サーバーメンテナンス完了のお知らせ — サーバーメンテナンスが完了し、SDXLタスクおよびTsubaki.1タスクの生成速度は通常どおりに戻りました。 メンテナンス中に溜まったタスクは、順次処理してまいります。一部のタスクは完了までもう少しお時間がかかる場合がございますので、今し…
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- オリジナルプロンプト
- 1girl, long hair, black hair, hat, hair between eyes, military hat, gloves, skirt, jacket, belt, military uniform, cape, long sleeves, peaked cap, purple eyes, v-shaped eyebrows, pleated skirt, buckle, miniskirt, shirt, heart-shaped buckle, black belt, eyelashes, very long hair, blue eyes, white shirt, black eyes, boots, jewelry, witch, glowing eyes, several desiccated male bodies lie on the floor in the background, penthouse suite background, background, white outline, beautiful face, masterpiece, best quality, absurdres, very absurdres, highres, volumetric lighting, depth of field, CG, newest, very awe, amazing quality, high quality, high resolution, 8k, full hd, illustrating, detailed shading, perfect anatomy, very aesthetic, ratatatat74, 4k, ultra hd, ominous lighting, malevolent, seductive look, maniac look, seductive pose,
- モード
- pro
- 縦横比
- 1104 x 1824
- サンプリング方法
- Euler
- ネガティブ
- lowres, worst quality, low quality, bad anatomy, explicit
プロンプト自動変換
利用したモデルとLoRA
ほかの類似作品
続きを読む
n2
artist: ratatatat74
1girl, solo, very long hair, black hair, hair between eyes, military hat, peaked cap, military uniform, jacket, long sleeves, shirt, cape, gloves, belt, heart-shaped buckle, buckle, pleated skirt, miniskirt, boots, jewelry, v-shaped eyebrows, eyelashes, blue eyes, glowing eyes, witch, beautiful face, seductive look, maniac look, malevolent, seductive pose, several desiccated charred male bodies lying on the floor in the background, penthouse suite background, white outline, volumetric lighting, ominous lighting, depth of field, dramatic backlighting, rim lighting, sharp cel-shading, high contrast, cinematic perspective, wide angle lens, from below, dutch angle, cowboy shot,
Seen from a low wide-angle camera tilted a few degrees off level, a witch stands in the foreground of a penthouse suite, her boots planted wide apart on the polished dark marble floor, weight sunk into her right hip so her left knee angles inward and the pleated miniskirt flares at the hem. Her black peaked military cap sits low over her brow; beneath it her v-shaped eyebrows cut down hard and a few strands of very long black hair fall between her glowing blue eyes, the rest of that hair pouring past her waist and spilling over the shoulder of her tailored long-sleeved military jacket. The jacket is buttoned high over a white shirt, cinched at the waist by a belt whose heart-shaped buckle catches the light, and a dark cape falls from her shoulders, its hem lifted slightly away from her body as if by a slow turn she has just completed. Her gloved hands cross one over the other at the top of her chest, fingers of the upper glove spread and pressed flat against the fabric, the lower glove hooked under the opposite arm so the sleeve draws taut; the gloves and the small jewelry pieces at her throat and ears glint along one edge only.
She looks directly down the lens, chin tipped so the brim of the cap throws a hard bar of shadow across the top of her face while the light from behind carves a white rim down the length of her hair, her mouth drawn into a wide crescent, one corner hitched higher, lower lashes lifted, pupils narrowed and lit from within by a cold blue glow that stains the air immediately in front of her eyes. Her expression is seductive and maniacal at once: lids heavy, grin bared, one brow arched while the other stays flat.
Behind her the suite opens in a deep field: floor-to-ceiling glass with a black city grid far below, low modernist sofas, an unlit bar, grain and softness increasing with distance as the depth of field falls away. Scattered across that floor in the midground, in the ring of shadow that her body does not cover, several desiccated charred male bodies lie crumpled and contorted where they fell, their outlines cracked and blackened, one forearm still raised. The volumetric light is the key: a broad shaft of cold white light pours in from behind and above, cutting the smoky air into visible planes, wrapping a thin bright contour around her cap, shoulders, cape and hair, while the front of her figure keeps a cool blue fill — the cap's underside and the recesses of the cape fall into absolute darkness. Every figure on the floor carries a white outline tracing its silhouette so each charred shape reads distinctly against the marble.
