into the hand of the second woman at stage right. That second woman stands on the floor below the dais, her coarse body turned half toward the crowd, face broad and heavy-jawed, one crooked tooth showing, hair greasy and bound back, wearing a plain brown woolen coat and scuffed boots; she grips the chain in a fist at hip height, winding the slack once around her knuckles, and her eyes are on the crowd, not on Akane. Only Akane looks forward, at us, hopeless. The dais is lit by one caged lamp hanging above and slightly front-left of her, throwing a hard pool of warm light on her face, her collarbone, and the top of the skirt; everything below the hem of the skirt and everything behind the two women falls off into felted darkness, the auction hall a suggestion of ranked benches and a murmur of shapes behind. Her enormous shadow is cast down and to the right across the dais boards, the chain's shadow interrupting it. Dust drifts in the lamp's beam. Palette of red, white, worn brass and greasy brown, with black swallowing the rest. Airless, humiliating, tender.
Shylpfiette greyrat
AI artwork
sg
character: miyu_edelfelt, copyright: fate/kaleid_liner_prisma_illya 1girl, 1man, 1monster, black hair, brown eyes, small breasts, medium hair, hair ornament, hairclip, hair between eyes, colossal earrings, colossal engagement ring, overly ornate dress, tacky dress, lace, ruffles, bows, overdecorated, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments, pink and white dress, sad, crying, tears, tiara, (((black cloak))), long cloak, closed cloak, cloak fastened, collar, chain, ugly man, mini demon, licking, slave market, baroque style, from front, facing viewer, docile posture, arms on belly, A frontal shot from the front. A girl with medium black hair and brown eyes, a few strands falling between her eyes, stands facing the viewer with a docile, defeated posture, her arms lowered and resting against her belly. She wears a tiara and (((a long, closed black cloak fastened at the neck))) that drapes over an absurdly tacky, overly ornate pink and white dress. The dress is an oversized disaster of baroque excess, featuring a huge, puffy long skirt, excessive ruffles, too many bows, and an overwhelming amount of lace, all rendered in glittery fabric and sequins with ridiculous ornaments sewn into the fabric. Colossal earrings hang from her ears, and a colossal engagement ring adorns her finger. Her expression is heartbroken, tears streaming down her cheeks as she cries. A heavy collar is clamped around her neck, connected to a metal chain. Standing beside her, an ugly man with a coarse face grips the chain firmly in his hand, pulling it slightly. Perched on the girl's shoulder is a small, winged mini demon, its long tongue licking her cheek. They stand on a wooden platform in the center of a crowded, ornate baroque slave market, surrounded by the architectural opulence of an auction house. The scene is lit by heavy, warm chandeliers that cast deep shadows and make the sequins on the dress glint harshly. Gloomy, oppressive.
Shylpfiette greyrat

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