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AI art "【Artist Style 182】作例3" featuring #Iroha and #Samurai Shodown
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【Artist Style 182】作例3

KI-Kunst „【Artist Style 182】作例3“ von たいたい auf PixAI. Tags: Samurai Shodown. Erstellt mit Luc_QT.

「ベエル」風。 「サムライスピリッツ」から いろは。 ヒジョーに苦労したキャラ。 少しでも黒がはみ出るとセンシティブに😵‍💫

#Samurai Shodown
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Kommentare1

artist:beeru (veil8801), (solo), deformed, iroha \(samurai spirits\), black hair, apron, thighhighs, smile, one leg, dynamic pose, dutch angle
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Ursprünglicher Prompt
((artist:beeru (veil8801)))、(solo)、deformed、 iroha (samurai spirits)、黒髪、エプロン、サイハイソックス、微笑む、片足、dynamic pose 、dutch angle
Größe
768 x 1280
Sampling-Schritte
20
Sampling-Methode
Euler a
CFG Scale
3
Negativ
nsfw, worst quality, low quality, too many fingers, fused fingers, missing arms, missing fingers, bad anatomy, bad hands, text, signature, artist name, watermark, nsfw, username, error, missing fingers, extra digit, fewer digits, disfigured, jpeg artifacts, cropped, blurry, mutation, deformed, dehydrated, bad proportions, disfigured, gross proportions, nsfw, malformed limbs, long neck, duplicate, ugly

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ま
character: iroha_(samurai_spirits) 1girl, solo, iroha \(samurai spirits\), black hair, short hair, flipped hair, tsurime, upturned eyes, blue eyes, heterochromia, maid headdress, hair ornament, japanese clothes, unconventional maid, leotard, apron, black thighhighs, toeless legwear, flat coloring, simple clean white background, cel shading, clean lineart, (Anime screencap), official art style, sharp focus, game cg, ((anime coloring:1.4)), source anime, cowboy shot, from below, dutch angle, leaning forward, head tilt, arms behind back, looking at viewer, half-closed eyes, light smile, wide sleeves. The camera sits low and tilted, looking up at her from just below hip height so the vertical of her figure runs diagonally across the frame while the white ground stays completely empty — a seamless studio sweep of pure clean white with no horizon, no floor line, no props, only the faintest soft shadow pooling under her feet where they meet the ground. She leans far forward toward the lens, weight rocked onto the balls of her feet with her heels just lifting, both hands clasped loosely behind her back so her shoulders pull apart and her apron front swings forward; her chin tips down toward the viewer and her head tilts a few degrees off-vertical, one brow slightly raised. Her short black hair is cut close and flipped outward at the ends, the bob swinging forward past her cheeks from the lean so the tips lift off her jaw, and the maid headdress sits tilted across the crown, its ribbon edges fluttering back. The hair ornament catches the key light at one temple. Her wide-sleeved Japanese garment hangs forward off her forearms in a long triangular drape, sleeve mouths open and shadowed, the apron ties crossing at her back, and the black thighhighs run up under the hem with the toes of her toeless legwear gripping the white ground. Her eyes — upturned at the outer corners, half-lidded and calm — look straight into the lens from under her lashes, a small closed-lip smile at one corner. Light comes from high front-left as a broad, even source: it strikes the top planes of her hair, cheekbones and sleeves in flat clean planes of colour, leaves a crisp narrow shadow along the right side of her throat and under the chin, and no cast shadow beyond the soft contact pool beneath her feet. Palette is held tight — black hair, black legwear, the warm red-and-cream of the maid garment, and the white field, nothing else admitted. Flat fills and hard cel edges throughout, lineart a single unbroken weight, no gradient, no grain. Effortlessly poised, quietly playful.
まんまん

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