The palette runs on black, white and cold blue with a single hot ember-orange living only in the cinders of the bodies and one thin under-reflection on the marble, sharp cel-shaded edges and high contrast keeping the clean techwear precision of her uniform crisp against the ruin behind her — ominous, malevolent, effortlessly stylish.
nyx21-
n2
artist: ratatatat74
1girl, solo, long hair, very long hair, black hair, hair between eyes, white military peaked cap, military hat, white gloves, white jacket, long sleeves, white shirt, white cape, black belt, heart-shaped buckle, buckle, white pleated miniskirt, pleated skirt, miniskirt, boots, jewelry, witch, glowing blue eyes, blue eyes, long eyelashes, v-shaped eyebrows, beautiful face, white outline, malevolent expression, seductive look, maniac look, seductive pose, glowing eyes, looking at viewer, grin, one eye closed, head tilt, hand on own hip, from below, cowboy shot, dutch angle, volumetric lighting, ominous lighting, depth of field, several desiccated charred male bodies lying on the floor in the background, penthouse suite background, sharp cel-shading, high contrast, rim lighting, moody atmosphere, wide angle lens,
Camera tilts up from floor level in a low dutch angle: the witch stands in the foreground of a glass-walled penthouse suite, her white-caped silhouette towering against the night cityscape, hat brim and shoulders cutting the skyline. She has propped her weight on her left leg, right hip pushed out, cape sweeping backward off her shoulders and hanging open behind her. Her right hand rests flat on her hip just above the black belt, white-gloved fingers spread wide and curling into the fabric; her left arm hangs loose, gloved fingers half-curled, a silver ring and a thin chain at her throat catching the light. She tips her chin down toward the lens so the peaked cap shades the top of her face while her glowing blue eyes burn from beneath the brim, pupils narrowed, one eye half-lidded, a lopsided maniac grin baring teeth on one side; two strands of black hair fall straight between her eyes, the rest of the very long hair spilling over her shoulders and down her back to her calves. The white jacket is buttoned to the collar, its long sleeves buttoned at the wrist; above it the white pleated miniskirt fans in sharp pleats under the heart-shaped buckle of the black belt, and black boots plant her stance on the polished marble.
Behind her, a wide expanse of floor-to-ceiling glass, low white sofas, and a scatter of desiccated charred male bodies lie broken across the marble in the soft-focus background, one arm flung out, ash-grey skin shriveled over bone, their silhouettes blurred by the shallow depth of field. The only light is the cold night glow of the city through the glass behind her: it rims the edge of her cap, her cape, and one line along her jaw in a bright thin outline, while her face stays in darkness except for the two blue glowing points of her eyes; the marble in front of her carries a long, hard cast shadow of her boots and the cape's hem. The palette locks to white uniform against charcoal-marble grey and the night city's cold blue, with one warm ember-orange glint smoldering in the ruined bodies behind her. Rim light, sharp cel-shaded edges, glossy highlights on the leather boots and the polished marble floor. Ominous, exultant.
