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サーバーメンテナンス完了のお知らせ — サーバーメンテナンスが完了し、SDXLタスクおよびTsubaki.1タスクの生成速度は通常どおりに戻りました。 メンテナンス中に溜まったタスクは、順次処理してまいります。一部のタスクは完了までもう少しお時間がかかる場合がございますので、今し…

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n2

nyx20

作品コレクション
AI artwork
n2
artist: ratatatat74 1girl, solo, vampire, messy asymmetrical bob, long hair, black hair, white hair, two-tone hair, streaked hair, white streaks, red streaks, hair between eyes, black eyes, red pupils, x-shaped pupils, symbol-shaped pupils, beautiful face, sharp eyes, black gloves, black hands, colored extremities, jewelry, long sleeves, coat, jacket, shirt, dress, several desiccated male bodies lying on the floor, skyscraper high-rise interior background, white outline, volumetric lighting, ominous lighting, depth of field, seductive pose, malevolent, detached, elegant, looking at viewer, from above, full body, dutch angle, sharp cel-shading, high contrast, rim lighting, backlighting, wide angle, cinematic, vibrant accent colors, moody atmosphere, masterwork, high quality, CG Shot from a high angle in a wide-angle lens with a slight dutch tilt, the vampire woman stands alone at the centre of a glass-walled penthouse office floor of a skyscraper, her body angled three-quarters to the camera while her chin tips down and her black eyes with their red x-shaped pupils look straight up into the lens. Her messy asymmetrical bob is cut high on her right side and sweeps longer and heavier on the left, mostly black, with white streaks slicing through the fringe falling between her eyes and red streaks catching light along the longer left length; the long hair extending from the back of her head spills down behind her shoulders across the collar of her coat and stirs slightly in the air off the window. Her lips are parted in a faint, cold half-smile, one brow lifted barely a millimetre, her expression seductive and detached at once. Her weight rests on her left leg, hip cocked, right knee bent and the toe of her black boot set forward on the polished concrete; her right hand rests gloved and black at the hollow of her throat, fingertips just touching a drop of jewelry at her collarbone, while her left arm hangs loose, black-gloved fingers trailing against the seam of her coat. She wears the black jacket open over a white-collared shirt and a short dark dress, long sleeves loose at the wrists, the coat's hem flaring back behind her knees. Around her on the floor lie several desiccated male bodies, faces down and limbs collapsed at unnatural angles, dried and grey, one forearm reaching across a seam in the concrete, another slumped against the base of a steel desk; they are pushed to the lower third and the middle distance, softened by shallow depth of field, the nearest one just entering the blur of the foreground. Behind her, the floor-to-ceiling windows of the high-rise wall frame a dusk city grid of towers and blinking aircraft beacons; behind her head and shoulders the sky glows cold and blue through the glass, and the only warm light in the room is the low sun rimming her hair, her shoulders and one edge of her jaw. The interior lights are off, so the volumetric shafts through the glass catch fine dust and cast long, hard shadows of her and the fallen bodies across the floor toward the camera. The palette holds black, white, cold steel blue and grey concrete, with red restricted to her pupils, her hair streaks and the distant beacons. Every figure and object is outlined by a thin, crisp white contour against the darkened interior, cel-shaded with hard-edged shadow and high contrast. Ominous, effortlessly elegant.
