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View detailsJoshua Froat
Show Parameters
- Original Prompt
- A pale woman, with dark freckles, heavy lided pink cold eyes, blue sparkling eyeshadow, pale blue shirt hair with a black hair clip, pale blue sparkly lips gloss, snow flak stud earings,pale blue manicured nails,large breasts, a fat ass, wide hips, thick thighs, wearing A white button up shirt, a light blue blaze, a dark blue tie, a light blue skirt, pantie hoes, dark blue high heels, sitting at a desk in a office , with a dead pan look, doing work
- Mode
- pro
- Quality Tag
- ๏นPrompts๏น
- Size
- 1104 x 1824
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
Similar Images
Show more1girl, solo, office lady, pale skin, dark freckles across nose and cheeks, heavy-lidded eyes, pink eyes, cold stare, blue sparkling eyeshadow, pale blue hair, shoulder-length hair, black hair clip, glossy pale blue lips, snowflake stud earrings, pale blue manicured nails, large breasts, wide hips, thick thighs, curvy, white button-up shirt, light blue blazer, dark blue necktie, light blue skirt, pantyhose, dark blue high heels, sitting at desk, drinking coffee, holding mug, paperwork, pen in hand, deadpan, expressionless, from above, cowboy shot, desk, office, looking down at documents, light smile absent, :|, sunlight through blinds, closed mouth,
From a raised three-quarter angle above her right shoulder: she sits at a broad dark-wood desk in a corner office, sunk slightly into a black leather office chair, one leg crossed over the other knee so the light blue skirt rides up over a thick, wide-hipped thigh and the dark blue high heel dangles half off her toes above the carpet. Her torso leans a little forward and to her left over a spread of printed documents, the white button-up shirt pulling taut at the chest with the pen clipped in its placket, the dark blue necktie hanging loose and straight down the shirt front, the light blue blazer pushed back over the chair's leather back. Her left hand palms the handle of a white ceramic mug of black coffee, tilted just short of her lips, while her right hand rests flat beside a half-signed page, a black pen still gripped loosely between two fingers. Her face stays perfectly flat, heavy pink lids lowered halfway, cold pink irises aimed down at the paperwork rather than at the lens, mouth pressed closed and glossy pale blue under the office ceiling light. The black hair clip gathers a pale blue lock at her left temple; the rest of the shoulder-length hair falls forward on the side of her lean. Fat ass visible past the armrest, hips filling the seat, dark freckles dotting her cheeks and nose bridge. A window of vertical blinds stands behind her left shoulder, casting parallel bars of cool daylight across the desk, the paperwork, her hand and one side of her throat; the rest of the room falls into a soft grey office gloom from the monitor glow and overhead fluorescent panel. A faint ring of moisture blooms on the desk calendar where the mug was set down earlier, and steam rises in a thin uneven curl from the coffee toward her cheek. Cool blue-grey palette with white paper and dark wood, one warm brown note in the coffee, everything still and deadpan bored professionalism.
Joshua Froat
1girl, solo, pale skin, dark freckles, heavy-lidded eyes, pink eyes, cold stare, blue sparkling eyeshadow, pale blue sparkly lip gloss, snowflake stud earrings, black hair clip, pale blue hair, short hair, large breasts, wide hips, thick thighs, fat ass, white button-up shirt, light blue blazer, dark blue tie, light blue skirt, pantyhose, dark blue high heels, pale blue manicured nails, leaning, leaning against desk, office, deadpan, expressionless, half-closed eyes, looking at viewer, cowboy shot, from below, dutch angle, window light,
Shot from a low angle tilted a few degrees off level, a single woman leans back against the front edge of an office desk, her weight settled on her left hip with her right leg crossed loosely in front of the left, the right heel's tip resting on the floor. Her lower back and the back of her left hip press flat against the desk's edge; both hands rest behind her on the desktop, fingers spread on the laminate, palms taking part of her weight, the pale blue nails catching the light against the grey surface. The desk sits between her and a tall office window behind it, so the cold daylight comes from behind and above her right shoulder, rimming the pale blue hair, the shoulders of the light blue blazer and the edge of the desk, and leaving the front of her body in soft cool shadow that the room's ambient bounce lifts just enough to keep the white shirt clean. Her chin is level, her heavy lids half down over the pink irises, and she looks straight at the lens with no expression at all: brows flat, mouth closed and relaxed under the glossy pale blue coat, one hip cocked, nothing performing. Dark freckles scatter across the bridge of her nose and both cheeks. Her short pale blue hair is tucked back on the left side under a small black hair clip, a few strands fallen loose across her forehead and lifted slightly by the draught from the window. The white button-up is buttoned high and tucked into the light blue skirt, the dark blue tie knotted snug at the collar and hanging straight; the light blue blazer is worn open, its lapels broken by the pull of her chest, one sleeve wrinkled at the elbow where her arm angles back to the desk. The skirt stretches taut across her wide hips and thighs, its hem riding a little higher on the crossed leg, and the pantyhose sheen runs down the length of both legs to the dark blue high heels. Behind her the office stays quiet and out of focus: a blurred monitor and stacked folders on the desk, a filing cabinet and a strip of ceiling lights receding in the grey depth. The palette is cool throughout, pale blue and white and dark navy against neutral office grey, with warm skin the only other colour. Through the window glass, the city beyond is seen as a soft darkened silhouette, dimmer and lower in contrast than the daylight it lets through. Composed, glacial.
