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tonytonychopper0705#0

KI-Kunst von tonytonychopper0705#0 auf PixAI. Erstellt mit Tsubaki.3.

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tonytonychopper0705#0

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character: elizabeth_(bioshock_infinite) 2girls, 1boy, elizabeth_(bioshock_infinite), long brown hair, hair parted on the side, blue eyes, fair skin, slender hourglass figure, full bust, corset, white blouse, blue ribbon at the throat, blue skirt, thigh-high stockings, boots, muscular male, brown hair, tousled hair, brown eyes, adult man, lying down, head on lap, head resting on her belly, hand on his head, petting, headpat, comforting, closed eyes, soft smile, tender expression, looking down at him, from side, close-up, intimate, two people, indoors, warm lamplight, gentle atmosphere The camera sits low and to the side, a close two-shot from a low side angle that crops both figures at mid-thigh and mid-chest, so the frame is given almost entirely to the junction of her lap and his head. Elizabeth sits upright with her weight settled back on her right hip and both legs folded to one side beneath her, the blue skirt fanned across the upholstery, her left knee raised slightly to support him; her spine curves gently toward him, shoulders relaxed and dropped. The man lies on his side with the back of his skull and the nape of his neck resting across her thighs and the soft plane of her belly, his shoulder pressed into her raised knee, one heavy forearm flat across his own chest, the fingers of his other hand curled loosely against the fabric near her hip, bare thick arms and a broad back visible where the shirt strains over the deltoid and the neck. She strokes his head slowly: her fingers spread and slide back through the tousled brown hair at his temple, the heel of her hand settled warm above his ear, the strands lifting and resettling around her knuckles. Her other hand rests flat and still at the crest of her own thigh, not touching him. She looks down at him, chin dipped, lashes lowered, the corners of her mouth turned up a faint closed-lip smile, blue eyes half-hooded and fixed on his brow. His eyes are closed, brow smooth, mouth slack, the whole weight of his head surrendered to her with no tension left in his jaw; his breathing moves the fabric at her waist. Her long brown hair falls forward over the shoulder nearest him so the tips hang beside his cheek, and the loose lock stirs slightly with his exhale. Warm low lamplight comes from the upper left, striking the top of her thigh, the ridge of her knuckles in his hair and the high plane of his shoulder blade, while the far side of both faces and the hollow under her raised knee sit in deep soft shadow; the lamp is the only source, and beyond its pool the room falls into an unlit, close darkness. Palette of muted blue and white in her clothing, warm amber light on skin, the brown of his hair and hers, the wooden warmth of the shadow behind them. The contact of her palm compresses his hair into soft radiating ridges around her fingers. Quiet, tender.
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Ursprünglicher Prompt
Exact body type, exact breast size and shape, Elizabeth (Bioshock), wearing her signature outfit, with her lover, 1 man, the man has brown hair, brown eyes, a tousled haircut and is muscular. The male is lying his head on her belly as she pets his head in comfort
Modus
pro
Stil
Gepflegter Manhwa
Qualitäts-Tag
﹝Prompts﹞
Größe
1104 x 1824
Sampling-Methode
Euler
Negativ
lowres, worst quality, low quality, bad anatomy, explicit
Stil: Gepflegter Manhwa
Prompt-Assistent