Nov 4, 2026 1:43 PM
AI artwork
n2
artist: ratatatat74 1girl, solo, very long hair, black hair, hair between eyes, peaked cap, military hat, purple eyes, blue eyes, glowing eyes, v-shaped eyebrows, eyelashes, beautiful face, gloves, white shirt, jacket, long sleeves, black belt, heart-shaped buckle, buckle, pleated skirt, miniskirt, military uniform, cape, boots, jewelry, witch, several desiccated male bodies lying on the floor in the background, penthouse suite background, white outline, volumetric lighting, depth of field, ominous lighting, malevolent expression, seductive look, maniac look, seductive pose, looking at viewer, from below, dutch angle, cowboy shot, foreshortening, grin, teeth, one eye closed, leaning forward, hand on own hip, sharp cel-shading, high contrast, rim lighting, wide angle, dark vignette Shot from a low dutch angle in a wide-angle cowboy frame, the witch dominates the foreground while the corpse-strewn penthouse floor tilts away beneath her boots. Her very long black hair spills past her waist in heavy sheaves, a thick lock falling dead-center between her eyes; the black peaked cap with its glossy visor is pushed low, the visor's brim casting a hard shadow that leaves only the eyes burning underneath. Those eyes read as mismatched glacial blue and violet with black rings bleeding at the pupils, pupils contracted and over-bright with a self-lit glow that does not come from the room. Her brows are knifed into a sharp v, and a lopsided grin pulls one corner of her mouth high enough to show teeth, one eye squeezed half shut in delight, the other wide and fixed on the viewer. She plants weight on one boot and juts the opposite hip, her gloved hand braced on the hip while the other arm sweeps the cape back behind her, the fabric bellying away from the motion. The white shirt is crisp under the jacket's long sleeves, the black belt cinches her waist with its heart-shaped buckle glinting cold at the center, and the black pleated miniskirt flares sharply over her thighs; boots rise to her knees, gloves crease at the knuckles, and a small chain of jewelry catches the light at her collar. The room behind and below her is a penthouse suite: floor-to-ceiling glass showing a distant night skyline bokeh, low lounge furniture, a cold polished floor. Several desiccated male bodies in crumpled dark suits are strewn across it — limbs bent wrong, skin like dried leather, mouths open, hands slack, none touching her. She is not looking at them. The only real light is a low warm key raking her from below and behind, firing a hard rim along the visor, cheekbone, cape edge and belt buckle, with cool ambient blue separating the far corpses from the glass; a thin white outline traces the contour of her whole figure against the dim room. Volumetric shafts hang in the haze, the background dissolving into depth-of-field blur while her face stays razor-sharp. Palette: black, white, cold steel blue, one violet fire in her eyes, the distant city a smeared amber. Moody, high-contrast cel shading, ominous and malevolent — triumphantly monstrous.
Nov 4, 2026 1:43 PM
AI artwork
n2
character: arlecchino_(genshin_impact), artist: ratatatat74, copyright: genshin_impact 1girl, solo, arlecchino \(genshin impact\), multicolored hair, black hair, white hair, grey hair, two-tone hair, streaked hair, black streaks, long hair, very long hair, short hair, ponytail, hair between eyes, black eyes, red pupils, symbol-shaped pupils, x-shaped pupils, long sleeves, coat, white coat, jacket, shirt, dress, black gloves, gloves, colored extremities, black hands, jewelry, white outline, beautiful face, malevolent expression, seductive look, teasing smirk, elegant, seductive pose, several desiccated male bodies lying on the floor in the background, skyscraper high-rise interior background, volumetric lighting, ominous lighting, dramatic backlighting, rim lighting, depth of field, sharp cel-shading, high contrast, wide angle lens, cowboy shot, from below, looking down at viewer, leaning forward, arm support, hand on own hip, head tilt, half-closed eyes, one eyebrow raised, parted lips, sidelong glance The camera sits low, tilted up: a cowboy shot cropped at mid-thigh, so the woman towers over the lens against the vast grid of a penthouse window wall. She is caught mid-pivot on her right leg, left knee bent and left toe barely grazing the polished black marble; her weight rides the right hip, which juts toward the viewer. Her torso is angled a quarter turn away, but the head turns back over the near shoulder so her face lands near three-quarter view, chin tucked, looking down at the lens along