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makamero

AI art by makamero on PixAI. Made with Tsubaki.3.

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makamero

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1girl, solo, full body, vertical composition, long red hair, straight red hair falling past the waist, half-closed eyes, droopy eyes, sleepy, narrow eyes, heterochromia, red eye, yellow eye, dull unfocused gaze, weak eyesight, 15-year-old, petite, western-style dress, cream lace dress, high collar, puffed sleeves, satin bodice, lace trim, seated, wheelchair, dark mahogany wheelchair, brass fittings, large rear wheels, small front casters, hands in lap, slight head tilt, looking to the side, soft quiet expression, graphite and charcoal drawing, muted colors, visible pencil texture A full-body vertical composition, the camera at a slight low angle so the large rear wheel on the near side rises into the foreground and the girl sits small and upright within the tall frame. She is a fifteen-year-old, slight and fine-boned, sunk back into a dark mahogany wheelchair with brass hubs, brass push rims and a padded dark leather back; the chair is angled a few degrees off square, its near rear wheel closer to the lens, both small front casters resting flat on the floor. Her long red hair is loose and straight, falling well past her waist and gathering over the backrest so a strand slips forward across the padded arm and hangs beside the brake lever; the weight of her head tilts it slightly to one side. Her eyes are barely open -- heavy upper lids dropped to a narrow sleepy slit, lashes lowered, the gaze dull and unfocused and drifting to the left of the frame, unfixed on anything, as though her weak sight has not bothered to find the lens. The left iris is a flat red, the right a pale yellow, both muted under the half-shut lids. Her mouth is small and closed, the corners level, one brow a fraction higher than the other. She wears a western-style dress of cream lace and satin: a high collar closing at the throat, puffed sleeves gathered at the shoulder and tapering to lace cuffs at the wrist, the bodice fitted in dull satin, and the skirt spreading over the seat and falling in lace-edged folds between the footrests. Both hands rest palm-down and lightly curled in her lap on the satin, one hand over the other, fingers slack; her back is against the backrest and her hips are set square on the seat cushion, feet together on the footplates in pale stockings and low cream shoes, the toes just touching. Beyond the chair the ground is an empty pale floor fading into a plain cool grey field with no furniture, no window and no wall detail; a single soft light from the upper left washes her face, shoulders and the near side of the dress, laying a gentle graded shadow down her right cheek and under the lace cuffs, and the broad rim of the near wheel catches a thin curved highlight while the space beneath the seat falls deep and dark. The palette is restrained to the red of her hair, the cream and warm grey of the dress, the near-black mahogany and dull brass of the chair, all laid in soft muted color over visible pencil grain and charcoal darks. Quiet, fragile.
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Original Prompt
赤髪ロング 目はうすーく開けている。赤と黄色のオッドアイ （視力低い） 西洋風服（ドレス風） 車椅子 縦向き 全身 15歳の少女
Mode
pro
Style
Pencil Sketch
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Style: Pencil Sketch
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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1girl, solo, full body, vertical, long hair, red hair, straight hair, half-closed eyes, heterochromia, red eye, yellow eye, dull eyes, unfocused gaze, blind, poor eyesight, 15-year-old, child, small build, western dress, ivory lace dress, velvet bodice, high collar, puffed sleeves, long skirt, wheelchair, seated, sitting, hands on armrests, leather armrests, silver wheelchair frame, polished metal, looking up, head tilt, light smile, closed mouth, from above, from side, foreshortening, indoor, dim room, window light, dust motes. Viewed from above and slightly to her left side, the camera looks down the length of a fifteen-year-old girl seated in a wheelchair, her whole body and the chair's front casters inside the vertical frame. Her long straight red hair falls past her shoulders and pools over the velvet of her bodice, the crown of her head turned up toward the lens but her gaze not meeting it: both eyes half-lidded, lids heavy and thin, the whites dull, the left eye a flat crimson and the right a pale yellow, pupils drifting slightly wide and off-axis, unfocused, as if the light comes to her a beat late. Her chin is lifted a little, brows faintly drawn, mouth a soft closed line with one corner barely lifted -- the look of someone listening rather than seeing. She wears a western-style dress in ivory lace over a deep velvet bodice, a high collar at the throat, puffed sleeves gathered at the shoulder and tapering to her wrists, the skirt spreading over her lap and hanging in heavy folds between the chair's leather armrests; both hands rest on those armrests, fingers curled loosely, the right thumb tracing the seam of the leather. Her weight sits back against the chair's backrest, hips square, one knee angled slightly outward under the skirt. The wheelchair frame is polished mahogany and silver-toned metal, a large spoked rear wheel cutting the left edge of the frame, the smaller front caster nearer the viewer and slightly foreshortened, the footplates below her skirts. Paleness of light: a single tall window off frame right throws cool daylight across the right side of her face and the ivory lace, leaving the left side of her hair and the chair's far wheel in a soft, deep shadow, motes of dust turning in the shaft. Palette is red, ivory, warm brown wood and cold grey light, nothing else admitted. Quiet, fragile.
