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makamero
AI art by makamero on PixAI. Made with Tsubaki.3.
Show Parameters
- Original Prompt
- 赤髪ロング 目はうすーく開けている。赤と黄色のオッドアイ (視力低い) 西洋風服 車椅子 縦向き 全身 15歳の少女
- Mode
- pro
- Style
- Watercolor Glow
- Quality Tag
- ﹝Prompts﹞
- Size
- 1104 x 1824
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Style: Watercolor Glow
Prompt Helper
Model & LoRA used
Similar Images
Show more1girl, solo, full body, vertical, long red hair, straight red hair falling past the waist, heterochromia, one red eye, one yellow eye, nearly closed eyes, half-closed eyes, heavy upper lids, low-vision gaze, western-style clothes, cream high-collared lace blouse, puffy sleeves, navy blue pleated wool skirt, brown leather boots, sitting, seated, wheelchair, manual wheelchair, polished mahogany frame, black leather seat and backrest, large rear wheels with metal handrims, small front casters, footplates, hands resting on the wheels, head tilted slightly down, looking to the side, subdued expression, soft window light, watercolor wash, strong line art, atmospheric haze
A full-body vertical portrait, camera at a low three-quarter angle off her left front so the chair reads as a full silhouette and the frame closes just above the crown of her head and just below the front casters, nothing cropped away. She sits deep in a manual wheelchair, mahogany frame polished to a warm low sheen, black leather backrest and cushion, big rear wheels with bare metal handrims flanking her shoulders, small front casters turned slightly inward on the floor. Her weight is settled back and a little to her right hip; both boots rest flat and close together on the footplates, the brown leather creased at the ankles, one toe turned in. Her spine gives a touch at the shoulder, chin dipped, and her long red hair slides over the top of the leather backrest, several strands caught in the seam between backrest and frame and hanging loose down the outside of the chair to below the axle.
Her eyes are nearly closed, the upper lids drawn down to two thin slits so the red iris and the yellow iris show only as small crescent glints under the lashes, unfocused and mild, the low vision in them making her look inward rather than at anything in the room. Her gaze drifts off to her left, past the wheel, toward nothing in particular. Her mouth is quiet and closed, no smile. One hand lies loose over the top of the left handrim, fingers curled without gripping; the other rests palm-down on her thigh, pressing a soft dent into the pleated navy wool, the pleats fanning where the skirt drapes over the edge of the seat cushion.
The cream lace blouse is buttoned to a high collar at the throat, the lace working a fine open pattern at the cuffs where they bunch above her wrists, the puffed sleeves slackening around her upper arms. Nothing at her ears, nothing in her hair, nothing at her throat but the collar itself.
The setting is a bare room lit by one tall window at camera right: cool daylight rakes across the right side of her face, catches the rim of the near handrim as a thin bright arc, and lays a soft-edged parallelogram of light on the floor; everything left of her falls into a quiet grey-blue shade, and the cast shadow of the chair's wheels stretches long and soft toward the left wall. The floor is plain and matte, and the far wall dissolves into haze.
Palette: deep red hair, cream lace, navy wool, brown leather, mahogany and black, all held against a wash of pale grey-blue air; the only saturated notes are the hair and the single yellow eye. Strong line art softened by watercolor washes, colours bleeding gently into the hazy background, depth carried by atmosphere rather than detail. Quiet, fragile, still.
makamero
1girl, solo, long red hair, hair past waist, straight red hair, heterochromia, one red eye, one yellow eye, half-closed eyes, narrowed eyes, drooping eyelids, low vision, soft unfocused gaze, western-style clothes, high-collared cream lace blouse, long sleeves, pleated navy wool skirt, brown leather button-up boots, wheelchair, seated in wheelchair, black leather upholstery, polished mahogany frame, large rear wheels, small front casters, hands on wheel rims, full body, vertical composition, from side, profile, slight from below, three-quarter view of face, looking to the side, head tilt,
A vertical full-body composition seen from the side and a little below eye level, so the wheelchair's big rear wheel fills the left of the frame and the girl sits in profile facing right. Her long red hair is straight and heavy, falling past her waist and pooling slightly over the black leather backrest; one strand slips forward over her shoulder and hangs across the cream lace of her high collar. Her face is turned three-quarters toward the viewer in profile, chin level, both lids dropped to a thin half-closed line — the near eye catching a low gleam of red, the far eye reading yellow — her gaze unfocused and drifting toward the far right edge of the frame rather than landing on anything, the way a person with poor eyesight looks past what is in front of them. Her lips stay closed and relaxed, one brow a fraction higher than the other, giving her a distant, faintly wry stillness.
Her spine rests against the backrest, shoulders slightly rounded forward, weight settled onto her right hip; her left arm bends so that her left hand curls over the top of the rear wheel rim, fingers hooked between the spokes near the push rim, thumb resting on the metal, while her right hand lies loose in her lap over the pleated navy wool. Both feet are planted flat on the footrests, brown leather boots meeting the metal plate, the skirt's pleats falling in clean vertical folds between her knees and the black leather seat. Nothing else touches her; the chair is the only support and it bears all of her weight.
