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makamero

AI art by makamero on PixAI. Made with Tsubaki.3.

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makamero

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1girl, solo, long red hair, hair past waist, straight red hair, heterochromia, one red eye, one yellow eye, half-closed eyes, narrowed eyes, drooping eyelids, low vision, soft unfocused gaze, western-style clothes, high-collared cream lace blouse, long sleeves, pleated navy wool skirt, brown leather button-up boots, wheelchair, seated in wheelchair, black leather upholstery, polished mahogany frame, large rear wheels, small front casters, hands on wheel rims, full body, vertical composition, from side, profile, slight from below, three-quarter view of face, looking to the side, head tilt, A vertical full-body composition seen from the side and a little below eye level, so the wheelchair's big rear wheel fills the left of the frame and the girl sits in profile facing right. Her long red hair is straight and heavy, falling past her waist and pooling slightly over the black leather backrest; one strand slips forward over her shoulder and hangs across the cream lace of her high collar. Her face is turned three-quarters toward the viewer in profile, chin level, both lids dropped to a thin half-closed line — the near eye catching a low gleam of red, the far eye reading yellow — her gaze unfocused and drifting toward the far right edge of the frame rather than landing on anything, the way a person with poor eyesight looks past what is in front of them. Her lips stay closed and relaxed, one brow a fraction higher than the other, giving her a distant, faintly wry stillness. Her spine rests against the backrest, shoulders slightly rounded forward, weight settled onto her right hip; her left arm bends so that her left hand curls over the top of the rear wheel rim, fingers hooked between the spokes near the push rim, thumb resting on the metal, while her right hand lies loose in her lap over the pleated navy wool. Both feet are planted flat on the footrests, brown leather boots meeting the metal plate, the skirt's pleats falling in clean vertical folds between her knees and the black leather seat. Nothing else touches her; the chair is the only support and it bears all of her weight. Beyond her the environment is empty: a seamless off-white studio sweep with no horizon line, no furniture, no floor detail, closing into a soft pale grey at the corners. A single large soft light from the upper left sets a clean highlight along the crown of her head, the chrome handrim, and the shoulder of the mahogany frame, throwing a compressed shadow of the chair and one wheel onto the ground plane beneath her to the lower right; a faint bounce lifts the underside of her jaw. Palette held tight — red hair, cream lace, navy pleats, brown leather, and black-and-mahogany chair against the off-white field. Painterly anime illustration with bold silhouettes, flat yet textured colours, loose brushstrokes, splashy accents and graphic contrast, minimal linework. Quiet, self-contained.
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Original Prompt
赤髪ロング 目はうすーく開けている。赤と黄色のオッドアイ （視力低い） 西洋風服 車椅子 縦向き 全身 15歳の少女
Mode
pro
Style
Tender Brushstroke
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Style: Tender Brushstroke
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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Avatar image of makamero
1girl, solo, full body, vertical, long red hair, straight red hair falling past the waist, heterochromia, one red eye, one yellow eye, nearly closed eyes, half-closed eyes, heavy upper lids, low-vision gaze, western-style clothes, cream high-collared lace blouse, puffy sleeves, navy blue pleated wool skirt, brown leather boots, sitting, seated, wheelchair, manual wheelchair, polished mahogany frame, black leather seat and backrest, large rear wheels with metal handrims, small front casters, footplates, hands resting on the wheels, head tilted slightly down, looking to the side, subdued expression, soft window light, watercolor wash, strong line art, atmospheric haze A full-body vertical portrait, camera at a low three-quarter angle off her left front so the chair reads as a full silhouette and the frame closes just above the crown of her head and just below the front casters, nothing cropped away. She sits deep in a manual wheelchair, mahogany frame polished to a warm low sheen, black leather backrest and cushion, big rear wheels with bare metal handrims flanking her shoulders, small front casters turned slightly inward on the floor. Her weight is settled back and a little to her right hip; both boots rest flat and close together on the footplates, the brown leather creased at the ankles, one toe turned in. Her spine gives a touch at the shoulder, chin dipped, and her long red hair slides over the top of the leather backrest, several strands caught in the seam between backrest and frame and hanging loose down the outside of the chair to below the axle. Her eyes are nearly closed, the upper lids drawn down to two thin slits so the red iris and the yellow iris show only as small crescent glints under the lashes, unfocused and mild, the low vision in them making her look inward rather than at anything in the room. Her gaze drifts off to her left, past the wheel, toward nothing in particular. Her mouth is quiet and closed, no smile. One hand lies loose over the top of the left handrim, fingers curled without gripping; the other rests palm-down on her thigh, pressing a soft dent into the pleated navy wool, the pleats fanning where the skirt drapes over the edge of the seat cushion. The cream lace blouse is buttoned to a high collar at the throat, the lace working a fine open pattern at the cuffs where they bunch above her wrists, the puffed sleeves slackening around her upper arms. Nothing at her ears, nothing in her hair, nothing at her throat but the collar itself. The setting is a bare room lit by one tall window at camera right: cool daylight rakes across the right side of her face, catches the rim of the near handrim as a thin bright arc, and lays a soft-edged parallelogram of light on the floor; everything left of her falls into a quiet grey-blue shade, and the cast shadow of the chair's wheels stretches long and soft toward the left wall. The floor is plain and matte, and the far wall dissolves into haze. Palette: deep red hair, cream lace, navy wool, brown leather, mahogany and black, all held against a wash of pale grey-blue air; the only saturated notes are the hair and the single yellow eye. Strong line art softened by watercolor washes, colours bleeding gently into the hazy background, depth carried by atmosphere rather than detail. Quiet, fragile, still.
