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Udon Galeri

Jelajahi karya seni 278 Udon yang sedang tren

AI artwork
Avatar image of めーる
masterpiece, best quality, ultra detailed, denim mini jacket,ultra low-lise denim mini skirt,a character with a high side ponytail tied high on the left side of her head with a hair ribbon​,hair bound together, clean nape, bare neck, (no loose hair in the back:1.2),split-color hair,right side cream-colored hair, left side black hair,(matching black denim set:1.2), black cropped denim jacket, black ultra low-lise denim mini skirt, (same color jacket and pants:1.1), highly detailed, masterpiece,A high-quality anime illustration of a girl wearing an extremely low-rise, ultra-mini denim skirt, exposed navel and midriff, micro denim skirt, revealing hip bones, short skirt length, stylish crop top, realistic denim texture, high detail,brown eyes, red tips of eyelashes, pink nail polish, denim jacket sleeves rolled up, crop top camisole is black, (small bow hair ornament made of thin black string:1.4), silver hairpin, silver earrings, silver necklace, black strings of string pants, ramen shop at night, counter seat, sitting on a red round stool, eyes sparkling with joy looking at the ramen that has arrived, ((Information-overloaded illustration style),High-density illustration, high-density lines, information overload, strong lines,Intricate decorations, ultimate details.),cgptbg,sweet_dreams,soft lighting,masterpiece,colored lineart,cute anime style,soft lighting,high detail,pastel colors,soft shading,glowing highlights,colorful,detailed eyes,bloom lighting,dreamy,clean composition
めーる
AI artwork
Avatar image of かざま@🍎㌠
pixel art, isometric view, solo, 1boy, chibi, young man, green hair, long hair, wavy hair, ponytail, round glasses, cat ears, kimono, apron, pants, standing behind table, sweets shop stall, table, sign board, noren curtain, imagawayaki, holding imagawayaki, speech bubble, japanese text, sound effect, depth of field, from above, full scene, warm light A pixel-art isometric view of a single chibi young man running a tiny imagawayaki stall, drawn in clean blocky pixel clusters with hard stair-stepped edges and a fixed limited palette: moss green, cream, indigo, warm bean-paste brown, and lantern amber, nothing else admitted. The view looks down at roughly thirty degrees onto the corner of his stall, so the stall's front faces the lower-left edge of the frame and its side table runs back into the upper-right; the sign board and noren hang on that front face and are read at a slight isometric skew rather than flat-on. He stands behind the sweets-shop table on the stall's inner side, weight settled on his right leg with the left knee loosely bent, torso turned three-quarters away from the front counter and his head swiveled back over his left shoulder toward the griddle. His green hair is long and wavy, gathered in a ponytail that falls over his right shoulder blade and coils in two soft waves; the ponytail's tip rests against the apron strap. Round glasses sit low on his nose, their lenses catching two small amber highlights from the griddle. The cat ears rise from the crown of his head, one tilted slightly forward as if listening to the batter sizzle. He wears a dark indigo kimono with the left sleeve pushed up to the elbow and tucked, a cream apron knotted at the waist and smudged with flour, and loose grey pants below. Both hands work the imagawayaki: his right hand holds a long wooden pick, lifting one round golden cake half off the cast-iron griddle, and his left hand cups a second finished imagawayaki against a small paper wrapper, thumb pressed into the paper's fold. His gaze lands on the cake on the pick, brows drawn in concentration, mouth a small open "o" of careful attention, a faint flush at the cheeks from the griddle's heat. Contact is enumerated: his right palm wraps the pick's handle, the pick's tip slides under the cake's edge; his left fingertips dent the paper wrapper, the wrapper's corner touching the griddle's rim; his hip brushes the table's back edge; both feet plant on the stall floor behind the counter. The imagawayaki on the pick is a thick disc, its top face a lattice of browned batter ridges and its cut edge showing a dark red bean-paste center; a faint thread of steam rises from it and bends toward the noren. The stall's front carries a hanging noren curtain of indigo cloth split into four panels, each panel printed with one menu word in cream Japanese lettering, the cloth's weave and its slight sway curving the characters: the panels read "oyaki", "imagawayaki", "kaitenyaki", "obanyaki", and the two outermost narrow panels read "Chelunbing" and "baked-mochocho" in smaller script along their hems. Above the noren, a wooden sign board hangs from two cords, its plank face angled down toward the viewer, painted with "neko no mise" in bold brush-like strokes whose edges pixelate into cream blocks. On the table sit a stack of paper wrappers, a small ceramic jar of bean paste, and a brass price card whose fine print stays an illegible pixel texture. Two kinds of lettering float over the scene. A rounded speech bubble with a pixel-stepped tail points down at his face, and inside it the words "neko no mise" sit in cream on indigo. Along the stall's right side, a jagged manga sound effect reads "japanese sound effect text" in thick cream characters outlined in indigo, its strokes leaning with the griddle's heat and its baseline tilted up to the right, sitting at the point where the cake leaves the iron. Steam drifts sideways in the warm draft, its topmost wisps bent by the noren's cloth. The stall is the only light source's subject: a single hanging lantern above the griddle throws amber light down onto the cakes, the table's front edge and the underside of his chin, while the stall's back wall and the ground behind him fall into deep indigo shadow, and his ponytail casts a short hard shadow across the apron. Cozy, hungry.
かざま@🍎㌠
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