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makamero
AI art by makamero on PixAI. Made with Tsubaki.3.
Show Parameters
- Original Prompt
- 赤髪ロング 目はうすーく開けている。赤と黄色のオッドアイ (視力低い) 西洋風服 車椅子 縦向き 全身 15歳の少女
- Mode
- pro
- Style
- Luminous Wash
- Quality Tag
- ﹝Prompts﹞
- Size
- 1104 x 1824
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Style: Luminous Wash
Prompt Helper
Model & LoRA used
Similar Images
Show more1girl, solo, full body, vertical, portrait orientation, red hair, long hair, hair past waist, straight hair, half-closed eyes, narrowed eyes, sleepy eyes, heterochromia, red eye, yellow eye, no glasses, bare face, western clothes, cream lace high-collar blouse, puffed sleeves, burgundy velvet pinafore dress, knee-length skirt, wheelchair, seated, dark polished wood wheelchair, leather armrests, hands in lap, head tilt, looking to the side, looking at viewer, faint closed-lip smile, 15-year-old, slender, small frame, soft rim light, warm dust motes, aged pale plaster wall, wood floor, impasto brushwork, watercolor bleed,
A vertical full-body portrait, camera set slightly above her eye level and a little to her right, tilted down just enough that the crown of her head, the long fall of her hair and the full length of the chair all fit inside the frame from the top of her hair to the tips of her shoes on the footplates. She sits in a polished dark-wood wheelchair turned three-quarters toward the camera, the big rear wheel on the near side crossing the lower left of the frame and its spokes catching the light, the leather-padded armrest under her right forearm, her right palm resting flat and slack on the leather, her left hand curled loose in her lap over the velvet of her skirt. Her spine is against the chair's backrest, her weight settled onto her right hip, one foot flat on the left footplate and the other heel lifted slightly off its plate so the toe points down. Her head tilts a few degrees to her left. Her eyelids hang low, barely open, the irises reduced to two thin slivers of colour under the lashes — the nearer eye red, the far eye yellow — and her gaze drifts off just past the camera's left edge, unfocused, as though she is listening for something rather than looking at anything; her mouth holds a faint closed-lip smile that does not quite commit. Her long red hair falls uninterrupted past her shoulders and over the backrest, a few strands pooling on the velvet shoulder seam, the ends lost behind the chair's frame. She wears a cream lace blouse with a high collar closed at the throat and puffed sleeves gathered at the wrist, under a deep burgundy velvet pinafore dress whose straps cross the blouse's shoulders and whose hem sits at her knees, the nap of the velvet shifted one way where her forearm and lap have pressed it. Light comes in low and warm from a window off-frame at the left and behind her, rimming the loose hair, the puffed shoulder and the near wheel's rim in gold while her face and the front of the dress fall into soft, open shadow that the plaster wall behind her lifts by reflection; dust hangs visible in the beam where it crosses in front of the chair. The background is a bare aged plaster wall with a worn wood floor beneath, both thrown far out of focus, nothing else in the room asserted. Palette: red hair, burgundy velvet, cream lace, warm gold light, cool grey plaster, nothing else admitted. Thick impasto strokes over soft, bleeding watercolor shading, edges hazy where the light is strongest. Quiet, tender.
makamero
1girl, solo, long red hair, hair past waist, straight red hair, heterochromia, one red eye, one yellow eye, half-closed eyes, narrowed eyes, drooping eyelids, low vision, soft unfocused gaze, western-style clothes, high-collared cream lace blouse, long sleeves, pleated navy wool skirt, brown leather button-up boots, wheelchair, seated in wheelchair, black leather upholstery, polished mahogany frame, large rear wheels, small front casters, hands on wheel rims, full body, vertical composition, from side, profile, slight from below, three-quarter view of face, looking to the side, head tilt,
A vertical full-body composition seen from the side and a little below eye level, so the wheelchair's big rear wheel fills the left of the frame and the girl sits in profile facing right. Her long red hair is straight and heavy, falling past her waist and pooling slightly over the black leather backrest; one strand slips forward over her shoulder and hangs across the cream lace of her high collar. Her face is turned three-quarters toward the viewer in profile, chin level, both lids dropped to a thin half-closed line — the near eye catching a low gleam of red, the far eye reading yellow — her gaze unfocused and drifting toward the far right edge of the frame rather than landing on anything, the way a person with poor eyesight looks past what is in front of them. Her lips stay closed and relaxed, one brow a fraction higher than the other, giving her a distant, faintly wry stillness.
Her spine rests against the backrest, shoulders slightly rounded forward, weight settled onto her right hip; her left arm bends so that her left hand curls over the top of the rear wheel rim, fingers hooked between the spokes near the push rim, thumb resting on the metal, while her right hand lies loose in her lap over the pleated navy wool. Both feet are planted flat on the footrests, brown leather boots meeting the metal plate, the skirt's pleats falling in clean vertical folds between her knees and the black leather seat. Nothing else touches her; the chair is the only support and it bears all of her weight.