nyx21-
n2
artist: ratatatat74
1girl, solo, close-up, from below, looking down at viewer, very long black hair, hair between eyes, white peaked cap, white military uniform, white jacket, long sleeves, white shirt, white cape, white pleated miniskirt, black belt, heart-shaped buckle, white gloves, boots, jewelry, glowing blue eyes, glowing eyes, v-shaped eyebrows, eyelashes, beautiful face, seductive look, malevolent smile, demanding, flirting, witch, white outline, penthouse suite background, floor-to-ceiling windows, city skyline at night, several desiccated charred male bodies on the floor in the background, volumetric lighting, ominous lighting, rim lighting, depth of field, sharp cel-shading, high contrast, dramatic backlighting, cinematic perspective, vibrant accent colors, moody atmosphere, masterwork, high quality
The camera sits low and close, tilted up so the white peaked cap and the vast glass wall of the penthouse tower over the lens, the whole upper frame filled by her face while the ruined floor falls away behind her shoulder. Very long black hair spills past her waist, one lock hanging dead-center between her brows, and her v-shaped eyebrows draw down over wide glowing blue eyes whose light washes faint blue over the cap's underside and the bridge of her nose; her lashes are long and heavy, and her lips are parted in a slow, knowing curve, one corner lifted higher than the other. She leans in toward the viewer, weight on one boot forward, chin dipped so she looks down the line of her nose, both white-gloved hands planted on the polished ledge of the window seat in the near foreground so the gloves frame the bottom of the shot. The white military jacket is buttoned to the throat with the white cape falling behind her shoulders, its edge lifting slightly; the black belt cinches tight with the heart-shaped buckle sitting just above the white pleated miniskirt, and jewelry glints at her ear and throat. Behind and below her, scattered across the dark marble of the penthouse suite floor, several desiccated charred male bodies lie contorted on the ground, their twisted silhouettes receding into soft focus down the long room. Exterior city light from the windows behind her pours in cold and blue, the exclusive source of light, cutting a bright rim along her hair, her cap and her shoulders while her face falls into cool shadow broken only by the glow of her eyes; beyond the glass the skyline sparkles and the reflections on the polished floor carry only the upward lamp-light of the city, darker and softer than their sources. The visible white outline traces her silhouette against that brightness. Palette held to white and pearl for her uniform, near-black for her hair and the burned shapes on the floor, and cold electric blue for the eye-glow and the window light, nothing warm admitted. Detail concentrated on her eyes, lips, gloved hands and the heart buckle; the distant dead simplified to charred shapes. Ominous, seductive.
nyx222026
n2
artist: ratatatat74
1girl, solo, close-up, from below, looking down at viewer, black hair, very long hair, hair between eyes, blue eyes, glowing eyes, long eyelashes, v-shaped eyebrows, white peaked cap, military hat, white military jacket, long sleeves, white shirt, white cape, white pleated skirt, miniskirt, black belt, heart-shaped buckle, white gloves, boots, jewelry, witch, white outline, malevolent expression, smug, seductive look, demanding, leaning forward, head tilt, looking at viewer, half-closed eyes, penthouse suite background, night, floor-to-ceiling windows, city lights bokeh, several desiccated charred male bodies lying on the floor in the background, volumetric lighting, ominous lighting, rim lighting, high contrast, sharp cel-shading, depth of field, cinematic perspective, moody atmosphere, dramatic backlighting, high quality
Shot from below at a close angle, the witch fills the frame from the waist up and looms over the lens, her boot heels planted wide apart on the penthouse's polished black marble floor, her weight carried on her back leg so her hips cant to one side. She leans forward from the waist toward the camera, chest close, her white-gloved right hand raised with the fingers curled in a slow beckoning gesture at shoulder height while her left glove rests flat on the heart-shaped black buckle cinching her white pleated miniskirt's waistband. Her chin is tipped down and she looks down the length of it straight into the viewer, eyelids half lowered, one v-shaped eyebrow arched higher than the other, lips parted in a thin lopsided smirk; the white cape falls behind her shoulders away from the lean and slips over the crook of one elbow. Very long black hair spills past her hips, strands hanging between her eyes and swinging forward off her shoulder with the lean, and the white peaked cap sits tilted low over her brow with its band catching the light. Behind and below her, the penthouse suite opens out in deep-focus falloff: low lounge seating, a long dark bar, and a wall of floor-to-ceiling windows holding a night skyline scattered into bokeh, the room's only clean light coming from that window line so the backlight rims her cap, cape and hair in a cold white edge while her face stays in soft shadow and her glowing blue eyes are the brightest points in the frame. On the marble between her boots and the bar, several desiccated charred male bodies lie collapsed in the background, limbs folded, ash-grey and split by thin cracks, their outlines softened by the shallow depth of field so they read as a dark, blackened texture under her, and the faint haze of smoke hangs where the window light cuts it into visible shafts. Globally the palette is held to white, black and the cold blue of the skyline, with nothing warm admitted except the dull ember-brown of the charred bodies on the floor. Sinister, imperious.
nyx21-
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