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AI art "Pilot getting cozy" featuring #Barefoot, #Dress, #Alternate Costume, #Girl, #Genshin Impact, #Yelan and #zetaCollab
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Pilot getting cozy

Pilot getting ready for bed

Contest Entry
PixAI × zeta Original Character Creation Contest 2026
#Barefoot#Dress#Alternate Costume#Girl#Genshin Impact#Yelan
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Ariel Costa

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1girl, solo, mature female, adult woman, short hair, dark green hair, blue eyes, bob cut, big breasts, perky breasts, slim legs, toned legs, transparent babydoll, sheer white negligee, see-through fabric, mesh stockings, thigh-high stockings, small gold bows, bow at thigh, silver choker, blue diamond pendant, tetragonal cut gemstone, holding pillow, gilded pillow, gold silk cushion, full shot, standing, from below, contrapposto, looking at viewer, one eye closed, faint smirk, head tilt, soft rim light, solid background, flat backdrop, A full shot from a low, slightly upward camera so her legs run long toward the bottom edge of the frame and the pale empty field behind her stays perfectly flat and unbroken from floor to top of image. One adult woman, a pilot off duty, stands three-quarter to the lens with her weight sunk into her right hip, left knee bent and left foot trailing forward on the bare seamless ground, one leg crossed loosely in front of the other. Her short dark green hair is tousled and ends just below the ears, a few strands flicked across the brow by a slow moving air; her blue eyes are narrowed and amused, one lid lowered in a lazy half-wink, the corner of her mouth pulled up in a faint lopsided smirk, chin tipped toward her right shoulder. Both arms fold the gilded pillow up against the underside of her chest -- her right forearm cradles it from below, her left hand grips the far corner, fingers pressing pale dents into the gold silk, the cushion's soft weight squashing her breasts up and together behind the transparent clingy babydoll. The sheer white nylon drapes down over the swell of her hips, its hem caught on the stocking tops and stretched thin where the fabric clings, so the mesh and the small gold bows at each thigh read clearly through it and the gold bows catch the light as tiny warm points. The silver choker sits snug at the base of her throat with the small blue tetragonal cut diamond hanging at its front, the gem throwing a crisp four-cornered highlight and a thin blue spark onto the pale skin of her collarbone. Her legs are slim and toned, mesh stockings sheathing them from thigh to toe. Light comes from a single soft source high and to the left of frame: it rims the rounded gold pillow with a warm edge, glazes the top of her left shoulder, and lets the right side of her body fall into a gentle grey shade, with a low soft shadow pooling under her crossed feet on the ground. Palette is restraint itself -- the pale ivory field, her dark green hair, the white of the sheer fabric, the warm gold of the pillow and bows, and one cold blue point at her throat. Quiet, deliberate glamour.
Show Parameters
Original Prompt
A full shot of a mature female pilot with short dark green hair, blue eyes. She has big rounded perky breasts and slim well toned legs. She is wearing only transparent clingy baby-doll and meshed stocking with small gold bows She has a silver choker with a small blue tetragonal cut diamond. She is holding a gilded pillow. Solid background,
Mode
pro
Size
1104 x 1824
Sampling Method
Euler
Negative
nsfw,
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.48k