makamero
AI artwork
Avatar image of makamero
1girl, solo, long red hair, straight hair, hair past waist, heterochromia, one red eye, one yellow eye, half-closed eyes, faintly open eyes, tired eyes, poor eyesight, western-style dress, ivory satin dress, lace trim at collar, lace cuffs, long sleeves, full skirt, wheelchair, seated in wheelchair, hands in lap, chrome handrims, mahogany frame, full body, vertical, portrait orientation, looking at viewer, head tilt, from above, slight foreshortening, soft window light, pale neutral background, clean linework, glossy skin, expressive eyes A vertical full-body portrait seen from slightly above, the camera tipped down so the seated girl's lap, the dress's full skirt and the wheelchair's footprint all stay inside the frame with her head near the top third. She sits in a polished mahogany wheelchair with chrome handrims and spokes, angled three-quarters toward the lens rather than squared to it; her weight rests on her right hip, her left knee falls slightly forward of the right, both feet flat on the footplates. Her hands lie loosely in her lap, the right hand curled over the left wrist, fingertips just touching the satin. Long red hair falls straight past her waist on both sides, the left strand sliding over the chair's backrest and hanging free behind the armrest, its ends pooled against the chrome. Her head tilts a few degrees to her right, chin slightly lowered, and her eyes are barely open -- heavy half-lidded slits under relaxed brows, unfocused and searching, the red iris on the left and the yellow on the right each catching a thin edge of light as she lifts her gaze toward the lens as though straining to make out a shape. Her mouth stays closed and neutral, a small soft line. The ivory satin dress is a Western gown: fitted bodice, lace trim edging the collar, lace cuffs at the long sleeves, and a full skirt spreading over her thighs and spilling across the seat and over the wheel arch on the near side. One broad window light comes from the upper left, cool and diffuse; it brightens the left side of her face and the left sleeve, glints along the chrome handrim and the top edge of the backrest, and leaves her right cheek, the far side of the skirt and the space beneath the seat in soft shadow, with a low blurred shadow of the chair cast to the right on a seamless pale grey studio sweep. Her hair and the skirt hem hang perfectly still -- no breeze. The palette holds red hair and the two eye colours against ivory satin, mahogany and chrome on neutral grey, nothing else admitted. Quiet, fragile.
makamero
AI artwork
Avatar image of makamero
1girl, solo, full body, vertical, portrait orientation, red hair, long hair, hair past waist, straight hair, half-closed eyes, narrowed eyes, sleepy eyes, heterochromia, red eye, yellow eye, no glasses, bare face, western clothes, cream lace high-collar blouse, puffed sleeves, burgundy velvet pinafore dress, knee-length skirt, wheelchair, seated, dark polished wood wheelchair, leather armrests, hands in lap, head tilt, looking to the side, looking at viewer, faint closed-lip smile, 15-year-old, slender, small frame, soft rim light, warm dust motes, aged pale plaster wall, wood floor, impasto brushwork, watercolor bleed, A vertical full-body portrait, camera set slightly above her eye level and a little to her right, tilted down just enough that the crown of her head, the long fall of her hair and the full length of the chair all fit inside the frame from the top of her hair to the tips of her shoes on the footplates. She sits in a polished dark-wood wheelchair turned three-quarters toward the camera, the big rear wheel on the near side crossing the lower left of the frame and its spokes catching the light, the leather-padded armrest under her right forearm, her right palm resting flat and slack on the leather, her left hand curled loose in her lap over the velvet of her skirt. Her spine is against the chair's backrest, her weight settled onto her right hip, one foot flat on the left footplate and the other heel lifted slightly off its plate so the toe points down. Her head tilts a few degrees to her left. Her eyelids hang low, barely open, the irises reduced to two thin slivers of colour under the lashes — the nearer eye red, the far eye yellow — and her gaze drifts off just past the camera's left edge, unfocused, as though she is listening for something rather than looking at anything; her mouth holds a faint closed-lip smile that does not quite commit. Her long red hair falls uninterrupted past her shoulders