her cheekbone. Her hair is a long pale fall of white and grey shot through with black streaks, gathered into a low ponytail that drops past her waist and swings forward over the far shoulder at the momentum of the turn; a short, uneven black-and-white fringe hangs between her eyes, the white half catching the backlight into a thin glowing edge. Her eyes are black with rust-red pupils, and each pupil is cut through by a clean x-shaped symbol. Eyelids half lowered, one brow arched high, the corner of her mouth pulled into a slow teasing smirk with a sliver of teeth showing -- a malevolent, elegant, wholly unhurried amusement. She wears a white tailored coat worn open over one shoulder so it hangs off her frame, a black jacket beneath, a dark dress falling over the hips and the long sleeves ending in tight black gloves. Her gloved hands are black to the wrist: the right planted on her own hip with fingers splayed and the thumb hooked at the belt, the left hanging loose, knuckles just brushing the coat's lapel. Jewellery glints at her throat and at the wrist where the glove meets the sleeve -- small, cold, catching pinpoints of the light. The backdrop is a high-rise interior: floor-to-ceiling window planes, black steel mullions, a city night glittering far below and far out, cool blue-grey haze hanging in the air. Several desiccated male bodies lie sprawled across the marble floor behind her at different angles, dry skin taut over bone, suits crumpled and hollow, their shapes defocused into soft silhouette by the shallow depth of field. The only light is behind her: the window wall burns cold and blue-white, rimming her shoulders, the top of her head, the edge of the coat and the ponytail with hard bright contours, while the front of her face sits in dim, warm-shadowed half-light; the marble mirrors the window grid in long stretched reflections, and her cast shadow sweeps forward across the bodies at her feet. The palette is black, bone-white, cold blue and a single rust-red in the pupils and the jewelry, nothing else admitted. Anime cel-shading with hard edge shadow breaks, seamless-smooth gradients in the backlight haze, crisp black outlines and a thin white contour riding her silhouette against the dark, ultra-high detail in the face and hands, the bodies and city softened into depth. Ominous, effortlessly commanding.
Nov 4, 2026 1:37 PM
AI artwork
n2
artist: ratatatat74 1girl, solo, vampire, long hair, short hair, asymmetrical bob, three-tone hair, multicolored hair, black hair, white hair, red hair, black streaks, streaked hair, hair between eyes, black eyes, red pupils, symbol-shaped pupils, x-shaped pupils, beautiful face, elegant, malevolent expression, seductive look, detached look, half-closed eyes, looking at viewer, head tilt, coat, jacket, shirt, dress, long sleeves, black gloves, black hands, colored extremities, jewelry, standing, one hand raised, curtain of glass behind her, several desiccated male bodies lying on the floor, desiccated corpses, skyscraper high-rise interior, night, floor-to-ceiling window, city lights, volumetric lighting, ominous lighting, rim lighting, backlighting, depth of field, white outline, sharp cel-shading, high contrast, wide-angle perspective, cinematic composition, from below, cowboy shot, dark palette, deep black, bone white, arterial red, moody atmosphere, masterpiece, best quality, absurdres The camera sits low and close, tilted up from floor level so the vampire girl towers over the lens in a cowboy shot from mid-thigh to the top of her head. She stands just off-centre on the right of the frame, weight sunk onto her left hip and left leg, right knee relaxed and slightly bent, shoulders tipped a few degrees off square so her silhouette cuts a long diagonal against the window. Her chin is lowered and turned a fraction toward her right shoulder, giving a three-quarter view of a beautiful face held in flat, detached calm — lids heavy and half-closed over black eyes, the red x-shaped symbols in her pupils glinting flat and graphic, one dark brow lifted a hair's breadth while her mouth stays closed and unsmiling, the corner barely dented. She looks straight down the lens with a seductive, malevolent stillness, holding the viewer's gaze without warmth. Her hair is three tones cut as an asymmetrical bob: the longer side, her left, falls in a blunt black curtain past the jaw, the cropped right side cut high and sharp; white and black streaks run through it, a red streak catches the rim light along the crown, and a single lock drops between her brows to the bridge of her nose. The low backlight behind the glass lifts a few strands