Joshua Froat
1girl, solo, office, walking, holding clipboard, deadpan, expressionless, heavy-lidded eyes, half-closed eyes, pink eyes, cold gaze, pale skin, dark freckles, blue eyeshadow, sparkling eyeshadow, pale blue hair, long hair, black hair clip, snowflake earrings, stud earrings, pale blue lips, glossy lips, pale blue nails, manicured nails, large breasts, wide hips, thick thighs, fat ass, white button-up shirt, light blue blazer, dark blue necktie, light blue skirt, pencil skirt, pantyhose, dark blue high heels, from below, full body, dutch angle, looking at object, mid-stride, indoors, daylight from window,
The camera sits low and slightly canted, looking up across the office floor as a single pale-skinned woman strides left to right through the aisle between two banks of grey filing cabinets, caught mid-step. Her weight is on the forward leg, the back heel just lifting off the carpet, one dark blue stiletto heel tilted on its tip; the hip above the planted leg drops lower, tilting the hem of the light blue skirt. Her right forearm is pinned across her waist, clipboard braced against her body, and her left hand rests on the top edge of the board, thumb on the clip, a pen trapped under two fingers; the clipboard's lower corner presses into her hip. Her chin is a few degrees down, and her heavy-lidded pink eyes are turned down and sideways at the top page on the clipboard, lids low, gaze flat and unimpressed, one brow barely lifted. Her mouth is a level line, glossy and pale blue, no smile at all.
Her pale blue hair falls past her shoulders, the ends lifting and swinging out behind her shoulder with the stride; the black hair clip catches a sliver of window light where it pins a section back above her ear. The snowflake studs sit in both earlobes, small and silver against pale skin, and the dark freckles scatter densely across her nose and upper cheeks under the eyeshadow, which glitters faintly in tiny particles wherever the light hits it. The white button-up is buttoned high into the dark blue tie, the collar points tucked under the light blue blazer, whose lapels swing open with her forward shoulder; the blazer's hem rides up over the wide hips, the light blue skirt stretched across them and across the thick thighs so its weave pulls taut, and the pantyhose sheen runs down the legs to the dark blue heels, a narrow seam of darker nylon at the ankle.
The office is a plain medium space: grey carpet, a low cubicle partition in the right foreground cutting diagonally across the bottom of the frame, a photocopier and a dead monitor behind her, a big window on the left. Cool white daylight comes in from that window at the left, so the lit side of her face, shoulder and skirt is bright and the right side of her body falls into soft grey shadow; her own shadow is thrown right and short across the carpet, and the filing cabinets cast long thin shadows that converge toward the right edge. Palette is cool and pale -- white, light blue, dark navy, grey -- with her pink eyes and dark freckles the only warm notes. Half-finished papers and a lanyard rest on the partition ledge, and the shadow of her clipboard falls across the page she is reading. Quietly clinical, brisk.
Joshua Froat
1girl, solo, mature female, tall, pale skin, dark freckles across cheeks and nose bridge, heavy-lidded eyes, half-closed eyes, cold expression, pink eyes, blue eyeshadow, glittery eyeshadow, pale blue lips, glossy lips, sparkly lip gloss, long pale blue hair, hair clip, black hair clip, snowflake earrings, stud earrings, pale blue nail polish, manicured nails, large breasts, wide hips, thick thighs, fat ass, white button-up shirt, collared shirt, light blue blazer, dark blue necktie, light blue skirt, pencil skirt, pantyhose, dark blue high heels, leaning, leaning against desk, leaning back, desk, office, indoors, from below, cowboy shot, dutch angle, looking down, deadpan, expressionless, jitome, still air,
The camera sits low and slightly off-axis, tilted a few degrees off horizontal, so the woman leaning against the office desk reads as a tall diagonal cutting the frame; the shot is a cowboy crop, cutting just below the knee, and she is seen from below. She is turned three-quarters away from the camera, her left shoulder toward us, and she leans back against the front edge of a heavy dark wood desk: both cheeks of the desk edge press into the back of her thighs and the underside of her hips, her pelvis pushed forward so the light blue skirt strains smooth across wide hips and thick thighs, and her weight is settled onto the ball of her right foot while her left heel is planted flat, legs crossed slightly at the ankle. Both hands rest behind her on the desktop, fingers curled over the lip, the pale blue glossed nails catching the light; her elbows lock straight and her shoulders roll back, which pulls the white button-up taut across large breasts and makes the dark blue tie hang free of her chest, and the light blue blazer sits open over it, its front panels falling away at the waist. Her chin is level and her head is tipped down toward the lens. Under the heavy lids her cold pink eyes look straight into the camera with the lids lowered a third of the way, the pale blue glitter of the eyeshadow banked along the crease, the pale blue sparkly gloss sitting thick on a mouth that is perfectly flat at both corners, no smile, no tension, a deadpan that gives nothing back. Dark freckles scatter over the bridge of her nose and both cheekbones and keep going down past the jaw. Her long pale blue hair falls over the right side of her face and there, above her ear, a plain black hair clip holds a flat lock of it back; a snowflake stud sits on each earlobe. The room is a plain modern office: a grey carpeted floor, a dark credenza behind her edge-on to the lens, a tall window off-frame left that is the only light source, so the daylight rakes across her from the left, bright along her cheekbone and the top of her blazer shoulder, dropping her right side and the ground beneath the desk into soft cool shadow, and the desk casts a hard dark wedge on the carpet in front of it. Pale blue, dark blue and the cool white of her shirt carry the entire palette, nothing warm admitted anywhere. The only movement is the fine mist of dust hanging still in the window light. Quiet, glacial composure.
Joshua Froat
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