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純斗
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- Ursprünglicher Prompt
- キュアプリズムがカビの力を得て全てのカビと一体化して若いマジョリーナに敗れて、全体を黒緑にカビ化したキュアプリズムが苦しそうに地面に倒れて、アニメ風イラスト描いて、ヒロピンイラスト描いて、全身にカビを染み込ませて、地面を黒緑のカビにして、キュアプリズムが徐々に地面のカビに取り込まれていって、地面から出てきた大量のカビの触手でキュアプリズムを絡めとってカビの中に引っ張り混んで、キュアプリズムをボロボロで傷だらけにして、もっとカビで蝕んで、カビの中に沈んで
- Modus
- pro
- Größe
- 1104 x 1824
- Sampling-Methode
- Euler
- Negativ
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt-Assistent
Verwendetes Modell und LoRA
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純斗
character: cure_prism
1girl, cure_prism, solo, pink hair, long hair, braid, hair ribbon, white ribbon, pink bow, white bow, green eyes, white dress, frills, elbow gloves, white gloves, ascot, earrings, full body, lying, on ground, collapsed, fallen on back, writhing, in pain, suffering, pained expression, clenched teeth, open mouth, sweat, trembling, tears, half-closed eyes, tattered clothes, torn dress, ripped gloves, scratches, wounds, bruises, covered in mold, black mold, green mold, mold on body, black-green slime, wet, glistening, mold tentacles, tendrils, tentacles from ground, tentacles wrapping body, restrained, bound, entangled, dragged down, sinking into ground, partially submerged, mold covering ground, corrupted, black sclera, glowing green eyes, spreading mold, absorption, horror, dark fantasy, high contrast, from above, dutch angle, foreshortening, dramatic lighting, cinematic, dim light, eerie atmosphere, despair, defeated, hopeless, wide-eyed, glossy skin, shiny skin, sweat on skin, trembling legs, arched back, spread arms,
The shot looks down from a steep, canted high angle, as Cure Prism lies sprawled on her back across a floor of black-green mold that has swallowed the entire ground plane edge to edge. Her long pink hair fans out through the mold in wet, matted ropes, the white ribbon and pink bow clumped into sticky strands; her green eyes are wide and glassy beneath half-lowered lids, brows drawn up, teeth clenched behind a grimace, a bead of sweat running down her temple as a tear tracks the corner of one eye. Her white dress is shredded at the hem and sleeves, in tatters that expose raw pink scratches and bruises along her arms and thighs; her white gloves are torn open at the knuckles, her earrings dark with mold.
She is not merely painted with mold but soaked in it: black-green fuzz creeps up her shins, thighs, flanks and forearms in soft spreading patches that flush into a slick wet membrane over her skin. Her back arches off the ground, one hip twisted, one shoulder dragged lower, both arms flung out and bent, fingers curled and spasming as they claw at the floor. From the mold around her, dozens of glistening black-green tendrils have erupted — three coil tight around her right ankle and calf, two lash across her waist and ribs, one wraps her left wrist and pins it, one loops her upper arm, thinner strands thread over her collarbone and throat and along her jaw — each holding taut with a wet sheen where the light catches the slime. The tendrils are dragging her down: she is already part-sunk, the mold closing over her hips, her elbow and shoulder-blade descending into the floor, the ground surface bulging in soft rings around each point where she is being pulled under, so that the mold reads as a living sink rather than a flat stain.
Just beneath her the floor is a solid sheet of black-green mold with a rough, granular, slightly glistening crust, darker in the crevices, brighter lime along the raised ridges; the crust breaks open into rips where tendrils emerge, and around each tear the surface is sagging and puckered, moisture beading in the hollows and running down into the seams. Above her, everything else is pure blackness. A single cold light source from the upper left grazes the tops of the mold ridges and her cheek with a faint green cast, leaving the underside of her jaw, the deep folds of the mold and the recesses of her body in absolute darkness; the only other glow is her corrupted eyes. The palette admits nothing but black, sickly green, the dead white of her ruined dress, and the pink of her hair — nothing else, no warmth. Fine watercolor-and-ink texture on the mold and her skin, thin ink lines for the tendrils, high-contrast, gothic, restrained in its horror.
No speech bubble; the mold tendrils and the sagging floor carry the motion alone. Quiet despair, sickening dread.