and over the backrest, a few strands pooling on the velvet shoulder seam, the ends lost behind the chair's frame. She wears a cream lace blouse with a high collar closed at the throat and puffed sleeves gathered at the wrist, under a deep burgundy velvet pinafore dress whose straps cross the blouse's shoulders and whose hem sits at her knees, the nap of the velvet shifted one way where her forearm and lap have pressed it. Light comes in low and warm from a window off-frame at the left and behind her, rimming the loose hair, the puffed shoulder and the near wheel's rim in gold while her face and the front of the dress fall into soft, open shadow that the plaster wall behind her lifts by reflection; dust hangs visible in the beam where it crosses in front of the chair. The background is a bare aged plaster wall with a worn wood floor beneath, both thrown far out of focus, nothing else in the room asserted. Palette: red hair, burgundy velvet, cream lace, warm gold light, cool grey plaster, nothing else admitted. Thick impasto strokes over soft, bleeding watercolor shading, edges hazy where the light is strongest. Quiet, tender.
makamero
AI artwork
Avatar image of makamero
1girl, solo, full body, vertical, long red hair, straight red hair falling past the waist, heterochromia, one red eye, one yellow eye, nearly closed eyes, half-closed eyes, heavy upper lids, low-vision gaze, western-style clothes, cream high-collared lace blouse, puffy sleeves, navy blue pleated wool skirt, brown leather boots, sitting, seated, wheelchair, manual wheelchair, polished mahogany frame, black leather seat and backrest, large rear wheels with metal handrims, small front casters, footplates, hands resting on the wheels, head tilted slightly down, looking to the side, subdued expression, soft window light, watercolor wash, strong line art, atmospheric haze A full-body vertical portrait, camera at a low three-quarter angle off her left front so the chair reads as a full silhouette and the frame closes just above the crown of her head and just below the front casters, nothing cropped away. She sits deep in a manual wheelchair, mahogany frame polished to a warm low sheen, black leather backrest and cushion, big rear wheels with bare metal handrims flanking her shoulders, small front casters turned slightly inward on the floor. Her weight is settled back and a little to her right hip; both boots rest flat and close together on the footplates, the brown leather creased at the ankles, one toe turned in. Her spine gives a touch at the shoulder, chin dipped, and her long red hair slides over the top of the leather backrest, several strands caught in the seam between backrest and frame and hanging loose down the outside of the chair to below the axle. Her eyes are nearly closed, the upper lids drawn down to two thin slits so the red iris and the yellow iris show only as small crescent glints under the lashes, unfocused and mild, the low vision in them making her look inward rather than at anything in the room. Her gaze drifts off to her left, past the wheel, toward nothing in particular. Her mouth is quiet and closed, no smile. One hand lies loose over the top of the left handrim, fingers curled without gripping; the other rests palm-down on her thigh, pressing a soft dent into the pleated navy wool, the pleats fanning where the skirt drapes over the edge of the seat cushion. The cream lace blouse is buttoned to a high collar at the throat, the lace working a fine open pattern at the cuffs where they bunch above her wrists, the puffed sleeves slackening around her upper arms. Nothing at her ears, nothing in her hair, nothing at her throat but the collar itself. The setting is a bare room lit by one tall window at camera right: cool daylight rakes across the right side of her face, catches the rim of the near handrim as a thin bright arc, and lays a soft-edged parallelogram of light on the floor; everything left of her falls into a quiet grey-blue shade, and the cast shadow of the chair's wheels stretches long and soft toward the left wall. The floor is plain and matte, and the far wall dissolves into haze. Palette: deep red hair, cream lace, navy wool, brown leather, mahogany and black, all held against a wash of pale grey-blue air; the only saturated notes are the hair and the single yellow eye. Strong line art softened by watercolor washes, colours bleeding gently into the hazy background, depth carried by atmosphere rather than detail. Quiet, fragile, still.
makamero

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