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Taora
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- Größe
- 768 x 1280
- Sampling-Schritte
- 12
- Sampling-Methode
- Euler
- CFG Scale
- 5
- Negativ
- bad quality, worst quality, low quality, extra_digits, artistic_error, bad_anatomy, bad_hands, deformed, bad_reflection, bad_feet,artist_name,signature, watermark, copyright_name, missing fingers, excess fingers, bad fingers,light particles, multiple views, nsfw
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1girl, solo, mature female, tall female, hourglass figure, large breasts, wide hips, smooth thighs, black hair, dark purple hair gradient, two-tone hair, half updo, ponytail, purple eyes, blue eyes, gradient eyes, half-closed eyes, small irises, pointed chin, expressionless, blank stare, looking at viewer, facing forward, standing, full body, white shirt, long sleeves, collared shirt, black necktie, black gloves, two belts, chest belts, black miniskirt, pantyhose, black knee boots, high heels, long black coat, jacket draped over shoulders, arms out of sleeves, jacket sleeves hanging down, open coat, unbuttoned coat, left hand on right hand, adjusting gloves, pulling glove, hands together at waist, simple background, from above, dutch angle,
Shot from slightly above and canted a few degrees off level, a full-body vertical frame holds one tall young woman standing alone on a seamless dark slate field that fades from deep charcoal at the bottom to a cold near-black above; the ground is featureless and the whole of the detail budget goes to her body, her clothing and the light. She faces the camera squarely, chin level, the pointed chin cutting a clean V under a jaw held still; her half-lidded eyes rest on the lens with a flat, unreadable calm, the upper lids low enough to cover the top third of the irises, and those irises stay small and hard inside the almond of each eye, purple bleeding down into a deep blue at the lower rim. A faint specular dot sits in each one, the only warm point on her face. Black hair falls past her collarbones, the gradient sliding from true black at the crown to a dark violet at the tips, the half-up ponytail gathered high at the back of her skull and swinging slightly to her left as the head stays dead-on; the loose back section drapes over the coat's shoulder line and disappears behind it. Her shoulders slope back under the coat, spine straight, chest lifted, her weight settled on her right leg with the left knee unlocked and the left hip dropped a fraction so the hourglass silhouette reads as a real body and not a diagram: breasts full under the white cotton, the shirt tucked and pulling into faint horizontal tension folds at the bust, waist drawn narrow, hips flaring, the black miniskirt ending high on smooth slightly full thighs that taper into the pantyhose's fine matte sheen.
The white long-sleeved shirt is buttoned to the collar, cuffs closed at both wrists, and the black tie hangs straight down the centre of her chest to just above the upper belt; two black belts cross her torso, one banded high beneath the bust and one low at the bottom of the ribcage, both buckled dead centre and slightly cinching the cotton. The long black jacket does not hang from her arms: it is a weight laid across both shoulders, the empty sleeves dropping straight down her sides like two dark ribbons, the front panels falling open apart from her body and exposing the shirt and belts, the back panel falling long behind her and its hem just visible either side of her hips. Her arms come forward and inward, both elbows bent, and at the centre of her waist her left hand closes tight over the cuff of her right glove, thumb and forefinger pinching the black leather at the wrist and tugging it up a centimetre, the fabric wrinkling in radiating creases back from the pull; the glove's fingers hang loose and half-curled beneath her grip. Beneath the hem the black knee-high boots rise to just under each knee with a narrow stretch of pantyhose thigh above them, the heels thin and high, her weight pressing a faint shine into the right boot's vamp.
A single hard key light comes from the upper left and slightly in front, cool and neutral: it rims the coat's left shoulder, the ponytail's outer edge and the left side of the tie, lays a broad highlight on the shine of her left boot and the leather of the right glove, and throws the right side of her body into a softened falloff so the right jacket panel and the far side of her skirt sink toward the background. Her cast shadow runs short and soft to the lower right across the seamless floor. The palette stays strictly black, white and violet -- black in the coat, tie, belts, skirt, gloves and boots, white in the shirt, violet bleeding only through the hair tips and the lower half of her irises. Still, deliberate, coolly unreadable.
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
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이름
이름
2
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3
the ballerina
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