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View detailsJoshua Froat
Show Parameters
- Original Prompt
- A pale woman, with dark freckles, heavy lided pink cold eyes, blue sparkling eyeshadow, pale blue shirt hair with a black hair clip, pale blue sparkly lips gloss, snow flak stud earrings,pale blue manicured nails,large breasts, a fat ass, wide hips, thick thighs, wearing A white button up shirt, a light blue blaze, a dark blue tie, a light blue skirt, pantie hoes, dark blue high heels, in a office , walking around with a clip board, with a dead pan look, doing work
- Mode
- pro
- Quality Tag
- ๏นPrompts๏น
- Size
- 1104 x 1824
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
Similar Images
Show more1girl, solo, pale skin, dark freckles, heavy-lidded eyes, pink eyes, cold stare, blue sparkling eyeshadow, pale blue sparkly lip gloss, snowflake stud earrings, black hair clip, pale blue hair, short hair, large breasts, wide hips, thick thighs, fat ass, white button-up shirt, light blue blazer, dark blue tie, light blue skirt, pantyhose, dark blue high heels, pale blue manicured nails, leaning, leaning against desk, office, deadpan, expressionless, half-closed eyes, looking at viewer, cowboy shot, from below, dutch angle, window light,
Shot from a low angle tilted a few degrees off level, a single woman leans back against the front edge of an office desk, her weight settled on her left hip with her right leg crossed loosely in front of the left, the right heel's tip resting on the floor. Her lower back and the back of her left hip press flat against the desk's edge; both hands rest behind her on the desktop, fingers spread on the laminate, palms taking part of her weight, the pale blue nails catching the light against the grey surface. The desk sits between her and a tall office window behind it, so the cold daylight comes from behind and above her right shoulder, rimming the pale blue hair, the shoulders of the light blue blazer and the edge of the desk, and leaving the front of her body in soft cool shadow that the room's ambient bounce lifts just enough to keep the white shirt clean. Her chin is level, her heavy lids half down over the pink irises, and she looks straight at the lens with no expression at all: brows flat, mouth closed and relaxed under the glossy pale blue coat, one hip cocked, nothing performing. Dark freckles scatter across the bridge of her nose and both cheeks. Her short pale blue hair is tucked back on the left side under a small black hair clip, a few strands fallen loose across her forehead and lifted slightly by the draught from the window. The white button-up is buttoned high and tucked into the light blue skirt, the dark blue tie knotted snug at the collar and hanging straight; the light blue blazer is worn open, its lapels broken by the pull of her chest, one sleeve wrinkled at the elbow where her arm angles back to the desk. The skirt stretches taut across her wide hips and thighs, its hem riding a little higher on the crossed leg, and the pantyhose sheen runs down the length of both legs to the dark blue high heels. Behind her the office stays quiet and out of focus: a blurred monitor and stacked folders on the desk, a filing cabinet and a strip of ceiling lights receding in the grey depth. The palette is cool throughout, pale blue and white and dark navy against neutral office grey, with warm skin the only other colour. Through the window glass, the city beyond is seen as a soft darkened silhouette, dimmer and lower in contrast than the daylight it lets through. Composed, glacial.
Joshua Froat
1girl, solo, mature female, tall, pale skin, dark freckles across cheeks and nose bridge, heavy-lidded eyes, half-closed eyes, cold expression, pink eyes, blue eyeshadow, glittery eyeshadow, pale blue lips, glossy lips, sparkly lip gloss, long pale blue hair, hair clip, black hair clip, snowflake earrings, stud earrings, pale blue nail polish, manicured nails, large breasts, wide hips, thick thighs, fat ass, white button-up shirt, collared shirt, light blue blazer, dark blue necktie, light blue skirt, pencil skirt, pantyhose, dark blue high heels, leaning, leaning against desk, leaning back, desk, office, indoors, from below, cowboy shot, dutch angle, looking down, deadpan, expressionless, jitome, still air,
The camera sits low and slightly off-axis, tilted a few degrees off horizontal, so the woman leaning against the office desk reads as a tall diagonal cutting the frame; the shot is a cowboy crop, cutting just below the knee, and she is seen from below. She is turned three-quarters away from the camera, her left shoulder toward us, and she leans back against the front edge of a heavy dark wood desk: both cheeks of the desk edge press into the back of her thighs and the underside of her hips, her pelvis pushed forward so the light blue skirt strains smooth across wide hips and thick thighs, and her weight is settled onto the ball of her right foot while her left heel is planted flat, legs crossed slightly at the ankle. Both hands rest behind her on the desktop, fingers curled over the lip, the pale blue glossed nails catching the light; her elbows lock straight and her shoulders roll back, which pulls the white button-up taut across large breasts and makes the dark blue tie hang free of her chest, and the light blue blazer sits open over it, its front panels falling away at the waist. Her chin is level and her head is tipped down toward the lens. Under the heavy lids her cold pink eyes look straight into the camera with the lids lowered a third of the way, the pale blue glitter of the eyeshadow banked along the crease, the pale blue sparkly gloss sitting thick on a mouth that is perfectly flat at both corners, no smile, no tension, a deadpan that gives nothing back. Dark freckles scatter over the bridge of her nose and both cheekbones and keep going down past the jaw. Her long pale blue hair falls over the right side of her face and there, above her ear, a plain black hair clip holds a flat lock of it back; a snowflake stud sits on each earlobe. The room is a plain modern office: a grey carpeted floor, a dark credenza behind her edge-on to the lens, a tall window off-frame left that is the only light source, so the daylight rakes across her from the left, bright along her cheekbone and the top of her blazer shoulder, dropping her right side and the ground beneath the desk into soft cool shadow, and the desk casts a hard dark wedge on the carpet in front of it. Pale blue, dark blue and the cool white of her shirt carry the entire palette, nothing warm admitted anywhere. The only movement is the fine mist of dust hanging still in the window light. Quiet, glacial composure.