Verwendetes Modell und LoRA

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.68k

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character: elizabeth_(bioshock_infinite) 2girls, 1boy, elizabeth_(bioshock_infinite), long brown hair, hair parted on the side, blue eyes, fair skin, slender hourglass figure, full bust, corset, white blouse, blue ribbon at the throat, blue skirt, thigh-high stockings, boots, muscular male, brown hair, tousled hair, brown eyes, adult man, lying down, head on lap, head resting on her belly, hand on his head, petting, headpat, comforting, closed eyes, soft smile, tender expression, looking down at him, from side, close-up, intimate, two people, indoors, warm lamplight, gentle atmosphere The camera sits low and to the side, a close two-shot from a low side angle that crops both figures at mid-thigh and mid-chest, so the frame is given almost entirely to the junction of her lap and his head. Elizabeth sits upright with her weight settled back on her right hip and both legs folded to one side beneath her, the blue skirt fanned across the upholstery, her left knee raised slightly to support him; her spine curves gently toward him, shoulders relaxed and dropped. The man lies on his side with the back of his skull and the nape of his neck resting across her thighs and the soft plane of her belly, his shoulder pressed into her raised knee, one heavy forearm flat across his own chest, the fingers of his other hand curled loosely against the fabric near her hip, bare thick arms and a broad back visible where the shirt strains over the deltoid and the neck. She strokes his head slowly: her fingers spread and slide back through the tousled brown hair at his temple, the heel of her hand settled warm above his ear, the strands lifting and resettling around her knuckles. Her other hand rests flat and still at the crest of her own thigh, not touching him. She looks down at him, chin dipped, lashes lowered, the corners of her mouth turned up a faint closed-lip smile, blue eyes half-hooded and fixed on his brow. His eyes are closed, brow smooth, mouth slack, the whole weight of his head surrendered to her with no tension left in his jaw; his breathing moves the fabric at her waist. Her long brown hair falls forward over the shoulder nearest him so the tips hang beside his cheek, and the loose lock stirs slightly with his exhale. Warm low lamplight comes from the upper left, striking the top of her thigh, the ridge of her knuckles in his hair and the high plane of his shoulder blade, while the far side of both faces and the hollow under her raised knee sit in deep soft shadow; the lamp is the only source, and beyond its pool the room falls into an unlit, close darkness. Palette of muted blue and white in her clothing, warm amber light on skin, the brown of his hair and hers, the wooden warmth of the shadow behind them. The contact of her palm compresses his hair into soft radiating ridges around her fingers. Quiet, tender.
tonytonychopper0705#0
AI artwork
t0
character: elizabeth_(bioshock_infinite) 2girls, 1boy, elizabeth_(bioshock_infinite), long brown hair, hair parted on the side, blue eyes, fair skin, slender hourglass figure, full bust, corset, white blouse, blue ribbon at the throat, blue skirt, thigh-high stockings, boots, muscular male, brown hair, tousled hair, brown eyes, adult man, lying down, head on lap, head resting on her belly, hand on his head, petting, headpat, comforting, closed eyes, soft smile, tender expression, looking down at him, from side, close-up, intimate, two people, indoors, warm lamplight, gentle atmosphere The camera sits low and to the side, a close two-shot from a low side angle that crops both figures at mid-thigh and mid-chest, so the frame is given almost entirely to the junction of her lap and his head. Elizabeth sits upright with her weight settled back on her right hip and both legs folded to one side beneath her, the blue skirt fanned across the upholstery, her left knee raised slightly to support him; her spine curves gently toward him, shoulders relaxed and dropped. The man lies on his side with the back of his skull and the nape of his neck resting across her thighs and the soft plane of her belly, his shoulder pressed into her raised knee, one heavy forearm flat across his own chest, the fingers of his other hand curled loosely against the fabric near her hip, bare thick arms and a broad back visible where the shirt strains over the deltoid and the neck. She strokes his head slowly: her fingers spread and slide back through the tousled brown hair at his temple, the heel of her hand settled warm above his ear, the strands lifting and resettling around her knuckles. Her other hand rests flat and still at the crest of her own thigh, not touching him. She looks down at him, chin dipped, lashes lowered, the corners of her mouth turned up a faint closed-lip smile, blue eyes half-hooded and fixed on his brow. His eyes are closed, brow smooth, mouth slack, the whole weight of his head surrendered to her with no tension left in his jaw; his breathing moves the fabric at her waist. Her long brown hair falls forward over the shoulder nearest him so the tips hang beside his cheek, and the loose lock stirs slightly with his exhale. Warm low lamplight comes from the upper left, striking the top of her thigh, the ridge of her knuckles in his hair and the high plane of his shoulder blade, while the far side of both faces and the hollow under her raised knee sit in deep soft shadow; the lamp is the only source, and beyond its pool the room falls into an unlit, close darkness. Palette of muted blue and white in her clothing, warm amber light on skin, the brown of his hair and hers, the wooden warmth of the shadow behind them. The contact of her palm compresses his hair into soft radiating ridges around her fingers. Quiet, tender.