into a thin hot halo. She wears a layered dark outfit: a pale shirt buttoned high, a black dress falling to mid-thigh over it, and a long-sleeved coat-jacket of structured techwear tailoring — high collar, sharp seams, matte black with a faint sheen — hanging open from her shoulders. Long sleeves end in black gloves fitted over black hands, the fingers of her right hand lifted to shoulder height, wrist slack, one gloved fingertip resting against the collar edge, the other fingers curled and spread; thin silver jewelry at her throat and one slim band at her wrist catch the city light as small cold points. Her left hand hangs loose at her side, knuckles grazing the coat hem. Behind her the interior of a skyscraper high-rise opens out: a wall of floor-to-ceiling glass, the dark grid of the city far below, a bare polished concrete floor. Several desiccated male bodies lie sprawled across that floor in the midground — three of them, limbs at wrong angles, skin drawn tight and grey over bone, clothing sunken and slack, one arm across another's shin — shallow and out of focus under a thin fall of dust. The only light source is the cold blue-white city glow and the hard backlight spilling in through the glass behind her: it rims her hair, her shoulders and the coat's outer edges in white, drops the front of her face into low-key shadow that keeps only her eyes readable, and throws her long shadow forward toward the camera across the concrete and across the nearest body's outflung sleeve. The white outline traces her whole silhouette against the dark glass. Palette discipline: deep black, bone white and arterial red, nothing else admitted — black in the hair's long side, the coat, the gloves and the shadow; white in the cropped hair, the shirt and the rim light; red only in her pupils, one hair streak, and the thin red seam running along the coat's inner lining. The scene is quiet dread, effortlessly elegant.
Nov 4, 2026 1:37 PM
AI artwork
n2
artist: ratatatat74 1girl, solo, vampire, multicolored hair, two-tone hair, black hair, white hair, streaked hair, red streaks, black streaks, messy asymmetrical bob, long hair, short hair, hair between eyes, black eyes, red pupils, x-shaped pupils, symbol-shaped pupils, pale skin, sharp fangs, beautiful face, long sleeves, dress, shirt, jacket, coat, black gloves, black hands, colored extremities, jewelry, several desiccated male bodies lying on the floor in the background, skyscraper high-rise interior background, night, floor-to-ceiling windows, city lights, white outline, volumetric lighting, ominous lighting, depth of field, from below, low angle, full body, looking down at viewer, half-closed eyes, malevolent, seductive look, detached look, elegant, dramatic backlighting, rim lighting, sharp cel-shading, high contrast, cinematic perspective, wide angle lens Viewed from a low angle, the vampire girl stands tall in the foreground of a skyscraper high-rise interior at night, the wide-angle lens stretching the polished marble floor toward her boots while the city's grid of lights burns far below through a wall of rain-beaded floor-to-ceiling windows. Her messy asymmetrical bob falls unevenly—one side cropped short and tousled, the other sweeping long past her jaw—a tangle of white and black strands threaded with vivid red and black streaks, a few loose locks hanging between her brows and casting thin shadows across her forehead. Her black eyes hold red x-shaped pupils, the symbol-shaped irises catching the window light like cut garnet. She wears a layered outfit: a slim dress beneath an open shirt, a cropped jacket, and a long sweeping coat whose long sleeves end at her wrists, her hands and lower forearms black-gloved, the dark coloring climbing past the gloves like tinted skin. Fine jewelry glints at her throat and wrists against the dark fabric. Her chin tips down toward the camera, half-lidded eyes carrying a detached, malevolent calm, red pupils fixed on the viewer with a seductive stillness, the corner of her mouth faintly lifted to bare a pointed fang. Behind her, several desiccated male bodies lie crumpled on the floor in a loose scatter, their limbs stiff and grey, one outstretched hand just short of the heel of her boot; the depth of field softens them into a grim midground while she alone is razor-sharp. Volumetric shafts of cold blue city light slant through the glass and cut across her face and coat collar, rimming her silhouette in a pale white outline against the large dim interior; high-contrast sharp cel-shading and moody shadows tuck the corners of the room into blackness. Cinematic, ominous, lethal elegance.