Beyond her the environment is empty: a seamless off-white studio sweep with no horizon line, no furniture, no floor detail, closing into a soft pale grey at the corners. A single large soft light from the upper left sets a clean highlight along the crown of her head, the chrome handrim, and the shoulder of the mahogany frame, throwing a compressed shadow of the chair and one wheel onto the ground plane beneath her to the lower right; a faint bounce lifts the underside of her jaw. Palette held tight — red hair, cream lace, navy pleats, brown leather, and black-and-mahogany chair against the off-white field. Painterly anime illustration with bold silhouettes, flat yet textured colours, loose brushstrokes, splashy accents and graphic contrast, minimal linework. Quiet, self-contained.
makamero
1girl, solo, full body, vertical, long hair, red hair, straight hair, half-closed eyes, heterochromia, red eye, yellow eye, dull eyes, unfocused gaze, blind, poor eyesight, 15-year-old, child, small build, western dress, ivory lace dress, velvet bodice, high collar, puffed sleeves, long skirt, wheelchair, seated, sitting, hands on armrests, leather armrests, silver wheelchair frame, polished metal, looking up, head tilt, light smile, closed mouth, from above, from side, foreshortening, indoor, dim room, window light, dust motes.
Viewed from above and slightly to her left side, the camera looks down the length of a fifteen-year-old girl seated in a wheelchair, her whole body and the chair's front casters inside the vertical frame. Her long straight red hair falls past her shoulders and pools over the velvet of her bodice, the crown of her head turned up toward the lens but her gaze not meeting it: both eyes half-lidded, lids heavy and thin, the whites dull, the left eye a flat crimson and the right a pale yellow, pupils drifting slightly wide and off-axis, unfocused, as if the light comes to her a beat late. Her chin is lifted a little, brows faintly drawn, mouth a soft closed line with one corner barely lifted -- the look of someone listening rather than seeing. She wears a western-style dress in ivory lace over a deep velvet bodice, a high collar at the throat, puffed sleeves gathered at the shoulder and tapering to her wrists, the skirt spreading over her lap and hanging in heavy folds between the chair's leather armrests; both hands rest on those armrests, fingers curled loosely, the right thumb tracing the seam of the leather. Her weight sits back against the chair's backrest, hips square, one knee angled slightly outward under the skirt. The wheelchair frame is polished mahogany and silver-toned metal, a large spoked rear wheel cutting the left edge of the frame, the smaller front caster nearer the viewer and slightly foreshortened, the footplates below her skirts. Paleness of light: a single tall window off frame right throws cool daylight across the right side of her face and the ivory lace, leaving the left side of her hair and the chair's far wheel in a soft, deep shadow, motes of dust turning in the shaft. Palette is red, ivory, warm brown wood and cold grey light, nothing else admitted. Quiet, fragile.
makamero
1girl, solo, full body, vertical composition, long red hair, straight red hair falling past the waist, half-closed eyes, droopy eyes, sleepy, narrow eyes, heterochromia, red eye, yellow eye, dull unfocused gaze, weak eyesight, 15-year-old, petite, western-style dress, cream lace dress, high collar, puffed sleeves, satin bodice, lace trim, seated, wheelchair, dark mahogany wheelchair, brass fittings, large rear wheels, small front casters, hands in lap, slight head tilt, looking to the side, soft quiet expression, graphite and charcoal drawing, muted colors, visible pencil texture
A full-body vertical composition, the camera at a slight low angle so the large rear wheel on the near side rises into the foreground and the girl sits small and upright within the tall frame. She is a fifteen-year-old, slight and fine-boned, sunk back into a dark mahogany wheelchair with brass hubs, brass push rims and a padded dark leather back; the chair is angled a few degrees off square, its near rear wheel closer to the lens, both small front casters resting flat on the floor. Her long red hair is loose and straight, falling well past her waist and gathering over the backrest so a strand slips forward across the padded arm and hangs beside the brake lever; the weight of her head tilts it slightly to one side. Her eyes are barely open -- heavy upper lids dropped to a narrow sleepy slit, lashes lowered, the gaze dull and unfocused and drifting to the left of the frame, unfixed on anything, as though her weak sight has not bothered to find the lens. The left iris is a flat red, the right a pale yellow, both muted under the half-shut lids. Her mouth is small and closed, the corners level, one brow a fraction higher than the other. She wears a western-style dress of cream lace and satin: a high collar closing at the throat, puffed sleeves gathered at the shoulder and tapering to lace cuffs at the wrist, the bodice fitted in dull satin, and the skirt spreading over the seat and falling in lace-edged folds between the footrests. Both hands rest palm-down and lightly curled in her lap on the satin, one hand over the other, fingers slack; her back is against the backrest and her hips are set square on the seat cushion, feet together on the footplates in pale stockings and low cream shoes, the toes just touching. Beyond the chair the ground is an empty pale floor fading into a plain cool grey field with no furniture, no window and no wall detail; a single soft light from the upper left washes her face, shoulders and the near side of the dress, laying a gentle graded shadow down her right cheek and under the lace cuffs, and the broad rim of the near wheel catches a thin curved highlight while the space beneath the seat falls deep and dark. The palette is restrained to the red of her hair, the cream and warm grey of the dress, the near-black mahogany and dull brass of the chair, all laid in soft muted color over visible pencil grain and charcoal darks. Quiet, fragile.
makamero
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