Joshua Froat
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character: furina_(genshin_impact). A medium shot from a 3/4 view depicts furina_(genshin_impact) standing in a modern office setting. She has short, multicolored blue and white hair with a slight ahoge, and her heterochromatic eyes look toward the viewer with a professional yet soft expression. She is dressed in an office woman uniform, consisting of a crisp white button-down shirt tucked into a high-waisted navy blue pencil skirt, paired with a modest grey blazer draped over her shoulders. Her right hand is gracefully holding a leather folder against her hip, while her left hand rests naturally at her side. The background features a bright, contemporary office environment with a blurred desk, a computer monitor, and large windows letting in soft daylight. The image is an anime illustration with clean line art and a bright, airy color palette, conveying a sophisticated and professional atmosphere.
enaconoceaponmi
1girl, solo, pale skin, dark freckles across nose and cheekbones, heavy-lidded eyes, pink eyes, cold half-lidded stare, blue sparkling eyeshadow, pale blue shaggy hair, black hair clip, pale blue sparkly lip gloss, snowflake stud earrings, pale blue manicured nails, large breasts, wide hips, thick thighs, white button-up shirt, light blue blazer, dark blue necktie, light blue skirt, pantyhose, dark blue high heels, sitting at desk, office, paperwork, holding pen, deadpan expression, looking down at documents, from above, three-quarter view, cowboy shot, indoors,
The camera looks down from above and slightly to her right, a three-quarter view that takes in the office desk and the woman seated behind it. She is a pale-skinned woman with dark freckles scattered densely across the bridge of her nose and out over both cheekbones; her hair is pale blue and shaggy, cut in uneven choppy layers that fall past her jaw, a black hair clip pinning back one section at the temple so a hank of hair swings loose in front of her ear. Her eyes are pink and heavy-lidded, lids lowered so the irises sit half-hidden and cold, and above them the blue sparkling eyeshadow is laid on in a shimmering sweep that catches the overhead light in fine flecks. A snowflake stud earring sits in each earlobe. Her lips are shut flat in a deadpan line, coated in a pale blue sparkly gloss that glints at the center of the lower lip.
She sits squarely in the desk chair, weight settled into her hips, left hip cocked slightly as she leans her left elbow onto the desk edge and her torso forward over the work. Her white button-up shirt is buttoned high and strains gently across her large breasts, the collar turned down under the lapels of a light blue blazer whose sleeves are pushed to the wrist; a dark blue tie runs from the collar down the shirt front, its knot pulled snug and its blade lying flat between her breasts. The light blue skirt is spread over wide hips and thick thighs where they press into the seat, the hem falling mid-knee and the pantyhose sheathing both thighs in a continuous matte sheen that darkens where the fabric of the skirt casts a soft shadow across the tops of them. Her right hand holds a black pen upright over a paper document, the nib paused just above the line she has not yet signed; her pale blue manicured nails are short, filed square and glossy, and her left forearm rests flat on the desk beside a stack of papers with its fingers loosely curled. Beneath the desk her dark blue high heels are planted, one ankle hooked behind the other.
The office desk is a broad gray laminate surface in the foreground, with a closed folder, a neat tray of documents and a white ceramic mug set to her right. The overhead fluorescent panel lights sit behind and above the camera; they strike the crown of her shaggy blue hair and the tops of her shoulders, glint off the eyeshadow flecks, the lips gloss, the pen barrel and the polished toes of the high heels, and throw a short soft shadow of the mug and the paper tray down onto the desk toward the bottom of the frame. The room recedes behind her in cool neutrals, a gray partition wall and the blurred edge of a filing cabinet, so the pale blue of her hair and clothing is the only color that reads strongly, seconded by the pink of her eyes. Quiet, cool, and utterly unimpressed.
Joshua Froat
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