makamero
AI artwork
Avatar image of makamero
1girl, solo, full body, vertical, portrait orientation, red hair, long hair, hair past waist, straight hair, half-closed eyes, narrowed eyes, sleepy eyes, heterochromia, red eye, yellow eye, no glasses, bare face, western clothes, cream lace high-collar blouse, puffed sleeves, burgundy velvet pinafore dress, knee-length skirt, wheelchair, seated, dark polished wood wheelchair, leather armrests, hands in lap, head tilt, looking to the side, looking at viewer, faint closed-lip smile, 15-year-old, slender, small frame, soft rim light, warm dust motes, aged pale plaster wall, wood floor, impasto brushwork, watercolor bleed, A vertical full-body portrait, camera set slightly above her eye level and a little to her right, tilted down just enough that the crown of her head, the long fall of her hair and the full length of the chair all fit inside the frame from the top of her hair to the tips of her shoes on the footplates. She sits in a polished dark-wood wheelchair turned three-quarters toward the camera, the big rear wheel on the near side crossing the lower left of the frame and its spokes catching the light, the leather-padded armrest under her right forearm, her right palm resting flat and slack on the leather, her left hand curled loose in her lap over the velvet of her skirt. Her spine is against the chair's backrest, her weight settled onto her right hip, one foot flat on the left footplate and the other heel lifted slightly off its plate so the toe points down. Her head tilts a few degrees to her left. Her eyelids hang low, barely open, the irises reduced to two thin slivers of colour under the lashes — the nearer eye red, the far eye yellow — and her gaze drifts off just past the camera's left edge, unfocused, as though she is listening for something rather than looking at anything; her mouth holds a faint closed-lip smile that does not quite commit. Her long red hair falls uninterrupted past her shoulders and over the backrest, a few strands pooling on the velvet shoulder seam, the ends lost behind the chair's frame. She wears a cream lace blouse with a high collar closed at the throat and puffed sleeves gathered at the wrist, under a deep burgundy velvet pinafore dress whose straps cross the blouse's shoulders and whose hem sits at her knees, the nap of the velvet shifted one way where her forearm and lap have pressed it. Light comes in low and warm from a window off-frame at the left and behind her, rimming the loose hair, the puffed shoulder and the near wheel's rim in gold while her face and the front of the dress fall into soft, open shadow that the plaster wall behind her lifts by reflection; dust hangs visible in the beam where it crosses in front of the chair. The background is a bare aged plaster wall with a worn wood floor beneath, both thrown far out of focus, nothing else in the room asserted. Palette: red hair, burgundy velvet, cream lace, warm gold light, cool grey plaster, nothing else admitted. Thick impasto strokes over soft, bleeding watercolor shading, edges hazy where the light is strongest. Quiet, tender.