純斗
純斗
character: cure_prism, majorina
solo focus, 2girls, cure_prism, majorina, defeated, lying on ground, collapsed, on back, in pain, suffering expression, agony, grimace, tears, clenched teeth, half-closed eyes, tattered clothes, torn dress, ripped white dress, wounds, scratches, bruises, blood, black-green mold covering body, mold corruption, lower body fused with mold, body soaked in mold, mold tentacles, tentacles from ground, tentacle grabbing, tentacles wrapping around body, entangled, being pulled into mold, sinking into mold, partially submerged, only face above surface, right hand above surface, outstretched arm, reaching up, black-green mold ground, mold spreading across floor, corroded body, eroded, melting skin, hair ribbon, white ribbon, pink bow, braid, pink hair, long hair, green eyes, young girl, mold-colored skin, mold-green body, long hair, hood, standing, looking down, looking at another, sadistic smile, cruel smile, victory pose, from above, high angle, dutch angle, foreshortening, dramatic perspective, dark atmosphere, sickly green palette, dim lighting, single light source, horror, corruption, bad end, hero in peril, dark fantasy, anime illustration, detailed, high quality
From a high angle looking steeply down into a shallow pit of black-green mold, the entire floor of the chamber has become a spreading mat of the stuff — matte, fibrous, mottled deep green over near-black, its surface broken into raised veins and small craters where bubbles of decay have burst. Down in the centre of this field lies a girl on her back, sunk to the collarbone: the mold has swallowed her torso, hips and legs whole, so that only her head, shoulders and her right arm remain above the surface. Her lower body reads as part of the mold itself — the line where her waist disappears is not a clean edge but a slow gradient of flesh darkening and fuzzing into green filaments, her skirt and leggings dissolved into the mass in ragged scraps. Her whole body is stained the same black-green; the mold climbs her neck in finger-like streaks and mats the ends of her long pink hair where it lies spread in the muck, the white ribbon and pink bow at her braid now smeared and heavy.
Her face is the only clean, bright thing left and it is contorted: brows drawn hard together, eyes squeezed half-shut with wet lashes, tears cutting pale tracks through the green on her cheek, mouth pulled wide in a grimace with teeth bared around a caught breath. Her right arm is flung up out of the mold toward the camera, fingers splayed and trembling, elbow locked, the white glove torn open across the knuckles, blood beading in a scrape on the forearm — the one part of her still refusing.
Around her, the mold rises into thick blunt tentacles that taper as they rise, a dozen of them arching up and bending inward. Two coil tight around her right upper arm just below the shoulder and pull, dimpling the fabric; one crosses her collarbone and hooks around her throat without strangling, its tip curled under her jaw; others lie across her shoulders and vanish into the mass where her torso is. They drag her down: the mold around her shoulders is stretched into radial puckers and small wet creases, and the shelf of mold at her collarbone has visibly risen up over the skin in a slow lip, the surface around her freshly disturbed and glistening.
Above her, standing at the rim of the pit with the top edge of the frame cutting across her shoulders, is a young woman with long hair and green eyes whose skin and hood are the same black-green as the mold, her body small and spry in the frame's upper corner. She stands with her weight on one hip in a loose, easy hipshot stance, one hand resting on her knee bent at the rim, chin tipped down. She looks directly into the fallen girl's upturned eye, and the corner of her mouth has a small, satisfied kink; she does not move to help.
The only light source is a cold, low, green-white glow rising from the mold itself, so the underside of the fallen girl's chin, the rims of the tentacles and the inside of her raised hand are lit while the surrounding walls and the victor's back fall into darkness. The palette holds to black, deep green and a single thread of pink in the girl's hair, with her blood the sole warm note. The mold in the foreground is rendered fine and close, the victor simplified at the rim. Bleak, suffocating corruption.