Nov 4, 2026 1:36 PM
AI artwork
n2
artist: ratatatat74 1girl, solo, very long hair, silky hair, jet-black hair, blue eyes, beautiful face, hair between eyes, white peaked cap, military hat, military uniform, white jacket, long sleeves, white shirt, white pleated miniskirt, black belt, heart-shaped buckle, white gloves, jewelry, boots, witch, white outline, seductive look, maniac look, seductive pose, ominous lighting, volumetric lighting, depth of field, from below, cowboy shot, dutch angle, head tilt, looking down at viewer, open mouth, grin, half-closed eyes, raised eyebrow, hand on own hip, penthouse suite, floor-to-ceiling windows, night city skyline, several desiccated male bodies lying on the floor in the background, desiccation, mummified corpses, dark interiors, high contrast, sharp cel-shading, rim lighting, backlighting, wide-angle lens, cinematic perspective, moody atmosphere, vibrant accent colors, urban ruins visible through the glass, techwear aesthetic, finest detail, 8k Shot from below and canted a few degrees off level in a cowboy crop, the girl dominates the frame, boots planted wide apart on the polished dark floor, weight sunk into her right hip while her left leg takes the strain. She leans back a touch at the waist, chin lifted, the white peaked cap tipped forward over her brows. Her right gloved hand rests flat on the jut of her right hip, thumb hooked just above the black belt, the heart-shaped buckle centred and lit; her left gloved arm hangs loose with fingers curled, the white satin of the glove creasing at the knuckles. Her jacket is buttoned to the sternum over the white shirt, collar loose, long sleeves pushed to the wrists, and the white pleated miniskirt fans slightly with the tilt of her stance, each pleat catching a hard edge of light. Silky jet-black hair pours past her shoulders to below her waist, one heavy lock falling between her blue eyes and dragging across her cheek. She looks down the bridge of her nose at the lens, lids half lowered, one brow arched higher than the other, lips parted in a lopsided grin that pulls wide at one corner — seductive and unhinged in the same face, an eye-watering delight behind the calm. Behind her a penthouse suite opens up: a low lounge in silhouette, black marble underfoot, and beyond the glass a night skyline gone half to ruin, broken towers and drifting dust, the city glow reduced to a cold blue haze. A single hard backlight from the window's rim and a hidden warm source overhead carve her in two temperatures — white cloth blazing at the edges, her face lit from above, deep shadow pooling under the cap's brim and in the folds of the jacket. The light source is essentially the skyline behind and a shaft from above; beyond the sweep of that light the room falls away into darkness. On the floor behind her, several desiccated male bodies lie sprawled and collapsed where they fell, skin drawn tight over bone, suits gone slack and dusty, one arm flung across the marble, dust settled only on the upward-facing surfaces of the corpses and the floor's grooves. Depth of field blurs them softly while her face stays razor-sharp; a wide lens stretches the window frames at the edges. Crisp cel-shaded rendering, hard-edged shadows and a high-contrast palette of white uniform, jet-black hair, cold blue city haze and a single warm overhead glow. Ominous and gleefully malevolent.