makamero
AI artwork
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1girl, solo, full body, vertical portrait composition, long red hair, hair flowing past the waist, straight red hair with soft sheen, half-closed eyes, drowsy eyes, heavy-lidded eyes, eyes reduced to thin slits, heterochromia, red eye on her right, yellow eye on her left, unfocused vacant gaze, poor eyesight, distant absent look, looking to the side, 15-year-old girl, slender adolescent build, western-style clothes, navy blue velvet Victorian dress, high neckline, white lace collar, white lace cuffs, long sleeves with buttoned wrists, full ankle-length velvet skirt pooled over her lap, wheelchair, polished wooden wheelchair, large spoked wheels, leather armrests, seated in wheelchair, hands resting in her lap, one hand over the other, slight head tilt, delicate lineart, screentone, soft focus, dreamy atmosphere, sparkle effects, flower motifs, shojo manga style A vertical full-body portrait of a single slight fifteen-year-old girl with long, straight red hair, seen in a gentle three-quarter view from slightly below eye level so the tall spoked wheel of the wheelchair rises behind her shoulder. She sits squarely in a polished wooden wheelchair with leather armrests, her spine relaxed and slightly leaning to one side, her weight settled on her right hip against the chair's back; her full ankle-length navy velvet skirt drapes down over her lap and hangs slack past the seat edge, its hem just clearing the footplates. Both hands rest in her lap, the right lying over the left, her palms upward and fingers loose, one fingertip touching the velvet. Her head tips a little to her left; her eyes are barely open, drawn down to thin drowsy slits, the right iris red and the left iris yellow, both gazing unfocused toward the lower left of the frame, past the viewer rather than at them, the lids heavy and the pupils not quite settling on anything. Her lips are closed and neutral, with a faint absent softness at the corners. Her long red hair falls behind her shoulders and over the back of the chair, a few strands loosened forward over the white lace collar and the velvet shoulder seams, its ends trailing downward past the armrest where one lock catches the spokes. She wears a western-style Victorian dress of deep navy blue velvet with a high collar edged in white lace, lace cuffs buttoned at the wrists, and long sleeves; no other accessories -- her ears are bare and her hair is unadorned. The chair stands on a plain empty studio-sweep ground of pale warm off-white, no other objects; a soft diffuse light comes from the upper left, laying a gentle highlight along the left side of her red hair, the left cheek and the velvet shoulder, leaving the right side of her face and the underside of the skirt in a soft grey shade, and a faint smudged shadow of the spoked wheel falls on the floor to the right. The palette is limited to her red hair, the red and yellow of the two eyes, the navy velvet and white lace, against the pale blank ground; around her the air carries fine screentone dots, drifting sparkle flecks and a few outlined flower petals floating at the edges of the frame, their line art delicate and light. Quiet, dreamy stillness.
makamero
#Houshou Marine
AI artwork
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1girl, solo, full body, vertical composition, long red hair, straight red hair falling past the waist, half-closed eyes, droopy eyes, sleepy, narrow eyes, heterochromia, red eye, yellow eye, dull unfocused gaze, weak eyesight, 15-year-old, petite, western-style dress, cream lace dress, high collar, puffed sleeves, satin bodice, lace trim, seated, wheelchair, dark mahogany wheelchair, brass fittings, large rear wheels, small front casters, hands in lap, slight head tilt, looking to the side, soft quiet expression, graphite and charcoal drawing, muted colors, visible pencil texture A full-body vertical composition, the camera at a slight low angle so the large rear wheel on the near side rises into the foreground and the girl sits small and upright within the tall frame. She is a fifteen-year-old, slight and fine-boned, sunk back into a dark mahogany wheelchair with brass hubs, brass push rims and a padded dark leather back; the chair is angled a few degrees off square, its near rear wheel closer to the lens, both small front casters resting flat on the floor. Her long red hair is loose and straight, falling well past her waist and gathering over the backrest so a strand slips forward across the padded arm and hangs beside the brake lever; the weight of her head tilts it slightly to one side. Her eyes are barely open -- heavy upper lids dropped to a narrow sleepy slit, lashes lowered, the gaze dull and unfocused and drifting to the left of the frame, unfixed on anything, as though her weak sight has not bothered to find the lens. The left iris is a flat red, the right a pale yellow, both muted under the half-shut lids. Her mouth is small and closed, the corners level, one brow a fraction higher than the other. She wears a western-style dress of cream lace and satin: a high collar closing at the throat, puffed sleeves gathered at the shoulder and tapering to lace cuffs at the wrist, the bodice fitted in dull satin, and the skirt spreading over the seat and falling in lace-edged folds between the footrests. Both hands rest palm-down and lightly curled in her lap on the satin, one hand over the other, fingers slack; her back is against the backrest and her hips are set square on the seat cushion, feet together on the footplates in pale stockings and low cream shoes, the toes just touching. Beyond the chair the ground is an empty pale floor fading into a plain cool grey field with no furniture, no window and no wall detail; a single soft light from the upper left washes her face, shoulders and the near side of the dress, laying a gentle graded shadow down her right cheek and under the lace cuffs, and the broad rim of the near wheel catches a thin curved highlight while the space beneath the seat falls deep and dark. The palette is restrained to the red of her hair, the cream and warm grey of the dress, the near-black mahogany and dull brass of the chair, all laid in soft muted color over visible pencil grain and charcoal darks. Quiet, fragile.
makamero

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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4#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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