tonytonychopper0705#0
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
2girls, 1boy, male and female, princess carry, carrying, bridal carry, muscular male, short hair, wavy hair, light brown hair, green eyes, vertical slit pupils, slit pupils, black pants, white shirt, button-up shirt, brown vest, beautiful woman, long hair, very long hair, curly hair, red hair, red eyes, t-shirt, short pants, arms around neck, arms around shoulders, looking at each other, from side, cowboy shot, profile, dutch angle, warm interior, window light, soft rim light A low three-quarter side view framed as a cowboy shot, tilted a few degrees into a slight dutch angle, catches the man mid-lift as he swings the woman up into a princess carry. He stands with his weight sunk into his back leg, front knee bent, torso leaning back a touch to counterbalance her; his right forearm runs under her shoulder blades and his left hand cups the backs of her knees, fingers spread across the fabric of her short pants, her calves hanging over his forearm with her ankles loosely crossed. His white button shirt is open at the collar, sleeves rolled to the elbow over thick forearms, the brown vest pulled taut across his chest and the seams straining at the shoulder where her arm presses down; the black pants crease sharply at the hips from the stance. Short wavy light-brown hair falls over his forehead and lifts slightly at the temples from the motion, and his green eyes with narrow vertical slit pupils flick to her face, one brow arched in a small satisfied line, a lopsided closed-lip smirk just forming. The woman is gathered against his chest, her back curved into the crook of his arm, both arms wrapped over his shoulders and hands clasped loosely behind his neck, her chin near his jaw. Her very long curly red hair spills over his forearm and off the far side of his shoulder in a heavy coil, ends hanging almost to his hip; she wears a plain T-shirt rucked up over her waist and short pants, one leg swinging free. Her red eyes are turned toward him from under half-lowered lashes, a faint closed-mouth smile, warm and a little smug, while his gaze meets hers; her right shoulder is close to his neck and her hand rests flat against his upper back. Behind them a plain warm interior: a pale plaster wall, a tall window at frame left with daylight raking in low and cool, catching the edge of his jaw, the length of her hair and the flare of her skirt hem while the side of the room away from the window falls into deep brown shadow. The palette holds to white, black, brown and red against the pale wall, nothing else admitted. Light from the window produces a soft cast shadow of both figures smeared across the boards and wall in a doubled silhouette, her curls breaking the shadow's edge into a scalloped outline. Quiet, tender.
Kylee Violette (Kiy Chan)
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
2girls, 1boy, male and female, princess carry, carrying, bridal carry, muscular male, short hair, wavy hair, light brown hair, green eyes, vertical slit pupils, slit pupils, black pants, white shirt, button-up shirt, brown vest, beautiful woman, long hair, very long hair, curly hair, red hair, red eyes, t-shirt, short pants, arms around neck, arms around shoulders, looking at each other, from side, cowboy shot, profile, dutch angle, warm interior, window light, soft rim light A low three-quarter side view framed as a cowboy shot, tilted a few degrees into a slight dutch angle, catches the man mid-lift as he swings the woman up into a princess carry. He stands with his weight sunk into his back leg, front knee bent, torso leaning back a touch to counterbalance her; his right forearm runs under her shoulder blades and his left hand cups the backs of her knees, fingers spread across the fabric of her short pants, her calves hanging over his forearm with her ankles loosely crossed. His white button shirt is open at the collar, sleeves rolled to the elbow over thick forearms, the brown vest pulled taut across his chest and the seams straining at the shoulder where her arm presses down; the black pants crease sharply at the hips from the stance. Short wavy light-brown hair falls over his forehead and lifts slightly at the temples from the motion, and his green eyes with narrow vertical slit pupils flick to her face, one brow arched in a small satisfied line, a lopsided closed-lip smirk just forming. The woman is gathered against his chest, her back curved into the crook of his arm, both arms wrapped over his shoulders and hands clasped loosely behind his neck, her chin near his jaw. Her very long curly red hair spills over his forearm and off the far side of his shoulder in a heavy coil, ends hanging almost to his hip; she wears a plain T-shirt rucked up over her waist and short pants, one leg swinging free. Her red eyes are turned toward him from under half-lowered lashes, a faint closed-mouth smile, warm and a little smug, while his gaze meets hers; her right shoulder is close to his neck and her hand rests flat against his upper back. Behind them a plain warm interior: a pale plaster wall, a tall window at frame left with daylight raking in low and cool, catching the edge of his jaw, the length of her hair and the flare of her skirt hem while the side of the room away from the window falls into deep brown shadow. The palette holds to white, black, brown and red against the pale wall, nothing else admitted. Light from the window produces a soft cast shadow of both figures smeared across the boards and wall in a doubled silhouette, her curls breaking the shadow's edge into a scalloped outline. Quiet, tender.
Kylee Violette (Kiy Chan)

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Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
4#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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