Nov 4, 2026 1:36 PM
AI artwork
n2
character: bambietta_basterbine, artist: ratatatat74, copyright: bleach 1girl, solo, bambietta basterbine, very long black hair, floating hair, hair between eyes, purple eyes, blue eyes, black eyes, heterochromia, long eyelashes, v-shaped eyebrows, white peaked cap, military hat, white jacket, long sleeves, white shirt, white pleated miniskirt, black belt, heart-shaped buckle, white gloves, jewelry, boots, wandenreich uniform, sternritter, quincy, cowboy shot, standing, seductive pose, seductive look, maniac look, malevolent grin, looking at viewer, depth of field, volumetric lighting, ominous lighting, penthouse suite background, several desiccated male bodies on the floor in the background, white outline Cowboy shot from a low three-quarter angle, the camera just below her hip line and tilted a few degrees so the penthouse's floor-to-ceiling glass runs as a slanted diagonal behind her. She stands with her weight sunk into her right boot, left knee bent and toes turned out, hips cocked hard to one side; her torso twists so the right shoulder comes toward the lens while her chin drops and her head tilts down at the viewer. Her left hand is raised, white-gloved fingers curled loose and half-open at chest height, wrist bent back; her right hand rests on the heart-shaped buckle of the black belt at her waist, thumb hooked under the strap, the white pleated miniskirt flaring a half-step outward from the twist. Her very long black hair sweeps sideways off the twist of her body, several strands falling between her eyes, one long lock whipped across the white jacket's lapel; the peaked cap sits low, its brim cutting a hard shadow across her brow. She looks straight down the lens: eyelids heavy and half-lowered, one brow arched high and the other flat and v-shaped, lips pulled into a wide crooked grin with the teeth showing and one corner hitched higher than the other -- the maniac pleasure and the seductive invitation arriving in the same face. Behind her the penthouse suite opens up in soft focus: polished dark stone floor, a low modular sofa, a floor lamp, a glass wall with the blurred city beyond it, wide enough that the room dwarfs her silhouette. In the background, sprawled across the floor in the middle distance, several desiccated male bodies lie where they fell -- grey, sunken, hollow-cheeked, limbs splayed at bad angles, one arm hooked over a rug's edge -- rendered smaller and softer than her by the shallow depth of field, their outlines dissolving into the bokeh while hers stay razor-cut. The light is the penthouse's own: cold blue-white volumetric shafts pour in through the glass wall behind and above her, hazing the air and rimming the white peaked cap, the shoulders of the white jacket and the outer sweep of her black hair in hard bright edges, while her face sits in the shadow the cap brim throws and her eyes catch two small points of that backlight. A second, warmer low source -- the floor lamp at frame left -- rakes her white skirt and the heart buckle from below. The contrast is pushed hard: the white uniform reads almost blown out, the black hair and the black belt crush to near-black, and the dead men lie in the darkest band of the floor. Palette is disciplined to white, black, cold steel-blue and the city's sodium haze, with the only saturated note the hot amber glint on the buckle and one thin violet flare in her irises. Sharp cel-shaded edges, crisp rim lighting, a wide-angle cinematic perspective that lets the room bow slightly at the frame edges, high resolution detail concentrated in her face, gloves and the pleated skirt's swing. Ominous, effortlessly cruel.
Nov 4, 2026 1:36 PM
AI artwork
n2
artist: ratatatat74 1girl, solo, very long black hair, hair between eyes, purple eyes, blue eyes, black eyes, eyelashes, v-shaped eyebrows, beautiful face, white peaked cap, military hat, white hat, military uniform, white jacket, long sleeves, white shirt, white cape, white pleated miniskirt, skirt, black belt, heart-shaped buckle, buckle, white gloves, boots, jewelry, witch, seductive pose, seductive look, maniac look, malevolent expression, looking at viewer, grin, open mouth, half-closed eyes, from below, foreshortening, cowboy shot, dutch angle, several desiccated male bodies lying on the floor in the background, penthouse suite background, white outline around character, volumetric lighting, depth of field, ominous lighting, dark background, sharp cel-shading, high contrast, rim lighting, wide angle lens, moody atmosphere, vibrant accent colors, sharp eyes, The camera sits low, tilted a few degrees off level, looking up at her so the penthouse ceiling and the night sky beyond the glass wall rise behind her shoulders: she fills the right two-thirds of the frame in a foreshortened cowboy shot cut below the knee, one boot planted forward and the other set back and turned out, her weight sunk into the rear hip, her torso twisted toward the lens while her chin tips down and her eyes lift to meet it from under the cap's brim. Her white peaked cap is set at a slight angle, its black band and small brim casting a hard shadow across the