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Avatar image of Lizzie
character: maomao_(kusuriya_no_hitorigoto), copyright: kusuriya_no_hitorigoto 1girl, solo, full body, looking at viewer, closed mouth, blue eyes, green hair, long hair, twintails, multi-tied hair, hair rings, hair flower, hair ornament, blunt bangs, chinese clothes, camisole, bare shoulders, collarbone, small breasts, bandages, bandaged arm, standing, contrapposto, hand on own arm, head tilt, from below, full-length shot, plain off-white studio ground, A single young woman stands alone on a seamless, completely empty off-white field, staged as a full-length figure study and seen from slightly below eye level, so the camera sits near her waist height and looks a little upward: her chin lifts just enough that her throat opens, and the floor reads as a soft flat gradient with no horizon line. She is turned a quarter away from square, weight settled on her right leg with her left knee relaxed and her left foot a little forward on the ball, hip pushed out slightly; the pose gives her a lazy, sideways asymmetry rather than a straight-on stance. Her long green hair falls well past her waist and is gathered into two tails that are tied at several points down their length with slim hair rings, each tie pinching the strand into a small successive bulge so the tails read as a chain of soft segments swinging a little behind her shoulders; blunt bangs cut straight across her brow. A flat cloth hair flower sits at the left side of her head above the ear, and a small hair ornament pins the right side. Her eyes are blue and level at the lens, calm and appraising, lips pressed shut in a flat closed line with the corners neither lifted nor pulled down; brows level, one a hair higher than the other. She wears Chinese-style clothes with a high crossed wrap collar that closes at the throat, and beneath and beside it the loose camisole layer is slipped off her shoulders, so both shoulders are bare from the slope down, the collarbones fully uncovered and catching the light in a thin bright line across the base of her neck. The fabric is soft and slightly matte, falling away from the bare skin, and the small swell of her chest barely lifts the loose front of the camisole. Her right forearm and the back of her right hand are wrapped in layered off-white bandages, the strip edges crossing diagonally and one loose end tucked in at the wrist; her other hand rests across that forearm, fingers curling lightly over the bandaged wrist, holding the arm close to her body. The wraps crease where the arm bends and lift slightly at the inner elbow. The lighting is one broad, soft studio source from the front left, high, so a gentle fall of shadow runs down the right side of her throat and under the loose fabric at her waist, and a short soft contact shadow pools at her feet on the seamless ground, spreading a little to the right; there is no second light and no defined background. The whole image is held to a restrained palette of pale off-white ground, muted green in the hair, the cooler blue of the eyes, and the warm cream of the bandage cloth and her skin. Her gaze stays steady on the viewer, and the stillness is quiet and a little sly.
Lizzie
AI artwork
Avatar image of Lizzie
character: maomao_(kusuriya_no_hitorigoto), copyright: kusuriya_no_hitorigoto 1girl, solo, full body, looking at viewer, closed mouth, blue eyes, green hair, long hair, twintails, multi-tied hair, hair rings, hair flower, hair ornament, blunt bangs, chinese clothes, camisole, bare shoulders, collarbone, small breasts, bandages, bandaged arm, standing, contrapposto, hand on own arm, head tilt, from below, full-length shot, plain off-white studio ground, A single young woman stands alone on a seamless, completely empty off-white field, staged as a full-length figure study and seen from slightly below eye level, so the camera sits near her waist height and looks a little upward: her chin lifts just enough that her throat opens, and the floor reads as a soft flat gradient with no horizon line. She is turned a quarter away from square, weight settled on her right leg with her left knee relaxed and her left foot a little forward on the ball, hip pushed out slightly; the pose gives her a lazy, sideways asymmetry rather than a straight-on stance. Her long green hair falls well past her waist and is gathered into two tails that are tied at several points down their length with slim hair rings, each tie pinching the strand into a small successive bulge so the tails read as a chain of soft segments swinging a little behind her shoulders; blunt bangs cut straight across her brow. A flat cloth hair flower sits at the left side of her head above the ear, and a small hair ornament pins the right side. Her eyes are blue and level at the lens, calm and appraising, lips pressed shut in a flat closed line with the corners neither lifted nor pulled down; brows level, one a hair higher than the other. She wears Chinese-style clothes with a high crossed wrap collar that closes at the throat, and beneath and beside it the loose camisole layer is slipped off her shoulders, so both shoulders are bare from the slope down, the collarbones fully uncovered and catching the light in a thin bright line across the base of her neck. The fabric is soft and slightly matte, falling away from the bare skin, and the small swell of her chest barely lifts the loose front of the camisole. Her right forearm and the back of her right hand are wrapped in layered off-white bandages, the strip edges crossing diagonally and one loose end tucked in at the wrist; her other hand rests across that forearm, fingers curling lightly over the bandaged wrist, holding the arm close to her body. The wraps crease where the arm bends and lift slightly at the inner elbow. The lighting is one broad, soft studio source from the front left, high, so a gentle fall of shadow runs down the right side of her throat and under the loose fabric at her waist, and a short soft contact shadow pools at her feet on the seamless ground, spreading a little to the right; there is no second light and no defined background. The whole image is held to a restrained palette of pale off-white ground, muted green in the hair, the cooler blue of the eyes, and the warm cream of the bandage cloth and her skin. Her gaze stays steady on the viewer, and the stillness is quiet and a little sly.
Lizzie

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4#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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