純斗
純斗
character: cure_prism, majorina
2girls, cure_prism, majorina, hiro-pin, defeated, lying on ground, on back, head turned to the side, pained expression, suffering, clenched teeth, half-closed eyes, tears, wounded, covered in wounds, torn clothes, tattered dress, torn white dress, frills, white gloves, elbow gloves, torn gloves, pink hair, long hair, braid, hair ribbon, white ribbon, pink bow, white bow, green eyes, earrings, mold, black mold, black-green mold, fungal growth, mold fusion, fused with mold, lower body fused with mold, absorbed into mold, sinking into mold, mold tendrils, tentacles, tentacles wrapping body, arms restrained, legs restrained, tendrils pulling her down, entangling, corrosion, body covered in mold, mold on face, mold on clothes, mold on hair, ground covered in mold, moldy ground, submerged, from above, high angle, close-up on upper body, pov, looking up at viewer, majorina, young majorina, long hair, green eyes, hood, hooded cloak, standing over, standing on mold, looking down at defeated, smug, victorious, sadistic smile, half-closed eyes, looking at another, bare ears, adult tag: suffering, restrained, tentacle hold, corruption, defeated hero, evil grin, dominant
The camera looks down from just above the two figures, a high angle that pins the defeated girl to the floor. Cure Prism lies on her back in the lower two thirds of the frame, her head snapped to the left side, cheek pressed flat into the black-green mold. Her pink braided hair fans out and the white ribbons and pink bow at her braid are soaked dark, sticking to the mold in wet clumps. Her face is a knot of pain: brows drawn hard together, one eye half-shut and the other squeezed closed with a tear cutting a clean pale line down the mold-smeared cheek, mouth open in a clenched grimace. White mold threads smear across her cheek, her jaw and her throat. Her frilled white dress is shredded at the hem and shoulder, the ball-jointed seams of white gloves split at the knuckles, and every tear in the fabric has mold creeping out of it in lichen-like crusts. Above the hips she is still recognizably a girl in a ruined white dress; from the waist down there is no longer a body, only a thickened column of black-green mycelium that merges into the ground with no edge at all, her legs unreadable somewhere inside it, the skirt's frills half-swallowed and laced with dark filaments.
Tendrils rise out of that mold in a wide fan. One thick tendril loops twice around her right forearm and pins it out to the side, a second wraps her left wrist and draws it down toward the mycelium, three more cross her belly and chest over the torn dress and press her back into the ground, and more coil upward behind her shoulders. The ends of the tendrils taper into fine hairs that spread out over the fabric. Where each coil touches, the dress fabric is already dark and porous, eaten through. The ground itself is an unbroken mat of black-green mold extending past the frame edges, fibrous and fuzzy with bright pale-green rims on the raised lumps and dull black in the hollows, and it visibly deforms around her: a shallow depression is spreading beneath her shoulders and hips where the surface has already pulled her down, small ridges and folds in the mold annularly creeping up over her sides. She reaches one glove almost to the top edge of the frame, the fingers crooked.
Majorina stands in the upper right, small in the frame at this angle but unmistakable, looking down: a young woman in a hooded cloak whose hood casts a shadow over her brow, long hair hanging loose past the hood's rim, green eyes catching the light, her chin lowered and her mouth curved into a thin satisfied smile, one corner lifted. Her cloak's hem floats just above the mold without touching it. Her right hand is at her side, fingers loose, her left hand lifted slightly at chest height as if she has just finished casting. Her gaze lands directly on the defeated girl's face, and the defeated girl's open eye looks up off the floor toward her.
The light is a single cold green source from the upper left: it picks out the pale-green fuzz on the mold's raised edges, the wet sheen on the tendrils, and rim-lights the hooded figure's shoulder and the torn white sleeve, leaving the deep seams between mold clumps near-black. The palette is black, deep green, sickly yellow-green, and the ruined white of the dress with the faded pink of her hair as the only warm note. A faint green haze diffuses through the air, thickest near the ground. Wretched, claustrophobic.
純斗
純斗
character: cure_prism
1girl, cure_prism, pink_hair, long_hair, green_eyes, white_dress, white_gloves, blush, pained, suffering, from above, cowboy shot, multiple hands, grabbing, grabbing_face, grabbing_hair, shadow, black_stain, sinking, half-submerged, from_below, depth, contrast, heavy_shadows, seductive_smile, half-closed_eyes, sweat
A high-angle shot looking down at a girl with long pink hair and green eyes, wearing a frilled white dress and white gloves. She is sinking into a vast, ink-black shadow that spreads across the ground beneath her; her body is submerged from the shoulders down, her lower half completely vanished into the darkness. Numerous pitch-black, featureless undead upper bodies emerge from the void, their many elongated hands clamping tightly onto her. One hand grips her chin, another clutches her long hair, and several others seize her torso and arms. Wherever the black hands touch her skin, hair, or white fabric, the areas are stained a deep, saturated black. She is being dragged helplessly downward, her head tilted back with a pained, suffering expression, though her cheeks are tinted with a slight, involuntary blush. The only light source is a dim, cold overhead glow that catches the top of her head and shoulders, leaving the depths of the shadow absolute. The contrast is stark, with the vivid pink of her hair clashing against the oppressive black of the void. Desperate, oppressive.
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ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
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miku
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weirdcore...
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reunited at last
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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Tofu
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the ballerina
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