Beyond her the environment is empty: a seamless off-white studio sweep with no horizon line, no furniture, no floor detail, closing into a soft pale grey at the corners. A single large soft light from the upper left sets a clean highlight along the crown of her head, the chrome handrim, and the shoulder of the mahogany frame, throwing a compressed shadow of the chair and one wheel onto the ground plane beneath her to the lower right; a faint bounce lifts the underside of her jaw. Palette held tight — red hair, cream lace, navy pleats, brown leather, and black-and-mahogany chair against the off-white field. Painterly anime illustration with bold silhouettes, flat yet textured colours, loose brushstrokes, splashy accents and graphic contrast, minimal linework. Quiet, self-contained.
makamero
1girl, solo, full body, vertical, long hair, red hair, straight hair, half-closed eyes, heterochromia, red eye, yellow eye, dull eyes, unfocused gaze, blind, poor eyesight, 15-year-old, child, small build, western dress, ivory lace dress, velvet bodice, high collar, puffed sleeves, long skirt, wheelchair, seated, sitting, hands on armrests, leather armrests, silver wheelchair frame, polished metal, looking up, head tilt, light smile, closed mouth, from above, from side, foreshortening, indoor, dim room, window light, dust motes.
Viewed from above and slightly to her left side, the camera looks down the length of a fifteen-year-old girl seated in a wheelchair, her whole body and the chair's front casters inside the vertical frame. Her long straight red hair falls past her shoulders and pools over the velvet of her bodice, the crown of her head turned up toward the lens but her gaze not meeting it: both eyes half-lidded, lids heavy and thin, the whites dull, the left eye a flat crimson and the right a pale yellow, pupils drifting slightly wide and off-axis, unfocused, as if the light comes to her a beat late. Her chin is lifted a little, brows faintly drawn, mouth a soft closed line with one corner barely lifted -- the look of someone listening rather than seeing. She wears a western-style dress in ivory lace over a deep velvet bodice, a high collar at the throat, puffed sleeves gathered at the shoulder and tapering to her wrists, the skirt spreading over her lap and hanging in heavy folds between the chair's leather armrests; both hands rest on those armrests, fingers curled loosely, the right thumb tracing the seam of the leather. Her weight sits back against the chair's backrest, hips square, one knee angled slightly outward under the skirt. The wheelchair frame is polished mahogany and silver-toned metal, a large spoked rear wheel cutting the left edge of the frame, the smaller front caster nearer the viewer and slightly foreshortened, the footplates below her skirts. Paleness of light: a single tall window off frame right throws cool daylight across the right side of her face and the ivory lace, leaving the left side of her hair and the chair's far wheel in a soft, deep shadow, motes of dust turning in the shaft. Palette is red, ivory, warm brown wood and cold grey light, nothing else admitted. Quiet, fragile.
makamero
1girl, solo, full body, vertical portrait composition, long red hair, hair flowing past the waist, straight red hair with soft sheen, half-closed eyes, drowsy eyes, heavy-lidded eyes, eyes reduced to thin slits, heterochromia, red eye on her right, yellow eye on her left, unfocused vacant gaze, poor eyesight, distant absent look, looking to the side, 15-year-old girl, slender adolescent build, western-style clothes, navy blue velvet Victorian dress, high neckline, white lace collar, white lace cuffs, long sleeves with buttoned wrists, full ankle-length velvet skirt pooled over her lap, wheelchair, polished wooden wheelchair, large spoked wheels, leather armrests, seated in wheelchair, hands resting in her lap, one hand over the other, slight head tilt, delicate lineart, screentone, soft focus, dreamy atmosphere, sparkle effects, flower motifs, shojo manga style
A vertical full-body portrait of a single slight fifteen-year-old girl with long, straight red hair, seen in a gentle three-quarter view from slightly below eye level so the tall spoked wheel of the wheelchair rises behind her shoulder. She sits squarely in a polished wooden wheelchair with leather armrests, her spine relaxed and slightly leaning to one side, her weight settled on her right hip against the chair's back; her full ankle-length navy velvet skirt drapes down over her lap and hangs slack past the seat edge, its hem just clearing the footplates. Both hands rest in her lap, the right lying over the left, her palms upward and fingers loose, one fingertip touching the velvet. Her head tips a little to her left; her eyes are barely open, drawn down to thin drowsy slits, the right iris red and the left iris yellow, both gazing unfocused toward the lower left of the frame, past the viewer rather than at them, the lids heavy and the pupils not quite settling on anything. Her lips are closed and neutral, with a faint absent softness at the corners. Her long red hair falls behind her shoulders and over the back of the chair, a few strands loosened forward over the white lace collar and the velvet shoulder seams, its ends trailing downward past the armrest where one lock catches the spokes. She wears a western-style Victorian dress of deep navy blue velvet with a high collar edged in white lace, lace cuffs buttoned at the wrists, and long sleeves; no other accessories -- her ears are bare and her hair is unadorned. The chair stands on a plain empty studio-sweep ground of pale warm off-white, no other objects; a soft diffuse light comes from the upper left, laying a gentle highlight along the left side of her red hair, the left cheek and the velvet shoulder, leaving the right side of her face and the underside of the skirt in a soft grey shade, and a faint smudged shadow of the spoked wheel falls on the floor to the right. The palette is limited to her red hair, the red and yellow of the two eyes, the navy velvet and white lace, against the pale blank ground; around her the air carries fine screentone dots, drifting sparkle flecks and a few outlined flower petals floating at the edges of the frame, their line art delicate and light. Quiet, dreamy stillness.
makamero
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