top of her face; two long strands of black hair fall free between her eyes, and the rest of her very long black hair spills over the white cape's shoulder line and hangs past her hips at her back. Her eyebrows are drawn into a sharp V above narrowed lids whose lashes are thick and dark, one iris answering the light with a high purple flare, a second with cold blue, the pupils themselves deep black; one lip corner lifts into a lopsided grin and her tongue shows at the edge of it, half-lidded and hungry and utterly sure of herself. Her right hand hangs loose at her side inside a white glove, fingertips together; her left arm crosses her waist, the gloved hand resting flat against the heart-shaped buckle of the black belt that cinches the white jacket and the white pleated skirt beneath it, and the pleats splay and bend where her hip pushes through the fabric. The white cape hangs from her shoulders and bellies slightly away from her back, its lower edge swinging to one side, and the white jacket's long sleeves crease at the elbow over the glove cuffs. Small pieces of jewelry catch the light at her throat and ears without adding mass. Her boots meet the polished marble with a faint reflected sheen. Behind her and below her eye line, several desiccated male bodies lie sprawled across the penthouse floor -- dry hands curled, ribs showing through torn cloth, one skull tipped back against the base of a low sofa -- kept soft and grey by the shallow depth of field so they never compete with her face. The suite runs out behind them: floor-to-ceiling glass, a long console of dark stone, low warm lamps, the city's cold grid of windows far below. The light is volumetric and ominous, a hard cold key from the window behind her carving rim light down one side of her hat and cape while warm interior lamps graze the other side of her jaw and the buckle, the room's shadows pooling deep and complete in the corners. A clean white outline separates her silhouette from the darker background at every edge, crisp and even, with sharp cel shading, high contrast and vibrant accents picking out the purple of her eye and the gleam of the buckle. Head tilted, grin sharpening, dangerous and effortlessly magnetic.
Nov 4, 2026 1:36 PM
AI artwork
n2
artist: ratatatat74 1girl, solo, vampire, multicolored hair, two-tone hair, mostly black hair, black hair, white hair, white streaks, red streaks, streaked hair, long hair, short hair, messy asymmetrical bob, hair between eyes, black eyes, red pupils, symbol-shaped pupils, x-shaped pupils, beautiful face, pale skin, black hands, colored extremities, black gloves, gloves, long sleeves, coat, jacket, shirt, dress, jewelry, standing, contrapposto, hand on own hip, head tilt, looking at viewer, half-closed eyes, malevolent expression, seductive look, detached look, elegant, seductive pose, from below, cowboy shot, dutch angle, white outline, volumetric lighting, ominous lighting, rim lighting, backlighting, high contrast, depth of field, sharp cel-shading, wide angle, skyscraper high-rise interior background, floor-to-ceiling windows, city skyline at night, several desiccated male bodies lying on the floor in the background, dim interior Shot from a low dutch angle, the vampire girl dominates the frame in a cowboy shot, the camera tilted so the vertical mullions of the floor-to-ceiling windows rake diagonally behind her. She stands in a lazy contrapposto, weight sunk into her right hip, left knee eased forward, torso turned a quarter away while her chin tips down and her eyes come back up under half-lowered lids to pin the viewer — black sclera and red x-shaped pupils catching two pinpoint highlights, malevolent and seductive and entirely detached all at once, one corner of her mouth barely lifted. Her right hand rests flat on her hip, black-gloved fingers spread over the jacket's leather; her left arm hangs loose, gloved fingers half-curled, one fingertip of bare black-skinned wrist showing between glove cuff and sleeve. Her messy asymmetrical bob falls heavy and black on the right, chopped short above the jaw, while the left side runs long past the shoulder in strands of white and red streaking through the black, a few loose pieces hanging between her eyes. She wears the black jacket open over a shirt and a short dress, long sleeves pushed to the wrist, silver jewelry at her ears and throat and a chain across the jacket. Behind her the high-rise interior recedes in shallow depth of field — dark polished floor, a low console, and several desiccated male bodies sprawled and crumpled on the ground in the far background, shrunk to grey silhouettes, one overturned chair beside them. Cold blue-white city light pours in through the glass behind her, the sole source, rimming her hair and shoulders in a hard white edge and leaving her face lit only by the faintest bounce; her shadow stretches long and distorted toward the camera. Volumetric haze hangs in the window light, catching dust. Palette of black, cold steel blue and blood red, nothing else. Sharp cel-shaded edges, high contrast, deep blacks, the white rim outlining her entire silhouette. Ominous, effortlessly elegant.
