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襷のAIイラスト・プロンプト

トレンドの 襷 の作品 611 件を探索する

AI artwork
Avatar image of Mizuki
2boys, vampire, bitten victim, blood on mouth, blood dripping from lips, red eyes, glowing red eyes, mole under eye, white hair, long white hair, silver hair, hair over shoulders, fur collar, white fur trim, black military uniform, high collar, gold braid, aiguillette, gold chains, ornate uniform, jeweled brooch, blue gem, red necktie tucked, long black robe, holding limp body, carrying victim, victim slumped on shoulder, unconscious boy, brown hair, short messy hair, head hanging, arm around waist, pale hands, sharp fingernails, pointed ears, headless statue, marble saint statue, broken statue, missing head, flowing robes sculpture, outstretched stone hand, niche, arched alcove, carved stone arch, ornate frame, red background, flat crimson field, blue statue lighting, cold blue on stone, red and blue palette, split lighting, painterly, thick brush strokes, gothic, religious imagery, sacrilege, cathedral apse, curved steps below, A tall gothic scene staged inside a carved stone arch like an altarpiece: the alcove's field is a flat consuming crimson, and against it looms an enormous marble saint — headless, the neck a clean break — its heavy robes and open reaching hands painted entirely in cold electric blue as though lit by moonlight from somewhere the red cannot touch, one stone arm extended down and outward in blessing over what happens beneath it. At the statue's feet stands a white-haired vampire in an ornate black military uniform — high gold-braided collar, aiguillettes and layered gold chains, a blue-jeweled clasp, white fur draped over one shoulder, long silver hair spilling past his chest — his eyes flat glowing red, a dark mole under one eye, pointed ears, and fresh blood smeared from the corner of his mouth down his chin. In his arms a brown-haired boy hangs limp, slumped face-down over the vampire's shoulder and arm, head lolling so only his nape and mussed hair show, a thin red sash or ribbon trailing from his waist to the floor like a run of blood; the vampire's pale hand with long sharpened nails presses the boy's back, the other hand held open and relaxed at his side, unhurried, the feeding just finished. The lighting splits the world in two temperatures — everything stone and saint is blue, everything mortal is warm-pale and black, the red field owning the space between — with the statue's missing head positioned directly above the vampire's own, so he stands in for it. The arch's border is carved with worn scrollwork in grey-violet, and a curved colonnaded step base runs along the bottom edge. Paint handling is loose and confident, thick visible strokes in the statue's drapery, edges sharpening only at the vampire's face, the blood, and the gold. Sacred and profane in one frame, tender violence, the church watching with no head to look away,
Mizuki
AI artwork
j
character: cornelia_li_britannia, copyright: code_geass 1girl, solo, cornelia li britannia, tall female, elegant proportions, long legs, (long light purple lavender hair:1.3), wavy hair, voluminous hair, hair between eyes, long side locks, bangs, (purple eyes:1.2), sharp proud gaze, long eyelashes, (haughty confident expression:1.2), thin lips, subtle smirk, fair pale skin, elegant posture, (britannian military uniform:1.3), white and purple officer uniform, gold trim, gold epaulettes, gold buttons, high collar, red sash, medals, aiguillette, white gloves, (purple cape with white ermine fur trim:1.3), cape, tall boots, standing, one hand on her hip, commanding pose, chin slightly raised, cape billowing behind her, ornate palace interior, marble columns, tall windows, dramatic side lighting, three-quarter view, medium shot, sharp clean lineart, glossy shading, detailed hair, official art style, CLAMP style, Code Geass official art style, sophisticated, refined illustration, wrist bracelet, earrings Medium shot in three-quarter view, the tall officer stands in the marble hall with her body angled a quarter-turn to the right while her face turns back toward the left of the frame, her gaze cutting past the camera rather than meeting it. Her weight rests on the straight back leg, the left boot planted firm against the polished marble; the right leg eases slightly forward and out, pushing the hip sideways so the hand in its white glove rests flat on that hip, fingers raked back, elbow cocked as a sharp triangle of negative space. The other arm hangs at her side, gloved fingers just touching the fur trim of the cape at her shoulder. Her chin lifts a few degrees, lids low, one brow faintly arched, the smirk on the thin mouth held tight and closed, dimmed by no warmth. Her (long light purple lavender hair:1.3) falls in heavy waves past her waist, voluminous and glossy, the long side locks framing the pale face and the bangs pushed aside between the eyebrows, every strand catching the side light along the crest of its wave. The (purple eyes:1.2) stay steady and cold under the long lashes. The (britannian military uniform:1.3) is cut for a tall frame: white jacket panels edged in gold trim with purple at the shoulders, gold epaulettes resting square on each shoulder with the aiguillette looping from the right one across the chest to a gold button, the high collar buttoned to the jaw, gold buttons down the front, rows of medals on the left breast, and the red sash crossing the waist over the belt line. White gloves reach the wrist, tall boots rise nearly to the knee. The (purple cape with white ermine fur trim:1.3) is fastened at both collarbones and sweeps out behind her right shoulder, the white fur edge riding stiff and dense along the purple cloth, the hem lifted away from the floor and twisted into a curl by the cold air of the hall. Behind and around her the ornate palace interior opens up: fluted marble columns rise in a receding arc, tall windows arch between them and admit a knife of low afternoon light from the left side of the frame, which rakes across the left edge of her face, the gold trim and the white fur, and throws a long diagonal shadow of her shoulder and cape across the veined marble floor to the right. Her boots cast short contact shadows on the polished stone. Beyond the columns the far end of the hall falls into warm violet shadow, the window glass bright and unreadable. Palette of white, lavender and deep purple with gold accents and the red sash as the single hot note against the cool marble. Quiet, imperious authority.
juan
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