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Joshua Froat
Show Parameters
- Original Prompt
- A pale woman, with dark freckles, heavy lided pink cold eyes, blue sparkling eyeshadow, pale blue shirt hair with a black hair clip, pale blue sparkly lips gloss, snow flak stud earings,pale blue manicured nails,large breasts, a fat ass, wide hips, thick thighs, wearing A white button up shirt, a light blue blaze, a dark blue tie, a light blue skirt, pantie hoes, dark blue high heels, leaning against a desk in a office , with a dead pan look
- Mode
- pro
- Quality Tag
- ๏นPrompts๏น
- Size
- 1104 x 1824
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
Similar Images
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1girl, solo, pale skin, dark freckles, heavy-lidded eyes, pink eyes, cold stare, blue sparkling eyeshadow, pale blue sparkly lip gloss, snowflake stud earrings, black hair clip, pale blue hair, short hair, large breasts, wide hips, thick thighs, fat ass, white button-up shirt, light blue blazer, dark blue tie, light blue skirt, pantyhose, dark blue high heels, pale blue manicured nails, leaning, leaning against desk, office, deadpan, expressionless, half-closed eyes, looking at viewer, cowboy shot, from below, dutch angle, window light,
Shot from a low angle tilted a few degrees off level, a single woman leans back against the front edge of an office desk, her weight settled on her left hip with her right leg crossed loosely in front of the left, the right heel's tip resting on the floor. Her lower back and the back of her left hip press flat against the desk's edge; both hands rest behind her on the desktop, fingers spread on the laminate, palms taking part of her weight, the pale blue nails catching the light against the grey surface. The desk sits between her and a tall office window behind it, so the cold daylight comes from behind and above her right shoulder, rimming the pale blue hair, the shoulders of the light blue blazer and the edge of the desk, and leaving the front of her body in soft cool shadow that the room's ambient bounce lifts just enough to keep the white shirt clean. Her chin is level, her heavy lids half down over the pink irises, and she looks straight at the lens with no expression at all: brows flat, mouth closed and relaxed under the glossy pale blue coat, one hip cocked, nothing performing. Dark freckles scatter across the bridge of her nose and both cheeks. Her short pale blue hair is tucked back on the left side under a small black hair clip, a few strands fallen loose across her forehead and lifted slightly by the draught from the window. The white button-up is buttoned high and tucked into the light blue skirt, the dark blue tie knotted snug at the collar and hanging straight; the light blue blazer is worn open, its lapels broken by the pull of her chest, one sleeve wrinkled at the elbow where her arm angles back to the desk. The skirt stretches taut across her wide hips and thighs, its hem riding a little higher on the crossed leg, and the pantyhose sheen runs down the length of both legs to the dark blue high heels. Behind her the office stays quiet and out of focus: a blurred monitor and stacked folders on the desk, a filing cabinet and a strip of ceiling lights receding in the grey depth. The palette is cool throughout, pale blue and white and dark navy against neutral office grey, with warm skin the only other colour. Through the window glass, the city beyond is seen as a soft darkened silhouette, dimmer and lower in contrast than the daylight it lets through. Composed, glacial.
Joshua Froat
1girl, solo, office, walking, holding clipboard, deadpan, expressionless, heavy-lidded eyes, half-closed eyes, pink eyes, cold gaze, pale skin, dark freckles, blue eyeshadow, sparkling eyeshadow, pale blue hair, long hair, black hair clip, snowflake earrings, stud earrings, pale blue lips, glossy lips, pale blue nails, manicured nails, large breasts, wide hips, thick thighs, fat ass, white button-up shirt, light blue blazer, dark blue necktie, light blue skirt, pencil skirt, pantyhose, dark blue high heels, from below, full body, dutch angle, looking at object, mid-stride, indoors, daylight from window,
The camera sits low and slightly canted, looking up across the office floor as a single pale-skinned woman strides left to right through the aisle between two banks of grey filing cabinets, caught mid-step. Her weight is on the forward leg, the back heel just lifting off the carpet, one dark blue stiletto heel tilted on its tip; the hip above the planted leg drops lower, tilting the hem of the light blue skirt. Her right forearm is pinned across her waist, clipboard braced against her body, and her left hand rests on the top edge of the board, thumb on the clip, a pen trapped under two fingers; the clipboard's lower corner presses into her hip. Her chin is a few degrees down, and her heavy-lidded pink eyes are turned down and sideways at the top page on the clipboard, lids low, gaze flat and unimpressed, one brow barely lifted. Her mouth is a level line, glossy and pale blue, no smile at all.