Nov 4, 2026 1:36 PM
AI artwork
n2
artist: ratatatat74 1girl, solo, multicolored hair, two-tone hair, black hair, white hair, streaked hair, red streaks, white streaks, messy asymmetrical bob, long hair, short hair, hair between eyes, black eyes, red pupils, symbol-shaped pupils, x-shaped pupils, vampire, fangs, black gloves, gloves, black hands, colored extremities, jewelry, long sleeves, coat, jacket, shirt, dress, beautiful face, malevolent expression, seductive look, detached look, elegant, standing, from below, dutch angle, cowboy shot, looking down at viewer, half-closed eyes, head tilt, several desiccated male bodies lying on the floor in the background, skyscraper high-rise interior background, floor-to-ceiling windows, white outline, volumetric lighting, ominous lighting, dramatic backlighting, rim lighting, depth of field, sharp cel-shading, high contrast, wide angle lens, vibrant accent colors, moody atmosphere, masterwork, best quality, highres, absurdres, detailed shading, From a low dutch angle in a cowboy shot, the vampire woman stands in the foreground of a skyscraper high-rise interior, the camera tilted so the glass curtain wall and the city's light-streaked night run diagonal behind her. She is caught mid-step, weight sunk into her right hip with her left leg crossed in front of it, one black-gloved hand resting flat on the cold window glass beside her shoulder and the other hanging loose with the fingers half-curled. Her head is tipped down and to her right, chin lowered; her half-lidded black eyes with glowing red x-shaped pupils look straight down the lens at the viewer, and her mouth reads malevolent, seductive and detached all at once -- a faint asymmetric smirk with one fang just showing, one brow slightly raised, utterly unhurried. Her messy asymmetrical bob is cut shorter on her right and falls longer past her jaw on the left, a two-tone black-and-white mass shot through with red and white streaks, stray locks falling between her eyes; the window's backlight makes a hard white rim run down her left side and through her hair, and the draft off the glass lifts a few loose strands. The white outline holds her whole silhouette crisp against the dark. She is elegant in a long-sleeved shirt buttoned to the throat under an open tailored jacket, a coat hanging from her shoulders, and a dress whose hem breaks the line of the coat; black gloves cover black hands to the wrist, small jewelry catching a pinpoint of light at her ear and throat. Behind her, out of focus but unmistakable, several desiccated male bodies lie on the floor in the background, collapsed across the polished stone in the middle distance between her and the window wall, their clothes dried and clinging, one arm outstretched toward a fallen chair. The floor is a mirror of dark polished stone in which her legs and the bodies smear into long vertical reflections, brighter at the edges and darker at the core. The only light is the city's glow pressing in through the glass behind her, cold and blue-white and volumetric in the haze inside the room, with the darkness in front of her absolute and rim lighting burning along every silhouette edge. Palette: black, white, cold glass blue-grey, nothing warm except the red of her pupils, streaks and lips. High-contrast cel shading with crisp shadow shapes and a shallow depth of field that keeps her face needle-sharp while the bodies soften into the dark. Ominous, effortlessly elegant.
Nov 4, 2026 1:32 PM
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