Her pale blue hair falls past her shoulders, the ends lifting and swinging out behind her shoulder with the stride; the black hair clip catches a sliver of window light where it pins a section back above her ear. The snowflake studs sit in both earlobes, small and silver against pale skin, and the dark freckles scatter densely across her nose and upper cheeks under the eyeshadow, which glitters faintly in tiny particles wherever the light hits it. The white button-up is buttoned high into the dark blue tie, the collar points tucked under the light blue blazer, whose lapels swing open with her forward shoulder; the blazer's hem rides up over the wide hips, the light blue skirt stretched across them and across the thick thighs so its weave pulls taut, and the pantyhose sheen runs down the legs to the dark blue heels, a narrow seam of darker nylon at the ankle.
The office is a plain medium space: grey carpet, a low cubicle partition in the right foreground cutting diagonally across the bottom of the frame, a photocopier and a dead monitor behind her, a big window on the left. Cool white daylight comes in from that window at the left, so the lit side of her face, shoulder and skirt is bright and the right side of her body falls into soft grey shadow; her own shadow is thrown right and short across the carpet, and the filing cabinets cast long thin shadows that converge toward the right edge. Palette is cool and pale -- white, light blue, dark navy, grey -- with her pink eyes and dark freckles the only warm notes. Half-finished papers and a lanyard rest on the partition ledge, and the shadow of her clipboard falls across the page she is reading. Quietly clinical, brisk.
Joshua Froat
1girl, solo, pale skin, dark freckles across nose and cheekbones, heavy-lidded eyes, pink eyes, cold half-lidded stare, blue sparkling eyeshadow, pale blue shaggy hair, black hair clip, pale blue sparkly lip gloss, snowflake stud earrings, pale blue manicured nails, large breasts, wide hips, thick thighs, white button-up shirt, light blue blazer, dark blue necktie, light blue skirt, pantyhose, dark blue high heels, sitting at desk, office, paperwork, holding pen, deadpan expression, looking down at documents, from above, three-quarter view, cowboy shot, indoors,
The camera looks down from above and slightly to her right, a three-quarter view that takes in the office desk and the woman seated behind it. She is a pale-skinned woman with dark freckles scattered densely across the bridge of her nose and out over both cheekbones; her hair is pale blue and shaggy, cut in uneven choppy layers that fall past her jaw, a black hair clip pinning back one section at the temple so a hank of hair swings loose in front of her ear. Her eyes are pink and heavy-lidded, lids lowered so the irises sit half-hidden and cold, and above them the blue sparkling eyeshadow is laid on in a shimmering sweep that catches the overhead light in fine flecks. A snowflake stud earring sits in each earlobe. Her lips are shut flat in a deadpan line, coated in a pale blue sparkly gloss that glints at the center of the lower lip.
She sits squarely in the desk chair, weight settled into her hips, left hip cocked slightly as she leans her left elbow onto the desk edge and her torso forward over the work. Her white button-up shirt is buttoned high and strains gently across her large breasts, the collar turned down under the lapels of a light blue blazer whose sleeves are pushed to the wrist; a dark blue tie runs from the collar down the shirt front, its knot pulled snug and its blade lying flat between her breasts. The light blue skirt is spread over wide hips and thick thighs where they press into the seat, the hem falling mid-knee and the pantyhose sheathing both thighs in a continuous matte sheen that darkens where the fabric of the skirt casts a soft shadow across the tops of them. Her right hand holds a black pen upright over a paper document, the nib paused just above the line she has not yet signed; her pale blue manicured nails are short, filed square and glossy, and her left forearm rests flat on the desk beside a stack of papers with its fingers loosely curled. Beneath the desk her dark blue high heels are planted, one ankle hooked behind the other.
The office desk is a broad gray laminate surface in the foreground, with a closed folder, a neat tray of documents and a white ceramic mug set to her right. The overhead fluorescent panel lights sit behind and above the camera; they strike the crown of her shaggy blue hair and the tops of her shoulders, glint off the eyeshadow flecks, the lips gloss, the pen barrel and the polished toes of the high heels, and throw a short soft shadow of the mug and the paper tray down onto the desk toward the bottom of the frame. The room recedes behind her in cool neutrals, a gray partition wall and the blurred edge of a filing cabinet, so the pale blue of her hair and clothing is the only color that reads strongly, seconded by the pink of her eyes. Quiet, cool, and utterly unimpressed.
Joshua Froat
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